Cash for rares

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Television broadcast
Original title Cash for rares
Cash for Rares Logo.svg
Country of production Germany
original language German
Year (s) since 2013
Production
company
Warner Bros. International Television Production , ZDF
length 45-55 minutes
Episodes 1000+ in 8 seasons
Broadcasting
cycle
initially on Sundays, later daily
genre Docutainment
Theme music The Jim Jones Revue - Where Da Money Go?
Moderation Horst lights
First broadcast August 3, 2013 on ZDFneo
Moderator Horst Lichter (2014)

Bares für Rares is a series moderated by Horst Lichter that has been in production since 2013 and has since comprised eight seasons with more than 1000 episodes. In the show, selected applicants each present a curiosity , rarity or antique they have brought with them . After got expertise they get there the opportunity to offer their exhibit an alternating five-member panel dealer to purchase and to the highest bidder to "at best Bares to sell."

The TV show, which was awarded the Golden Camera 2018 and the German TV Prize 2019 , is the most successful program in the afternoon program of ZDF thanks to its good audience ratings . On weekdays around 3 million people watch with a regular market share of around 25 percent, even for the repeats in the evening program on ZDFneo , up to 1.5 million viewers can sometimes be found.

Since July 2017, the station has occasionally been showing special evening editions with unusual exhibits in an extended framework, in which prominent providers also present and sell objects, sometimes for charitable purposes. In this format, there are seven dealers in the sales area.

concept

The objects brought by the invited persons are first commented on by an expert and checked for authenticity, since replicas and objects subject to species protection are excluded from sale. At the same time as the evaluation, Horst Lichter tries to find out the nostalgic stories behind the objects in conversation with the providers. He also asks about your price expectations, after which the respective expert receives the floor again and estimates the actual value of the piece. If the valuation of the expertise matches the values ​​of the seller, the candidate receives the so-called “dealer card” from Lichter, with which he can offer his exhibit for sale in the “dealer room”. Suppliers whose price “pain threshold” is above the expert estimate will not receive a dealer card.

Later, the salespeople step with these items in the dealer's room individually in front of a podium of five dealers who switch from one shipment to the next and who are not aware of the expert assessments. If interested, the dealers bid for the items presented , similar to an auction , and sometimes push each other's prices up. In contrast to an auction, the sellers have the right not to accept the highest bid from the dealers and thus not to sell their items. If the providers accept, they agree to the sale of their respective exhibits and receive the amount offered in cash from the highest bidder. The dealers finance their purchases from their own resources.

The objects offered - usually six per shipment - are mostly paintings, furniture, porcelain, bronze figures, antique toys, old technology products or jewelry; Old-timer vehicles are rarely offered.

The series falls into the docutainment genre . Together with Kunst und Krempel ( BR ), Lieb & Teuer ( NDR ), really antique ?! ( SWR ), The Flea Market Duel and Der Trödel-King ( WDR ), Schatz oder Trödel ( HR ), What do you value ...? ( ORF III ), Der Trödeltrupp ( RTL II ) with its offshoots as well as the German edited editions of the American productions Die Drei vom Pfandhaus ( RTL Nitro ) and Auction Hunters - Zwei Aces make cash ( DMAX ), the series serves the German-language TV Market for shipments of reviews of items such as junk and antiques. RTL began in the 2018/19 season with its version of the British show 4 Rooms , which the broadcaster titled Die Super Händler - 4 Raum, 1 Deal . The BBC has been internationally successful with its Antiques Roadshow format since 1979.

Experts |

In each broadcast, three experts appear who examine, comment and assess the exhibits in the expert hall. In preparation, the editors of the production company and art historians and specialist advisors put together basic information about the exhibits and thus provide the experts with relevant prior knowledge. A solid assessment and evaluation is only possible for the experts on the original object, which takes place on the day of the recording, on which the experts see the object to be assessed for the first time.

At the beginning of the first season, the experts were Heide Rezepa-Zabel , Albert Maier and Oliver Kircher . Kircher was replaced in the second season by Sven Deutschmanek , who was occasionally represented in the sixth season by John Goldsworthy , George Mullen or Markus Weller . From this season on, Detlev Kümmel and Colmar Schulte-Goltz also strengthened the group of experts, who have since performed alternately with Deutschmanek and Maier. In the seventh season, first Anne-Katrin Hoffmann , then more often Wendela Horz, alternating with Heide Rezepa-Zabel, rated mostly historical and modern jewelry. Maier and Schulte-Goltz usually value antiques and works of art; Deutschmanek and Kümmel essentially comment on design classics and technical objects. In the eighth season, Florian Meyer and Fabian Benöhr joined them as experts for antiques and art, and later the art historians Friederike Werner and Bianca Berding . A total of 15 experts have appeared so far.

Dealer

The podium traditionally consists of four dealers and one dealer, the podium cast can change from show to show. When Esther Ollick made his debut in May 2017, two female dealers and three male colleagues sat at the dealer's table for the first time.

The dealers can only inspect the exhibits in the dealership room. In order to avoid prior arrangements about objects, care is taken to ensure that there is no exchange between dealers and experts. This leads to the fact that experts and dealers stay in different hotels, arrive at the set at different times, stay in different rooms and have staggered lunch breaks. It is forbidden for dealers to go through rooms in which an expert is staying.

As soon as a seller has agreed on a price for an object with one of the dealers, a sales contract is concluded. The purchase price is paid immediately in cash; During the recording, however, no receipts are issued "for dramaturgical reasons". By the end of July 2018, over two million euros had been turned over. So far, 25 dealers have appeared.

Dealer bar
Season 1
(2013)
Season 2
(2014)
Season 3
(2014)
Season 4
(2015)
Season 5
(2015)
Season 6
(2015/16)
Season 7
(2016/17)
Season 8
(2017-20)
Ludwig Hofmaier
Fabian Kahl
Walter Lehnertz
Wolfgang Pauritsch
Sandra Vanessa Schäfer
Susanne Steiger
Daniel Meyer
Ansgar Heickmann
Friedrich Häusser
Julian Schmitz-Avila
Fritz Breckheimer
Saskia Montag-Seewald
Elke Velten-Tönnies
Silke Köberlein
Hans-Peter Ernst
Steffen Mandel
Markus Wildhagen
Esther Ollick
Jan Čížek
Elisabeth Nüdling
Ahmed Abou-Chaker
Christian Vechtel
Thorsden Schlössner
David Suppes
Roman Runkel
Season 1
(2013)
Season 2
(2014)
Season 3
(2014)
Season 4
(2015)
Season 5
(2015)
Season 6
(2015/16)
Season 7
(2016/17)
Season 8
(2017-20)

Variations

Celebrity special

In the special format “Promi-Spezial”, celebrities first brought rarities from their property to the experts for appraisal and then sold these exhibits to the dealers. The proceeds went to a charity.

The celebrities of the first episode of this format on May 17, 2015 were Johann Lafer , Mirja Boes , Lutz van der Horst and Dunja Hayali . Hella von Sinnen , the Ehrlich Brothers , Wolfgang Trepper and Jürgen Drews participated in the “Celebrity Special” on October 18, 2015 . The repetition of the broadcast on August 25, 2016 was expanded to include Markus Maria Profitlich's appearance. Another “Celebrity Special” with Nadine Krüger , Sven Voss , Michaela Schaffrath , Ingo Naujoks and Simon Gosejohann was broadcast on May 26, 2016.

Dealer duel

Two of the dealers who received start-up capital from Horst Lichter competed against each other in the format Bares for Rares en route and were supposed to use it to negotiate five items at a public flea market. The exhibits were later auctioned off; the one who had generated the greatest proceeds from the starting credit emerged as the winner of the duel. The total amount won was donated to a good cause.

  • On October 25, 2015, Bares for Rares was first broadcast on the go. In this issue, Horst Lichter sent the dealers Walter Lehnertz and Ludwig Hofmaier to the antique market in Tongeren , Belgium. Both had 1000 euros each to buy rarities there. Then auctioneer Wolfgang Pauritsch auctioned the acquired objects to the highest bidder. Walter Lehnertz emerged as the winner.
  • The second edition of Bares for Rares on the go aired on January 10, 2016. The dealer duel took place at a flea market in Basel , Switzerland, with the two dealers Lehnertz and Hofmaier each having 1,000 Swiss francs at their disposal. This time Ludwig Hofmaier won.

Favorite pieces

From July 10, 2016 to November 20, 2016, the experts Heide Rezepa-Zabel, Albert Maier and Sven Deutschmanek presented their favorite pieces in 22 episodes. These were broadcast on different days either on Sunday mornings at 10:15 a.m. (usually 90 minutes) or on weekdays at 3:05 p.m. (usually 50 minutes). In this best-of format, excerpts from past episodes commented on by the experts are shown. This format was continued on January 1, 2017; This time, in addition to Maier, Deutschmanek and Rezepa-Zabel, Detlev Kümmel and dealers Wolfgang Pauritsch, Susanne Steiger and Fabian Kahl also comment on the favorite items. Since October 22, 2017, Wendela Horz and Colmar Schulte-Goltz as well as the dealers Walter Lehnertz and Julian Schmitz-Avila have also been commenting. The dealers Esther Ollick, Daniel Meyer, Elisabeth Nüdling and Markus Wildhagen are now also in use.

Evening shows

2017

For the broadcast dates on June 15 and July 13, 2017, at 8:15 p.m., ZDF filmed two programs under the title Bares für Rares - Germany's biggest junk show . The programs were produced between May 12 and 15, 2017 at Ehreshoven Castle in Engelskirchen . In addition to Horst Lichter, Steven Gätjen moderated parts of the show and guided the providers to the dealer room after the expertise. The dealer table for the evening shows was expanded to include seven participants, namely Ludwig Hofmaier, Wolfgang Pauritsch, Susanne Steiger, Walter Lehnertz, Fabian Kahl, Julian Schmitz-Avila and Elke Velten. The team of experts consisted of the four reviewers Heide Rezepa-Zabel, Albert Maier, Sven Deutschmanek and Detlev Kümmel. In the broadcast of June 15, 2017, Boris Becker and Bernhard Hoëcker were among the providers. Rosi Mittermaier , Christian Neureuther and Thomas Hermanns appeared in the program on July 13th . Most celebrity proceeds should be donated to charity.

Another program of this format was broadcast on November 2, 2017, with Katja Flint as a prominent provider. The ensemble of experts and dealers remained unchanged, but Steven Gätjen no longer appeared as co-moderator.

2018

On the penultimate weekend in April 2018, the production team shot additional programs in "XXL format" at Drachenburg Castle in Königswinter . The first episode - with Andy Borg as a prominent seller - aired on May 31, and a second - with Margie Kinsky and Bill Mockridge - on July 12, 2018.

Filming for another evening program took place on September 1 and 2, 2018 at Schloss Drachenburg. The broadcast took place on October 17, 2018, for the first time on a Wednesday evening and with Elisabeth Nüdling instead of Elke Velten-Tönnies in the dealer room. Ingolf Lück took part as a prominent seller .

On November 3rd and 4th, 2018, a Christmas special was recorded at Ehreshoven Castle, which was broadcast on December 19th, 2018. This time Elke Velten was in the dealer room for Susanne Steiger; Anna Thalbach and her daughter Nellie Thalbach were there as prominent saleswomen .

2019

In 2019, ZDF produced four new prime-time episodes. Filming took place in Schwerin Castle from April 13th to 15th, 2019 . The first broadcast of the year was on May 22nd, with Christine Urspruch as a guest. The male occupation of the dealer's desk remained unchanged, with Susanne Steiger and Elke Velten also performing. Muriel Baumeister was a guest on July 17, 2019 .

The shooting of the third and fourth broadcast of the year took place between October 18 and 20, 2019 at Schloss Drachenburg. In the broadcast on November 27, 2019, Judith Williams and her husband Alexander-Klaus Stecher were prominent salespeople. Instead of Elke Velten and Fabian Kahl, this time Elisabeth Nüdling and Daniel Meyer sat at the dealer's desk. Verona Pooth and her son San Diego were guests at the broadcast on December 18, 2019 .

2020

ZDF had two evening editions produced at Schloss Drachenburg from June 8th to 14th, 2020. Because of the COVID-19 pandemic , neither the audience nor extras were on site this time. In order to maintain minimum distances, only six dealers were present in the dealership, namely Walter Lehnertz, Susanne Steiger, Julian Schmitz-Avila, Elisabeth Nüdling, Fabian Kahl and Daniel Meyer. The first issue was broadcast on July 22nd, 2020, with Felix Neureuther as a prominent seller. On the second broadcast on August 19, 2020, Vanessa Mai was a guest with her mother-in-law Christa Vogel.

production

Produced cash for Rares of Eyeworks (until May 2015 Eyeworks ) and ZDF. As of the end of July 2018, 706 episodes were filmed (not including evening programs).

Selection of objects

The production company receives around 500 to 1000 applications per week, which are subjected to an extensive selection process, which results in a meaningful assessment of the sellers and their properties. The editors are supported by several art historians who, among other things, check the provenance of the objects. Every three months or so, interested parties are given the opportunity to have their objects assessed by experts outside of the program on so-called “estimation days”. At these events, the editors can select objects that will be invited for a later recording with full expertise and subsequent sale.

Locations

The venues for the recording of afternoon episodes of the series have been the Balloni-Hallen in Cologne , the historic department store in Freiburg im Breisgau , the Cologne Harbor.Club and the rolling mill in Pulheim .

The evening programs were filmed at Ehreshoven Castle in Engelskirchen, Drachenburg Castle in Königswinter and Schwerin Castle in Schwerin.

Production staff

Sheila Mertens led many episodes directed , as well Doerthe Bahne, Nico Gutjahr, Katharina Kreutz, Benjamin Spratte, Katja pit and Samuel Kircheis and others. For the section of the episodes recorded film editor Katharina Kreutz often responsible, followed by David de Leon, Samuel Kircheis, Ingo Monitor , Jan Richter, Yves Ferrand and Katja pit and others. Jana Zerlett has been the head make-up artist since 2016 , and she made cameo appearances in some programs . The voice-over from the off belongs to the speaker Volker Wolf .

Sales lines and extras

In early 2018, parts of the German press expressed doubts about the authenticity of the vendor queues in the expert hall.

According to the ZDF, the vendor queues shown are real. In addition, sellers, experts and dealers should act naturally if possible. The actions around the expertise and sales are not scripted . However, only selected cases would be shown in the program; not every object valued by the experts is also offered for sale to dealers. So the producers would also fall back on recordings from public valuation days.

When recording programs, however, paid extras are also used, which can be seen, for example, when real salespeople are taking pictures at the expert tables in the background at other tables. According to ZDF, however, these extras are never directly involved in the expertise and sales processes broadcast and are only used for “purely production reasons”. In the production of the evening broadcasts in May / July 2018, in addition to 600 visitors, around 150 extras were used, each of whom received remuneration of 80 euros and a lump sum of 15 euros for their travel.

Horst Lichter commented on the allegations of fraud in July 2018: “In principle, you could count on it. When something has a great success, people are not happy, but rather suspect that something is wrong. It is typical to say: There is no right thing to do! Germans can't just enjoy themselves without thinking, there is a catch. I always think that's a shame. I was very surprised in the case of 'Bares for Rares', but one could have expected it. A little envy and resentment also play a role. Everyone would have liked to have discovered, invented and made it themselves. "

Charisma

Season overview

It was first broadcast on ZDFneo . Further episodes were shown weekly on the fixed broadcasting slot on Sundays at 1:15 p.m. on ZDF . From May 18, 2015, the show received the weekday slot for the discontinued cooking show Topfgeldjäger .

Season
(No.)
Episodes
(number)
Start of broadcasting
(Germany)
End of broadcast
(Germany)
Remarks
1 6th 4th August 2013 September 8, 2013 Sunday
2 19th 5th January 2014 June 22, 2014 Sunday
3 6th September 28, 2014 November 9, 2014 Sunday
4th 51 January 18, 2015 September 11, 2015 initially on Sundays, from May 18 on weekdays at 3:05 p.m.
5 7th 13th September 2015 October 25, 2015 weekdays, 3:05 p.m.
6th 107 December 28, 2015 June 10, 2016 weekdays, 3:05 p.m.
7th 208 29th August 2016 July 31, 2017 weekdays, 3:05 p.m.
8th 4th September 2017 not yet known weekdays, 3:05 p.m.

Since August 19, 2017, programs have also been broadcast on Saturdays at 4:05 p.m. From September 14, 2019, ZDF is planning seven episodes for the Saturday slot at 7:25 p.m.

Repetitions

Edited repetitions

In 2014 and 2015, 44 edited repetitions with previously unpublished material were broadcast in the afternoon program of ZDF.

Season
(No.)
Episodes
(number)
Start of broadcasting
(Germany)
End of broadcast
(Germany)
Remarks
1 20th July 14, 2014 August 8, 2014 Mondays to Fridays at 3:05 p.m.
2 24 May 26, 2015 July 24, 2015 Mondays to Fridays at 3:05 p.m.

Favorite pieces

Season
(No.)
Episodes
(number)
Start of broadcasting
(Germany)
End of broadcast
(Germany)
Remarks
1 22nd July 10, 2016 20th November 2016
2 20+ January 1, 2017 not yet known mostly on Sunday mornings

Broadcasting and adaptations on other channels

Development of the annual broadcast hours
of Bares for Rares on ZDF and ZDF neo

ZDFneo regularly broadcasts repeats of various seasons. The Swiss private television broadcaster TV25 showed two seasons with 20 episodes each in 2016 and 2017. On July 3, 2017, the Austrian television broadcaster ServusTV began broadcasting the series from episode 1.

The French broadcaster France 2 adapted the format, which has been presented by Sophie Davant since August 2017 under the title Affaire conclue ( German  deal concluded ) . The show's experts are Enora Alix, Patricia Casini-Vitalis, Bertrand Cornette de Saint-Cyr, Yves Cosqueric, Diem Crenais, Jérôme Duvillard, Delphine Fremaux-Lejeune, Dorothée Galludec, Harold Hessel, Elsa Joly-Malhomme, Marie Renoir, and Grégoire Debuire. Alain Laugier, Mathieu Momein, Eric Bachelet, Christophe Métral, Didier Bonnal-Ruan, Johan Ledoux, Paul Azzopardi, Djamel Bentenah, Leticia Blanco, François Cases Bardina, Pierre-Jean Chalençon, Diane Chatelet, Julien Cohen, Bernard Dumeige were the dealers , Caroline Margeridon, Alexandra Morel, Caroline Pons, Marie du Sordet, Damien Tison, Stéphane Vanhandenhoven, Anne-Catherine Verwaerde and Gerald Watelet.

Entitled Cash or Trash (German cash or junk ), the Dutch broadcaster SBS 6 began on 23 October 2019 the broadcast his version of cash for Rares . Martien Meiland is the host of the program . The second season of the series began in March 2020. The show's experts are Emiel Geurts, Elise drum, Pieter-Gerrit Binkhorst, Gijs Essink and Mark Haasnoot, and dealers are Barbara Jongsma, Reinier Brummelkamp, ​​Jos van Katwijk, Mark Opmeer, Jeroen Speksnijder and Rianne Lunenborg.

On December 1, 2019, the Austrian version of the show on ServusTV started as cash for Rares Austria on the broadcast slot at 8:15 p.m. Roland Gruschka leads through the 16 programs and a best of the first two seasons of the format as a presenter. In the first season, Horst Lichter had guest appearances as a co-host. The broadcaster hired the dancer Willi Gabalier , who will moderate the show from autumn 2020. Karin Schlager and Gabriela Breisach (both jewelry), Erich Tromayer (art history) and Mario Hämmerle (old goods) act as experts . The team of dealers consists of Katharina Marchgraber , Markus Kral , Stefan Patzl , Markus Schwindsackl , Josef Obermoser , Helmut Tkalec , Markus Strassner and Richard Armstark . Wolfgang Pauritsch and Ludwig Hofmaier from the German version of the format also appeared in the Austrian dealer room.

The British Broadcasting Corporation commissioned end of 2019 Ricochet , a subsidiary of Eyeworks, with the production of The Bidding Room (German Bid space ), the British adaptation of cash for Rares . The first season with 30 episodes of 45 minutes each is designed for the afternoon program of BBC One . The first episode aired in June 2020. Actor Nigel Havers conducts the show ; The format expert is Simon Bower; traders are Adi Higham, James Broad, Lucy Ryder Richardson, Moses Otunla, Ian Humphries, James Gooch, Jane Cave and Natasha Francis.

Internet presence

In the ZDFmediathek , a large part of the programs already shown in the past months can be accessed in full. Programs can often be called up from the online offer before they are broadcast on TV, following the web-first principle . In addition, the ZDF website offers an overview of the exhibits presented in the programs, for which written summaries with the essential contents of the respective expertises were available until mid-2019.

Since June 2017, the range of Bares for Rares has expanded with activities accompanying the series on Facebook . This includes additional background information, tips or interactive live appearances by the experts and dealers, where viewers can put questions directly to them.

The YouTube channel ZDF has regularly add new videos with exhibits from the shipments of which may have separated millions of views.

Audience ratings

In the afternoon

Bares für Rares is considered the “most successful ZDF daytime show”, which from 3:05 pm draws three million viewers in front of the television and regularly achieves a 25 percent market share.

The highest number of viewers recorded to date in the regular format was 3.80 million on February 9, 2018, with a market share of 26.4 percent. The show's current market share record is 27.9 percent (3.1 million) of TV viewers and was set on July 25, 2018.

The reach of the “favorite pieces” from New Year's Day 2019 was higher than ever before in an afternoon episode; 4.36 million people (17.6%) watched.

In the ZDFmediathek, the on-demand videos from Bares for Rares reached an average of 1.019 million views per month in the 1st quarter of 2017.

eve

On August 30, 2017, a repeat from 7:30 p.m. in the pre-evening program of ZDFneo reached 5.2 percent of viewers with 1.23 million people, which was roughly twice the average broadcast. A year later, in August 2018, up to 1.5 million viewers watched the show on this slot.

in the evening

Audience quotas for the evening shows

The first evening show on June 15, 2017 achieved a market share of 23.8 percent with 6.38 million viewers. 1.30 million viewers were between 14 and 49 years old (16.1 percent). At the second evening show on July 13th, 5.80 million people interested in the show brought a 21.2 percent market share and also won the day among the general public; 1.03 million 14 to 49 year olds watched, which equated to a 12.5 percent market share. The third evening show, on November 2, 2017, achieved a market share of 18.2 percent with 5.89 million viewers. 1.09 million viewers were between 14 and 49 years old (10.3 percent). 5.03 million TV viewers tuned in to the fourth show on May 31, 2018, with a market share of 19.0 percent. Among the 14 to 49 year olds, 1.02 million watched, with a 13.2 percent market share. The fifth show, on July 12, 2018, reached 5.17 million people, or 19.5 percent overall. 0.85 million of the 14 to 49 year olds watched (10.5 percent). The sixth broadcast on October 17, 2018, achieved a market share of 17.6 percent with 5.21 million viewers. 0.98 million viewers were between 14 and 49 years old (10.8 percent). 4.84 million people were interested in the seventh broadcast on December 19, 2018, with a total market share of 15.6 percent. The eighth show on May 22, 2019 attracted 6.35 million curious people (0.92 million 14- to 49-year-olds) in front of the television, which corresponded to a market share of 22.8 percent. The evening program on July 17, 2019 had 4.86 million viewers aged three and over, resulting in a market share of 18.3 percent. 0.69 million 14 to 49 year olds were there, which was 9.1 percent. The evening edition of November 27, 2019 wanted to see an average of around 5.63 million people, with a share of 18.5 percent of the total market. 9.3 percent of the young viewers were there. 5.53 million viewers followed the program on December 18, 2019, which took a 19.0 percent market share. With 0.73 million 14- to 49-year-olds, the market share there was 8.6 percent. On the evening of July 22, 2020, 4.9 million viewers with a market share of 18.5 percent watched. On August 29, 2020, 5 million people showed interest, with a market share of 18.6 percent.

Structure of the audience

An analysis of the program on the afternoon of April 13, 2018 showed the following percentage of viewers by age group:

Age group Percentage
3- to 13-year-olds 2.7
14 to 19 year olds 15.9
20 to 29 year olds 11.3
30 to 39 year olds 14.5
40 to 49 year olds 16.7
50 to 64 year olds 22.7
65 years or older 39.8


According to the survey, almost 55 percent of viewers over the age of 14 were female, 45 percent male. 2.21 of the 3.34 million viewers measured on that day came from households with a monthly net income of more than 1750 euros; there were only about 0.28 million viewers who had to make do with 1000 euros or less in their budget. According to the figures, the market share for civil servants on that day was 39.3 percent; At 12.7 percent, the self-employed found comparatively less pleasure in the program.

Special exhibits

Pectorals with alleged wood splinters from the cross of Jesus

In the evening broadcast on May 22, 2019, the highest bid to date for an exhibit in the history of the program that led to a sale was made. A golden pectoral from around 1700 with 40 carat diamonds and papally sealed, alleged wood splinters from the cross of Jesus changed hands for 42,000 euros, Susanne Steiger was awarded the contract. The estimated value was between 60,000 and 80,000 euros.

Borgward Isabella

In season 2, episode 8 of March 29, 2014, Wolfgang Pauritsch acquired a Borgward Isabella Cabriolet from 1961 for 35,000 euros and sold the object to a car dealer in Bremen “after a few minutes with a small profit”. For five years, the automobile was the most expensive item ever sold on the show.

10 ducat coin

In season 7, episode 44 of October 28, 2016, the sale of a gold coin minted in 1648 brought in 25,000 euros. The 10 ducat coin from the time of the Holy Roman Empire shows the Roman-German Emperor Ferdinand III. on one side and the double-headed imperial eagle with the Habsburg lion on the other. Daniel Meyer and Fabian Kahl acquired the coin together. The Leipziger auction house Höhn later bought the coin for 27,000 euros and then auctioned it for 35,000 euros.

BMW Isetta

The sale of a BMW Isetta (built in 1960) led to a telephone auction in the dealership for the first time in the broadcast on May 25, 2018, during which Julian Schmitz-Avila, Daniel Meyer and Walter Lehnertz brought interested parties to the sales table by telephone. Lehnertz, who represented an interested party from Frechen , was the highest bidder and bought the Motocoupé for 18,000 euros.

Perry Rhodan booklets

A seller wanted to sell 1,100 issues of the science fiction series Perry Rhodan in the January 19, 2018 broadcast, but they did not meet with the dealers' approval. Julian Schmitz-Avila, the only bidder, bought the collection for 10 euros - the lowest bid leading to a sale so far.

Mercedes-Benz 190 SL Cabriolet

The highest bid for an object to date came in the evening program on July 12, 2018, when Susanne Steiger bid 90,000 euros for a Mercedes-Benz convertible 190 SL ; However, it was not sold because the seller did not want to hand over the vehicle for less than 95,000 euros.

Babylonian cylinder seal

In season 6, episode 55 from March 24, 2016, the oldest exhibit in the series was presented with a Babylonian cylinder seal just under 4,000 years old . The estimated price was 1500 euros, Susanne Steiger won the bid for her highest bid of 1200 euros.

Snuffbox

In the evening broadcast of July 12, 2018, a small snuff box came up for sale. The provider, a geriatric nurse, had asked for a price of just 150 euros. Expert Detlev Kümmel identified the box as Meißner porcelain , stated an age of around 300 years and a value of around 4,500–5,000 euros. Julian Schmitz-Avila ultimately bought the exhibit for 4,500 euros, 30 times the original asking price.

Bronze figure Le travail

In season 7, episode 59 of November 18, 2016, the bronze figure Le travail by Charles-Auguste Lebourg (made around 1880–1890) was the first suspected case of looted art because the figure was labeled "Acquis par La Ville de Paris" ( German "Bought by the City of Paris"). The resale of looted art is prohibited. However, this suspicion was dispelled after Albert Maier's research in the broadcast of November 28, 2016. Wolfgang Pauritsch then bought the property for 1,100 euros.

Boris Beckers tennis racket

At the end of 2017 it became known that Boris Becker had in the evening program of June 15, 2017, not the racket from his last Wimbledon game , but inadvertently sold a structurally similar model. Becker announced that the buyer Julian Schmitz-Avila had been given the correct bat afterwards. There were contradicting reports about the whereabouts of the sales proceeds of 10,000 euros that Becker wanted to donate to an aid organization.

reception

Award nominations and awards

Horst Lichter with the German Television Award 2019

In 2017, the show was nominated for the German Television Prize and the Grimme Prize in the Best Factual Entertainment segment .

As a result of an audience vote, the show received the Golden Camera 2018 in the category of best docutainment format .

In 2019, the show received the German Television Award in the Best Factual Entertainment category .

Press reviews

After the first broadcast in 2013, Jan Freitag from the Berliner Zeitung criticized the “so drowsy in its staid predictability” format as “fierce haggling, clichéd freaky bidders” and “thoroughly declined characters” who “try to somehow authentic, so apparently not instructed by the director to dabble past the lens and fail heartily ”.

The media journalist Stefan Niggemeier complained on the Übermedien portal that “the sequence [of the program] is always the same”. “Less than with 'Bares für Rares'” “rarely happened on television”. In addition, “this stubborn nothingness […] is unstoppable” in the ZDF and ZDFneo programs, filling a “program area as large as Saarland”. Hans Hoff from DWDL.de called “Bares auf Rares [...] a ritual in its purest form. What the liturgy used to be in the church is today this little junk sales event. ”The series is“ sent uniformity. Quite a few viewers appreciate something like this because they are used to the uniformity of their life and interpret this as reliability. "

Josa Mania-Schlegel from the Süddeutsche Zeitung commented on the success of the show: “The fact that cash for Rares stands out from the junk shows [...] may be due to the skillful combination of human fates and the principles of the casting show. It's [...] not just about the moving stories behind the objects, but also about the haggling traders: As with Germany looking for the superstar, they crowd around the candidates in a semicircle and hope to talk the laypeople into a bargain. […] The audience is excited about the candidates and hopes for a high price. Then you feel sorry for them again because a retailer says: 'Memories of the deceased are worthless in our store.' In these moments [the show] fulfills the expectations of classic TV afternoons. "Christian Schachinger from Der Standard saw the series as a" hidden pearl of the horror genre disguised as reality entertainment . "

Moderator Horst Lichter, when asked about the success of the show with younger audiences, was "very sure that young people are not only interested in junk". So it is above all the "longing for security, honesty, reliability - for things that are simply true" and "make old stuff interesting for young people". Elsewhere he added: “People are starting to pay attention to values ​​- and by that I don't just mean objects. They are fed up with people being shown on TV. I myself am a lover of people, that is my greatest passion, and I can't stand these formats in which people are shown. With the beautiful old things you have something of value - and even if it is sometimes just the story behind it that is valuable. ”He was also of the opinion that“ the show […] has a wonderful timing. From the expectation of the seller to the appraisal by the experts to haggling with the dealers. Every time it's a little thriller or a comedy in eight minutes. "

Antje Hildebrandt from WeltN24 explained : “Lights know how to wrap people. And he has a soft spot for [...] everything that breathes history. Without him, “Bares for Rares” would not be half as successful. ”Others, however, consider Horst Lichter“ to be the most dispensable element of the show ”.

Stefan Turiak saw on quotenmeter.de in Lichter an "occasionally exaggerated, charming and even intrusive moderator" who "knows how to build a bridge between the sometimes over-headed experts and the candidates with no media experience". Turiak attested the show a "routine, rarely or only cautiously diversified overall concept" with "slight bickering in the dealer room" and "candidates who now and then seem to have more negotiating skills than they think they can".

Arno Orzessek found on Deutschlandfunk that "people [...] don't really feel comfortable out there in the predatory capitalist world market and prefer to mumble on the TV couch in a down-to-earth, nostalgic flea market atmosphere - acting like thin times, without puzzling algorithms", “Bares for Rares, cash on the claw.” Marcel Kawentel of the Neue Osnabrücker Zeitung said that “'Bares für Rares' [wants] to serve a different, especially older audience than the formats of the private broadcasters and hits with his decelerated narrative style probably the right tone. "

The media psychologist Jo Groebel cited the reasons for the popularity of the format among viewers in the magazine Focus : “Every ordinary citizen dreams of finding an undiscovered treasure in the cellar or in the attic that could make him rich or at least with a pleasant amount of money could provide. "Another factor for the success is the fun with nostalgic objects" in a sea of ​​standardized mass-produced goods for gifts, accessories or home decoration ". In addition, tension builds up from the background stories of the candidates as well as the bargaining of the not always sympathetic bidders and their sayings. "Last but not least, the questions 'real-fake', 'valuable-cheap' or the price achieved build sympathy and enthusiasm for the mostly modest (still) owners."

Harry Nutt from Frankfurter Rundschau explained: “'Bares für Rares' is not quite as innocent as it seems. It was probably only possible as a show format at the moment when the heirloom brought out of the attic only poses a limited threat. The concern that the secret that Grandpa's treasure chest hides leads directly into the history of Nazi looted art has lost its horror. The show invites you to do private provenance research, and so it is probably also a piece of relief work that attracts you in front of the television. "

On Chip Online, Thomas Moßburger described his impression that the show's dealers exploit the “excitement and innocence of the people” and rip off the private sellers “like a gang [...]”.

Klaus Raab underlined in Die Zeit : “Entertainment television may not be analytical. But it does provide illustrative material for dealing with the German affluent and inherited society and the dynamics of values. One could even assume that the program was sensitive to mass consumption; after all, it is always about trying to perceive things as such before exchanging them for money. The individual artefacts are given a biography. ”“ The junk will then be sold straight away. ”In the dealer's room,“ [the things] get their merchandise shape that was just petted out for them by Lichter, so they are immediately returned. ”[…]“ It may be exactly this ambiguity, why the show is so popular. It's not about trying out a counter-consumption strategy. Bares für Rares doesn't bring its viewers anywhere, it just picks them up at home and takes them to familiar territory. ”He sees a contrast to comparable other TV formats, in which“ a kind of antique consultation with subsequent expertise ”takes place, in cash for Rares it is "about the perceived value of things". "The joke about Bares für Rares, compared to the other programs, is the fact that the museum is not currently taking place."

Rajko Burchardt on Moviepilot is of the opinion that the producers rely on protagonists with recognition value and their own quirks in the interests of audience loyalty. “The experts, whose task it is to locate the art history and assess the market price, as well as the haggling, deliberately contrasting dealers, form identifying building blocks - more important than the antiques themselves seem to be their handling and the resulting spectrum of reception.” The program was "Not a complex, but very honest after-work television, which, astonishingly, generates good ratings by avoiding hysteria". The magazine stern said that there were only a few programs on German television that would better satisfy the desire for escapism , so " Bares für Rares [...] is our little farm of TV shows".

In a talk show with Anne Will, TV entertainer Thomas Gottschalk commented on the ratings of Bares for Rares with the following thoughts: “I did a show with Jean Paul Gaultier , Helene Fischer and Aerosmith . But no sow was interested in it. We had bad odds. And then the ZDF broadcasts in which older people in fishing jackets bring their old cuckoo clocks to some junk department. [...] Then someone says, 'I'll give 80 euros.' It's pure boredom, but five to six million people are watching. "

Bernhard Honnigfort from the Berliner Zeitung ironically recommended that the format, which is “deeply supported by human knowledge” and conveying “identity and continuity”, should be protected by UNESCO as an intangible cultural heritage .

literature

Web links

Commons : Bares for Rares  - collection of images, videos and audio files

Remarks

  1. ↑ Any tax liability on the part of the seller is their own responsibility.

Individual evidence

  1. Kai Agthe: The gold digger gene . In: Mitteldeutsche Zeitung of December 10, 2016, p. 29.
  2. a b Bares for Rares: Little Secrets of the TV Family. Quoted from: Das Neue Blatt In: liebenswert-magazin.de of November 24, 2017
  3. a b c d Rajko Burchardt: Cash for Rares - From insider tip to king of odds. In: Moviepilot from June 10, 2017.
  4. RTL copies ZDF format. “The super dealers”: Like “Bares for Rares”, only more exciting. In: Prisma (undated), accessed June 21, 2018.
  5. a b c d e f Bares for Rares - Background to the program. In: zdf.de of March 26, 2018.
  6. a b All the facts about the popular ZDF broadcast. Did you know that a dealer is an actor? What is actually real about “Bares for Rares”? In: tz from June 12, 2018.
  7. Sophie Kausch: Script for “Bares für Rares”? Now a ZDF employee is unpacking. In: ohmymag.de of March 2, 2018.
  8. Sebastian Werner: Is “Bares für Rares” fake? That's what a ZDF spokesman & Horst Lichter say. In: kino.de from June 5, 2018.
  9. a b c Cash for Rares in numbers. 11 experts. In: facebook.com/BaresfuerRares from August 3, 2018. (11 experts + Florian Meyer + Fabian Benöhr + Friederike Werner + Bianca Berding = 15 experts; 21 dealers + Christian Vechtel + Thorsden Schlößner + David Suppes + Roman Runkel = 25 dealers)
  10. Thomas Kolkmann: Cash for rare dealers. Fabian, Ludwig, Susanne & Co. In: giga.de from January 22, 2018
  11. Bares for Rares from May 29, 2017.
  12. a b c gold dealer chatted. After allegations of cheating: Now the ZDF is reacting to criticism of "Bares for Rares" In: Focus from January 17, 2018
  13. Dominik Göttker: “Bares for Rares”: In an interview, Horst Lichter reveals why the show is so successful. In: DerWesten from May 31, 2018.
  14. Fritz Breckheimer. Contributor to Bares für Rares, Dealer Season VI - In: fernsehserien.de.
  15. Max Stollenwerk: Two Monschau dealers bid in front of TV cameras. In: Aachener Zeitung from September 30, 2016.
  16. Bares for Rares - Celebrity Special - Junk Show ( Memento from May 21, 2016 in the Internet Archive ). In: TV Spielfilm , accessed on May 21, 2016.
  17. Cash for Rares . In: tvgids.mobi, accessed March 7, 2016.
  18. Bares for rare items on the go - At the flea market in Basel . ( Memento from December 3, 2016 in the Internet Archive ) In: ZDF, accessed on March 7, 2016.
  19. a b c Bares for Rares: Episode Guide . In: imfernsehen GmbH & Co. KG, accessed on October 15, 2016.
  20. Favorite pieces, season two . In: fernsehserien.de
  21. Bares for Rares from January 1, 2017.
  22. Bares for Rares from January 15, 2017.
  23. The big show summer in the second . In: ZDF press portal from April 30, 2017.
  24. a b c Stefan Unglaube: Press kit “Bares for Rares” . ( Memento from October 22, 2017 in the Internet Archive ) In: ZDF from June 11, 2017.
  25. ZDF program information from June 1, 2017.
  26. Not a bit sentimental: Katja Flint brings Eichinger present under the hammer . In: Focus from November 3, 2017.
  27. a b c “Bares für Rares” is shooting in North Rhine-Westphalia - the viewers were not allowed to see it there. In: DerWesten from April 2, 2018.
  28. "Bares for Rares" as a repetition: Get money! THIS pop star dawdled at Horst Lichter. In: news.de from June 1, 2018.
  29. David Grzeschik: Next primetime special: Andy Borg goes to "Bares for Rares" . In: quotenmeter.de from April 16, 2018.
  30. Bares for Rares - Horst Lichter at Drachenburg Castle. ( Memento from August 15, 2018 in the Internet Archive ) In: schloss-drachenburg.de
  31. Timo Niemeier: “Bares for Rares” in October for the first time on Wednesday evening. DWDL.de from September 4, 2018.
  32. Sidney Schering: Festive dawdling: “Bares for Rares” receives a Christmas special. In: quotenmeter.de from November 6, 2018.
  33. Glenn Riedmeier: Trödel zum Fest: Horst Lichter presents “Bares for Rares” Christmas special. In: fernsehserien.de from November 6, 2018.
  34. a b Manuel Weis: Primetime specials from “Bares for Rares” start at the end of May . In: quotenmeter.de from April 10, 2019.
  35. a b Horst Lichter comes to Schwerin with the television program “Bares für Rares”. In: Ostsee-Zeitung from March 1, 2019.
  36. "Bares for Rares": This celebrity is at the evening show. In: t-online.de from May 11, 2015.
  37. "Bares for Rares": Red carpet for Muriel Baumeister. In: stern.de from July 18, 2019.
  38. So you can be there at “Bares für Rares” in Königswinter. In: General-Anzeiger Bonn from October 12, 2019.
  39. a b ZDF press portal, press kits, cash for Rares . Retrieved November 4, 2019.
  40. Judith Williams steps in front of the dealers. In: stern from November 22, 2019.
  41. Cash for Rares. Vanessa Mai and Felix Neureuther dawdle in summer. In: Stuttgarter Nachrichten of June 16, 2020.
  42. Manuel Weis: Eyeworks becomes Warner Bros. In: quotenmeter.de of April 23, 2015.
  43. ^ ZDF junk show "Bares for Rares". Recordings in Cologne and Freiburg. In: ZDF from October 31, 2013
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  46. Bares for Rares: Where is the ZDF show filmed? , chip.de , March 4, 2018
  47. a b Measured by the number of guy mentions.
  48. Jana Zerlett was seen in these episodes:
    • Episode 154, Season 6, Episode 65 from April 11, 2016
    • Episode 258, Season 7, Episode 62 from November 23, 2016
    • Episode from October 12, 2017
    • Episode from July 19, 2018, right after the theme music.
  49. Volker Wolf, speaker. In: volker-wolf.de
  50. This is really how it works with “Bares for Rares”. In: Picture from January 16, 2018
  51. “That's set.” Dealer unpacks: This is how it really works with “Bares for Rares”. In: Express of January 17, 2018.
  52. How much is real about the show? Extra fraud in "Bares for Rares". In: Picture from February 13, 2018.
  53. a b Konrad Dreyer: "Bares for Rares": What is real in the junk show - and what is not. The show actually shows extras - but apparently only in certain scenes. In: Huffington Post, February 16, 2018.
  54. "Bares for Rares". But everything is just made? ZDF was looking for extras for broadcast. In: Focus from February 14, 2018
  55. "Bares for Rares". What extras earn on a day of shooting at ZDF. In: The West of April 30, 2018.
  56. Maximilian Haase: “Bares für Rares” star Horst Lichter: “It will be over at some point”. In: Prisma of July 6, 2018.
  57. a b Alexander Krei: dawdling instead of cooking . ZDF is rebuilding: Lights displaces the "pot money hunters". In: DWDL.de of April 8, 2015.
  58. a b Bares for Rares: Season 7, episode 193-208. In: fernsehserien.de.
  59. Season 8, episodes 1–21. In: fernsehserien.de.
  60. David Grzeschik: “Cash for Rares” doesn't have it that easy on Saturday. In: quotenmeter.de from August 20, 2017.
  61. ^ "Bares for Rares": New slot for Horst Lichter show on ZDF! In: TV Movie from July 17, 2019.
  62. Manuel Nunez Sanchez In short: “Bares for Rares” inspires young audiences . In: quotenmeter.de from July 15, 2014.
  63. a b How the ZDF crammed its programs with old junk. In: uebermedien.de from January 5, 2018
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  66. Patricia Casini-Vitalis. In: copages-auction.com
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  73. Harold Hessel - Expertissim. In: expertissim.com, 2018.
  74. Affaire conclue: Episode 48 sur Auvio. In: rtbf.be from February 11, 2020.
  75. Qui Sommes-nous Versailles Enchères. In: auction.fr from October 2018.
  76. Grégoire Debuire commissaire prizeur. In: francebleu.fr, 2019.
  77. ^ Société! Villeneuve-lez-Avignon: Alain Laugier, brocanteur dans la vie et ... à la télé! La Provence. In: laprovence.com from August 1, 2017.
  78. ^ Andrézieux-Bouthéon, Mathieu Momein dévoile sa caverne d'Alibaba. In: leprogres.fr of January 10, 2019.
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  80. ^ Antiquités, Christophe Métral. In: antiquites-saint-christophe.fr, 2019.
  81. Toulouse. L'antiquaire toulousain Didier Bonnal de retour dans l'émission “Affaire conclue” on France 2. In: ladepeche.fr of February 18, 2019.
  82. Affaire conclue: qui est Johan Ledoux, le nouveau beau gosse de l'émission? In: gala.fr from February 12, 2020.
  83. ^ Antiquités Paul Azzopardi. In: paulazzopardi.com, 2018.
  84. Edecideur 5.01! Décideur: M. Djamel Bentenah Gérant de Stand 12 502734916. In: edecideur.com, 2019.
  85. 'Vintage & Chic. Pequeñas historias de decoración. In: vintageandchicblog.com, March 2018.
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  90. Société Monsieur Bernard Dumeige. In: lefigaro.fr, 2018.
  91. ^ Inauguration du cabinet de curiosité de Caroline Margeridon. In: claudegoasguen.fr of June 13, 2014.
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  93. Caroline Pons, Paul Bert Serpette. In: carolinepons.com, 2019.
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  98. Affaire conclue: qui est Gerald Watelet, célèbre présentateur. In: telestar.fr from April 19, 2018.
  99. Mooie cijfers voor Martiens Cash or Trash, gemengde kijkers hebben gevoelens. In: AD of October 24, 2019.
  100. Martien Meiland maakt tweede seizoen "Cash or Trash". In: Het Laatste Nieuws of February 21, 2020.
  101. Manouk Spraakman: Amersfoort te zien in nieuw TV Programma Cash or Trash. In: Nieuws uit Amersfoort Noord & Centrum of October 30, 2019.
  102. Cash for Rares Austria. A 2019. In: fernsehserien.de
  103. Servus TV starts "Bares für Rares" Austria. In: Salzburger Nachrichten of November 30, 2019.
  104. Willi Gabalier will moderate. New episodes, new presenter: Willi Gabalier will be leading the TV show “Bares for Rares Austria” from autumn. In: stern from June 5, 2020.
  105. Bares for Rares Austria: Dealers and Experts. In: ServusTV
  106. Season 1, episode 6. Cash for Rares Austria from May 3, 2020.
  107. BBC One enters The Bidding Room. In: BBC One Media Center of November 29, 2019.
  108. a b The Bidding Room. Confirmed for BBC One on June 8 at 3.45pm to 4.30pm. In: BBC One Media Center, June 8, 2020.
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  111. Objects at a glance . In: zdf.de.
  112. Trailer Facebook . In: zdf.de.
  113. ^ "Bares for Rares" channel on YouTube .
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  115. Manuel Weis: “Bares for Rares” will also become the ZDF Wednesday format. In: quotenmeter.de from September 4, 2018.
  116. Manuel Weis: Trödel-Boooom: “Bares für Rares” gets the best odds of all time. In: quotenmeter.de of July 26th, 2018.
  117. Manuel Weis: Afternoon Hits: More than four million for “Bares for Rares”, no Eisenbichler boom in ski jumping . In: quotenmeter.de from January 2, 2018.
  118. Manuel Weis: “Bares für Rares” cracks the 5 percent mark on ZDFneo. In: quotenmeter.de from August 31, 2017.
  119. Alexander Krei: ZDFneo beats all private broadcasters again. In: from August 16, 2018
  120. Manuel Weis: Quota madness: “Bares for Rares” stronger than any “Aktenzeichen” issue this year. In: quotenmeter.de from June 16, 2017.
  121. Sidney Schering: Second “Bares for Rares” prime-time excursion subsides. In: quotenmeter.de from July 14, 2017.
  122. Manuel Weis: Not only “Bares für Rares” was convincing on Thursday, “Cobra 11” and “The Voice” also won. In: quotenmeter.de from November 2, 2017.
  123. Fabian Riedner: “Bares für Rares” fever is on the decline. In: quotenmeter.de from June 1, 2018.
  124. Timo Nöthling: victory of the day for the fifth “Bares for Rares” excursion into prime time. In: quotenmeter.de from July 13, 2018.
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  126. Timo Nöthling: Surprise: “Hubert and Staller” hit the “Bares für Rares” special . In: quotenmeter.de from December 20, 2018.
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  129. Lukas Scharfenberg: Primetime check. Wednesday November 27, 2019 . In: quotenmeter.de from November 28, 2019.
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  131. "Bares for Rares" successful again in prime time. In: Meedia of July 23, 2020.
  132. Niklas Spitz: Highest reach of the day: “Bares für Rares” is growing in prime time. In: quotenmeter.de from August 20, 2020.
  133. Manuel Weis: "Bares for Rares": Who loves to dawdle the most? In: quotenmeter.de from April 17, 2018.
  134. Josef Seitz: 40 carat and wood splinters from the cross of Jesus: record relic achieves hammer price. In focus from May 23, 2019.
  135. Bares for Rares from March 29, 2014 . In: YouTube.
  136. Expert consultation with Wolfgang Pauritsch In: zdf.de from July 10, 2017.
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  140. Talk with “Treasure Hunter” Fabian Kahl. In: MDR at 4 of May 8, 2018, 6:15 min.
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  142. "Bares for Rares". The dealers have already paid 35,000 euros for an object. In: Focus from July 1, 2018.
  143. Legend of Science Fiction Literature . In: Broadcast on January 19, 2018.
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  149. Bares for Rares from November 28, 2016 . In: YouTube.
  150. Boris Becker sold the wrong racket on ZDF . In: Welt online from December 29, 2017
  151. Boris Becker hands over the wrong tennis racket at Cash for Rares . In: stern.de from December 29, 2017
  152. 2017 Best Factual Entertainment. Cash for rares. In: deutscher-fernsehpreis.de.
  153. 53rd Grimme Prize 2017. Cash for Rares (ZDF). In: grimme-preis.de.
  154. Golden Camera - Docutainment Prize for Cash for Rares. In: zdf.de from February 22, 2018.
  155. German TV Prize. Awards for "Bares for Rares" and "Bad Banks". In: zdf.de from January 31, 2019.
  156. Jan Friday: Horst Lichter. He doesn't cook. In: Berliner Zeitung of August 2, 2013.
  157. Hans Hoff: Trödelshow "Bares für Rares": Ritual in its purest form. In: DWDL.de of December 17, 2017.
  158. a b Josa Mania-Schlegel: Odds miracle junk show. In: Süddeutsche Zeitung of May 25, 2017.
  159. Christian Schachinger: dawdling with the rollator: "Bares auf Rares" on ZDF. In: derStandard.at of September 2, 2016.
  160. Cornelia Wystrichowski: Horst Lichter, the junk king . In: Main-Post from June 8, 2017.
  161. Andreas Böhme: For Horst Lichter “Bares für Rares” is like a good crime thriller . In: Berliner Morgenpost from June 15, 2017.
  162. Antje Hildebrandt: Why Germany is in junk fever. In: WeltN24 of July 11, 2016.
  163. Stefan Turiak: Phenomenon “Bares for Rares”: treasure hunt in your own cellar. In: quotenmeter.de from March 20, 2016.
  164. Arno Orzessek : "Bares for Rares". Consecration of the new Biedermeier . In: Deutschlandfunk from January 10, 2018.
  165. Marcel Kawentel: Why are junk shows on TV so successful? In: Neue Osnabrücker Zeitung from July 24, 2017.
  166. Christine Kurz: "Bares for Rares". Three reasons why so many TV viewers love the ZDF junk show. In: Focus from June 6, 2017.
  167. Harry Nutt: "Cash for Rares". From refined junk. In: Frankfurter Rundschau from November 17, 2017.
  168. Thomas Moßburger: Where nice grandmas get ripped off: I can no longer see “Bares für Rares” . In: Chip Online from February 18, 2018.
  169. Klaus Raab: The flea market off the rack. In: The time of June 15, 2017.
  170. Waldi foams with rage - the most brazen seller of “Bares for Rares”. In: stern.de from July 17, 2018.
  171. Thomas Gottschalk gossips about Horst Lichter's show . In: Courier of September 18, 2017.
  172. ^ Bernhard Honnigfort: World cultural heritage. Why the Unesco should absolutely protect “Bares for Rares”. In: Berliner Zeitung of May 31, 2017.
This article was added to the list of articles worth reading on August 14, 2018 in this version .