Julius Hey

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Julius Hey (born April 29, 1832 in Irmelshausen , † April 22, 1909 in Munich ) was a German singing teacher and music teacher.

Life

According to the entry in the register of the Munich Art Academy, Julius Hey was the son of a stone polisher (natural stone grinder). Through the mediation of Baron Wolfgang Sartorius von Waltershausen , professor of geology in Gottingen, he began an apprenticeship in copper engraving with the architect and draftsman Francesco Saverio Cavallari from Palermo in Göttingen in 1844 . On May 7, 1854, his entry into the Munich Art Academy , which was under the direction of Wilhelm von Kaulbach , is documented. “Copper engraver. Class of Antiquities ". On May 2, 1856, the matriculation was received and he began studying painting, which he continued privately with Karl Millner .

Musical stimuli, which he owed to Robert Schumann , Johannes Brahms and Joseph Joachim in Göttingen , prompted him to swap painting for music. In 1859 he became a private student of composition and conducting with General Music Director Franz Lachner in Munich and received singing lessons from Friedrich Schmitt (1812–1884). From 1860 to 1865 Hey gave theory, piano and singing lessons in private homes. His pupils also included members of the Bavarian aristocracy: Hey was employed as a music teacher in the house of the dukes in Bavaria from the beginning of 1864, he also taught Duchess Sophie Charlotte in Bavaria , who later became fiancée of the Bavarian King Ludwig II ) he was engaged as second conductor in Augsburg . In 1864 Hey got to know Richard Wagner , who appointed him to Bayreuth in 1875/76 as a vocal technical adviser and whose vocal style he combined with that of his teacher Schmitt from 1867–1883 ​​as a solo voice teacher at the Academy of Music in Munich. From 1887 he worked as a private music teacher in Berlin , from 1906 in Munich, where he settled in the suburb of Gern.

Julius Hey was married to two daughters of the court attorney Dr. Samuel Benfey (1806–1871), brother of the orientalist Prof. Dr. Theodor Benfey , and Karoline, geb. Coppel (1814–1880): first marriage from 1865 to Karoline (1840–1880), second marriage from 1885 to Amelie (1843–1907). The children of the first marriage were the classical philologist Oskar Hey , the painter Paul Hey , the painter Else Gürleth-Hey , the diplomat Siegfried Hey , the opera singer Ottilie Hey and the singer and singing teacher Johannes Julius Hey, known as Hans Erwin Hey .

Hey was the founder of a singing apprenticeship in which tone formation is based on the (German) language. He was the author of the three-part work Deutscher Gesangsunterricht , which appeared around the turn of the century and was a textbook for the voice training of singers. A supplementary volume for actors appeared under the title Der kleine Hey. The Art of Language (today The Art of Speaking ). This book is a standard work in speech education to this day . Sönke Wortmann used his title as a play on words for his film Kleine Haie (1992). An unfinished memoir to supplement German singing lessons was given by Hey's son Hans Erwin Hey, revised under the title “Richard Wagner als Vortragsmeister 1864–1876. Memories from Julius Hey ”. It also contains a number of Wagner's letters from 1875 to 1878.

Fonts

  • How Wagner rehearsed with his Siegfried: From my memories of the rehearsals at the Bayreuth stage festival in 1875–76 . Neue Deutsche Rundschau XII, pp. 485-517. S. Fischer, Berlin [1901].

Compositions (selection)

  • Three songs op.1. Breitkopf and Härtel, Leipzig 1869.
  • To the unified Germany: 1870 . 4 male quartets with accompaniment by pianoforte ad libitum. Score and parts. Aibl, Munich 1871.
  • When the day is done . Challier, Berlin 1874.
  • Easy children's songs . Breitkopf and Härtel, Leipzig, 1876.
  • Sechsgesange op.5 / The Crocodile of Singapore , comic duet for two bass voices op.6. Schott, Mainz 1885.
  • Four songs op.7 / eight songs op.10 Challier, Berlin 1888.
  • New Children's Songs op.12. Breitkopf and Härtel, Leipzig, 1892.
  • Four Duets op.15 / Two Duets op.16. Breitkopf and Härtel, Leipzig 1899.

Julius Hey also left behind a large number of manuscripts: piano songs, mixed and female choirs with and without accompaniment, a psalm for solo and orchestra; Piano pieces for two and four hands, fantasy pieces for viola and piano, a cello sonata, a piano quartet and others.

Student (selection)

literature

  • About the relationship between the painter Julius Hey in Munich and Professor Wolfgang Sartorius von Waltershausen zu Göttingen. A memorandum. In: Munich City Library / Monacensia; Waltershausen estate. Signature: Nachl. Waltershausen / Biogr. Doc. 60/3
  • Anton Bettelheim (Hrsg.): Biographisches Jahrbuch und Deutscher Nekrolog. Volume XIV, January 1 to December 31, 1909. Georg Reimer, Berlin 1912.
  • Martin Geck:  Hey, Julius. In: New German Biography (NDB). Volume 9, Duncker & Humblot, Berlin 1972, ISBN 3-428-00190-7 , p. 62 ( digitized version ).
  • Fritz Volbach, Der kleine Hey: the art of language; Practical textbook for actors, speakers and singers / based on the linguistic teaching of Julius Hey , B. Schott's Sons, Mainz, 1929.
  • Karl-Josef Kutsch , Leo Riemens : Large singer lexicon . Volume 4. Saur, Munich 2003. ISBN 3-598-11598-9 .
  • Rudolf Vierhaus (Ed.): German Biographical Encyclopedia. 2nd edition. Saur, Munich 2008
  • Siegfried Weiß : Art career aspiration. Painter, graphic artist, sculptor. Former students of the Maximiliansgymnasium in Munich from 1849 to 1918 . Allitera Verlag, Munich 2012. ISBN 978-3-86906-475-8 , pp. 375-376 (Paul Hey).

Web links

Wikisource: Julius Hey  - Sources and full texts

Individual evidence

  1. 01195 Julius Hey, Matrikelbuch 1841-1884, http://matrikel.adbk.de/matrikel/mb_1841-1884/jahr_1854/matrikel-01195
  2. The engraver was class of Julius Thaeter antiques class of, Johann Georg Hiltensperger out
  3. ^ Christian Sepp: Ludovika. Sisi's mother and her century. Munich 2019, p. 351.
  4. Martin Geck:  Hey, Julius. In: New German Biography (NDB). Volume 9, Duncker & Humblot, Berlin 1972, ISBN 3-428-00190-7 , p. 62 ( digitized version ).
  5. ^ Breitkopf & Härtel, Leipzig 1911
  6. Stefan George and his circle: A handbook edited by Achim Aurnhammer, Wolfgang Braungart, Stefan Breuer, Ute Oelmann. de Gruyter, Berlin 2016, p. 1413
  7. ^ Rudolf Vierhaus (ed.): German Biographical Encyclopedia. 2nd edition. Vol. 10. Saur, Munich 2008, p. 148