The pilgrim on Calvary

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Justus Friedrich Wilhelm Zachariae, painting by E. Bekly, 1757, Gleimhaus Halberstadt

The Pilgrime on Golgotha , also Die Pilgrimme auf Golgatha , is the title of a musical drama by Justus Friedrich Wilhelm Zachariae . It was set to music several times and enjoyed "particular popularity" in the second half of the 18th century.

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Zachariae published the Pilgrime in 1756. The work is a free adaptation of the Italian libretto I Pellegrini al Sepolcro di Nostro Signore ( The Pilgrims at the Tomb of Our Lord ) by the Dresden court poet Stefano Pallavicini . In its original Italian form, it was set to music by Johann Adolf Hasse , among others , and performed on Good Friday 1747 in the Catholic Court Church , presumably in front of a backdrop of a holy grave . In 1784 Johann Adam Hiller published a German version of Hasse's setting, also under the title Die Pilgrimme auf Golgatha , for which he used the translation by Johann Joachim Eschenburg .

layout

Zachariaes Pilgrime are an example of a meditative-moral passion music or lyrical oratorio that more and more replaced the classical passion oratorio in the second third of the 18th century. The best-known German example is Der Tod Jesu from 1755, a Passion Oratorio (also called Passion Cantata) by Carl Heinrich Graun (1704–1759) based on a libretto by Karl Wilhelm Ramler (1725–1798).

The text is no longer a complete retelling of the Passion of Christ . With the exception of the penultimate sentence, a short Arioso about the shortened verse 1 Cor 6:20  LUT , it also does not quote any Bible texts. Instead, there is a sequence of predominantly contemplative dialogues and lyrical texts, shaped by the sensitivity of the Enlightenment .

On Golgotha , two pilgrims meet a hermit who lives there. They talk about the purpose of the pilgrimage . A passing group of pilgrims ponders the story of the Passion. As a climax, an angel appears who reveals morality to the pilgrims:

Always be a wanderer on earth,
And do not just offer oratory thanks to
Him who drank the cup of death for you;
Obediently fulfills his commandment,
And glorifies his death
by virtue of living.

structure

Beginning of the final chorus The almighty son has overcome! in the version by Johann Georg Albrechtsberger
  1. Recitative - The First Pilgrim - Venerable Hermit
  2. Aria - Golgotha! I wish my devotions wings
  3. Recitative - The second pilgrim - You pious man, we tore ourselves from our sins
  4. Aria - For so much suffering, so much plague
  5. Recitative - The Hermit - Heil you! you wanderers!
  6. Aria - In sevenfold night
  7. Recitative - But how is it possible
  8. Aria - how raging the waves of the sea do not
  9. Recitative - The Second Pilgrim - O godly old man, then show us
  10. The first pilgrim - should he who sees the sacred area himself
  11. Aria - The melancholy weeps in honor of humanity
  12. Recitative - The Hermit - Yes, pious wanderers! Look at this mountain
  13. Duet (both pilgrims) - We want to approach the place, O Jesus, full of humility
  14. Recitative - The Hermit - With what holy delight
  15. Choir of Pilgrims - Be blessed, you holy mountain
  16. Recitative - The Hermit - Down there at the foot of the mountain
  17. Choir - be blessed, you holy grave
  18. Recitative - The Hermit - What do I see? Angels descend
  19. ( soft, devout music is heard )
  20. Recitative - The First Pilgrim - What a sweet harmony!
  21. Accompagnement - The Angel - How blessed are the pious laments
  22. Choir - Be blessed, you tears of compassion, weep for Jesus
  23. Recitative - The Angel - You, holy mountains
  24. Choir - O heaven! who can judge it
  25. Recitative - The Angel - And yet he did it!
  26. Aria - you sinner to whom sacred history
  27. Recitative - The Hermit - O heavenly companion, your speeches
  28. The angel - always be a wanderer on earth
  29. Arioso - you were bought at a high price, therefore praise God
  30. Final choir - The Almighty Son has overcome!

Settings

The following composers set this libretto to music:

year composer premiere Performance location Remarks
1781 Johann Georg Albrechtsberger April 2, 1781 Theater am Kärntnertor , Vienna Commissioned by the Tonkünstler Society Pilgrime Albrechtsberger 1781.jpg
1762 Johann Balthasar Kehl 1762 gain Pilgrime Kehl Wernigerode.png
around 1769 Johann Christoph Friedrich Bach around 1769 Buckeburg formerly falsely Carl Philipp Emanuel Bach attributed
1807 Georg Abraham Schneider August 27, 1807 Petrikirche (Berlin-Cölln)
around 1776 Georg Simon Löhlein around 1776 Leipzig Text book received, otherwise there is only an incomplete customer

literature

Editions / digital copies

Digitized version ofhttp: //vorlage_digitalisat.test/1%3D~GB%3Dq0i_xO6_BDAC%26pg~IA%3D~MDZ%3D%0A~SZ%3D~ double sided%3D~LT%3D~PUR%3D the libretto, Austrian National Library
Ulrich Leisinger (Ed.), Stuttgart: Carus-Verlag 1999 (= Stuttgart Bach Edition, Ser. F: Johann Christoph Friedrich Bach; Group 1: Vocal Music)
Digitized copy from around 1800, Lübeck City Library
Text book of the version extended by choirs by Johann Dietrich Christian Graff (1732–1771), performance on March 28, 1774 in the Wolfenbüttel Concert Hall , Herzog August Bibliothek
Textbook of the performances in 1785 under the direction of Cantor Johann Wilhelm Samuel Rosenbaum in the Hochgräflichen Concertsaale and local town churches in Wernigerode , University and State Library Saxony-Anhalt
Text book , approx. 1775 Berlin State Library
Kassel: Verlag Merseburger Berlin 2002 ISMN 979-0-2007-3096-8 (search in DNB portal)
Libretto , Library of Congress

Secondary literature

  • Howard E. Smither: A History of the Oratorio. Volume 3: The Oratorio in the Classical Era. University of North Carolina Press 1987, ISBN 0-8078-1274-9 , p. 366
  • Silke Leopold and Ulrich Scheideler (eds.): Oratorio guide. Stuttgart; Weimar: Metzler - Kassel: Bärenreiter 2000 ISBN 978-3-476-00977-7

Individual evidence

  1. So the subtitle
  2. ^ Arnold Schering : History of the oratorio. Leipzig: Breitkopf & Härtel 1911, p. 372
  3. ^ Text book (Italian / German) , SLUB
  4. ^ Digitizedhttp: //vorlage_digitalisat.test/1%3D~GB%3DNBFOZkWiC7QC~IA%3D~MDZ%3D%0A~SZ%3D~ double-sided%3D~LT%3D~PUR%3D , The British Library
  5. Oratorienführer (lit.), p. 2
  6. Smither (Lit.), p. 350, note 89
  7. Johann Christoph Friedrich Bach , Bach Archive, Leipzig, accessed on August 19, 2019
  8. The Pilgrime on Golgotha by Bach digital
  9. ^ Martin Geck : German Oratorios 1800 to 1840: List of sources and performances. Wilhelmshaven, Amsterdam, Locarno: Heinrichshofen 1971 ISBN 978-3-7959-0091-5 (= source catalogs for the history of music 4), p. 33
  10. Carl von Ledebur : Tonkünstler-Lexicon Berlin's from the oldest times to the present. Rauh, Berlin 1861 ( digitized versionhttp: //vorlage_digitalisat.test/1%3D~GB%3DWZnkAAAAMAAJ~IA%3D~MDZ%3D%0A~SZ%3D~ double-sided%3D~LT%3D~PUR%3D ), p. 514
  11. See the review: Allgemeine Musikische Zeitung 1807, Col. 816
  12. The Pilgrime on Golgotha ​​/ by Lord Zachariae. Set in the music by GS Löhlein. Leipzig: Langenheim [approx. 1776]
  13. ^ Rudolf Wustmann , Arnold Schering : Music history of Leipzig. Volume 3: The Age of Johann Sebastian Bach and Johann Adam Hiller (from 1723 to 1800) , Kistner & Siegel, Leipzig 1941, p. 409