Druckhaus upwards

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The Druckhaus Aufwärts GmbH was a printing company with a publisher in Leipzig .

history

The sheet music logo of the Peter-Presse

The printing house Druckhaus Aufwärts emerged from the Peter-Presse in Leipzig . In the post-war period, typesetter and printer Christoph Kreickenbaum rebuilt the Peter-Presse print shop at Breitkopfstraße 3–5. The building was badly damaged after a bomb attack and was located in the graphic quarter of Leipzig. Many well-known companies such as Brockhaus and Reclam were based in the former center of Germany's publishing and printing industry . Printers such as Giesecke & Devrient , Offizin Andersen Nexö , Druckerei Emil Glausch and the Peter-Presse took advantage of the local proximity to the large publishers ( Edition Peters etc.).

Until its expropriation in 1953 was the complete name of the operation Druckhaus Ferdinand Peter Nachf. After the expropriation of entrepreneurs in 1956 leased the Kunstanstalt Rudolph Börsig and took it in 1959 as Peter press Christoph Kreickenbaum KG Darmstadt . He was very successful with many beautiful books in the West until his death. The Peter-Presse was meanwhile operated as a state-owned enterprise of the GDR. In 1955 the VEB Peter-Presse was added to the LDPD in exchange for the MdV Druckhaus (Michael-Kirch-Straße, Berlin) and integrated into the VOB upwards. The name VEB Peter-Presse was replaced by VEB Druckhaus Aufwärts . The Emil Glausch printing company in nearby Täubchenweg was incorporated into the VEB Druckhaus Aufwärts . There the further processing of the printed matter produced in the Breitkopfstrasse was carried out.

Like the newspaper and book publishers Der Morgen , for example , the printing house upwards also belonged to the VOB upwards in Berlin with other branches ( Demo-Druck Dresden , Druckerei Elbe-Saale in Naumburg, Vereinbuchdruckerei Wagner ) . The VOB Upward , founded in 1951, was again owned by the LDPD . VOB up was after the fall of 1990 in Vercon GmbH renamed and from the VEB pressure building up that was pressure building up GmbH . Vercon GmbH in Berlin continued to administer the LDPD and NDPD block party operations in the early 1990s. In the meantime, the special fund directorate of the Treuhandanstalt was processing the restitution application to transfer the printing house up to the former owner family. However, the business was not transferred back to the heirs of the former company owner. Instead, the company closed in September 1992 after the company had been in a long pending re-transfer. The main reason for the long limbo was the desire of the FDP to completely take over the party assets of the GDR block parties (LDPD, NDPD), to which the printing house upward belonged. When the former owner family wanted to force the takeover of management by a court of law, the company was closed overnight, systems and machines were transferred to other Vercon printing plants and in 1993 the liquidation of Druckhaus Aufwärts GmbH was completed. The liberal politician Günter Rexrodt was head of the Treuhandanstalt in Berlin at the time. The conflict of interests between the party assets of the block parties taken over by the FDP on the one hand and the goals of the public, represented by the Treuhandanstalt, on the other, was discussed in the media and in the UKPV at the time.

Products and customers

In the printing house up were as before after the Second World War in the Peter-press mainly books as well as commercial work and notes made. The Leipzig Exhibition Center was one of the main publishing clients of Peter-Presse in the early 1950s.

Franz Dathes' apprenticeship and wandering years.jpg

In addition to commissioned print products, various works such as B .:

  • Good prints carry the mark of the Peter press in Leipzig. Peter-Presse, Leipzig 1947.
  • Apprenticeship and wandering years. Franz Dathe, Leipzig 1948.
  • Leipziger Messe 1948. Leipziger Messeamt ​​(Ed.), Peter-Presse, Leipzig 1948.
  • Culture mirror of the trade fair city of Leipzig for the period from December 8th, 1954 to August 8th, 1955. Peter-Presse, Leipzig 1954.
  • WA Mozart Dearest Very best letters to his wife. WA Mozart and Prof. Roland Tenschert, Peter Presse, Darmstadt 1956
  • Testimony. Otto Freiherr von Taube, Peter-Presse, Darmstadt 1960.
  • On a cold winter night. Text by Robert Southwell , trans. by Herberth E. Herlitschka, Peter-Presse, Darmstadt, 1961.
  • West African impressions. Helmut Lander and Janheinz Jahn, Peter-Presse, 1962.
  • Meaning and signs - calligraphy by contemporary Japanese masters. Helmut Lortz, Peter-Presse, 1962.
  • Corrida de Toros. Photos and drawings by Helmut Lander Text and translations by Karl Krolow , Peter-Presse, Darmstadt 1964.
  • Dreams. Various authors, Peter-Presse, Darmstadt 1967.
  • In the sunset (Eichendorff). Facsimile print, Peter-Presse, Darmstadt 1967.
  • Gaulimauli Porcupine or The Art of Chain Song. Karl Friedrich Leucht, Peter-Presse, Darmstadt 1968.
  • The island of order. KH Silomon, Peter-Presse, Darmstadt 1969.
  • CR MACKINTOSH. Dietrich Grafe, Peter-Presse, Darmstadt 1969.
  • Which conception of living nature is the right one? Karl Ernst von Baer , Peter-Presse, Darmstadt 1970.
  • Interpretation of a poem by Stéphane Mallarmé. Walter Naumann , Peter-Presse, Darmstadt 1971.
  • Watercolors and drawings. A selection. With a biographical introduction by v. H.-J. Imiela. Bruno Müller-Linow , Peter-Presse, Darmstadt 1972.

During the GDR era , mainly the LDPD and LDPD companies were among the clients. For the LDPD book publisher Der Morgen were z. B. Produced works by the Leipzig writer Stefan Heym .

The business relationship with the Leipziger Messegesellschaft established by the former owner was continued. For example, the trade fair telephone book was produced annually.

With the end of many GDR publishing customers at the beginning of the 1990s, the printing and publishing house had to reorient itself. Due to the management structure (administration in Berlin / technical management in the company) this was not easy. But the owner's situation was also problematic: in 1992, the Stuttgarter Sparkassenverlag negotiated regular orders for the Aufwärts printing company in Leipzig. However, since the transfer of the party's assets back to the previous owner family did not succeed quickly enough, the cooperation with the Stuttgart publishing house failed.

Workforce

At the end of the GDR , the workforce in Leipzig was transferred to Druckhaus Aufwärts GmbH .

year Number of employees
1989 230
1990 95
1991 62
1992 17th

The social plan had a total of 217,000 DM.

The technical management of the printing company had until its closure in 1992 Mr. K. Weigend paused. He was the managing director of the GmbH .

Total assets

date total
December 31, 1989 18,450,000 marks
07/01/1990 7,148,000 DM
December 31, 1990 6,359,000 DM
December 31, 1991 2,749,000 DM
December 31, 1992 3,477,000 DM
December 31, 1993 3,261,000 DM
December 31, 1994 3,291,000 DM

Plant park

In the prepress modern Western technology was used. So were set systems of high-end manufacturers Linotype and Linotype-Hell used. Sheetfed offset machines manufactured in the GDR ( Kombinat Polygraph Werner Lamberz ) were mainly used in the print shop . The Planeta printing machines were at a good level and almost on a par with the West German systems from Heidelberg and Manroland . In postpress processing systems for thread stitching , thread sealing and adhesive binding from GDR bookbinding machine works were used.

In addition to the production facilities, Druckhaus Aufwärts GmbH also had its own transport vehicles from the manufacturer IFA .

Individual evidence

  1. ^ Börsig, Rudolf Friedrich. In: Stadtlexikon Darmstadt. Retrieved February 14, 2017 .
  2. ^ Publishing houses in Darmstadt. In: Stadtlexikon Darmstadt. Retrieved February 14, 2017 .
  3. ^ Bundestag: LDPD report. (PDF) In: 13/5376. Bundestag, 1998, p. 219 , accessed on February 17, 2017 .
  4. ^ Bundestag: Report of the Independent Commission to Review the Property of the Parties and Mass Organizations of the GDR. (PDF) In: Drucksache 13/5376. German Bundestag, August 1, 1996, p. 176 , accessed on February 17, 2017 .
  5. Parties: Everything is dear and dear . In: Der Spiegel . No. 39 , 1990 ( spiegel.de [accessed February 17, 2017]).
  6. Wolfgang Hoffmann: Unlike the CDU, the FDP does not want to forego its assets in the East: A delicate inheritance . In: The time . November 9, 1990, ISSN  0044-2070 ( zeit.de [accessed February 17, 2017]).
  7. ^ Wolfgang Hoffmann: Bonn scenery . In: The time . November 5, 1993, ISSN  0044-2070 ( zeit.de [accessed February 17, 2017]).
  8. Party assets: A bargain for the FDP . In: Der Spiegel . No. 1 , 1995 ( spiegel.de [accessed February 17, 2017]).
  9. Good prints are rated by the Peter-Presse in Leipzig. Christoph Kreikenbaum, 1947, accessed on February 27, 2017 .
  10. Franz Dathe: years of travel . Ed .: Franz Dathe. Peter-Presse, Leipzig 1948.
  11. ^ Council of the City of Leipzig (ed.): Kulturspiegel der Messestadt Leipzig for the period from December 8th, 1954 to August 8th, 1955 . Peter-Presse, Leipzig 1954.
  12. KH Silomon: The island of order . 1969, DNB  1045429015 .
  13. Stefan Heym: The King David Report . The Morning, 1981, DNB  203093119 .

literature

  • Herbert Kästner : "What Leipzig prints is gorgeous". In: Ulla Heise , Nortrud Lippold (Ed.): Leipzig on foot. 22 city tours. Leipzig 1990, ISBN 3-87975-543-4 .
  • Lutz Heydick: Leipzig. Historical guide to town and country. Urania, Leipzig 1990, ISBN 3-332-00337-2 .
  • Graphic quarter on architektur-blicklicht.de.
  • Sabine Knopf: Book City Leipzig. The historical travel guide, Berlin 2011, ISBN 978-3-86153-634-5 , pp. 60–61.
  • Eckhard Petersohn: Buchverlag Der Morgen: 1958–1988. Bibliography. Berlin 1988.