Franz Xaver Sterkel

from Wikipedia, the free encyclopedia
Franz Xaver Sterkel
Signature Franz Xaver Sterkel.PNG
Bust of Sterkel in the garden of the Aschaffenburg Municipal Music School

Johann Franz Xaver Sterkel (born December 3, 1750 in Würzburg , † October 21, 1817 there ) was a German pianist and composer .

Life

Sterkel studied from 1768 theology and worked during which as organist at Neumunster , where he in 1778 vicar was. Because of his compositions, Sterkel was appointed court musician by the Elector and Archbishop of Mainz , Friedrich Karl Joseph von Erthal . After a trip to Italy (1779–1782), Sterkel was finally appointed canon to Mainz in 1785 , and in 1793 he succeeded Vincenzo Righini, who had been appointed to Berlin, as the electoral conductor. After Erthal's death in 1802, Sterkel directed the court music in Aschaffenburg for Prince and Archbishop Karl Theodor von Dalberg . When he lost his secular rule, the Grand Duchy of Frankfurt , in 1814 , Sterkel returned to Würzburg and died there three years later.

On September 3, 1791, after a performance in Mergentheim , the young Ludwig van Beethoven traveled to Aschaffenburg, a summer residence of the elector, to visit the famous pianist Sterkel. It is said that Beethoven was impressed by Sterkel's playing, and it is believed that his style influenced some of Beethoven's early piano compositions. Conversely, to Sterkel's surprise, Beethoven was not only capable of playing his Righini variations, but also spontaneously improvising other variations in a similar style. On February 11, 1811, Carl Maria von Weber visited the "famous Sterkel" in Aschaffenburg.

title

plant

Sterkel published an opera ( Farnace , 1782), ten symphonies , two orchestral overtures , as well as various chamber music , sacred music as well as German and Italian-language vocal music . He also left behind an extensive piano work for two and four hands. Today, however, Sterkel's work has no significant presence either in recordings or in concerts.

literature

Web links

Individual evidence

  1. See Klaus Martin Kopitz , Rainer Cadenbach (Ed.) U. a .: Beethoven from the point of view of his contemporaries in diaries, letters, poems and memories. Volume 2: Lachner - Zmeskall. Edited by the Beethoven Research Center at the Berlin University of the Arts. Henle, Munich 2009, ISBN 978-3-87328-120-2 , pp. 785 and 906f.
  2. ^ Josef Wirth, Aschaffenburg with a time table on the history up to 1850, Paul Pattloch Verlag Aschaffenburg 1948
  3. Biography on "Grande Musica"