Guitar school
The term guitar school encompasses methodical concepts for teaching guitar playing through personal lessons or through published textbooks.
Music school for guitar
A music school that focuses on giving guitar lessons. The lessons offered by regional guitar schools are limited to their own city or region, supraregional guitar schools usually cooperate nationwide with local educational institutions.
Traditional line of guitar playing
Specific guitaristic traditions are sometimes referred to as "school" called of guitar playing, for example, from Berlin guitarist Bruno Henze founded (1900-1978) " Berlin Guitar method " or by the guitarist Ursula Peter (1924-1989) launched the "Weimar Gitarrenschule" .
Textbook for classical guitar or electric guitar
A guitar school in the didactic sense is a textbook for acoustic guitar or electric guitar . With the help of texts, photos, music samples , guitar tablature and fingering images for guitar chords, song accompaniment, single to polyphonic classical guitar playing or stylistic features of flamenco , blues , jazz , pop and rock are conveyed. Depending on the target group, etudes , play pieces, songs, folk and children's songs are arranged in increasing degrees of difficulty. Some guitar schools are specially designed for group lessons and contain playing pieces for multiple guitars. Modern guitar textbooks are often combined with CDs, DVDs, or links to MP3 files.
Historic guitar schools
Guitar schools of the baroque age:
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Gaspar Sanz : Instrucción de música sobre la guitarra española y method de sus primeros rudimentos, hasta tañerla con destreza. (Diego Doemer's Heirs, Saragossa 1674); Reprint 1697; Facsimile reprint by Éditions Minkoff, Geneva 1973.
- Libro segundo, de cifras sobre la guitarra española (Saragossa 1675)
- Libro tercero de música de cifras sobre la guitarra española (Saragossa 1697).
Manfred Dettke made a comparison of historical guitar schools in his dissertation: Textbooks for the six-string concert guitar in German-language editions of the 19th and 20th centuries, taking into account guitar schools, theoretical writings and other handouts that deal with the guitar , Frankfurt am Main 1991. Demanding guitar schools were often written by concert guitarists, for example Emilio Pujol (1886–1980), a student of Francisco Tárrega (1852–1909), who had a decisive influence on the development of modern guitar technology.
Widespread historical guitar schools of the 18th and 19th centuries:
- Simon Molitor , R. Klinger : Attempting a Complete Methodological Guide to Playing the Guitar. 1799.
- Antonio Maria Nava : Nuovo metodo per chitarra
- Dionisio Aguado : Méthode complète pour la Guitare . Paris 1826
- Francesco Molino : Grande Méthode Complette, op.46. (1826)
- Matteo Carcassi : Méthode complète pour Guitare, op.59.1853 ( digitized version )
- Ferdinando Carulli : Metodo completo per chitarra, op.27 and around 1825 École de guitare, op.241. ( digitized version )
- Mauro Giuliani : Metodo par Chitara, op.1.
- Fernando Sor : Méthodo complète de guitare. 1830. Edited and expanded in 1845, ed. by Napoléon Coste .
- Jaime Bosch : Method de guitarre. Paris 1890.
Classical guitar schools of the 20th century:
- Heinrich Albert : Modern course in artistic guitar playing. 5 booklets in 4 parts, Munich 1914–1919.
- Ruggero Chiesa: Guitar Gradus. Metodo elementary .
- Paul Gerrits: Guitar and Lute School .
- Walter Götze: guitar and lute school .
- Walter Götze: The guitar and lute school of the youth. B. Schott's sons, Mainz.
- Bruno Henze: The guitar game .
- Emilio Pujol: Escuela Razonadade la Guitarra .
- Erwin Schaller, Karl Scheit: textbook for the guitar .
- Heinz Teuchert: guitar school .
Guitar schools for acoustic guitar
- Peter Autschbach : Learn guitar with Zacky and Bob. Guitar school for children from 8 years, Schott Music, Mainz 2016, Volume 1: ISBN 979-0001160391 , Volume 2: ISBN 979-0001161206 .
- Phil Capone: Guitar, the complete course. Voggenreiter Verlag, Bonn 2010, ISBN 978-3-8024-0849-6 .
- Frank Hill : Playing Guitar · Playing Guitar. , new version, Musica Longa Berlin, Zühlsdorf b. Berlin 2019, Volume 1: ISMN 979-0-700120-51-1, Volume 2: ISMN 979-0-700120-52-8.
- Frank Hill : Playing Guitar - Playing Guitar. , old version, Friedrich Hofmeister Musikverlag , Leipzig 1993/1995, Volume 1: ISBN 3-87350-505-3 , Volume 2: ISBN 3-87350-506-1 .
- Hubert Käppel : Käpel's guitar school. Basic textbook for guitar in individual, group and self-lessons with detailed instructions for song accompaniment. AMA-Verlag, Brühl 1996, ISBN 3-927190-78-0 .
- Dieter Kreidler : guitar school. Play guitar with fun and imagination. , New version, Schott Music, Mainz 2009/2010, Volume 1: ISBN 978-3-7957-5878-3 , Volume 2: ISBN 978-3-7957-5879-0 , Volume 3: ISBN 978-3-7957-5917 -9 .
- Michael Langer , Ferdinand Neges: Play guitar together. The guitar school for group lessons. Doblinger, Vienna 2007, Volume 1: ISBN 978-3-900695-92-7 , Volume 2: ISBN 978-3-900695-94-1 .
- Heinz Teuchert : The new guitar school. Ricordi Verlag, Berlin 1984/1987, Volume 1: ISBN 3-931788-36-9 , Volume 2: ISBN 3-931788-38-5 .
- Rolf Tönnes: Playing the guitar - my favorite hobby. The modern guitar school for teenagers and adults. Schott Music, Mainz 2005, Volume 1: ISBN 3-7957-5598-0 , Volume 2: ISBN 3-7957-5845-9 .
Guitar schools for jazz
- Werner Neumann : The Jazz Method for Guitar - Solo. Scales - improvisation - phrasing. Schott Music, Mainz 2001, Volume 1: ISBN 3-7957-5161-6 , Volume 2: ISBN 3-7957-5352-X .
Guitar schools for folk, pop and rock
- Peter Autschbach : Let's Rock. Electric guitar school, Acoustic Music Books, Wilhelmshaven 2008: ISBN 978-3869470900 .
- Peter Autschbach: Rock On Wood. Akustikgitarrenschule, Acoustic Music Books, Wilhelmshaven 2011/2015, Volume 1: ISBN 978-3869471006 , Volume 2: ISBN 978-3869471044 .
- Peter Autschbach: Pure guitar - for electric and acoustic guitarists. Acoustic Music Books, Wilhelmshaven 2001/2002, Volume 1: ISBN 3-931453-38-3 , Volume 2: ISBN 3-931453-39-1 .
- Peter Bursch : Peter Bursch's guitar book. Pop, Folk, Rock & Blues from very easy to very strong Voggenreiter Verlag , Bonn 1975, ISBN 3-8024-0208-1 .
- Peter Bursch: Peter Bursch's guitar book 2. Pop, Folk, Rock & Blues from half as bad to very difficult Voggenreiter Verlag, Bonn 1977, ISBN 3-8024-0214-6 .
- Peter Bursch: The Folk Book. Voggenreiter Verlag, Bonn 1979, ISBN 3-8024-0085-2 .
- Peter Bursch: Peter Bursch Heavy Metal Guitar. Voggenreiter Verlag, Bonn 1988, ISBN 3-8024-0172-7 .
- Peter Kellert: Learn to play the guitar. The beginner school for acoustic and electric guitar. LEU-Verlag, Neusäß 2005, ISBN 3-89775-073-2 .
- Andreas Scheinhütte : School of rock guitar plus. Heros Musikverlag, Frankfurt am Main 2008, ISBN 978-3-940297-90-7 .
Guitar schools for flamenco
- José de Azpiazu: Flamenco guitar school. With German-language explanations by Manfred M. Herrmann. G. Ricordi & Co., Munich. In addition, ibid .: The technique of rasgueado.
- Gerhard Graf-Martinez : Flamenco. Guitar school for lessons and self-study. Schott Music , Mainz 1994, Volume 1: ISBN 3-7957-5083-0 , Volume 2: ISBN 3-7957-5084-9 .
- Ivor Mairants: The Flamenco Guitar. A complete method for playing flamenco. Latin-American Music Publishing, London 1958.
Guitar schools for elementary music education, day care centers and schools
- Hans-Werner Huppertz , Jens Kienbaum: The Guitars AG: Guitar school for groups and classes. AMA-Verlag, Brühl 2006, ISBN 3-89922-085-4 .
Individual evidence
- ↑ Definition of the term "guitar school"
- ↑ Historical guitar schools in the 19th and 20th centuries
- ↑ published 1809; Supplementary volumes: Op. 61 (1810) and 75 (1810) and the Supplément à la Méthode , Op. 192, around 1822. See gitarrenbank.de .
- ↑ Martin Rätz (Ed.): Classics of the guitar. Study and lecture literature from the 18th and 19th centuries. Volume 2. Deutscher Verlag für Musik, Leipzig 1978; License edition Schott, Mainz, p. 140 ( To the composers ).
- ↑ Review of the guitar school by Dieter Kreidler
- ↑ Review of Michael Langer's guitar school
- ↑ Review of the guitar school by Peter Kellert