Gustave III. ou Le bal masqué

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Work data
Title: Gustav or The Masked Ball
Original title: Gustave III. ou Le bal masqué
Title page of the libretto, Paris 1833

Title page of the libretto, Paris 1833

Shape: Opera in five acts
Original language: French
Music: Daniel-François-Esprit Auber
Libretto : Eugène Scribe
Premiere: February 27, 1833
Place of premiere: Grand Opéra , Paris
Playing time: about 3 hours
Place and time of the action: In and near Stockholm 1792
people
  • Gustav III , King of Sweden ( tenor )
  • Anckarström / Ankastrom, a consultant ( baritone )
  • Ribbing / waiting, a subversive ( bass )
  • Horn / dehorn, A subversives (Tenor)
  • a chamberlain (tenor)
  • Armfelt, Minister of Justice (Bass)
  • Kaulbart, Minister of War (Bass)
  • Christian, sailor (tenor)
  • a servant of Ankastroms (bass)
  • Amélie, Countess Ankastrom ( soprano )
  • Oscar, Page of the King ( coloratura soprano )
  • Arvedson , a fortune teller ( mezzo-soprano )
  • Deputies, courtesans, conspirators, people ( chorus )
  • ballet

Gustave III. ou Le bal masqué (Eng. Gustav or The Masked Ball ) is a great historical opera in five acts, composed by Daniel-François-Esprit Auber on a libretto by Eugène Scribe . It was premiered on February 27, 1833 in the Salle de la rue Le Peletier of the Paris Opera .

action

The plot of this opera resembles Verdi's opera Amelia or a masked ball , the only difference being that Auber's work is set in a bourgeois - and not, as with Verdi, in a nobility - milieu. In Paris in 1861 for political reasons (after complaints from the Swedish court), the action was moved to Naples. King Gustav III of Sweden was considered one of the most colorful personalities in Europe. He was an enlightened monarch, famous as an art lover and notorious for his love of life. Because he wanted to abolish the privileges of the nobility, he attracted enemies. On March 16, 1792, the king was shot by the masked Count Johann Jakob Anckarström at a masked ball in the Stockholm Opera in front of the ball company , and died of blood poisoning just under two weeks later.

Instrumentation

The orchestral line-up for the opera includes the following instruments:

Work history

At the premiere at the Paris Opera on February 27, 1833 , Adolphe Nourrit (Gustave III), Nicolas-Prosper Levasseur (Anckarström), Pierre-Auguste "Alexis" Dupont (Warting), Henri-Bernard Dabadie (horn), Hyacinthe- Maturin Trévaux (Chamberlain), Ferdinand Prévost (Armfelt), Pierre-François Wartel (Kaulbart), Jean-Étienne-August Eugène Massol (Christian), Marie-Cornélie Falcon (Amélie), Julie Dorus-Gras (Oscar) and Louise-Zulmé Dabadie-Leroux (Arvedson). The dancers included Lise Noblet-Dupont and Joseph Mazilier . The choreography came from Filippo Taglioni .

A first German translation by Ignaz von Seyfried and Georg von Hofmann was performed on September 26, 1835 under the title Die Ballnacht in the Theater am Kärntnertor in Vienna . The conductor of this performance was Wilhelm Reuling . In 1837 another German translation by Karl August von Lichtenstein was performed at the Königsstädtisches Theater in Berlin .

literature

  • Daniel-François-Esprit Auber: Gustav or the masked ball. Great historical opera in 5 acts . Reclam, Leipzig 1900 (opera books; 42)
  • Herbert Schneider : Chronological-thematic directory of all works by Daniel Francois Esprit Auber . Olms, Hildesheim 1994 (musicological publications; 1)

Web links

Commons : Gustave III. ou Le bal masqué  - collection of images, videos and audio files

Individual evidence

  1. ^ Ludwig Finscher : Gustave ou Le Bal masqué. In: Piper's Encyclopedia of Musical Theater . Volume 1: Works. Abbatini - Donizetti. Piper, Munich / Zurich 1986, ISBN 3-492-02411-4 , pp. 107-109.
  2. February 27, 1833: “Gustave III”. In: L'Almanacco di Gherardo Casaglia ..
  3. The night of the ball. Great opera in 5 acts, with divertissement. After the French. edit by Josef Ritter von Seyfried and Georg Edler von Hofmann. Music by Auber. Mausberger, Vienna 1835 ( digitized versionhttp: //vorlage_digitalisat.test/1%3D~GB%3DJS1XAAAAcAAJ~IA%3D~MDZ%3D%0A~SZ%3D~double-sided%3D~LT%3D~PUR%3D ).
  4. ^ Karl Goedeke , Edmund Goetze: Outline of the history of German poetry from the sources. 2nd Edition. Ehlermann, Leipzig 1953, vol. 11, half-vol. 2. p.  200http: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3DGroundrissZurGeschichteDerDeutschenDichtungAusDenQuellen-2-11-2~MDZ%3D%0A~SZ%3Dn211~doppelseiten%3D~LT%3D200~PUR%3D .
  5. ^ Michael Jahn : Reuling, Ludwig Wilhelm. In: Oesterreichisches Musiklexikon . Online edition, Vienna 2002 ff., ISBN 3-7001-3077-5 ; Print edition: Volume 4, Verlag der Österreichischen Akademie der Wissenschaften, Vienna 2005, ISBN 3-7001-3046-5 .