Hans Danuser (artist)

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Hans Danuser (born March 19, 1953 in Chur ) is a Swiss artist and photographer . His best-known work cycle is In Vivo , in which he deals with taboo zones in society, such as genetic research or atomic physics, and which made him internationally known. Since the 1990s, Danuser's focus has been on transdisciplinary (research) projects in art and science in addition to photography.

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Hans Danuser is one of the pioneers of contemporary photography in Switzerland. His works have been shown in major solo and group exhibitions at home and abroad. He was invited to international events such as the Venice and Lyon Biennials . Hans Danuser was the first photographer to lay out his large-format picture tableaus in a museum presentation on the floor with a conceptual consistency. Danuser began in 1980 on the work cycle In Vivo , which he completed in 1989, at the same time he created architectural photographs in the project scores and images . In 1990 Danuser won the competition for a large-scale wall design at the University of Zurich-Irchel, which resulted in institute pictures (1992). A later important project in the architectural context is the Beverin slate (2000–2001). In the 1990s, the work Frozen Embryo Series was created , which followed In Vivo and some forerunners of the work-in-progress work The Erosion Project and Decision-making , which is still ongoing today , in which the different artistic and photographic interests of the Manifest artist. Hans Danuser's works are represented in public and private collections, including the Kunsthaus Zürich , the Howard Stein Collection, New York, the George Reinhart Collection and the Fotomuseum Winterthur , the Metropolitan Museum of Art New York, the Museum of Modern Art , New York , the Walter A. Bechtler Collection, Zurich / Uster and the Aargauer Kunsthaus .

biography

After an assistant to the German advertising and fashion photographer Michael Lieb in Zurich from 1971 to 1974, artistic experiments with light-sensitive emulsions followed at the ETH Zurich. 1979–1989 work on the IN VIVO cycle. Regularly for longer stays in New York in the 1980s and 1990s. Since the 1990s, large-format, spatial and installation photo series and transdisciplinary projects in art and science. In the spring semester of 2009 first visiting artist at the teaching and research center for Theory and History of Photography (TGF) at the Art History Institute of the University of Zurich, then visiting professor at the ETH Zurich . Today Hans Danuser works mainly in Zurich .

Work series and projects

Decision taking

Hans Danuser, Akka Bakka, 2013, An art-in-architecture project in the Health Department of the Canton of Zurich, Zurich.
Hans Danuser, Piff Paff Puff, 2010/2011, An art-in-architecture project in the Prime Tower, Zurich.

The Counting Out Ryhmes Project on the subject of decision making - Decision taking (work in progress) includes video installations and art-in-architecture projects. They show '' Danuser's fascination with the reduction of complex issues '' (Fasciati 2008) on a simple, reduced model. In decision-making as a social and political instrument, Danuser is interested in various ideas and models, be they theoretically based on mathematics or practical in nature such as children's counting rhymes. The counting rhymes - a '' mixtum compositum of reason and fantasy '' (Jauch 2008, 40) - are on a par with mathematical formulas and physical laws and, thanks to their '' non-rational decision-making processes '' (Kuoni 2008, 72 ) the basic structure of our contemporary model of thought.

  • Joggeli (Nationale Suisse, Basel, 2014)
  • Akka Bakka (Zurich Health Department, 2013)
  • Piff Paff Puff (Primetower, 2010–2012)
  • Insert-You (2009)
  • Video installation (since 2008)

precursor

  • Deer crossing (1993)

The Erosion Project

Hans Danuser, Erosion III - a floor installation, 2000–2006, 9 parts (III 1 – III 9), photography on baryta paper, each 150 × 140 cm, picture installation in the Kunsthaus Zürich (Böcklinsaal).
Hans Danuser, Erosion II - a floor installation, 2000–2006, 6 parts (II 1 – II 6), photography on baryta paper, each 150 × 140 cm, image installation in the Fotomuseum Winterthur.

The Erosion Project (work in progress) is a multi-layered undertaking that deals with the topic of the erosion of natural and cultural landscapes in a clear, reduced aesthetic. In chronological order, The Erosion Project comprises three series of works: the ground installations Erosion I-VII (2000-2006), Modeling Erosion (2003-2007), which was created in collaboration with the Institute for Geotechnical Engineering at ETH Zurich , and Landscape in Motion / Moving Landscape (from 2008), which is based on a collaboration with the Institute for Inorganic Chemistry at ETH Zurich as part of the research project The Last Analog Photograph / Color and Photography . In addition, earlier works play a pioneering role in this series of works. So directly landscapes (1993-1996) and the art-in-architecture project Slate Beverin (2001).

  • Moving Landscape (since 2008)
  • Modeling erosion (2003-2007)
  • Erosion I-VII (2000-2006)

precursor

  • Slate Beverin (2000-2001)
  • Strangled Bodies (1995, 2001)
  • Landscapes (1993–1996)

Frozen Embryo Series

Hans Danuser, Installation Frozen Embryo, Bündner Kunstmuseum, 2000, photography on baryta paper, 3-part, each 141 × 150 cm, installed in the Villa Planta in the atrium and staircase to the permanent exhibition on the 1st floor.
Hans Danuser, Frozen Embryo Series I, 1998–2001, 4 parts (I1 – I4), silver gelatine, 59 × 55 cm, photography: production hall 2.

The photographs for the Frozen Embryo Series (1996–2000) were taken in medical laboratories and in genetic research. In these works, Hans Danuser plays with the possibilities of analog photography by rotating and mirroring one and the same negative, which he describes as the "original", generating several images in the darkroom that differ significantly in our perception then calls this "unique". In order to reinforce this impression, Hans Danuser chose the square as the picture format. Slightly stretched to 140 cm × 150 cm. The Frozen Embryo Series was shown for the first time in 1996 at the Kunsthaus Zürich. Günter Metken in the exhibition catalog: “Without being explicit, Hans Danuser's pictures formulate classic problems - and paradoxes - of painting: the perception of nature and its reproduction, the tension of surface and depth, of three-dimensionality and two-dimensional leveling, foreground and Background, microscopy and totality, eye and sense of touch. He updates such questions and yet, in the flow of driving forms, also brings to mind Monet's Nymphéas. The gaze wanders, wanders, grasps rolling shapes - a retreat that expands and refines our vision. "

  • Frozen Embryo Installation (1996)

Scores and pictures

In 1988 Hans Danuser first showed the pictures in the Lucerne Architecture Gallery under the title Scores and Pictures , which he had photographed on behalf of the architect and Pritzker Prize winner Peter Zumthor 1986–1988: the architect's studio in Haldenstein, the protective structures over Roman finds in Chur and the Sogn Benedetg chapel in Surselva. The pictures were created as a carte blanche from the architect to the artist and photographer. Philip Ursprung, professor of contemporary art and architectural history, explains in his essay in the book Zumthor See. Pictures by Hans Danuser - thinking about architecture and photography the effects that Danuser's photographs in scores and pictures had on the representation of architecture in photography: “With the pictures by Sogn Benedetg, Danuser radically changed the convention of architectural photography. Instead of neutral documentation, he was interested in a personal interpretation. And instead of reducing the phenomenon to a single shot, he basically dismantled the building into individual parts, like a short film that breaks the object down into sequences and shows it from different perspectives - today this would be called performative . These fragments offer the viewer the opportunity to reconstruct the building in their imagination. "

  • See Zumthor. Pictures by Hans Danuser (2009)
  • Peter Zumthor, Therme Vals, in collaboration with Fritz Hauser, Sounding Stones Therme Vals (1996)
  • Scores and pictures. Architectural work from the Peter Zumthor studio (1985–1988)

In vivo

Hans Danuser, In Vivo, 1980–1989, Chemistry I (VI 1), photography on baryta paper, 50 × 40 cm, recorded in research, analysis and production in pharmacology and chemistry.
Hans Danuser, In Vivo, 1980–1989, A-Energie (I 1), photography on baryta paper, 50 × 40 cm, taken in nuclear power plants, reactor research and interim storage of highly radioactive waste.

For 10 years Danuser worked on seven series of pictures, which he summarized under the title In Vivo in 1989 and presented to the public for the first time in the Aarau Art Museum curated by Beat Wismer. The photographs for In Vivo were taken in Europe and the USA and are divided into seven chapters: A-Energy, Medicine I, Gold, Medicine II, Chemistry I, Los Alamos and Chemistry II. The work gives an insight into taboo areas in late industrial western society , about the representation of different workplaces in research and production facilities - without showing the people themselves. The images explore the ambivalence of photography between documentation and fiction. The work was also published in an artist's book under the title In Vivo by Lars Müller Verlag.

  • In Vivo (1980–1989), 93 photographs black and white

Solo exhibitions (selection)

  • 2019: Galerie Luciano Fasciati, Chur ("Hans Danuser - Out of Paradise")
  • 2018: Kirchner Museum Davos , Davos ("Hans Danuser - The Fujiyama of Davos")
  • 2017: Villa Garbald, Castasegna ("Hans Danuser - Flowers for Andrea")
  • 2017: Bündner Kunstmuseum , Chur ("Hans Danuser - Darkrooms of Photography")
  • 2014: Municipio Bregaglia, Promontogno ("Hans Danuser, Uccelin Gion Fond Dal Mer")
  • 2012: Semper Observatory , ETH Zurich (“A Colloquium of Things”)
  • 2009: Galerie Luciano Fasciati, Chur (“Thinking about photography and architecture”)
  • 2008: Galerie Luciano Fasciati, Chur («Auszenken - The Counting Out Rhymes Project»)
  • 2006: Moscow House of Photography , Big Manesh, Moscow («Erosion»)
  • 2005: Villa Garbald, Castasegna ("Project Garbald")
  • 2003: Galerie Luciano Fasciati, Chur ("Modeling Erosion")
  • 2003: Scalo Gallery, New York («Frozen»)
  • 2001: Fotomuseum Winterthur , Winterthur ("Frost")
  • 1999: Walter Merian Haus, Basel (“Nah und Fern”)
  • 1998: Nidwaldner Museum , Stans ("AT")
  • 1996: Kunsthaus Zürich , Zurich ("Delta. Photographs 1990-1996")
  • 1993: Bündner Kunstmuseum , Chur ("Wildwechsel")
  • 1991: Städtische Galerie im Lenbachhaus , Munich («In Vivo»)
  • 1990: Curt Marcus Gallery, New York («Photographs»)
  • 1989: Aargauer Kunsthaus , Aarau («In Vivo»)
  • 1988: Architekturgalerie, Luzern ("Scores and pictures. Architectural works from the Peter Zumthor studio 1985-1988")
  • 1986: Photoforum PasquArt, Biel
  • 1986: Gewerbemuseum Basel ("Three Photo Series")
  • 1985: Art Museum Graubünden , Chur («Three Photo Series»)

Group exhibitions (selection)

  • 2020: Fondazione MAST , Bologna (“Uni Form - into the work / out of the work”), curator Urs Stahel
  • 2019: Kunsthaus Zürich , Zurich ("The new photography. Upheaval and awakening, 1970–1990"), curator Joachim Sieber
  • 2019: Local Museum St. Antönien , St. Antönien (“Veh landscapes”), curator Gabriela Lutz
  • 2019: Museum Rietberg , Zurich (“Mirror - Man in Reflection”), curator Albert Lutz
  • 2019: Galerie Luciano Fasciati, Chur («Text_il»)
  • 2016: Museum Rietberg , Zurich (“Gardens of the World - Places of Longing”), curator Albert Lutz
  • 2015: Biennale for Current Photography , Mannheim / Ludwigshafen / Heidelberg ("[7] P - [7] Places [7] Precarious Fields. 6th Photo Festival Mannheim - Ludwigshafen - Heidelberg"), curator Urs Stahel
  • 2014: Arte Hotel Bregalia, Promontogno (“Hans Danuser, Uni dui tre quattar”), curators Luciano Fasciati and Céline Gaillard
  • 2013: Bündner Kunstmuseum , Chur (“A matter of opinion, 150 years of architectural photography in Graubünden”), curators Stephan Kunz and Köbi Gantenbein
  • 2013: Fotomuseum Winterthur ("Concrete. Photography and Architecture"), curators Thomas Seelig and Urs Stahel
  • 2013: Swiss Architecture Museum, Basel (“Bildbau. Swiss architecture in the focus of photography”), curators Hubertus Adam and Elena Kossovskaja
  • 2013: Fotomuseum Winterthur ("Cross Over. Photography of Science + Science of Photography"), curators Thomas Seelig and Christin Müller
  • 2012: Aargauer Kunsthaus Aarau, (“La jeunesse est un art - Jubilee Manor Art Prize”), curator Madeleine Schuppli u. Franz Krähenbühl
  • 2011: Swiss Photo Foundation , Winterthur (“Swiss Photo Books - Another History of Photography”), curator Martin Gasser
  • 2011: Helmhaus Zurich (“Kult Aussersihl Zurich - the other face”), curator Simon Maurer
  • 2011: Bündner Kunstmuseum , Chur (“Director's Choice. The other annual exhibition”), curator Beat Stutzer
  • 2010: Kunstmuseum Bern (“Don't look now - The Contemporary Art Collection”), curator Kathleen Bühler u. Isabel Flury
  • 2010: Aargauer Kunsthaus Aarau, (“Yesterday will be better”), curator Madeleine Schuppli u. Marianne Wagner
  • 2010: Zentrum Paul Klee / Kunstmuseum Bern (“Lust and Vice - The Seven Deadly Sins from Dürer to Naumann”), curators Juri Steiner, Fabienne Eggelhöfer, Mathias Frehner a. a.
  • 2009: Museum of Contemporary Art Antwerp, Mechelen (“All That is Solid Melts Into Air”), curators Roprecht Ghesquière, Edwin Carels, Bart De Baere, Liliane Wachter, Dieter Roelstraete and others. Grand Watson
  • 2009: Bündner Kunstmuseum , Chur ("Measuring. Strategies for the Capture of Space"), curator Katharina Ammann
  • 2008: Kunstmuseum Bern a . German Hygiene Museum , Dresden ("Six feet under"), curator Bernhard Fibicher
  • 2008: Aargauer Kunsthaus Aarau (“Still life. Stories of silent things”), curator Madleina Schuppli
  • 2007: Bündner Kunstmuseum , Chur (“Fleischeslust”), curator Kathleen Bühler
  • 2006: Swiss Institute, Rome, Museo d'arte moderna, Ascona, CentrePasquArt , Biel (“Photosouisse”), curator Walter Eggenberger
  • 2005: Musée de l'Elysée , Lausanne (“The Body Image”), curator William A. Eving; Art Basel , Scalo, Basel
  • 2004: International Center of Photography (ICP), New York (“Imagining the Future”), curator Carol Squiers; ART Basel, Scalo, Basel
  • 2003: New Berlin Art Association, Berlin; Art Basel , Scalo, Basel; New York University (“Not Neutral”), curator Urs Stahel
  • 2000: Art Exit, New York (“Paradise Now”), curators Marvin Heiferman, Carole Kismaric
  • 2000: Kunstmuseum Bern (“Ice Age”), curator Ralf Beil
  • 1998: Kunsthaus Zürich (“Im Kunstlicht”), Zürich;
  • 1998: Fotomuseum Winterthur (“The Collection”), curator Thomas Seelig
  • 1997: Biennale de Lyon (“l'autre”), curator Harald Szeemann
  • 1997: Kunsthalle Krems / Aargauer Kunsthaus Aarau (“The Gravity of the Mountains 1774-1997”), curators Beat Wismer, Wolfgang Denk
  • 1996: Frankfurter Kunstverein / Kunsthalle Schirn , Frankfurt («Prospect»), curated by Peter Weiermair
  • 1995: Venice Biennale , ("L`ame aux corps" / "Identity & Alterity. Forms of the Body 1895-1995"), curator Jean Claire
  • 1995: Aargauer Kunsthaus Aarau (“Untitled - A Collection of Contemporary Art”), curators Marianne Gerny, Jean Luc Manz, Urs Stahel, Theodora Fischer
  • 1991: The New Museum of Contemporary Art , New York ("The Interrupted Life"), curators Marica Tucker, France Morin a. Peter Greenaway
  • 1990: Museum of Design , Zurich (“Important Pictures”), curators Urs Stahel, Martin Heller
  • 1988: Bündner Kunstmuseum , Chur (“Confrontations”), curator Beat Stutzer
  • 1987: City of Nuremberg ("Open End - Current Swiss Art"), Nuremberg / Erlangen
  • 1983: Städtische Galerie im Lenbachhaus , Munich (“Current“ 83 ”), curators Helmut Friedel, Erika Billeter, Armin Second, Vitorio Fagone a. Dieter Ronte
  • 1982: Städtische Galerie zum Strauhof , Zurich («Photographs III»), curator Helen Bitterli

Prices

Scholarships and studio stays

  • 1996: Artist in Residence at Los Alamos Laboratories / Santa Fee, New Mexico, USA
  • 1991: Art grant for a stay in the studio of the Zug cultural foundation Landis & Gyr in London
  • 1983, 1984 (Atelier New York), 1985: Art grant from the City of Zurich
  • 1979, 1983, 1985: Study and work grants from the Canton of Zurich
  • 1974, 1976, 1983, 1985: Federal Art Scholarship

Publications and artist books / primary literature (selection)

  • Hans Danuser - Der Fujiyama von Davos (publication for the exhibition of the same name): Ernst Ludwig Kirchner Museum, Davos, November 28, 2018–29. April 2019, Heidelberg: Kehrer Verlag, 2018.
  • Hans Danuser - Darkrooms of Photography (publication for the exhibition of the same name): Bündner Kunstmuseum Chur, June 3, 2017–20. August 2017, Chur / Göttingen, Bündner Kunstmuseum Chur / Steidl, 2017, ISBN 978-3-95829-384-7 .
  • Hans Danuser. Flowers for Andrea (publication on the occasion of the exhibition of the same name: Villa Garbald, Castasegna, July 8, 2017– June 30, 2018), Chur: Fondazione Garbald / Bündner Kunstmuseum Chur, 2017.
  • Hans Danuser, Bettina Gockel (Ed.), The reinvention of photography. Hans Danuser - Talks, Materials, Analyzes (Studies in Theory and History of Photography 4), Berlin / Boston: De Gruyter 2014.
  • Wulf Rössler, Hans Danuser (eds.), Castle made of wood - the Burghölzli. From the mental hospital to the Psychiatric University Clinic Zurich. Developments, internal and external views. NZZ Libro, Zurich 2013, ISBN 978-3-03823-739-6 .
  • Hans Danuser, Erosion and Landscape in Motion , with a conversation between Christian Kerez and Hans Danuser. In: trans 20, 2012, publisher gta, Zurich.
  • See Zumthor. Pictures by Hans Danuser , with an essay by Philip Ursprung and a conversation between Köbi Gantenbein and Hans Danuser, Zurich: mezzanine floor at Scheidegger & Spiess, Zurich, 2009.
  • Hans Danuser, Decision Making , with text contributions by Stefan Zweifel, Gerd Folkers and Stefan Kaiser and a conversation between the artist and Andrew D. Barbour. In: DU - Das Kulturmagazin, Issue 795 / April 2009, pp. 80-107.
  • Flruina Paravicini et al. (Ed.), Hans Danuser - The Counting Out Rhymes Project about Decision Finding / Decision Taking , with text contributions by Ursula Pia Jauch and Beat Stutzer and a screen print insert by Hans Danuser, Lucerne: Verlag Periferia, 2008.
  • Hartmut Böhme in conversation with Hans Danuser, The surfaces are never stable . In: The New Visibility of Death. Ed. Thomas Macho u. Kristin Marek, Berlin, with an image documentation for Hans Danuser's In Vivo, Frozen Embryo Series, Strangled Body, Erosion, Wilhelm Fink Verlag, Munich, 2008 pp. 427–461.
  • Hans Danuser (photography) and Urs Stahel (text), Frost . (Supplement to the publication on the occasion of the exhibition of the same name, Fotomuseum Winterthur: November 9, 2001– January 6, 2002). Zurich: Scalo, 2001.
  • Nidwaldner Museum et al. (Ed.), Hans Danuser. AT (published at the exhibition, Im Höfli, Stans, October 26th – December 21st, 1997), Stans, 1997.
  • Delta. Photographs 1990-1996. (Publication on the occasion of the exhibition of the same name: Kunsthaus Zürich: April 12 - June 23, 1996). Baden: Lars Müller Verlag, 1996.
  • Reto Hänny, chiaroscuro. A picture book , Suhrkamp, ​​Frankfurt, 1994.
  • Bündner Kunstmuseum Chur (ed.), Hans Danuser. Deer crossing , Baden: Lars Müller 1993.
  • Aargauer Kunsthaus (ed.), Hans Danuser - In Vivo - 93 photographs , Baden: Lars Müller 1989.
  • In Vivo, Baden: Lars Müller 1989.
  • Hans Danuser, scores and pictures. Architectural work from the Peter Zumthor studio 1985-1988 . (Publication on the occasion of the exhibition of the same name, Architekturgalerie Luzern October 2-23, 1988, Haus der Architektur Graz, July 27th - August 18th 1989) Lucerne: Architekturgalerie 1988.
  • Bündner Kunstmuseum Chur (Ed.), Hans Danuser - Three photo series , Chur: Bündner Kunstmuseum 1985.

Secondary literature (selection)

  • Philip Ursprung, Hans Danuser and Peter Zumthor. A revision . In: The value of the surface. Essays on architecture, art and economics. gta Verlag, Zurich 2017, pp. 158–171.
  • Köbi Gantenbein (Ed.), Uccelin - a work flies out , mezzanine floor , No. 5, special issue, with essays by Stephan Kunz, Andreas Kley, Martin Beyeler, Jacqueline Burckhardt, Josef Estermann, Philip Ursprung a. a. 2016.
  • [7] P - [7] Places [7] Precarious fields. 6th Photo Festival Mannheim-Ludwigshafen-Heidelberg, ed. by Urs Stahel and the Mannheim-Ludwigshafen-Heidelberg Photo Festival, Heidelberg / Berlin: Kehrer 2015, pp. 226–227.
  • Marco Baschera, From the prehistoric presence of a place . In: Face-to-face experience in literature and art / contributions to a key concept in aesthetic and poetological discussion. With a picture insert for Hans Danuser - Beverin slate. Wilhelm Fink Verlag, Munich 2008, pp. 75-100.
  • Gisela Kuoni, Hans Danuser 'Counting Out - The CountingOut Rhymes Project' . In: Kunstbulletin, 11/2008, Zurich, pp. 72–73.
  • Suzann-Viola Renninger: Ene, mene, mei. The artist Hans Danuser. In: Swiss monthly books . Journal of Politics Economy Culture. Issue 01/02, January / February 2007, p. 4.
  • Beat Stutzer, sharpness and persistence - about the pictures by Hans Danuser . In: Bündner Jahrbuch 2003. Chur: 2003.
  • Thilo König: Hans Danuser - 'Frost' . In: Kunstforum International No. 159 (April – May) 2002, pp. 416–417.
  • Günter Metken: The pictures of things: that peel off the surface of the body like skin . In: Hans Danuser - Delta. (Publication on the occasion of the exhibition of the same name: Kunsthaus Zürich: April 12 - June 23, 1996). Baden: Lars Müller Verlag, 1996.
  • Urs Stahel and Guido Magnaguagno, New Swiss Photographers . In: du. Journal for Art and Culture, 8, 1985, Zurich, pp. 24–67.

Film and TV reports

  • Barbara Seiler, The Last Analog Photograph / Landscape in Motion. The photo artist Hans Danuser. In: Sternstunde Kunst, SRF Swiss Radio and Television, June 11, 2017, film: 50 min. 55 sec.
  • Barbara Seiler, Landscape in Motion - Out and about with the artist and photographer Hans Danuser. In: Sternstunde, Swiss television SF TV, January 18, 2009 and January 24, 2009, video 52 min. 16 sec: camera, Christine Munz // sound, Michael Ryffel // editing and music Brian Burmann // producer René Baumann // Production management, Rahel Holenstein // SF TV editor, Marion Bornschier, a coproduction by Videoladen Zürich / Sternstunden des Schweizer Ferns TV SF TV, Zurich // First screening at the Canva cinema in the Solothurn Film Festival program, 2009.
  • Christoph Schaub, "Hans Danuser (21/28)", 11:41 min. In: PHOTOsuisse , November 27, 2005, SRF Schweizer Fernsehen.
  • Michael Hegglin, Signs in the Dark - Hans Danuser . In: Schweizer Fernsehen SF DRS and Fernsehen 3sat, April 1996.
  • Michael Hegglin, the photo artist Hans Danuser and his work in public space . In the show 10vor10 on Swiss television SF DRS, 1993.

Web links

Individual evidence

  1. ↑ Ursula Pia Jauch. In: Hans Danuser - The Counting Out Rhymes Project on Decision Making / Decision Taking, Lucerne: Verlag Periferia, 2008.
  2. ^ Gisela Kuoni, Hans Danuser 'Auszenken - The Counting Out Rhymes Project' . In: Kunstbulletin, 11/2008, Zurich, pp. 72–73.
  3. ↑ Günter Metken: The pictures of things: those peeling off the surface of the body like skin . In: Delta. Photographs 1990-1996 (publication on the occasion of the exhibition of the same name: Kunsthaus Zürich: April 12 - June 23, 1996). Baden: Lars Müller Verlag, 1996.
  4. ↑ Philip Ursprung, The Visualization of the Invisible. Hans Danuser and Peter Zumthor: A revision. In: Zumthor see. Pictures by Hans Danuser, with an essay by Philip Ursprung and a conversation between Köbi Gantenbein and Hans Danuser, Zurich: mezzanine floor at Scheidegger & Spiess, Zurich, 2009.
  5. ↑ Archive link ( Memento of the original from March 15, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice.  @1@ 2Template: Webachiv / IABot / www.fotoszene.gr.ch
  6. ↑ '' '... that the lines have blurred.' - Scenes and strands of photography in Zurich, 1975–1990 ”. In: Hans Danuser, Bettina Gockel (Ed.), The reinvention of photography. Hans Danuser - Talks, Materials, Analyzes (Studies in Theory and History of Photography 4), Berlin / Boston: De Gruyter 2014, p. 224, footnote 46
  7. ↑ Federal Office for Culture (ed.), About prices can be talked about. 100 years of the Federal Competition for Fine Art (Zurich: Orell Füssli, 1999)
personal data
SURNAME Danuser, Hans
BRIEF DESCRIPTION Swiss photographer
DATE OF BIRTH March 19, 1953
PLACE OF BIRTH Chur