Hartmut Jahn

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Hartmut Jahn (* 1955 in Hanover ) is a German author , film director and film producer .

Life

The son of Helmut Jahn and Margarethe von Ungern-Sternberg started with the Super 8 camera in the early 1970s, and the first video tapes with the portapak were made in the late 1970s .

Jahn studied fine arts and education from 1976 to 1980 at the Berlin University of the Arts and the Free University of Berlin (state examination and diploma).

After a TV play and feature film for ZDF, Dr. Hans Kutnewsky, Das kleine Fernsehspiel , as a film author and director, increasingly concerned himself with the narrative of new electronic forms in the artistic field and in TV formats. As a producer he worked with the directors Dietmar Klein , Zoran Solomun and Lih Janowitz and with the cameramen Michael Hammon , Sławomir Idziak and Armin Fausten.

In 1982 he founded the CONFU BAJA VIDEO-Studio with Gerd Conradt , Monika Funke Stern and Hanno Baethe , and in 1983 PANTA Filmproduktion together with Peter Wensierski . 1986–1987 he led the basic courses / video at the German Film and Television Academy Berlin (DFFB), from 1988–1991 he was a research assistant at the Institute for Audiovisual Media (AMI) at the University of Hildesheim under Professor Dr. Jan Berg. 1989–1997 he held video workshops at the Goethe Institutes in Lima, Hong Kong, New Delhi, Mumbai and Marseille. In 1998 he was offered the professorship for film design at the Mainz University of Applied Sciences . The focus of teaching is narrative film and media design.

From the mid-1990s, Jahn created essay and documentary films as a film writer for ARTE themed evenings. From 2001 to 2005 he was the producer and creative director of the ARTE short film magazine "KURZSCHLUSS". Since working on the film STARBUCK- Holger Meins in 2001, his main focus has been the development of cinema documentaries. His work is represented in the collections of the nbk Berlin, the ZKM Karlsruhe and the Kylian Foundation Prague. Since 2009 exhibitions of large-format landscape photography.

Hartmut Jahn has been the spokesman for the management of the Institute for Media Design since 2011 . In addition to his work in university committees, he takes on expert opinions, e.g. B. for the AQAS accreditation agency in Bonn and the Science Council. Hartmut Jahn is a member of the German Film Academy.

Peter Wensierski writes about Hartmut Jahn's working method : “The dance on the Berlin Wall, the dissection of animal voices, stories of the body ... in film, video and installation, Hartmut Jahn's works reflect a period of more than twenty years. The images he finds are realistic on the one hand, but also have an experimental note in the montage on the other. This allows him to play with the shape and tell at the same time. It is his subjective view that lets himself fall into the depths and contradictions of his subject without fear and tries out new perspectives that are seldom self-referential. This view keeps the situation in motion: sometimes disturbing, utopian, often narrating on several levels at the same time. Mostly with a fine pinch of humor that the audience can enjoy. The work is an offer with an open structure. This structure calls for a communication that tries to give the protagonist their image back and not try to appropriate it. The Fluxus project particularly stands for this way of working. An audiovisual collection develops from the film: an (art) story conveyed by the protagonists themselves, behind which the conventional author takes a back seat - documentary and fictional, as a short film, as a feature film, as an installation. The digital availability of the moving image is a prerequisite for this way of working, which can use the Bilderberg and recombine it at any time, which dips into the material, which can be fast, but which does not lose sight of its protagonists over the course of a decade, which is popular works for television and questions the same material again, confronts it and - out of its own mistrust of the image - puts it up for disposal in a new context. “Babylon Circus, Nuremberg 2005.

cinemamovies

  • 2012: If you get it, it's too late. - 50 Years of Fluxus , (English "If You Understand It, It Is Too Late. - 50 Years of Fluxus"), director, screenplay, producer (in production)
  • 2002: Starbuck - Holger Meins , screenplay, producer (director, co-author: Gerd Conradt , camera: Armin Fausten, Hans Rombach, Phillip Virus)
  • 1994: She'll never do that !, producer (director, screenplay: Lih Janowitz, camera: Eveline Stähelin)
  • 1993: world champion, producer (director, screenplay: Zoran Solomun, camera: Sławomir Idziak )
  • 1992: Der Erdnussmann, producer (director, screenplay: Dietmar Klein , camera: Michael Hammon )
  • 1982: About Holger Meins - an attempt ( About Holger Meins ), director, screenplay (co-director, co-author: Gerd Conradt)

Films up to 70 min. Length (selection)

  • 2004: Turn off your television - 40 years of Fluxus , (doc), director, screenplay, producer
  • 2003: The Deepest Holes on Earth , (doc), director, screenplay, producer - 3 episodes: copper from Chuquicamata , gold from Nevada, diamonds from the seabed / Namibia
  • 2001: Jingle Jungle, (Exp), director, screenplay, producer
  • 1999: good luck! - 5 episodes, (TV film), director, screenplay, producer
  • 1998: Byebye - Hello !, (doc), producer (director: Yingli Ma)
  • 1993: Touareg - The Knights of the Desert, (documentary) camera
  • 1993: Elisabeth Schwarz - Profession: Actress, (Doc), Director
  • 1993: The Eternal Cliché: The Jewish Nose, (TV movie), producer (Author: Henryk M.Broder)
  • 1988: The Abduction of Europe, (short film), director, screenplay, producer
  • 1987: Berliner Blau , (short film), director, screenplay, producer (together with Peter Wensierski)
  • 1986: German-German Fragments, (English A Double German Fantasy ), (Exp) director, screenplay, production
  • 1983: swords into plowshares , (engl. Swords into Plowshares ) (Doc), director, screenplay, producer (together with Peter Wensierski )
  • 1981: Asyl in Berlin, (doc), director, screenplay, producer
  • 1976: Der Rote Punkt, (Exp), director, screenplay, producer

Exhibitions

Video and film

  • 2017: Exhibition: "City Exploration L'viv - Lemberg", Zwitschermaschine, Berlin
  • 2017: Exhibition: "Monserrat, Sintra", photography, HS Mainz
  • 2017: Exhibition: "LUST: LANDSCHAFT", photography, HS Mainz
  • 2016: Exhibition: “Beyond the Garden - Hermann von Pückler-Muskau”, photography, HS Mainz
  • 2016: Exhibition: “At the border of the garden - Franz v. Anhalt-Dessau ”, photography, HS Mainz
  • 2015: Exhibition: "BLICKACHSEN - PJ Lenné in the Rhineland", photography, HS Mainz
  • 2015: Exhibition: "NINFA - the most beautiful ruin garden", photography, HS Mainz
  • 2013: Exhibition: "Recording Against Regimes Exhibition", darb1718 contemporary art & culture center , Cairo, March 6 - 23, 2013
  • 2009: Exhibition: “The New Owners of the Berlin Wall”, photography, Foreign Office, Berlin
  • 2008: MAMCS Strasbourg, 40jahrevideokunst.de - video art in Germany from 1963 until today
  • 2006: ZKM - Center for Art and Media Technology , Karlsruhe
  • 2005: KunstFilmBiennale Cologne
  • 2004: German Video Art 2000–2002 RMIT Gallery, Melbourne
  • 2004: German Video Art 2000–2002 Platform Garanti, Istanbul
  • 2003: New National Gallery Berlin: “Rooms of the XX. Century III "
  • 2002: German Video Art 2000–2002, “Jingle Jungle”, Marler Video Art Prize
  • 2002: Pandaemonium Festival of Moving Images, New Tate Gallery, London
  • 2002: "Bilder * codes # 1992–2002", ZKM Karlsruhe
  • 2002: Museum of Modern Art , New York: "New German Films"
  • 2000: Intl. Media Art Prize ZKM, "VORTEX", ZKM Karlsruhe / SWF
  • 2000: Marler Video Installation Prize 1998-2000, "High C - Movable Types"
  • 1998: German video art 1996–1998, “Konzert in Muh”, Marler Video Art Prize
  • 1997: Martin-Gropius-Bau , Berlin "Pictures of Germany"
  • 1995: Media-Scape Zagreb, Filmoteka 16: The Border between Video Art and Documentary: Retrospective - Hartmut Jahn
  • 1994: German Media Art Prize 1994 for "Akt: Inge", ZKM Karlsruhe / SWF

Multimedia projects (from 1996)

(Installation, staging, performance)

  • 2005: Fluxus - Turn off your television! Installation for 12 monitors and DVD player, table, live camera, Nivea cream. European Media Art Festival Osnabrück (EMAF) Kunsthalle Dominikanerkirche, FORO ARTISTICO - Forum for international media art Hanover
  • 2000: VIDEO CIRCLE 2000, curator and participation in the group exhibition in the installation for 32 monitors in Berlin and Hong Kong. Concept: Danny Yung , HongKong with Walter Gramming , Antal Lux , Veit-Lup, Maria Vedder , Bjørn Melhus , Hartmut Jahn
  • 2000: HOHES C - Movable types, concept for a video installation / stage for the opera CassandraComplex by Gerhard Stäbler
  • 1999: [VOIX (TIME)], concert performance with video installation during the Rheinischer Musikfest in the Wilhelm Lehmbruck Museum Duisburg in May 1999
  • 1998: [VOIX (TIME)], multimedia project in collaboration with the composers Suyeon Hong, Vadim Karassikov, Ernst-August Klötzke, Jeffrey Kowalkowski, Michael Maierhof , Michael Oesterle, Kunsu Shim , Amnon Wolman and the video artists Heiko Daxl , Hartmut Jahn and Veit-Lup by Gerhard Stäbler . Concert performance by the Ensemble Modern with video installation during the Darmstadt Summer Course for New Music in July 1998
  • 1998: VOLL TUCH MOTTE, object for light, dance, music and video projection as part of the summer academy of the Berlin Academy of the Arts in Luckenwalde on 11/12. September 1998
  • 1997: "tat.bestaende", Galerie Schwarzenberg Berlin,
  • 1997: MUH-VideoKlang, “Electronic Landscape-Landschaft Today” as part of the Summer Academy of the Berlin Academy of the Arts in the Drewen International Art Center, Brandenburg
  • 1996: VORTEX, "Inselmusik", sound gallery at Sender Free Berlin (SFB)
  • 1996: VORTEX, Sonambiente - international sound art festival for the 300th anniversary of the Academy of the Arts, former State Council building of the GDR, together with Antal Lux , Maria Vedder , Veit-Lup, Heiko Daxl , Ingeborg Fülepp , Angela Zumpe. Composers: Lutz Glandien , Bert Wrede , Erhard Grosskopf , Helmut Zapf , Georg Katzer , Günter Heinz

Publications

  • BABYLON CIRCUS. Catalog of works, edited by Hartmut Jahn with contributions by Jan Berg , Dieter Daniels , Thomas Macho , Rudolf Frieling, Kersten Glandien , Peter Wensierski and others. a., Verlag für Bildende Kunst Nürnberg 2005
  • 40JAHREVIDEOKUNST.DE - PART 1 Digital Heritage: Video Art in Germany from 1963 to the Present. Edited by Rudolf Frieling, Wulf Herzogenrath. Hatje Cantz Verlag, Ostfildern 2006, ISBN 3-7757-1717-X .
  • 40JAHREVIDEOKUNST.DE - study edition on video art in Germany from 1963 until today. 12 DVDs, edited by Rudolf Frieling and Wulf Herzogenrath. Hatje Cantz Verlag, Ostfildern 2006.
  • Media art interaction. CD-Rom and book, edited by Dieter Daniels and Rudolf Frieling. ZKM / Center for Art and Media Technology, Karlsruhe 2000.

Awards

  • 2002: Marler Video Art Prize: Special Prize "Jingle Jungle"
  • 2002: Film of the month of the GEP, "Starbuck - Holger Meins"
  • 1996: Golden Gate Award : "Golden Spire" for "Akt: Inge", (English: "Nude: Inge"), San Francisco Intl. Film festival
  • 1996: 1st Prize One Minute Festival, São Paulo Intl. Film Festival 1996.
  • 1994: Golden Sparrow : "World Champion"
  • 1994: Best video: "Akt: Inge - für Franz", Intl. Kurzfilmtage Oberhausen / Filmothek 1994.
  • 1994: German Video Art Prize: "Nude: Inge - for Franz", ZKM Karlsruhe / SWF Baden
  • 1994: Max-Ophüls-Preis : best young actress: Claudia Michelsen in "That never creates"
  • 1993: Prize of the Ecumenical Jury , Saarbrücken: "World Champion"
  • 1992: Max Ophüls Prize : "The Peanut Man"
  • 1988: Red Ribbon Award / Video Art: "A Double German Fantasy", American Film and Video Festival New York 1988.
  • 1987: German Film Award - nom. For "Berliner Blau"
  • 1987: Best European Shortfilm, Cork Int. 1987 Film Festival, Ireland
  • 1986: 1st Prix, Programs Videos pour la TV: "Giro Berlin 1", Manifestation Int. de Video Montbeliard 1986, France
  • 1986: Work of Excellence: "German-German Fragments", 9th Tokyo Int. Video Festival

Web links

Individual evidence

  1. ( page no longer available , search in web archives: Babylon Circus )@1@ 2Template: Toter Link / www.hbk-bs.de