Ingeborg Fülepp

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Ingeborg Fülepp (1988)

Ingeborg Fülepp (* 1952 in Zagreb , Croatia ) is a Croatian media artist , university lecturer, curator and film editor .

Life

She studied film editing and film analysis at the Academy for Performing Arts at the University of Zagreb and later education , video editing and interactive media with Carol Chomsky and Howard Gardner at Harvard University in Cambridge, (USA) and with Richard Leacock and Gloriana Davenport at the Media Lab of Massachusetts Institute of Technology in the USA.

Work and work

She has worked as an editor in countless Yugoslav films and television series and also in international co-productions by Dušan Vukotić , Branko Lustig and Horton Foote . In 1978 she began her career as a university lecturer, first in Zagreb, then in London, at MIT, in the Netherlands and then since 1992 also in Germany, for example at the German Film and Television Academy Berlin (DFFB), the " Konrad Wolf " University of Film and television Potsdam- Babelsberg and the Berlin University of Technology and Economics . Since 2013 professor at the Academy of Applied Arts University of Rijeka (Akademija primijenjenih umjetnosti Svečilišta u Rijeci). 2013–2016 Vice-Dean for Foreign Relations.

Since 1990 she has been working with her husband and partner Heiko Daxl under the names "mediainmotion" and "dafü®" in the fields of art education, film , video , interactive multimedia projects , video art and video installations . Both established the Media-Scape exhibition series with international media art at the Museum of Contemporary Art in Zagreb (until 1999) and since 2005 together with Jerica Ziherl in the Galerija Rigo and Muzej Lapidarium in Novigrad (Istria) during the war in Croatia. (Cittanova) in the Croatian region of Istria . In 2006 this series of programs was expanded to include Berlin in collaboration with Noam Braslavsky under the title “ Strictly Berlin ” in the Galerie der Künste (GdK).

In addition to their own artistic oeuvre, their teaching activities and their work at the studio for electroacoustic music at the Akademie der Künste (Berlin) (1995–2002), they also worked with contemporary composers such as Georg Katzer , Wolfgang Rihm , Hans-Joachim Hespos , Milko Kelemen , Frano Parac , Gerhard Stäbler , Mona Mur , Jorge Reyes , Steve Roach , Suso Saiz , Amnon Wolman , Bert Wrede , Dror Feiler , Masami Akita ( Merzbow ), Zbigniew Karkowski , Elliott Sharp , Tobias PM Schneid , Valerio Pizzorno , Igor Kuljeric and Mario Verandi and the ensembles Ensemble Modern , Zeitkratzer .

They (Daxl and Fülepp) have been working together as an artist couple since 1991. They have created a large number of works that demonstrate their love of experimentation and which always move in the border areas of the still unknown. You will use new technologies to explore other and unknown optical and acoustic phenomena. The senses, both hearing, seeing and feeling, are always consciously addressed and with them the viewer's perception is irritated. Daxl and Fülepp show new ways of artistic examination of technical possibilities that generate sounds and abstract images that force the viewer to take a holistic view. Their aim is to get the recipient to think about the reality that is artificially and technically conveyed to him. (Barbara Barsch, ifa Gallery Berlin, Institute for Foreign Relations , May 2005)

Ingeborg Fülepp lives and works in Rijeka, Berlin and Zagreb.

Scholarships and grants

  • Goethe-Institut , Schwäbisch Hall (D), 1982
  • Joyce and Zlatko Baloković Fund / Yugoslav Academy of Science and Art, Zagreb (YU), 1985/1986
  • Edmund J. Curley Fellowship, Harvard University (USA,) 1986/1987
  • William Schuman Fellowship, Harvard University (USA), 1988
  • Goethe-Institut, Berlin (D), 1992
  • Ministarstvo Kulture (Ministry of Culture), Zagreb (HR), 1993–1999
  • Ministry of Culture, Hanover (D), 1993–1996
  • Working scholarship summer academy, Akademie der Künste Berlin (D), 1997
  • Foreign Office , Bonn (D), 1997/1998
  • “Male Promjene” grant, City of Zagreb (HR), 1999
  • Institute for Foreign Relations (IFA), Stuttgart (D), 2001

Prizes and awards

  • "Prevost-Förderpreis", Pula Film Festival in Pula for the film "" Mad House "(best editing), 1979
  • “Prix du public”, Lausanne for the film “Consecration of a Place” (image-sound-editing), 1987
  • “Grand Prix”, Paris and “UNESCO Festival Award” for the film “Consecration of a Place” (image-sound-editing), 1990
  • Grand Silver “Arena”, Pula Film Festival in Pula for the film “Remembrance of Summer” (image-sound-editing) 1990
  • Max Ophüls Preis ”, Saarbrücken for the film “Tired Path Companions” (image-sound-editing), 1997

Web links