Juan Aberle

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Juan Aberle
Saludemos la Patria orgullosos, recorded by the United States Navy Band

Juan Aberle (born Giovanni Enrico Aberle Sforza ; * December 10, 1846 in Vicaria , Naples , Kingdom of the Two Sicilies ; † February 28, 1930 in Santa Ana , El Salvador ) was an Italian conductor , composer , pianist , organist , music teacher and music journalist . He lived in Guatemala and El Salvador for many years and is famous as the composer of El Salvador's national anthem Saludemos la Patria orgullosos . He pioneered the institutionalization of music education and founded music schools in San Salvador and Guatemala City. The Guatemalan Music Conservatory emerged from the latter. He was the first editor of a music magazine in Central America.

Life

Childhood and education in Naples 1846–1867

Conservatorio San Pietro a Maiella

Giovanni Aberle's father Heinrich Aberle was German, his mother was Angela Sforza from Milan. On August 15, 1863, he was admitted to the Reale Conservatorio di Musica di San Pietro a Majella in Naples against the wishes of his parents . Here he received violin and piano lessons. The pianist Bejamíno Cesi (1845–1907), a pupil of Sigismund Thalberg , taught him to play the piano. Other teachers were Fernando Ponti and Claudio Conti (1836–1878), who taught him harmony. Saverio Mercadante and Paolo Serrao were his teachers in counterpoint and composition. In 1864 he wrote the text and music for the work Jerusalem, which was performed by the Conservatory's student orchestra and received positive reviews. A year later he was appointed second conductor of the orchestra. He graduated with honors on August 21, 1866. He then became a co-editor and conductor at the conservatory. The city government in Naples hired him as music director of the second regiment of the marine infantry. This position did not meet his artistic standards and he decided to emigrate to America.

Stay in Paris 1867

First he made a stop in Paris. His former composition teacher Mercadante had sent a letter of recommendation addressed to Gioacchino Rossini in which he had announced his beloved student Aberle and his musical qualities. Rossini then granted Aberle accommodation in Paris.

Stay in New York 1867–1870

After that, Aberle first went to New York and worked there as an opera conductor. As a piano accompanist, he acted at several concerts, such as an opera concert on June 3, 1868 under Paolo Giorza (1832-1914), a charity event for the children of soldiers who died in the Italian War of Independence on June 7, 1868 in Steinway Hall and an event on June 20 , 1868 July 1869 for the Cuban patriots who fought against Spain in the first war of independence, the Ten Years' War . At the Epiphany Church he was organist and choirmaster and composed various church music. He was made Honorary Vice Conductor of the Philharmonic Society. In 1868 his opera Love and War was performed at the Grand Opera House . On October 12, 1869, a concert for Ines Henriquez de Leon took place in Steinway Hall under his direction. On April 3, 1870, the new Church of Epiphany was consecrated. Louis Dachauer's (1837–1878) Missa No. 2 was performed at this service . Aberle played the organ under the composer's baton. In 1870 Aberle left New York and went on tour to Latin America with Egisto Petrelli and his opera company.

First stay in Guatemala 1870–1876

On June 5, 1871, he and Petrelli reached Guatemala City , the capital of the former general captainate of Guatemala . Here the opera company dissolved due to financial problems. Most of the company's singers settled in San Salvador and worked at the national theater there. Aberle chose Guatemala City. He worked at one of the theaters there, where his opera Conrado di Monferrato was performed . During this time he was busy composing and performing operettas such as Vitor Pissani and Los falsos monederos . On March 29, 1873, Aberle founded a private music school in the recently disbanded San Domingo Monastery in Guatemala City with limited financial resources and few teachers. He ran the school himself, which fifty-two boarders and twenty outside students attended when it was first established. The first students included Víctor Manuel Figueroa, Juan Cividanes, Alfonso Méndez and Salvador Iriarte. Over time, the institution developed into the Conservatorio Nacional de Música de Guatemala. Aberle initially financed the school with his own fortune. Due to Aberle's persistence, who was able to present the results of the first year, an agreement was reached on May 27, 1874 to create a music academy and a philharmonic society, in which the Aberle government made a monthly payment of 165 pesos for the salaries of the lecturers and staff assured. Aberle was appointed chairman of the Philharmonic Society. In school, the subjects of music theory, harmony, counterpoint, piano, singing, organ, violin, cello, double bass, flute, oboe, clarinet, horn, trombone, choir and orchestra, as well as Spanish grammar, arithmetic, geography, literature and litografía musical offered. Aberle was supported in administration and teaching by the Italian Leopoldo Cantilena, who also emigrated . In 1876 the state ended the support, requisitioned the building for the Guatemalan army and closed the school.

Aberle directed the orchestra of the La Sociedad Filarmónica [Philharmonic Society] and also took on organizational and administrative tasks for the society. In 1876 he took over the orchestra management of an Italian opera company, which was led by the impressario and tenor Hercules Pizzioli and was on tour through Central and South America.

First stay in El Salvador

1876-1879

On June 5, 1876, they reached the port city of Nueva San Salvador, today La Libertad , in El Salvador . With local musical support, including from Heinrich Richard Drews Krepps (1844-1916), the conductor of the Sinfonica Nacional de El Salvador , on the violin, Lucia di Lammermoor was performed by Gaetano Donizetti on July 28, 1876 . Other operas by Giuseppe Verdi and Donizetti were performed over the next few weeks. The highlight was a benefit concert on September 12, 1876 for the reconstruction of the main cemetery of San Salvador, which had been destroyed in the earthquake of March 19, 1873. Because of this commitment to the common good, he met President Rafael Zaldívar . From this acquaintance a friendship developed. Zaldívar also convinced Aberle to cancel the tour and settle in El Salvador. On December 15, 1876, the President's offer was substantiated. Aberle signed a contract with the Ministry of War to lead the military band of the Departamento La Libertad , which is also Banda Marcial No. 2 and was based in Nueva San Salvador. He later became director of the Santa Ana Department military band . For these ensembles he wrote more than two hundred short compositions. However, he needed a military degree in order to be able to exercise these offices, so Aberle was appointed teniente coronel ( lieutenant colonel ) of the Salvadoran army. On December 31, 1877, a benefit concert with choral and instrumental music for the hospital of the capital and the orphanages in San Salvador and Santa Tecla took place, in which he participated as a conductor, instructor and piano accompanist.

The national anthem of El Salvador

At the beginning of 1879, President Zaldívar commissioned Aberle to compose a national anthem based on the text of the poem Saludemos la Patria orgullosos, written by Juan José Cañas. It was supposed to replace the hymn in use at the time. On October 8, 1866, this hymn had become El Salvador's first national anthem. The text came from the Cuban doctor Tomás M. Muñoz, the editor of "El Constitucional", the organ of El Salvador's government at the time, the music by Rafael Orozco. It was commissioned on the initiative of then President Francisco Dueñas Díaz on the occasion of the forty-fifth anniversary of El Salvador's independence, as the country did not yet have a national anthem. Aberle did his job quickly, although he did not receive a fee for the composition, and there was still enough time for the capital's students to rehearse the hymn for the premiere. In the second part, Aberle used the theme of the coronation march from the fourth act of the opera Le Prophète by Giacomo Meyerbeer . Such a practice was not uncommon at the time. On September 15, 1879, on the fifty-eighth anniversary of independence, a ceremony took place at which the hymn was premiered. The place of the spectacle was the forecourt of the Palacio Nacional in San Salvador. The students' choir was accompanied by a military band. Present were President Zaldívar, ministers, ecclesiastical dignitaries and senior administrators. The original score was probably lost in a fire at the Archivo General de la Nación [General Archives of the Nation] on November 19, 1889. For the ceremony to mark the 1879 anniversary, Aberle composed other pieces, a march Independencia [independence] for two military pieces and a hymn to the Chilean sea hero Arturo Prat Chacón, who fell in the same year . On April 9, 1902, the National Assembly issued a decree in which Canas and Aberle should be presented with a gold medal, as they had created and made available the text and music of the hymn free of charge. The medal award ceremony took place on September 15, 1902. They were presented by the President of the Republic of Guatemala, General Tomás Regalado . On November 13, 1953, S aludemos la Patria orgullosos was officially declared El Salvador's national anthem.

1879 to 1890

On August 25, 1879, the public engagement of the President's daughter Sara Zaldívar with Francisco Aguilar took place in the Catedral Metropolitana , on the site of today's Iglesia del Rosario, and in the Presidential Palace. The military bands of San Salvador, Santa Teclas and the Banda de los Altos Poderes under Abele, Drews Krepps and Rafael Olmedo (* 1837, † 1899) framed the celebrations with music.

Because of his commitment and his achievements, Aberle was promoted to Coronel ( colonel ) in 1880 when his salary was doubled . In 1882, Aberle composed the Marcha a Morazan on the occasion of the unveiling of a monument to José Francisco Morazán Quezadas . This was declared a national march and found worthy to be performed at official ceremonies. For the death of the president's daughter Dolores Aguilar Zaldivar on May 5, 1882, Aberle wrote a funeral mass that was performed in the Catedral Metropolitana in San Salvador. Aberle was made an honorary member of the Sociedad Literaria "La Juventud" [Literary Society "The Youth" ]. In the June 1882 issue of the Society's magazine, Aberle published the article La música árabe-persa [The Arab-Peri Music], which he dedicated to his friend, the Ecuadorian writer Federico Proaño (1848–1894). At the meetings of the society with male choir singing and poetry readings, he met modern writers such as Rubén Dario , Francisco Gavidia , Vicente Acosta, Romån Mayorga Rivas, Carlos Arturo Imendia and others. On September 15, 1882, a cultural evening took place in the Teatro Nacional in San Salvador, during which the two young Nicaraguan writers Rubén Darío and Romån Mayorga Rivas recited a love poem in dialogue. The background music was provided by Aberle and Rafael Olmedo. That same evening Darío also read a sonnet that he had dedicated to Aberle. On May 15, 1883, Aberle published the first edition of La Ilustraciön Musical Centro-Americana , a two-week music newspaper. The content was not only pictures and biographical notes by regional and international composers, but also scores and transcriptions of their works. In the second edition, Aberle published a mazurka that he composed. In the same year, some of his compositions were so popular, such as the mazurka Julia and the two waltzes Los heliotropos and Danzando siempre , that they were often performed in public concerts by marimbas, military bands and student orchestras in the parks and public places.

Aberle married Gertrudis Pérez Cáceres called Tula . They had five children together: Umberto Alejandro Aberle , Juan Enrique (* 1893), Virginia, Miguel Ángel and Ricardo Wagner.

Second stay in Guatemala 1890–1895

After the Carlos Ezetas coup , he went back to Guatemala and became head of the Banda Marcial . On April 12, 1892, Aberle took over the management of the Conservatory in Guatemala City again until 1895. During this time he procured musical instruments from Paris and founded a library that contained many German musical works. On May 15, 1893, according to other sources, in 1883 he published for the first time  La Ilustración Musical Centroamericana, a fortnightly music newspaper with biographical articles and scores of various musical works. He sent his students like Julián González, Víctor Manuel Figueroa and Herculano Alvarado on study trips to Europe. For this he obtained government grants.

Second stay and retirement in El Salvador 1895–1930

1913 was invited to the celebrations for the centenary in Guatemala. On this occasion he wrote a Messa di Gloria, which premiered on July 21, 1913 in Guatemala City . As part of the celebrations, his Gran Trio for violin, cello and piano was performed at the Hotel España in Guatemala City . Back in San Salvador, in 1916 the government appointed him director of the Banda de los Altos Poderes military orchestra . He held the office until 1922. His successor was the German conductor Paul Müller, who transformed the orchestra into the Orquesta Sinfónica de El Salvador [El Salvador Symphony Orchestra] in 1923 . Aberle withdrew from public life. At the old age of over eighty, he got up at four in the morning to compose by candlelight. His son Subteniente Ricardo Aberle died in an accident in 1926. In 1927 his wife Tula died. His son Juan Enrique was Coronel and General Inspector of the Army. He was executed after a failed coup attempt in 1928 against President Pio Romero Bosque . Juan Aberle himself died on the morning of February 28, 1930 at his home in Santa Ana.

Mario de Baratta (1890-1970) and Alejandro Vega Matus (1875-1937) were other students of Aberle.

Works (selection)

La Sinfonica Nacional in El Salvador has 8 volumes with the manuscripts of compositions by Juan Aberle. More than 30 compositions were donated to the Orquesta Sinfónica Nacional (OSN). There are overtures, operas, trios for violin, cello and piano, chamber music, funeral marches and two masses for the dead.

Works created in Naples until 1867

During his studies in Naples, Aberle wrote various compositions that were performed by students at the conservatory.

  • Jerusalem , 1864
  • Two fairs
  • Te deum
  • Dixit

Works created in New York between 1867 and 1870

Stage works

  • Love and war [love and war] , in four acts; Text: Katherine Adams. Performed at the Grand Opera House in New York in 1868
  • Flick flock

Orchestral works

  • Three overtures
  • Eight polkas
  • Four mazurkas
  • Fourteen collections of waltzes

Church music

As an organist and choirmaster at the Church of Epiphany , he composed masses, motets, psalms and other small sacred pieces.

Piano music

  • Let us dance , Polka op.10.Published by Harding in New York, 1871
  • Twenty-two piano fantasies . Published in New York.

Works created in Guatemala between 1870 and 1876

Stage works

  • Conrado di Monferrato , Opera in Four Acts, published in Guatemala City in 1872
  • Galanteos en Venecia , Zarzuela in three acts, 1874
  • Giselda , Acción mimica in three acts

Orchestral works

  • a symphony
  • various fantasies
  • various waltzes

Works created in El Salvador from 1876

Music for Banda

Aberle wrote more than two hundred pieces for the military bands he directed.

Big fantasies about famous operas
  • Aida , Fantasía
  • Hija de Regimento [The Regiment's Daughter], Fantasía
  • Recuerdo de Norma
Marches and hymns
  • Independencia , March for Two Military Music, 1879
  • Hymn for Arturo Prat Chacón, text: Juan José Cañas, 1879. Al héroe del Pacífico Arturo Prat , version for voice and piano. The National Library of Chile has one copy.
  • Saludemos la Patria orgullosos , text: Juan José Cañas, 1879
  • Marcha de morazan . It was composed to unveil a monument to José Francisco Morazán Quezada and declared El Salvador's National March on May 1, 1882
Other dances
  • Artillería , Paso Doble
  • Danzando siempre , Vals, 1883
  • Los heliotropos , Vals, 1885
  • Mazurca , 1882
  • Mis ensueños , vals
  • Soledad y Colomba
  • Vertigos , vals

Other works

Stage works

Operas
Zarzuelas
  • El gran maestro, Zarzuela. Text: Calixto Velado, Santa Ana , 1880
  • Il solitario [The outsider / loner] Dramma lirico in four acts

Church music

  • 5 major Requiem settings
  • 10 large masses for four solo voices, choir and large orchestra
    • Messa di Gloria, premiered for the 100th anniversary of the Guatemalan Music Society, 1913
  • Several small masses for two voices and orchestra
    • Mass in F major for tenor, bass and orchestra
  • Messe solenne for 2 tenors and bass
  • Requiem , composed on the occasion of the death of Dolores Aguilar Zaldivar, the nineteen-year-old daughter of President Zaldivar, performed on May 5, 1882 in the Catedral Metropolitana, San Salvador, May 12, 1882
  • Salve regina for soprano, alto, tenor, bass and orchestra, May 17, 1877
  • Salve Regina
  • Tantum ergo
  • Himno a scolar La fiesta de los arboles
  • Himno a Colon for choir and orchestra

Chamber music

  • Two string quartets
  • String quintet
  • Piano trios

Piano works

  • 21 de April , Mazurka
  • Julia . Mazurka No. 1
  • Mazurka No. 2 op.60
  • Delices du Ciel . Morceau de Salon [Delight of Heaven, Salon Piece]
  • Les Clochettes: mazurka de salon. Published in Naples, 1874
  • Le Lucciole [The Fireflies]. polka
  • Deux Mazurkas de Salon [Two Mazurkas for the Salon] 1. La Melancolique 2. Un Soupir [A Sigh]
  • Pieds Mignons [Beautiful Feet]. polka
  • Polka mazurka . 1877

Music theoretical works

  • Tratado de Armonía, Contrapunto y Fuga [treatise on harmony, counterpoint and fugue].

Awards, reception and commemoration

Juan Aberle was a bearer of the Knightly Order of St. Mauritius and Lazarus . His body was brought to San Salvador on February 28, 1930, the day of his death. He was buried in the area of ​​famous people at the Cementerio General de San Salvador . The journalist Miguel Pinto Padre wrote an obituary in the Diario Latino on March 1, 1930 . On March 30, 1930, the Sociedad Orquestal Salvadorena [Salvadoran Orchestra Society] laid a bouquet of flowers on the Aberle family's townhouse.

literature

  • Carlos Canas Dinarte: Marcha, Mazurka e himnos - La presencia de Giovanni Aberle en Centroamérica y otros apuntes para una Historia de la composicion musical en EI Salvador [March, Mazurka and Hymn - The presence of Giovanni Aberle in Central America and other notes for a history of the musical composition in El Salvador] Centro de Estudios folcloricos, San Salvador
  • Carlos Canas Dinarte: Giovanni -Juan- Aberle (1846-1930). In: Cultura. Revista del concejo nacional para la cultura y el arte. [Journal of the National Tares for Culture and Art]. No. 80 September - December 1997. San Salvador pp. 67–86 (Spanish)
  • Aberle Sforza, Juan. In: Igor de Gandarias (ed.): Diccionario de la musica en Guatemala [Dictionary of Music in Guatemala]. Volume 1. Universidad de San Carlos de Guatemala, Guatemala, 2009, pp. 5–6 (Spanish)
  • Aberle, Giovanni. In: Dante Liano: Dizionario biografico degli Italiani in Centroamerica [Biographical Dictionary of Italians in Central America]. Vita Pensiero, Milan 2003, ISBN 88-343-0979-0 , p. 3 (Italian)
  • Igor de Gaudarias: Musica guatemalteca para piano . [Guatemalan Music for Piano]. Antología histórica Siglos XIX-XXI [Historical anthology from the 19th to the 21st centuries]. University of San Carlos de Guatemala. 2006
  • Jorge Larde y Larin: Himnología nacional de El Salvador. Ediciones del Ministerio del Interior. Imprenta Nacional de El Salvador 1954

Recordings

  • National anthem of El Salvador. Edited by Peter Breiner. On: National Anthems of world (COMPLETE) (2005 Edition), Vol. 3: Denmark - Grenada. Marco Polo 8.225321, 2006
  • La melancolique. Mazurca. On: Música guatemalteca para piano, Universidad de San Carlos de Cuatemala, Dirección de Investigación, Centro de Estudios Folklóricos, 2008

Web links

References and comments

  1. ↑ Juan is the Spanish version of the Italian given name Giovanni
  2. ↑ a b c d e f g h i j k l m n o p q r s t u v w Carlos Canas Dinarte: Marcha, Mazurka e himnos - La presencia de Giovanni Aberle en Centroamérica y otros apuntes para una Historia de la composicion musical en EI Salvador . Ed .: Centro de Estudios folcloricos. San Salvador, S. 203 (Spanish, edu.gt [PDF]).
  3. ↑ Maya Frieman Hoover: Guatemala . In: A Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-century Art Songs for Voice and Piano . Indiana University Press, Bloomington / Indianapolis 2010, ISBN 978-0-253-35382-5 , pp. 162 ( com.np [accessed March 30, 2018]).
  4. ↑ a b c d e f g h Dante Liano: Aberle, Giovanni . In: Dizionario biografico degli Italiani in Centroamerica . Vita e Pensiero, Milan 2003, ISBN 88-343-0979-0 , p. 3 ( com.np [accessed March 30, 2018]).
  5. ↑ a b c d e f g h i j k l m Aberle Sforza, Juan . In: Igor de Gandarias (ed.): Diccionario de la musica en Guatemala . tape 1 . Universidad de San Carlos de Guatemala, Guatemala 2009, p. 5–6 (Spanish, edu.gt [PDF]).
  6. ↑ a b c d e f g h i j k l m n o p q r Carlos Canas Dinarte: Giovanni -Juan- Aberle (1846–1930) . In: Cultura. Revista del concejo nacional para la cultura y el arte. No. 80 September-December 1997. San Salvador pp. 67-86 (Spanish) . tape 80 . San Salvador 1997, p. 67-86 ( org.sv [PDF]).
  7. ↑ Dante Liano also gives Storga as a possible alternative to his mother's maiden name.
  8. ↑ Michael Georg Conrad: The music in today's Italy . S. Schottlaender, 1879 ( google.de [accessed December 22, 2017]).
  9. ^ The New York herald. (New York [NY]) 1840-1920, June 05, 1868, Image 7 . June 5, 1868, p. 7 ( loc.gov [accessed June 25, 2017]).
  10. ^ The New York herald. (New York [NY]) 1840-1920, June 07, 1868, Image 14 . June 7, 1868, p. 12 ( loc.gov [accessed June 25, 2017]).
  11. ^ The New York herald. (New York [NY]) 1840-1920, July 11, 1869, Image 12 . July 11, 1869, p. 12 ( loc.gov [accessed June 25, 2017]).
  12. ^ The New York herald. (New York [NY]) 1840-1920, July 13, 1869, Image 7 . July 13, 1869, p. 7 ( loc.gov [accessed June 25, 2017]).
  13. ^ The New York herald. (New York [NY]) 1840-1920, April 04, 1870, Image 4 . April 4, 1870, p. 3 ( loc.gov [accessed June 24, 2017]).
  14. ^ The New York herald. (New York [NY]) 1840-1920, October 12, 1869, Image 9 . October 12, 1869, p. 9 ( loc.gov [accessed June 25, 2017]).
  15. ^ The New York herald. (New York [NY]) 1840-1920, April 04, 1870, Image 4 . April 4, 1870, p. 3 ( loc.gov [accessed June 25, 2017]).
  16. ↑ a b c Conservatorio Nacional. In: http://mcd.gob.gt/ . Ministerio de Cultura y Deportes de Guatemala, January 20, 2015, accessed June 27, 2017 (Spanish).
  17. ^ Raymond Torres-Santos: Music Education in the Caribbean and Latin America: A Comprehensive Guide . Rowman & Littlefield, 2017, ISBN 978-1-4758-3319-5 ( google.de [accessed May 20, 2017]).
  18. ↑ Conservatorio Nacional | Portal MCD. April 11, 2015, accessed June 22, 2017 .
  19. ^ A b El Conservatorio Nacional de Música “Germán Alcántara” cumple 140 años de fundación | Portal MCD. Retrieved June 27, 2017 (Spanish).
  20. ↑ a b Himno nacional. Asamblea Legislativa de la República de El Salvador, accessed June 27, 2017 (Spanish).
  21. ↑ Biblioteca Nacional - Vista completa del Registro. Retrieved June 27, 2017 .
  22. ^ Estos son los autores de los elementos patrióticos más representativos de El Salvador. Retrieved May 20, 2017 (Spanish).
  23. ↑ a b Igor de Gandarias: Musica guatemalteca para piano. Antología histórica. Siglos XIX-XXI . Universidad de San Carlos de Guatemala, Guatemala 2008 (Spanish, economicasenlinea.net [PDF]).
  24. ^ A b Eladio Cortés, Mirta Barrea-Marlys: Encyclopedia of Latin American Theater . Greenwood Publishing Group, 2003, ISBN 0-313-29041-5 ( google.de [accessed May 20, 2017]).
  25. ^ A b Willi Apel: Harvard Dictionary of Music . Harvard University Press, 1969, ISBN 0-674-37501-7 ( google.de [accessed June 24, 2017]).
  26. ^ Martha Furman Schleifer, Gary Galván: Latin American Classical Composers: A Biographical Dictionary . Rowman & Littlefield, 2016, ISBN 978-0-8108-8871-5 ( google.de [accessed June 25, 2017]).
  27. ^ Taste of a New Opera . In: Chicago Tribune . Chicago March 5, 1871, p. 3 (English, newspapers.com ).
  28. ↑ aberle, giovanni, harding, eh: Let us dance polka . In: The Library of Congress . ( loc.gov [accessed June 25, 2017]).
  29. ↑ Juan J. Cañas; Giovanni Aberle: Al héroe del Pacífico Arturo Prat himno para canto y piano . Lit. A. Feussier, San Salvador 1879 (Spanish, bibliotecanacional.cl [accessed April 5, 2018]).
  30. ↑ Il solitario: dramma lirico in 4 atti. 1873, Retrieved June 25, 2017 (Italian).
  31. ↑ ICCU: Scheda dettagliata. Retrieved June 25, 2017 (Italian).
  32. ↑ Himnología nacional de El Salvador (=  Ediciones del Ministerio del Interior ). Primera edición. Imprenta Nacional de El Salvador, Lugar de publicación no identificada 1954 ( gob.ec [accessed June 27, 2017]).
  33. ↑ NATIONAL ANTHEMS OF THE WORLD (COMPLETE) (2005 Edition), Vol. 3: Denmark - Grenada - 8.225321. Retrieved May 20, 2017 .
  34. ↑ Música guatemalteca para piano: antología histórica: siglos XIX-XXI. 2008, accessed June 23, 2017 .
personal data
SURNAME Aberle, Juan
ALTERNATIVE NAMES Aberle Sforza, Giovanni Enrico (full name at birth)
BRIEF DESCRIPTION Italian conductor, composer, pianist, organist, violinist, music journalist and music teacher
DATE OF BIRTH December 10, 1846
PLACE OF BIRTH Vicaria , Naples , Italy
DATE OF DEATH February 28, 1930
Place of death Santa Ana , El Salvador