Julia Draganović

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Julia Draganović in front of Villa Massimo (2020)

Julia Draganović (* 1963 in Hamburg ) is a German curator and cultural manager . One focus of her work is the German-Italian cultural relations. Since July 2019 she has been head of the Deutsche Akademie Rome Villa Massimo in Rome .

Education

Draganović studied German , art history , philosophy and Romance studies ( Italian studies ) at the Westphalian Wilhelms University in Münster . In 1995 she was there with the dissertation of figurative writing. Doctorate on the representational implementation of Weltanschauung in Jünger's narrative work .

Curator and cultural manager

Draganović founded the “Kulturbüro LaRete” in Weimar in 1999 as an association of freelance cultural managers . From 1999 to 2003 she curated a double exhibition every year in nearby Ettersburg Castle .

In Weimar, she was president and board member of the German-Italian Society of Thuringia (DIGIT eV). As a consultant for European affairs at the Thuringian Ministry of Justice and European Affairs, she was responsible for the presentation of Weimar as European Capital of Culture 1999 in Brussels . She designed and organized the cultural events of the European Summer Academy for the Bauhaus University Weimar . From 1999 to 2003 she also headed the international scholarship program of the ACC Galerie Weimar .

From 2005 to 2006 Draganović was the artistic director of the Chelsea Art Museum in New York . From 2009 to 2014 she was active as a curator for Art Miami .

In 2004 she founded the curator collective, cultural network and follow-up project of the joint Weimar cultural office, “LaRete Art Projects” in Modena, together with the curator Claudia Löffelholz. From 2009 to 2013 she developed and curated the International Award for Participatory Art in Bologna.

From 2007 to 2009 she worked as artistic director of the PAN Palazzo delle Arti di Napoli in Italy. From 2010 to 2012 she was the curator of “Art First” in Bologna , the projects in the public urban space of the Arte Fiera art fair .

From 2009 to 2015 she was a member of the Scientific Committee of the MUDAM (Musée d'Art Moderne du Grand-Duc Jean) in Luxembourg . She has been a member of the board of the New York nonprofit organization "No Longer Empty" since 2009. Draganović has been President of the International Curators' Conference IKT, founded in 1973 with the help of Harald Szeemann , since 2014 .

From 2013 to 2019 Draganović was the director of the Kunsthalle Osnabrück , where she focused on performances . She ended this engagement to take over the management of Villa Massimo. It is important for Draganović to establish the Villa Massimo as a model for open temporary communities, for which nationality does not play a role. Artists who do not necessarily have a German passport, but have already found recognition in their art sector and live in Germany, can apply for the Rome Prize of Villa Massimo.

Curated exhibitions (selection)

  • Up close. European studio program 1999 (ACC Gallery Weimar)
  • Heart and soul - typeface. 6th European studio program 2001 (ACC Gallery Weimar)
  • The measure of all things. 7th European studio program 2002 (ACC Gallery Weimar)
  • Superman. 8th European studio program 2002 (ACC Gallery Weimar)
  • Origin no man's land. 9th European studio program 2003 (ACC Gallery Weimar)
  • Courtney Smith. Tongue and Groove: Movable Sculpture (Chelsea Art Museum, 2006). Curated with Manon Slome
  • Click or Clash? Cooperation strategies (exhibition series, since 2012)
  • Michael Beutler , architect - Etienne Descloux, artist. (Kunsthalle Osnabrück, 2014 - 2015)
  • Maria José Arjona, Niklas Goldbach , Vlatka Horvat and many more: What kind of festival? (Kunsthalle Osnabrück, 2015)
  • Pedro Cabrita Reis , Marie Cool and Fabio Balducci , José Dávila and many more: Concrete more space exhibition (Kunsthalle Osnabrück, 2015)
  • Ernesto Pujol: Systems of Weight. (Kunsthalle Osnabrück, 2016)
  • Jan Tichy: Installation No. 29 (Kunsthalle Osnabrück / New Town Hall, 2017)
  • Felice Varini (Kunsthalle Osnabrück, 2018)
  • Andrea Mastrovito: Symphony of a Century (Kunsthalle Osnabrück, 2018)
  • Katharina Hohmann: Inventory. (Kunsthalle Osnabrück, 2019)

Publications (selection)

  • Andrea Dittrich and Julia Draganović: About people. To the future of the human. 2 volumes, Glaux Verlag Christine Jäger KG, Jena 2003, ISBN 978-3-93174-361-1
  • Julia Draganović and Antonella Tricoli (eds.): Fai da te. The world of the artist, 8 variants. Nuovagrafica, Carpi 2006
  • Julia Draganović: Eroi! Come noi? Electa, Naples 2007, ISBN 978-8-85100-417-0
  • Julia Draganović and Tseng Fangling (eds.): Tracce nel Futuro / Footprints into the future . Texts by Julia Draganovic, Tseng Fangling and Nicola Oddati. Electa, Naples 2007
  • Julia Draganović: L'Impresa dell'arte / The Enterprise of Art. Electa, Naples, 2008, ISBN 88-510-0530-3
  • Andrea Dietrich, Julia Draganovic and Claudia Löffelholz (eds): La Bauhaus si muove! / The Bauhaus is moving! Texts by Andrea Dietrich and Julia Draganović, Nuovagrafica, Carpi 2008
  • Julia Draganović, Claudia Löffelholz (eds.): Viaggio Leggero. niente da perdere / Traveling light. Nothing to lose. Nuovagrafica, Carpi 2008
  • Wulf Herzogenrath, Julia Draganović: Yves Netzhammer . Hatje Cantz, Berlin 2009, ISBN 978-3-77572-318-3
  • Stefano Cagol, Julia Draganović: Undergo alarms . Studio d'Arte Raffaelli, Trento 2010, ISBN 978-8-89028-795-4
  • Julia Draganović: Andrea Mastrovito. Easy come, easy go . Silvana Editoriale, Milan 2011, ISBN 9788836620333
  • Julia Draganović u. a .: The Eye of the Collector. Video works from the Collection Manuel de Santaren. Palladino Editore, Campobasso, 2012
  • Julia Draganović, Anna Szynwelska (Red.): This Troublesome, Uncomfortable and Questionable Relevance of Art in Public Space , with texts by Chantal Mouffe , Mika Hannula, Jadwiga Charzyńska, Julia Draganović and many more Laznia Center for Contemporary Art, Danzig 2013, ISBN 978- 83-61646-56-3
  • Kunsthaus Center d'art Pasquart Biel / Bienne (ed.), Julia Draganović, Claudia Löffelholz (ed. And authors): IRWIN. How to Read a Map. Verlag für Moderne Kunst, Vienna 2017, ISBN 978-3-90322-800-9
  • Sabine Maria Schmidt, Julia Draganović, Christoph Faulhaber (eds.), Inke Arns, Julia Draganović, Christoph Faulhaber, among others: Christoph Faulhaber: A Golden Age . Hatje Cantz, Berlin 2019, ISBN 978-3-77574-512-3

literature

  • Julia Draganović: Figurative writing: for the representational implementation of worldview in Ernst Jünger's narrative work, dissertation, Königshausen and Neumann, Literary Studies series, Würzburg 1998, ISBN 978-3-8260-1296-9 .

Web links

Individual evidence

  1. ↑ a b c d e Julia Draganović becomes the new director of Villa Massimo - Minister of State for Culture Grütters: German-Italian cultural relations are close to her heart. In: The Federal Government. Press and Information Office of the Federal Government, March 5, 2019, accessed on September 6, 2019 .
  2. ↑ Claudia Löffelholz: From networking and networking. In: Nuoava Gazzetta di Weimar - communications from the DIGIT German-Italian Society in Thuringia e. V., March 2016 ( Memento from December 26, 2016 in the Internet Archive )
  3. ↑ a b Ulrich Raphael Firsching: Julia Draganovic directs the Kunsthalle Osnabrück. In: kunstmarkt.com. Kunstmarkt Media GmbH & Co. KG, accessed on September 6, 2019 .
  4. ^ German-Italian Society in Thuringia eV: Chronicle, as of June 2019 ( Memento from September 6, 2019 in the Internet Archive )
  5. ↑ a b Dr. Julia Draganović. In: www.villa-massimo.org. German Academy Rome Villa Massimo, accessed on September 9, 2019 .
  6. ↑ mission. In: larete-artprojects.net. LaRete Art Projects, accessed September 6, 2019 .
  7. ↑ IRWIN - Where are you thinking. In: kunsthalle.osnabrueck.de. City of Osnabrück, accessed on September 9, 2019 .
  8. ↑ Julia Draganović becomes head of Villa Massimo. In: monopol-magazin.de. Res Publica Verlags GmbH, March 5, 2019, accessed on September 6, 2019 .
  9. ↑ Westphalia attracts international art experts. In: Westfalenspiegel. May 2, 2019, accessed November 13, 2019 .
  10. ↑ Dr. Stefan Lüddemann: The Osnabrück Art Gallery made attractive again. In: noz.de. Neue Osnabrücker Zeitung GmbH & Co. KG, March 5, 2019, accessed on September 6, 2019 .
  11. ↑ Statute. In: Villa Massimo. Retrieved May 28, 2020 .
  12. ↑ Information on applying for a study visit to the German Academy Rome Villa Massimo and the German Academy Rome Casa Baldi in Olevano Romano. In: The Federal Government. Retrieved May 27, 2020 .
  13. ↑ Up close. In: acc-weimar.de. ACC Galerie Weimar, accessed on September 9, 2019 .
  14. ↑ Herzblut - Typeface. In: acc-weimar.de. ACC Galerie Weimar, accessed on September 9, 2019 .
  15. ↑ The measure of all things. In: acc-weimar.de. ACC Galerie Weimar, accessed on September 9, 2019 .
  16. ↑ Superman. In: acc-weimar.de. ACC Galerie Weimar, accessed on September 9, 2019 .
  17. ↑ Origin no man's land. In: acc-weimar.de. ACC Galerie Weimar, accessed on September 9, 2019 .
  18. ^ Barbara Browning: Tongue and Groove: Movable Sculpture (Courtney Smith at the Chelsea art Museum) . In: Women & performance: a journal of feminist theory . tape 16 , no. 3 . Taylor & Francis Group, November 2006, pp. 433-441 .
  19. ↑ LaRete Art Projects - Click or Clash. Retrieved November 13, 2019 .
  20. ^ "Michael Beutler, architect - Etienne Descloux, artist". In: City of Osnabrück. November 13, 2019, accessed November 13, 2019 .
  21. ↑ What kind of festival? February 8 to March 29, 2015. In: Kunsthalle Osnabrück. Retrieved November 13, 2019 .
  22. ↑ Specifically, more space. In: Kunsthalle Osnabrück. Retrieved November 13, 2019 .
  23. ↑ Dr. Stefan Lüddemann: Ernesto Pujol stages performance in the Kunsthalle. In: New Osnabrück Newspaper. June 1, 2016, accessed November 13, 2019 .
  24. ↑ Stefan Lüddemann: Call to young filmmakers: media artist Jan Tichy is looking for films from Osnabrück. In: New Osnabrück Newspaper. October 11, 2016, accessed May 9, 2020 .
  25. ↑ Felice Varini hands over the direction of geometric color compositions. In: Kunsthalle Osnabrück. City of Osnabrück, accessed on November 13, 2019 .
  26. ↑ Kunsthalle Osnabrück: Symphony of a Century. In: City of Osnabrück. Retrieved May 9, 2020 .
  27. ↑ The finissage - which this time is almost a "complete" ... In: Kunsthalle Osnabrück. Retrieved November 13, 2019 .
  28. ↑ This Troublesome, Uncomfortable and Questionable Relevance of Art in Public Space - the publication. In: Galeria Zewnętrzna, Gdańsk. Accessed June 7, 2020 (English).
personal data
SURNAME Draganović, Julia
BRIEF DESCRIPTION German curator, head of Villa Massimo (since 2019)
DATE OF BIRTH 1963
PLACE OF BIRTH Hamburg