Maria Refuge (Haselbach)
The Roman Catholic chapel Maria-Zuflucht is located in Haselbach , a district of Eppishausen in the Unterallgäu district in Bavaria . The chapel is a listed building.
history
According to the inscription panels on the choir arch , the chapel was donated by Markus Ackermann († 1661) in 1657 and consecrated on October 2, 1659 by the auxiliary bishop Kaspar Zeiler . The chapel, which also received a measurement license , was expanded and refurbished from 1737 onwards. Numerous invoices report this, among others the master bricklayer Lorenz Schöllhorn received 317 florins in 1738 , Johann Kaspar Radmiller from Thanhausen for the stucco work 69 florins, the painting work was done by Melchior Prigl from Pfaffenhausen for 68 florins. For the production of the altar by the carpenter Michael Ruef from Kirchheim 100 florins were due. Overall, the construction costs amounted to 1,294 florins. The stalls originally made by Gottfried Dopfer from 1715 were renewed in 1739. In 1741, another 131 fl. Was paid to Michael Ruef for the altar. The setting of the altar was done by Melchior Prigl for 147 fl. The picture of the 14 helpers was also painted by him. In 1875 the chapel was renovated and a neo-Romanesque altar was installed in the chapel, which in turn was replaced by a purchased baroque altar in another renovation in 1957 .
Building description
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The nave of the chapel contains a flat ceiling . Access to the nave is through a rectangular door in an arched niche on the south side. There are two retracted arched windows in the eastern part of the nave. Adjacent to the nave is the retracted semicircular closed choir to form a yoke. The choir contains a stitch cap vault over pilasters, the apse in the outer axes round-arched windows and a circular window at the apex of the choir. Nave and choir be a re-entrant with profiled fighter provided chancel separate. On the west side of the nave, the lower gallery rests on one, the upper gallery on three Tuscan wooden columns. The parapets of both galleries are straight. There is a transverse oval window on the south and north sides between the galleries. Another small arched window on the west side can be found below the first gallery. The outer walls of the chapel of the choir and nave are divided by Tuscan pilasters . These have a three-part framework and rest on the surrounding base. The second pilaster from the west is displaced in the lower area by aedicules , which are attached around the doors, with the aedicule on the north side being blind. The aedicules consist of Tuscan pilasters with cranked entablature and a flat, curved gable. On the west gable there is a roof turret , the lower part of which is square. All four sides have a flat, curved profile cornice as a conclusion. The corners of the upper part are bevelled and decorated with kinked pairs of pilasters. Pointed arched openings are let into the four main sides of the upper part. The roof turret is covered with an onion hood . The sacristy was in 1737 south of the choir grown and has a gable roof covered. Access to the sacristy is through a rectangular door on the west side. The door with fittings between the sacristy and the choir dates from the 18th century.
Interior
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The altar of the chapel was created in 1720/1730 and was in the church of St. Peter and Paul in Augsburg-Oberhausen until 1957, from which it was acquired without figures. It is made of marbled wood and decorated with gold. A round-arched shell niche rises above the sarcophagus-shaped stipes . In this niche there is a miraculous image of a standing Mother of God from the middle of the 17th century. The miraculous image is a copy of the miraculous image of Candelaria in Chile . On both sides of the miraculous image, this is flanked by a Corinthian half and full column. The entablature above is richly cranked and contains depictions of flowers and acanthus . The excerpt above is flanked by volutes , in front of which there is a figure from 1720/1730 of Anna herself third . The Heart of Mary is located on the raised cornice. The body of the neo-Romanesque cross on the altar is believed to date from around 1800.
The pulpit dates from 1737 and was subsequently changed. It consists of a polygonal white plastered basket on the right choir reveal. The pulpit is accessed via a corridor protruding like a staircase with a parapet on the southern choir wall.
The chairs were made by Valentin Baum in 1739, the carvings on the cheeks were made by Jakob Wiedemann from Könghausen at the same time. The oak wood pegs are provided with rich representations of bandwork, leaf tendrils, flowers and latticework. In the chapel, there are sparse stucco in the choir. These were made by Kaspar Radmiller in 1738. Melchior Prigl created the fresco on the pulpit staircase in 1738. The fresco shows Christ with the apostles. The rest of the pictures in the chapel are neo-baroque and were created in 1958 by Ludwig Dreyer. The middle picture in the choir shows the Adoration of the Shepherds, in the spandrels of the choir vault six Marian symbols can be seen in grisaille painting . The fresco in the nave shows a Mother of God together with angels and a view of Haselbach. It is labeled L. DREYER 1958 . The representations on the upper gallery parapet show the founding legend with the veneration of a figure of Mary in a grotto in Chile. The lower gallery parapet shows representations of Markus Ackermann's vision, to which Dominicans from Kirchheim deliver the building plan, as well as a procession to the chapel.
The 14 stations of the cross are reverse glass paintings from the 18th century. The oval painting of St. Joseph dates from the middle of the 19th century. In addition to the paintings, there are also numerous wooden figures in the chapel. The oldest figures around 1490 show Saint Margaret and Barbara , albeit in a new version. The heart of Mary in the choir is neo-Gothic . The Pietà on the south wall of the nave, with the Arma-Christi cross, dates from the second quarter of the 18th century, as does the figure of Saint Joachim . Both the crucifix on the north wall and the figure of St. Ottilia date from the 18th century.
Two memorial plaques made of Solnhofen limestone are embedded in the choir arch reveal. The inscription on the northern panel reads as follows: Anno 1657 / is the founder of the Cabellen / Marcus Ackherman / Hiert all hie / died in 1661. The southern panel reads: Anno 1737 / is sitfers Capellen / broken off / and Dise new / built up / been.
Pulpit with fresco
Inscription plaque on the choir jamb above the donor
Pietà with Arma-Christi cross, 18th century
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Web links
literature
- Georg Dehio : Handbook of the German art monuments - Bavaria III - Swabia . Deutscher Kunstverlag, Munich, Berlin 2008, ISBN 978-3-422-03116-6 , pp. 439 .
- Heinrich Habel: Mindelheim district - Bavarian art monuments . Ed .: Torsten Gebhard, Anton Ress. Deutscher Kunstverlag, Munich 1971, p. 134-136 .
Individual evidence
- ↑ Bavarian State Office for Monument Preservation: Entry D-7-78-134-8 ( Memento of the original from March 4, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice.
Coordinates: 48 ° 12 ′ 14.9 ″ N , 10 ° 30 ′ 28.1 ″ E