Niggaz4Life
Niggaz4Life | |||||||
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Studio album by | |||||||
Publication |
May 28, 1991 |
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admission |
July 1990 - March 1991 |
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Label (s) | Ruthless / Priority / EMI | ||||||
Format (s) |
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Title (number) |
18th |
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running time |
55:35 |
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Studio (s) |
Audio Achievements, Torrance , California |
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Niggaz4Life (also known as EFIL4ZAGGIN ) is the second and final studio album by the US West Coast rap group NWA . The group split shortly after the album was released after Dr. Dre and songwriter The DOC went to Death Row Records . On the album are Eazy-E , Dr. Dre, MC Ren and DJ Yella represented, Arabian Prince left the band in 1988, Ice Cube in the same year as well. Although the group no longer appeared here in the original line-up and with Ice Cube, a rapper important to the group left the band, the album was a success and debuted at number two on the US Billboard 200 and then climbed to first place in the second week .
In 1992, a few months after the album was released, NWA published the documentary Niggaz4Life: The Only Home Video , in which the making-of of the album is documented, as well as the three music videos for the single releases Alwayz into Somethin ' , Appetite for Destruction and Approach to Danger on the video cassette or DVD.
Niggaz4Life was re-released in 2003 in two different formats. In addition to the original title list, both formats contained the EP 100 Miles and Runnin ' , another version was also released on the DVD Niggaz4Life: The Only Home Video .
content
Title of the album
The name of the album was already announced in the previously released EP 100 Miles and Runnin ' , but you can only hear this if you own a record of the EP. If you play the song Kamurshol backwards, you can hear Niggaz for life in the backward message . Because of the pejorative term " nigga " for people of color , the album was also referred to as Straight Out of Compton 2 in some places .
Cover
The cover of the album shows a crime scene with four corpses, all of which have been covered with a white sheet. There is a barrier around the corpses, which is guarded by police officers. Onlookers civilians stand at the barrier. DJ Yella, Eazy-E, Dr. Dre and MC Ren are portrayed as souls rising from the covered corpses. It is noticeable that the title of the album is shown in mirror writing due to political and financial reasons .
Controversy over the content and the album title
Compared to the previous album Straight Outta Compton , the lyrics were much harder in terms of misogyny , for which the album was notorious. The last nine songs on the album contain explicit sexist allusions and mentions of sexual practices. This provoked the PMRC as well as liberal and conservative politicians in the country, including the civil rights activist C. Delores Tucker .
The racist word "nigga" may have influenced the introduction of the censorship into the US music industry. After the album was released, it was removed from store shelves in the UK .
Track list
# | title | Performer (s) | length |
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1. | Prelude | MC Ren, Eazy-E, Above the Law | 2:27 |
2. | Real niggaz don't die | Dr. Dre, MC Ren, Eazy-E | 3:40 |
3. | Niggaz 4 Life | MC Ren, Dr. Dre, Eazy-E | 4:59 |
4th | protest | (Interlude) | 0:53 |
5. | Appetite for Destruction | Dr. Dre, MC Ren, Eazy-E | 3:22 |
6th | Don't drink that wine | (Interlude) | 1:07 |
7th | Alwayz into Somethin ' | Dr. Dre, MC Ren, Admiral D | 4:25 |
8th. | Message to BA | (Interlude) | 0:48 |
9. | Real niggaz | MC Ren, Dr. Dre, Eazy-E, DJ Yella | 4:27 |
10. | To kill a hooker | (Interlude) | 0:50 |
11. | One less bitch | MC Ren, Dr. Dre | 4:47 |
12. | Findum, Fuckum & Flee | Eazy-E, Dr. Dre, MC Ren, CPO | 3:55 |
13. | Automobiles | Eazy-E, Dr. Dre | 3:15 |
14th | She Swallowed It | MC Ren | 4:13 |
15th | I'd Rather Fuck You | Eazy-E | 3:57 |
16. | Approach to Danger | MC Ren, Dr. Dre, Eazy-E | 2:45 |
17th | 1-900-2-Compton | (Interlude) | 1:27 |
18th | The Dayz of Wayback | MC Ren, Dr. Dre, Admiral D | 4:15 |
Number of appearances
Artist | Number of appearances |
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MC Ren | Appears in 11 songs |
Dr. Dre | Appears in 9 songs |
Eazy-E | Appears in 9 songs |
DJ Yella | Appears in a song |
Chart placements
album
Chart (1991) | Top position |
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Billboard 200 | 1 |
Billboard Top R&B / Hip-Hop Albums | 2 |
Singles
year | song | Chart position | |
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Hot R&B / hip-hop songs |
Hot rap songs |
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1991 | Appetite for Destruction | 45 | 2 |
1991 | Alwayz into Somethin ' | 37 | 1 |
criticism
Professional reviews | |
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Reviews | |
source | rating |
Allmusic | |
Blender | |
Pitchfork Media | 8.8 / 10 |
RapReviews | 9/10 |
Robert Christgau | C− |
Rolling Stone | |
Rolling Stone |
The album was largely positively received by critics. The sometimes extremely violent and, especially in the second half of the album, misogynistic music was criticized, but above all the work of Dr. Dre and DJ Yella, who, according to Jason Birchmeier from Allmusic, would skillfully mix funk elements with "tough beats" .
Tom Doggett of RapReviews wrote that the lyrics would reach a new "shock level" after the previous album Straight Outta Compton . It's like a "good horror movie" because it floats through your head and takes your breath away. The musical element of the album is overwhelming and creates a dense environment in which one would have a Wes Craven- like experience. As a piece of rap history, Niggaz4Life is inevitable and necessary.
Rolling Stone rated the album less positively . Arion Berger wrote on July 11, 1991 that the group had less to prove on their second album, but also had less to say. Listening to them is like "loud guys at a neighborhood barbecue," boasting and telling lies about sex. The first half of the album is about violence, the second half about misogyny. The musical style can be inspiring, but the lyrics about life on the street are "just exhaust gas" , which comes from Straight Outta Compton . For some, Niggaz4Life is something of a party, but not everyone is welcome.
Web links
- Discography at Discogs
- Discography at eazy-e.com
Individual evidence
- ↑ Niggaz4Life at Allmusic (English). Retrieved February 1, 2017.
- ^ Pitchfork Media Review
- ↑ RapReviews Review
- ^ Robert Christgau Review
- ^ Rolling Stone Review
- ^ Rolling Stone Review