Samuel Dolin

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Samuel Joseph Dolin (born August 22, 1917 in Montreal , † January 13, 2002 in Midland / Ontario ) was a Canadian composer and music teacher.

Dolin first studied with Tania and Vladmir Elgart , Stanley Gardner and Vladimir Emenitov and continued his education at the Toronto Conservatory and the University of Toronto . From 1942 to 1945 he was the Inspector of Music Classes in Durham Counties and Northumberland , Ontario, and taught at Trinity College School in Port Hope.

He also studied composition with John Weinzweig and Ernst Krenek and piano with Weldon Kilburn , Reginald Godden and E. Robert Schmitz . Since 1945 he has taught composition, music theory and piano at the Toronto Conservatory. In 1966 he founded the studio for electronic music here. His numerous students include Stuart Broomer , Brian Cherney , Steven Gellman , Herbie Helbig , Jim Hiscott , Paul Hoffert , Lorraine Johnson , Moe Koffman , Gary Kulesha , Larysa Kuzmenko , Michel Longtin , John Mills-Cockell , Allan Rae , Eric Robertson , Clark Ross , Ann Southam , Ben Steinberg , Timothy Sullivan , Roman Toi , Ben Trowell , Ruth Watson Henderson , Wes Wraggett, and Jack Zaza .

Works

  • Sinfonietta , 1950
  • Serenade for Strings , 1951
  • Little Suite for piano, 1954
  • The Hills of Hebron for mixed choir and piano, 1954
  • Sonatina and Barcarolle for violin and piano, 1954, 1962
  • Symphony No. 1 'Elk Falls' , 1956
  • Isometric Variables 'Bassooneries in Free Variations' , 1957
  • Symphony No. 2 , 1957
  • Little Toccata for piano, 1959
  • Sonatina for piano, 1959
  • Sonata for Violin and Piano , 1960
  • Portrait for String Quartet , 1961
  • Chloris , song for voice and piano, 1961
  • Little Sombrero for violin and piano, 1962
  • Sonata for String Orchestra , 1962
  • Slightly Square Round Dance for piano, 1966
  • Fantasy for Piano and Chamber Orchestra , 1967
  • Casino 'Greed' , Opera, 1967
  • Machina , soundtrack, 1970
  • Concerto Grosso 'Georgian Bay' for percussion, accordion and tape, 1970
  • Sonata for accordion, 1970
  • The Meeting Point , soundtrack, 1971
  • Missionaries , broadcast drama, 1971
  • Marchbankantata for baritone, mixed choir, piano and synthesizer, 1971
  • Mass for mixed choir, 1972
  • Drakkar , multimedia work, 1972
  • If for piano, 1972
  • Prelude for John Weinzweig for piano, 1973
  • Concerto for Piano and Orchestra , 1974
  • Queekhoven and AJ for piano, 1975
  • Symphony No. 3 , 1976
  • Three Sonatas for violin, flute or cello and tape, 1973
  • Ricercar and Fantasy for guitar, 1974
  • Adikia , 1975
  • Prelude, Interlude and Fantasy for cello, 1976
  • Concerto for Four for two pianos and two percussionists, 1977
  • Duo Concertante for accordion and guitar, 1977
  • Deuteronomy XXXII (Bible) for voice and flute, 1977
  • Sonata for cello and piano, 1978
  • Kinesis I and Kinesis II , 1981
  • Quintet for Brass , 1981
  • Golden Section 'The Biography of a Woman' , 1981
  • Concerto for Free Bass Accordion and Orchestra , 1984
  • The Hero of Our World , 1985
  • Concerto for Oboe and Violoncello with Orchestra , 1989
  • Two Vocalises for Two Celli , 1990

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