Tristana
| Movie | |
|---|---|
| German title | Tristana |
| Original title | Tristana |
| Country of production | Spain |
| original language | Spanish |
| Publishing year | 1970 |
| length | 94 minutes |
| Age rating | FSK 12 |
| Rod | |
| Director | Luis Buñuel |
| script | Luis Buñuel Julio Alejandro |
| production |
Juan Estelrich Joaquín Gurruchaga Eduardo Ducay |
| music | Frédéric Chopin |
| camera | José F. Aguayo |
| cut | Pedro del Rey |
| occupation | |
| |
Tristana is a Spanish feature film directed by Luis Buñuel in 1970. It is the second Bunuel film , alongside Nazarín, based on a model by Benito Pérez Galdós . The film was nominated for an Oscar in the category of best foreign language film in 1971 .
action
Tristana's mother dies and Don Lope, both a bon vivant and Don Juan as well as an enlightened, atheist, socially committed but also impoverished bourgeois, adopts her; she moves in with him and his housekeeper Saturna. He sells Tristana's mother's estate in order to make money quickly. Tristana dreams of the beheaded Lope. He reveals to her that he sees her not only as a daughter, but also as a woman, and takes her as his lover, yet she is a "free woman". Soon she tries to evade him - she moves her bed away from his - and falls into a relationship with Horacio, a young painter; the two finally go to another city.
Two years have passed and Horacio is bringing Tristana back to Lope, forever as she thinks. This has now received a great legacy through the death of his sister. Tristana is seriously ill and one of her lower legs has to be amputated. Tristana becomes increasingly irritated, but the priest persuades her to marry Don Lope. She refuses Lope the wedding night. The years go by and Lope has grown old and sick. One winter night - after Tristana has dreamed of the beheaded Lope again - he calls her to help, she should call the doctor. Tristana just mimicked this phone call and opened the window in the delirious Lope's bedroom; this dies.
Reviews
“Buñuel's sensitive and at the same time bitter, very complex and dramatically virtuoso remodeling of Galdós' novel from 1892, in which he dissects and diagnoses, but renounces therapy. For him, the characters in the game are completely dependent on the social situation in which they find themselves. He scourges these, but he draws those with sensitivity and understanding, far from any black and white painting. The examination of the spiritual background revolves around justice, freedom, liberalism and Christianity. "
synchronization
| role | actor | Voice actor |
|---|---|---|
| Tristana | Catherine Deneuve | Uta Hallant |
| Don Lope | Fernando Rey | Ernst Wilhelm Borchert |
| Saturna | Lola Gaos | Tilly Lauenstein |
| Horacio | Franco Nero | Christian Wolff |
| Don Cosme | Antonio Casas | Klaus Miedel |
| Ambrisio | Vicente Soler | Konrad Wagner |
| Dr. Miquis | Fernando Cebrián | Claus Jurichs |
literature
- Luis Buñuel: My last sigh . Athenaeum 1983. ISBN 3-7610-8266-5 .
Web links
- Tristana in the Internet Movie Database (English)
Individual evidence
- ↑ Tristana. In: Lexicon of International Films . Film service , accessed February 19, 2020 .
- ↑ Tristana. In: synchronkartei.de. German dubbing file , accessed on March 22, 2020 .