List of concert band literature
This is a list of some of the standards of wind band repertoire.
Cornerstone works
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
- Samuel Barber: Commando March (1943)
- Robert Russell Bennett: Suite of Old American Dances (1947)
- John Barnes Chance: Incantation and Dance (1962) and Variations on a Korean Folk Song (1966)
- Aaron Copland: Emblems (1964)
- Paul Creston: Celebration Overture (1954/5)
- Ingolf Dahl: Sinfonietta (1961)
- Percy Grainger: Children's March (Over the Hills and Far Away) (1919), Irish Tune from County Derry (1918), Lincolnshire Posy (1937), Molly on the Shore (1921) and Shepherd's Hey (1918)
- Paul Hindemith: Symphony in B♭ (1951)
- Gustav Holst: First Suite in E♭ (1909), Second Suite in F (1911) and Hammersmith: Prelude and Scherzo (1930)
- Karel Husa: Music for Prague 1968 (1968)
- Gordon Jacob: An Original Suite (1928)
- Peter Mennin: Canzona (1951)
- Darius Milhaud: Suite Francaise (1944)
- Ron Nelson: Rocky Point Holiday (1969)
- W. Francis McBeth: Masque (1968)
- Vincent Persichetti: Divertimento (1950), Masquerade (1965) and Symphony No. 6 For Band (1956)
- Walter Piston: Tunbridge Fair (1950)
- Alfred Reed: Armenian Dances (Part I) (1972), "Armenian Dances (Part II)" (1976) and Russian Christmas Music (1944)
- H. Owen Reed: La Fiesta Mexicana (1949)
- Florent Schmitt: Dionysiaques (1913)
- Arnold Schoenberg: Theme and Variations, Op. 43a (1943)
- William Schumann: George Washington Bridge (1950) and the New England Tryptich (1956)
- Igor Stravinsky: Concerto for Piano and Wind Instruments (1924) and Symphonies of Wind Instruments (1920/rev. 1947)
- Ralph Vaughan Williams: English Folk Song Suite (1923), Flourish for Wind Band (1939) and Toccata Marziale (1924)
- Ronald McAnespie: Century of Progress
Not quite cornerstone works
These pieces may not necessarily be quite as universally acknowledged as the above list, but occupy an extremely important place in the repertoire nonetheless. Like the previous works, they have proven themselves through many performances, most over a span of decades.
- Warren Benson: The Leaves Are Falling (1963), The Passing Bell (1974) and The Solitary Dancer (1966)
- Michael Colgrass: Winds of Nagual (1985)
- Norman Dello Joio: Scenes from the Louvre (1966) and Fantasies on a Theme by Haydn (1968)
- Morton Gould: Jericho, Symphony no. 4 (West Point)
- Percy Grainger: Colonial Song (1928), Country Gardens (1928) and The "Gumsuckers" March (1928)
- Howard Hanson: Chorale and Alleluia (1954)
- Karel Husa: Apotheosis of this Earth (1971)
- Robert Jager: Diamond Variations (1967) and Esprit De Corps
- Joseph Wilcox Jenkins: American Overture for Band (1956)
- Boris Kozhevnikov: Symphony no. 3: Slavyanskaya
- Ronald Lo Presti: Elegy for a Young American (1964)
- David Maslanka: A Child's Garden of Dreams (1981)
- Vaclav Nelhybel: Antiphonale (1972) and Trittico (1965)
- Roger Nixon: Fiesta del Pacifico (1960/66)
- Vincent Persichetti: Pageant (1953), Psalm (1952)
- Sergei Prokofiev: March, Op. 99 (1943/44)
- Joseph Schwantner: ...and the mountains rising nowhere (1977) and From a Dark Millennium (1981)
- Claude T. Smith: Flight, Incidental Suite (1966)
- Fisher Tull: Sketches on a Tudor Psalm (1971)
- Clifton Williams: Festival (1962) Dedicatory Overture (1964) Sinfonians (1960) Caccia and Chorale (1973) Symphonic Dance no. 3: Fiesta (1967) and Fanfare and Allegro (1956)
- Haydn Wood: Mannin Veen (1938)
- Guy Woolfenden: Illyrian Dances (1986)
Recent works
The following recent works that are rapidly gaining acceptance as standard repertoire. Note that most of these pieces are still ten to twenty years old; it takes a while before a piece can be said to have entered the accepted repertoire, as many new works quickly become extremely popular but then fade from performance.
- Mark Camphouse: A Movement for Rosa (1992)
- Michael Colgrass: Urban Requiem (1996)
- Michael Daugherty: Niagara Falls (1997)
- Michael Daugherty: Bells for Stokowski (2001)
- Johan de Meij: Symphony no. 1: Lord of the Rings (1987)
- Eric Ewazen: Hymn For The Lost And The Living (2002)
- David Gillingham: Heroes Lost and Fallen (1990), Apocalyptic Dreams (1997), and Galactic Empires (1998)
- Adam Gorb: Awayday (1996/rev. 1999)
- Donald Grantham: Southern Harmony (1998) and J'ai ete au bal (1995)
- Edward Gregson: Festivo (1985)
- Scott Lindroth: Spin Cycle (2001)
- Martin Mailman: for precious friends hid in death's dateless night (1988)
- John Mackey: "Redline Tango" (2004), "Turbine" (2006)
- David Maslanka: Symphony no. 2 (1986) and Symphony no. 4 (1994)
- Ron Nelson: Passacaglia on BACH (1993) and Aspen Jubilee (1988)
- Philip Sparke: Dance Movements (1997)
- Jack Stamp: Gavorkna Fanfare (1990/1)
- Frank Ticheli: Amazing Grace (1994), Blue Shades (1996) and Vesuvius (1997)
- Jan Van der Roost: Puszta (1987) and Suite Provençale
- Dan Welcher: Zion (1996)
- Eric Whitacre: October (2000) and Cloudburst (2002)
- Dana Wilson: Shortcut Home (1998)
- Charles Rochester Young: Tempered Steel (1997)
- Gregory Youtz: Fireworks (1988)
- W. Francis McBeth: Of Sailors and Whales (1991)
- Rolf Rudin: The Dream of Oenghus (1994/6)