Martian

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As an adjective, the term Martian is used to describe anything pertaining to the planet Mars, however, a Martian is more usually a hypothetical or science fictional native inhabitant of the planet Mars. Historically, life on Mars has often been hypothesized, although there is currently no solid evidence of life there. It is possible that the planet harbours or once harboured primitive forms of life, but scientists no longer consider it likely that Mars has ever had intelligent life.

History of the concept

The idea of intelligent Martians was popularized by Percival Lowell and in fiction, especially by Edgar Rice Burroughs' John Carter (Barsoom) Series, H.G. Wells' The War of the Worlds and Ray Bradbury's The Martian Chronicles. Despite the observation by Alfred Wallace that Mars' atmosphere was too thin to support an Earth-like ecology, various depictions of a Martian civilization were popular throughout the 20th century. The first pictures of Mars returned by space probes dashed hopes of contacting Martians, although dubious claims of past Martian civilizations have continued into the twenty-first century (see Cydonia for one such claim).

The real Martians

Because of the prevalence of stories containing Martians, the idea of the Martian was for much of the 20th century the default identity of extraterrestrial characters in popular culture. If Mars is colonized in the future by humans, the generations descended from the settlers may well be called Martians. Some members of the Mars Society, an organization devoted to such colonization, semi-humorously describe themselves as "Martians in exile".[citation needed]

It has been suggested by scientists that life on Earth actually originated on Mars and that life arrived on Earth via a comet (see Panspermia).[citation needed]

A martian, it can be argued, is also a creature, whose "thinking-dome" or [[[brain]]] can produce this:File:Stephbirthday.jpg

Martians in fiction

The Martian was a favorite character of classical science fiction; he was frequently found away from his home planet, often invading Earth, but sometimes simply a lonely character representing alienness from his surroundings. Martians, other than human beings transplanted to Mars, became rare in fiction after the visit of the space probe Mariner 4 to Mars, except in exercises of deliberate nostalgia - more frequently in genres such as comics and animation than in written literature.

Literary Martians

  • The War of the Worlds (1898) by H. G. Wells. The Martians are an ancient, advanced race with a tentacled, squid-like appearance. They produce a "red weed", which is what was giving Mars its red color. They invade Earth, in huge tripedal "fighting machines" armed with "heat rays" and "black smoke" (a kind of poison gas), against which human armies of the time are helpless, conquer London and much of England (and possibly other countries as well), use human beings as food, but are overcome by terrestrial microbes.
  • There were many "additions" to the Wells novel, for example Sherlock Holmes War of the Worlds which describes the adventures of Holmes and Watson in Martian-occupied London. Kevin Anderson edited the anthology "War of the Worlds: Global Dispatches" which describes the events of the Martian invasion as experienced in France, Italy, Russia, India, China, Texas, Alaska, Equatorial Africa and other locations.
  • Olaf Stapledon's Last and First Men, a vast future history published in 1930 and spanning billions of years, includes a long and carefully worked-out account of several Martian invasions of Earth over a period of tens of thousands of years. Stapledon's Martians - sentient cloudlets composed of countless microscopic particles and capable of drifting across interplanetary space - are completely different from Wells', yet the book shows his influence and follows the general scheme of a drying and dying Mars and of Martians seeking the warmer and wetter Earth. Much later in the book, the humans themselves flee the dying Earth, invade and colonise Venus and exterminate its native intelligent species.
  • Raymond Z. Gallun's Seeds of the Dusk, published in 1938, shows the influence of both Wells and Stapledon, but with a special original twist. In the far future, Earth is invaded by sentient plants from Mars, whose specialty is to make use of planets in their "dusk" - i.e., still liveable but nearing their end. (These plants had actually originated on Ganymede, in the distant past, went on to Mars, continued after long aeons to Earth, and would continue on to Venus when Earth had died too). In this case the invasion is successful and it is the Itorloo, distant descendants of Mankind, who are exterminated by a plague microbe artificially produced by the invaders. But the Itorloo had been an arrogant race, extremely cruel to sentient bird and rodent races which shared the Earth of their time, while the new plant dominant species leaves these alone - so that the reader is left to conclude that on balance, the change might be for the better.
  • In four stories by Eric Frank Russell published in the early 1940s and collected in the classic Men Martians and Machines, humans together with very likable Martians are shipmates who go out together into interstellar space, and guard each other's back while encountering various other aliens. Not accidentally, Russell's humans included blacks as well as whites - quite unusual for the time. The book can be credited with starting the SF sub-genre of spaceships with a mixed human and non-human crew, which was to reach great popularity with Star Trek. Russell's martians are chess-loving octopoids, with tentacles extending down and out from a central head with large eyes. They can survive in Earth-normal air, but prefer to don low-pressure helmets for comfort. Read today, their description is amusingly similar to that of Kang & Kodos in The Simpsons.
  • Ray Bradbury's short story The Concrete Mixer (1949) inverts the idea of a Martian invasion: the invaders are welcomed with open arms, and fall victim to a not overtly hostile but nonetheless deadly alien culture -- that of Earth.
  • John Wyndham dealt with Martians in two short stories, Time to Rest (1949) and Dumb Martian (1952).
  • Fredric Brown wrote Martians, Go Home (1955), a spoof of Wells' Martian invasion concept.
  • Many "invasion of Earth" stories owe much to Wells, even when their invaders come from elsewhere in the cosmos. The derivation is especially clear in John Christopher's trilogy The Tripods (1967-1968), depicting boys born on an alien-occupied Earth and dedicating themselves to overthrowing the cruel invaders - who, like Wells' Martians, move about in huge three-legged machines, towering high above the countryside.
  • Robert A. Heinlein repeatedly used Martians (usually, human beings born and bred on Mars) as characters in his novels and short stories, including:
    • Double Star (1956). The issue of giving Martians the vote becomes a central issue in Earth politics, and the hero eventually overcomes both his own deep-rooted anti-Martian prejudice and the entrenched political power of the bigots, and helps enfranchise the downtrodden Martians (publication of this book coincided with the early Civil Rights Movement of the Blacks in the US South).
    • Stranger in a Strange Land (1961). An Earthman raised on Mars returns to Earth and creates chaos. Concerned with philosophical and religious subjects.
    • Podkayne of Mars (1963). Takes place in space and on Venus, but the main characters originate from a Mars that has been colonized by humans and is an important player in Solar System diplomacy.

Film, television, and radio Martians

Martians in comics

  • In the DC Comics universe, the Martian Manhunter (J'onn J'onzz) (1955) is a superhero and member of the Justice League. In at least some variations, he is believed to be the last of his race. Other DC creations include Miss Martian and the White Martians.
  • In the future world of Marvel Comics' Killraven (1973-), the Martian Masters who orchestrated the invasion in The War of the Worlds returned to Earth a century later and conquered it; they were overthrown by rebels led by the psychic human Jonathan Raven, alias Killraven.
  • Mark Starks' Martian is a superhero graphic novel published in 2006. "Martian" is an intergalactic cop who patrols the galaxy with his female Earthling partner, Terra.
  • Mr. Martian of Big Bang Comics is an exile from Mars.
  • Martians are also rarely-seen protagonists in the web-comic It's Walky. In IW, Martians have left their dying world, denied themselves the opportinity to invade Earth, and founded a galactic-wide empire. They return to take vengeance on Humanity when the few martians on Earth are killed in an elaborate set-up by an alternate dimensions Human refugees.
  • One of the central themes in Irregular Webcomic! features a small group of Martians, represented by Lego figurines.
  • A Martian dragon appears in the fiction-within-a-fiction story "The Heterodyne Boys and the Dragon from Mars", from the steampunk webcomic Girl Genius.

Martians in video games

  • LucasArts' 1988 graphic adventure game Zak McCracken and the Alien Mindbenders deals with Martians looking to make everybody on Earth totally stupid with a device that nulls brainwaves. It's hidden in the face on Mars.
  • In the video game Destroy All Humans! (2005), the Martians were wiped out by the Furons, and in its sequel, Destroy All Humans! 2 (2006), the Martians come back, but they are known as the Blisk.
  • In the video game Radical Dreamers, the main villain appears as a giant, lime-green, Martian octopus in one scenario. Other references to Mars are made throughout this scenario.

Martians in other media

  • The 1962 trading card series Mars Attacks (no exclamation point, unlike the 1996 film based on it) depicts an invasion of Earth by hideous, skeletal Martians. The exaggerated, satirical violence of the series made it a cult favorite.
  • The Misfits have various songs related to Martians.
  • The Red Hot Chili Peppers have a song entitled "Death of a Martian"

See also