Adolf Teichs

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Friedrich Adolf Teichs (born May 19, 1812 in Braunschweig , † October 20, 1860 in Dresden ) was a German history and genre painter as well as etcher and lithographer of the Düsseldorf School .

Life

At his father's request, Teichs initially studied law in Göttingen and Munich , then enrolled in architecture at the Royal Academy of Fine Arts in Munich on May 5, 1830 - prompted by Friedrich von Gärtner - but soon switched to painting . From 1834 to 1836 he studied under Wilhelm Schadow at the Düsseldorf Art Academy .

In 1836 he moved, together with Alfred Rethel and Heinrich Funk , to Frankfurt am Main , where he lived until around 1840, in 1838 under one roof with Carl Trost and Otto Corvin . From 1840 Teichs lived in Munich again. At times he was based in Giessen and most recently in Dresden. Teichs went on study trips to Hungary, Tyrol and Northern Italy.

Under the influence of Eduard Bendemann's Captive Jews in Babylon (1832), his main work, Captured Greeks Guarded by Mamelukes , was written in Düsseldorf in 1836 . The picture, a manifesto of contemporary philhellenism and orientalism , was shown at various exhibitions and acquired by the art association for the Rhineland and Westphalia . Afterwards, it came into the possession of the Münster city archivist Heinrich Geisberg (1817–1895) through a raffle. Today it is on permanent loan from the Westphalian Art Association in the LWL Museum for Art and Culture .

Teichs also became known through the works of Albrecht Dürer painting , The wood collector in front of the forest chapel , scene in Auerbach's cellar , scene on the castle battlements , who does not love wine, women and song , angler in the seraglio , Karl V at Luther's grave ( Augusteum and Lutherhaus Wittenberg ), Egmont's course to the execution , Lenore and executioner's meal for the Girondists . In 1839 he created a portrait of Otto II for the Imperial Hall of the Frankfurt Römers .

literature

  • Teichs, Friedrich Adolph . In: Friedrich Müller, Karl Klunzinger, A. Seubert: The artists of all times and peoples . Verlag von Ebner & Seubert, Stuttgart 1864, p. 653 ( Google Books ).
  • Teichs, Friedrich Adolf . In: Hermann Alexander Müller : Biographical Artist Lexicon . Verlag des Bibliographisches Institut, Leipzig 1882, p. 516 ( digitized version ).
  • Teichs, Friedrich Adolf . In: Friedrich von Boetticher : painter works of the nineteenth century. Contribution to art history . Volume 2, Dresden 1898, p. 875.
  • Gerhard Langemeyer: Adolf Friedrich Teichs. The captured Greeks . In: Westfalen 55, 1-2, 1977, pp 162-166.

Web links

Individual evidence

  1. ^ Journal for the Austrian grammar schools . Volume 11 (1860), p. 892
  2. Pierer's Universal Lexicon of the Past and Present . Publishing house HA Pierer, Altenburg 1863, p. 320
  3. 01619 Friedrich Adolph Teichs , entry in the register book of the Academy of Fine Arts Munich
  4. Finding aid 212.01.04 Student lists of the Art Academy Düsseldorf , website in the portal archive.nrw.de ( Landesarchiv Nordrhein-Westfalen )
  5. ^ Museum Kunstpalast : Artists from the Düsseldorf School of Painting (selection, as of November 2016, PDF )
  6. ^ Valentin Adrian : Rheinisches Taschenbuch on the year 1843 . Publisher by Johann David Sauerländer, Frankfurt am Main 1843, p. XIX f. ( Google Books )
  7. ^ Hermann Püttmann : The Düsseldorf school of painting and its achievements since the establishment of the art association in 1829. A contribution to modern art history . Wigand, Leipzig 1839, p. 77
  8. Captured Greeks guarded by Mamelukes , website in the portal lwl.org , accessed on June 23, 2019
  9. The captured Greeks guarded by Mameluks , image information in the portal www2.klett.de , PDF
  10. ^ Rudolf Wiegmann : The Royal Art Academy in Düsseldorf. Their history, furnishings and effectiveness and the Düsseldorf artists . Verlag der Buddeus'schen Buch- und Kunsthandlung (Eduard Schulte), Düsseldorf 1856, p. 235 ( Google Books )
  11. ^ Johann Andreas Romberg, Friedrich Faber: Conversations Lexicon for fine arts . Renger'sche Buchhandlung, Leipzig 1846, Volume 3, p. 302 ( Google Books )