Friedrich Strampfer

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A caricature by Friedrich Strampfer (above) with his deputy Maximilian Steiner (below left), drawn by Karl Klietsch in 1869.

Friedrich Strampfer (born May 23, 1823 in Grimma , Kingdom of Saxony , † April 8, 1890 in Graz ) was an Austrian theater actor, director and director.

Life

As an actor, Strampfer, son of the actor Heinrich Strampfer , worked in Weimar from 1843 to 1845 after starting out in the provinces on the recommendation of Carl von La Roche and Ottilie von Goethe . There he married the prima donna of the court theater Anna von Ottenburg . The Grand Duke declared the marriage invalid (she was Catholic, he was Protestant) and forbade the couple to stay in Weimar. Thereupon went on a wandering and also belonged to the Hofburgtheater in 1847/48 . In 1849 he was able to take over the management of the German theater in Trieste . From 1852 to 1862 he headed the Opera Theater in Timisoara ( Banat ). From 1857 he was again responsible for Trieste and also for the municipal theater in Laibach .

Strampfer discovered the diva Josefine Gallmeyer while still in Timisoara . In 1862 he went to Vienna and until 1869 headed the Theater an der Wien . There he made a name for himself by staging the operettas by Jacques Offenbach . In 1870 he acquired the theater under the Tuchlauben, which was known as the Strampfer Theater until 1874 . There celebrated u. a. Alexander Girardi , Karl Blasel , Friedrich Mitterwurzer and Marie Geistinger great successes. In the 1873/1874 season he also directed the German Theater Budapest. In 1878, Strampfer became director of the Komische Oper ( Ringtheater ) and at the same time also directed the Carltheater . The ring theater fire in 1881 led him to bankruptcy. He then emigrated to the USA . In 1888 Strampfer returned to Vienna and settled down as a writer. The following year he was appointed director of a drama school in Graz . In 1955 the Strampfergasse in Vienna- Hietzing was named after him.

literature

Web links

Individual evidence

  1. April 7 according to ADB.
  2. ^ Franz Metz : The opera as an institution in south-east Europe with special consideration of the Banat music centers Timisoara, Arad and Orawitza , music history in Central and Eastern Europe; 4 (1999), pp. 47-62.