Guido Adler (musicologist)
Guido Adler was the son of a country doctor, an older brother was director Leopold Adler . After the early death of the father of the family (1856), the mother moved with her six unsupervised children to Iglau , where Adler attended elementary school and received his first piano lessons. An imperial pardon and support from relatives enabled the family to make a living. In 1864 he came to Vienna, where from September 1869 he attended the Conservatory of the Society of Friends of Music in Vienna . His teachers were Wilhelm Schenner and Josef Dachs (piano), Anton Bruckner in harmony (as a minor) and Otto Dessoff (theory and composition). After graduating from high school in 1873, he also studied law , which he finished with a doctorate in 1878. However, he only worked as a lawyer for three months. In June 1874 he made his pianist diploma at the Conservatory. At first, however, he decided against a career as a composer .
With his classmates at the Conservatory Arthur Nikisch and Felix Mottl , he presented Richard Wagner with a trophy of honor. As the spokesman for the conservators, he addressed Franz Liszt . Adler was one of the founders of the Academic Wagner Club and, as such, held a cycle of lectures in 1875/76 on the introduction to the Ring of the Nibelung . The work of August Wilhelm Ambros , Friedrich Chrysander , Otto Jahn and Philipp Spitta aroused his musical-historical inclinations and after a short internship at the Vienna Commercial Court, he turned entirely to musicology. During his studies he was supported by the Viennese professor Eduard Hanslick .
In 1880 he received his doctorate from the University of Vienna. In 1884 Adler founded the quarterly journal for musicology in association with Philipp Spitta and Friedrich Chrysander , which he edited together with them during its ten-year existence. In 1885 he succeeded Eduard Hanslick as professor in Prague and founded the Musicological Institute of the University of Vienna in 1898 , of which he was director until his retirement in 1927.
In 1888, with a memorandum on the publication of Monumenta historiae musices on an international basis , he encouraged the editing of historical and theoretical documents and sources as well as monuments publications. It was initially limited to the monuments of music art in Austria, which appeared uninterruptedly in 83 volumes from 1894 under Adler's direction until 1938. In 1892 he organized the music history department of the International Music and Theater Exhibition in Vienna and induced the Austrian government to purchase the Trent Codices .
The Vienna Music History Institute, which he founded, became the focus of Austrian music research. The musicology studies published annually from 1913 to 1938 as supplements to the Monuments of Music in Austria brought valuable treatises from Adler's school. He organized the international musicological congresses on Haydn (1909) and the Beethoven Zentenarfeier (1927) in Vienna.
In 1927 he suggested the establishment of the International Society for Musicology with its headquarters in Basel, and served as its honorary president until his death. In the same year he resigned from the teaching post, but retained the direction of the monuments of music art in Austria until 1938 he was denied journalism.
In the time of National Socialism
In 1938 the Gesellschaft der Musikfreunde in Vienna, of which he was an honorary member, was effectively dissolved. It was first placed under provisional management and then affiliated with the Vienna State Theater and Stage Academy while retaining the name . During the time of National Socialism , his honorary membership was withdrawn due to anti-Semitic attitudes. Adler was also discriminated against in music in Herbert Gerigks Lexicon of Jews and entered there with a deliberately false date of death (December 14, 1933). His valuable library was confiscated at the instigation of his pupil Erich Schenk and assigned to the seminars he had founded without compensation to the heirs. After his death in March 1941, his daughter had him quietly buried in Vienna. This, the doctor Melanie Karoline Adler, was deported from Vienna to Minsk in May 1942 and murdered on May 26, 1942 in the Maly Trostinez extermination camp . His son Achim Adler was also a doctor and emigrated to the USA in good time.
Since the reestablishment of the Gesellschaft der Musikfreunde in Vienna in 1945, Guido Adler (like Bruno Walter , Carl Goldmark and others) has again been made an honorary member. In 1980 she was transferred from an ordinary urn field to a grave of honor at the Vienna Central Cemetery (group 32 C, number 51). In 1998 Guido Adler was dedicated to two of his own showcases by the Gesellschaft der Musikfreunde in Vienna in the exhibition “100 Years of the Institute for Musicology at the University of Vienna”.
Guido Adler was a quiet contemporary. At least that's how Gustav Mahler felt about him. Mahler is said to have said about him:
"If I want to be alone, I go for a walk with Guido Adler."
- Chronological list of his works with download links
- Want and work. From the life of a music historian , Universal Edition, Vienna 1935.
- as publisher: Handbuch der Musikgeschichte. Unchanged reprint of the 2nd edition from 1929. Schneider, Tutzing 1961. ISBN 978-3-7952-0004-6 .
- From 1894 to 1938 Adler was the editor of the 83-volume work Monuments of Music in Austria .
- Adler, Guido. In: Lexicon of German-Jewish Authors . Volume 1: A-Benc. Edited by the Bibliographia Judaica archive. Saur, Munich 1992, ISBN 3-598-22681-0 , pp. 45-47.
- Volker Kalisch: Adler, Guido . In: Friedrich Blume (Ed.): MGG . tape 1 . Bärenreiter Verlag, 1999, Sp. 151-155 .
- Rudolf von Ficker: New German Biography (NDB). Volume 1, Duncker & Humblot, Berlin 1953, ISBN 3-428-00182-6 , p. 70 ( ). In:
- Georg Beck: Lost in the world - memories of Guido Adler (1855–1941). In: “Zwischenwelt. Journal for the Culture of Exile and Resistance ”, 24th vol. No. 1/2; Vienna, October 2007, pp. 46–50.
- Barbara Boisits: Adler, Guido. In: Oesterreichisches Musiklexikon . Online edition, Vienna 2002 ff., ISBN 3-7001-3077-5 ; Print edition: Volume 1, Verlag der Österreichischen Akademie der Wissenschaften, Vienna 2002, ISBN 3-7001-3043-0 . (The ostracism under National Socialism is not mentioned at all)
- Memo Schachiner: Guido Adler , short biography at musicalconfrontations.com
- Memo Schachiner: The Guido Adler era , at musicalconfrontations.com
- Entry on Guido Adler (musicologist) in the Austria Forum (in the AEIOU Austria Lexicon )
- Literature by and about Guido Adler in the catalog of the German National Library
- nmz article for the 150th birthday
- Guido Adler at the MUGI project - Music and Gender on the Internet at the Hamburg University of Music and Theater
- Eva Weissweiler : Eliminated. The Lexicon of Jews in Music and its Murderous Consequences , Dittrich, Cologne 1999, ISBN 3-920862-25-2 , p. 8, p. 29, and pp. 193–194. Also Yukiko Sakabe: Erich Schenk and the case of the Adler library . In: Music Science at Its Limits , Frankfurt 2004, pp. 383–392; and so: The library of Guido Adler . In: Mitteilungen der Alfred Klar Gesellschaft , Volume 2007 No. 1 (March), pp. 10–13, available at: http://www.klahrgesellschaft.at/Mitteilungen/Sakabe_1_07.pdf .
- Renate Erhart: Melanie Karoline Adler (1888–1942) (accessed on February 13, 2012)
- Friedrich Engel-Jánosi : … but a proud beggar. Memories from a lost generation , Graz, Verlag Styria, 1974, page 30
|BRIEF DESCRIPTION||Austrian musicologist|
|DATE OF BIRTH||November 1, 1855|
|PLACE OF BIRTH||Eibenschütz|
|DATE OF DEATH||February 15, 1941|
|Place of death||Vienna|