Heinrich goose

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Heinrich Gans (born April 8, 1890 in Ausleben , † April 30, 1973 in Starnberg ) was a doctor of agricultural science and a German painter of late impressionism .

Life

Heinrich Andreas Gans was born in Ausleben in the Magdeburg Börde in 1890 as the son of a long-established family of farmers . For the later takeover of his parents' estate, Heinrich Gans first studied economics and agricultural science and received his doctorate in 1915 at the University of Halle , where he also worked as a research assistant. However, because he was artistically gifted, after private painting stays in Hamburg and Berlin, he finally studied art history in Munich and then lived in Starnberg from 1920 to 1930. During this time, as a painterly self-taught artist , he created numerous impressionist paintings of motifs in Munich and on Lake Starnberg , which were shown at renowned exhibitions of the Munich Secession in 1926, the artists 'association Die Bayern (1929) and the Munich Artists' Cooperative (1930, 1931). His pictures have also been shown several times in the Glass Palace .

Despite his great talent, Gans did not attend the Munich Art Academy because he saw his main professional task as a future farmer on his parents' estate. After the death of his father in 1929, he therefore returned to Ausleben and was actually entrusted with the management of the estate from 1932. In addition, Heinrich Gans was always active as a painter, and continued to produce paintings of landscapes in the home to live out, in Sanssouci, Munich, Starnberg, Andechs and elsewhere. He cultivated friendships with several artist colleagues in the Börde region, such as Thomas Heinrich Uffrecht, Otto Henning and Rudolf Hübener from Haldensleben, and was also involved in exhibitions in Saxony-Anhalt around 1947 .

Around 1953 the property and business were expropriated by the GDR authorities , and Heinrich Gans was even temporarily imprisoned in Haldensleben as an allegedly hostile landowner . In 1954 Gans fled to West Berlin with his wife Maria and settled again in Starnberg (first in Perchastrasse, 1956 in Leutstettner Strasse 2b). From then on he worked his painting professionally and lived from the sale of his pictures. His friendship with his colleague Lilo Fürst-Ramdohr began at a sales exhibition by the Buzentaur Art Circle , who after the death of his wife in 1959, like some neighbors, took care of the aging painter. Heinrich Gans created numerous paintings and was well known in expert circles. In the Munich artist cooperative KGL Priv. In 1868 he was an honorary member for many years. In old age, however, he suffered from progressive macular degeneration and was only able to paint with the help of special glasses, which reinforced his late Impressionist painting style , which was characterized by soft pastel shades . He died childless in Starnberg in 1973 and rests in the communal grave with his wife on the Rieden estate near Leutstetten .

From March to May 1974 his paintings were exhibited in the Munich House of Art . Heinrich Gans is now part of the so-called lost generation of visual artists. Civil status papers, factual files on occupation and work, work photos, personal photos have been stored in the Germanic National Museum in Nuremberg since 1975 . Pictures by Heinrich Gans are shown in the Börde Museum Ummendorf , in the Oschersleben District Museum and in a former church building in Ausleben.

Works (small selection, approximate dating)

  • In spring . 1926,
  • Odeonsplatz in the thaw , 1929
  • Marienplatz in the snowstorm , 1929
  • Autumn sun , 1929
  • Garden café in early spring , 1929
  • City Park Views , 1929
  • Autumn day in Sanssouci , 1930
  • November rain , 1930
  • Garden café at the Glass Palace , 1931
  • Garden , 1931
  • Botanical garden . Oil / plate
  • Torchlight procession on Odeonsplatz . Oil / plate
  • Andechs Monastery Church , oil / plate
  • Coffee place on Lake Starnberg . Hardboard,
  • Sailing regatta on Lake Starnberg . Oil / cardboard
  • Oktoberfest Munich , 1958
  • The Nepomuk Bridge , 1970 (Starnberg Town Hall)

literature

  • Heinz Morgenthal: Heinrich Gans - The Blind Impressionist , Koch-Druck Halberstadt, Ausleben 2015, ISBN 978-3-00-050198-2
  • Lilo Fürst-Ramdohr : Friendships in the White Rose. Verlag Geschichtswerkstatt Neuhausen , Munich 1995, ISBN 3-931231-00-3
  • I want to paint life , Münchner Merkur , issue of March 14, 1974, page 20
  • The artist Heinrich Gans , Münchner Merkur , issue of November 15, 2007, no.263
  • Horst Ludwig in: Munich painters in the 19th century ': Achmann-Kursell ; Volume 5, pp. 265-267; Bruckmann, Munich 1993
  • Art and the beautiful home, Volume 54, F. Bruckmann KG, Munich 1956

Individual evidence

  1. ^ A b Horst Ludwig: Munich painter in the 19th century: Achmann-Kursell . Bruckmann, 1993, ISBN 978-3-765-41805-1 , limited preview in the Google book search
  2. HAMPEL Fine Art Auctions. In: hampel-auctions.com. Archived from the original on October 20, 2007 ; Retrieved January 3, 2015 .
  3. ^ Germanisches Nationalmuseum Nürnberg: Anzeiger des Germanisches Nationalmuseums . 1975, p. 196. Restricted preview in Google Book search
  4. ^ Börde-Museum Burg Ummendorf. In: museum-digital.de. Archived from the original on September 15, 2012 ; Retrieved January 3, 2015 .
  5. Discovered during the city tour: What stood out in Oschersleben ... (No longer available online.) In: deutschland-im-internet.de. Archived from the original on January 3, 2015 ; Retrieved January 3, 2015 . Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / deutschland-im-internet.de
  6. ^ Gallery Gronert - Munich. In: galerie-gronert.de. Retrieved January 3, 2015 .