Henri Deparade

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Henri Deparade (born April 14, 1951 in Halle (Saale) ) is a German painter , graphic artist and university professor.

Life

From 1972 to 1977, Henri Deparade studied at the then College for Industrial Design in Halle, Burg Giebichenstein in the field of painting and graphics, and graduated as a painter and graphic artist. He also received suggestions from representatives of the Leipzig School (e.g. Uwe Pfeifer ). Since 1977 he has participated in numerous national and international exhibitions. He became a member of the Association of Visual Artists and was part of its specialist committees.

He began his university career in 1977/1978 as an assistant to Hannes H. Wagner in the field of painting at the University of Industrial Design in Halle, Burg Giebichenstein. This was followed by an apprenticeship from 1978 to 1980 in the field of graphics, from 1980 to 1982 he worked as an artistic assistant at this art college. From 1983 to 1985, Henri Deparade was a master student at the Halle Art College and the GDR Academy of the Arts with Willi Sitte . Afterwards, together with his wife, the painter Steffi Deparade-Becker , he submitted the “Application for permanent departure from the GDR”, which was followed in 1989 by moving to North Rhine-Westphalia. At the beginning of 1992 he became an artistic assistant at the University of Industrial Design in Halle, Burg Giebichenstein. In the autumn of the same year, he was offered a professorship for artistic fundamentals in the architecture course at the HTW Dresden .

Since 1995 he has been working and living with his own painting and graphics studio in Dresden .

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The painter Henri Deparade has an extensive and very different oeuvre in painting and drawing, differentiated into different creative phases. The artistic path of Deparade begins in the still academic beginnings as a veristic figure painter, then as a young painter he emerges as a portraitist with a painting style and a picture conception that is reminiscent of old German painting and the verism of painters such as Otto Dix and Karl Völker or also - based on the period of the 1980s - is based on the "Leipzig School".

For example, Camilla Blechen wrote in the feature section of the FAZ on October 13, 1987 in a review of the last art exhibition in the GDR: As portraitists, Henri Deparade and Neo Rauch, who had peinturistic talents, could soon get more into conversation.

At first he was discussed as a draftsman of urban landscapes; This is how the art historian Wolfgang Hütt wrote in the 1988 catalog “hand drawings of the GDR” for Deparade's charcoal drawings from 1985/86: The metaphor of the glaring light of everyday life applies exactly to what makes Henri Deparade unmistakable with the black of chalk, his way to uncover the fateful in the already again picturesque of an urban landscape abandoned to decay, at the same time to question the inevitability of what it replaces. Like these architecture and street pictures, nudes and portraits attest to his outstanding art of drawing.

After a period of various formal experiments in 1989, 1990 and 1991, Deparade, influenced by his new surroundings in Dresden, came up with a neo-expressive language of forms that made use partly of the human figure and partly of landscape motifs. Since the year 2000, the development of his own figurative formal language has been evident in his oeuvre, mostly free theming of ancient and mythological subjects. Large-format oil paintings are created with their specifically designed, transparent, multi-layered pictorial spaces and superimposed constellations of figures.

In 2015 the art historian Barbara Leicht (Kunstmuseum Erlangen ) remarked in her address at the opening of the exhibition in the gallery LS in Nuremberg : “It is less important to him to tell the myths in detail. ... The myth is its mediator to characterize the goings-on of man ... It is about the fundamentals, it is about human existence in all its tragic abysses and in all its dramatic network of relationships, it is about archaic concepts such as love , Pride, vanity, it's about longing, hate, it's about war and peace in the smallest area. "

Deparade's painting and drawing technique of suggestion is associated with it.

Working in collections

Exhibitions

Solo exhibitions and group exhibitions (selection)

 (K) = catalog, (P) poster

  • 1979: Halle, gallery of the Association of Visual Artists in the Marktschlösschen
  • 1981: Halle, Gallery "Art of Time"
  • 1986: Halle, gallery of the Association of Visual Artists in the Marktschlösschen
  • 1987: Leipzig, Gallery of the University of Leipzig "Moritzbastei"
  • 1991: Halle, gallery in the regional council
  • 1993: Würzburg, Otto-Richter-Kunsthalle
  • 1995: Dresden, Gallery of the Deutsche Werkstätten Hellerau
  • 1996: Weimar, Galerie Hebecker (K)
  • 1997: Frankfurt am Main, Galerie Walter Ehrler
  • 1998: Wittenberg, gallery in the Cranachhaus (K)
  • 1999: Cologne, Ute Mronz Gallery (K)
  • 2000: Berlin, Galerie M; Chemnitz, Rosenkranz Gallery
  • 2001: Dresden, Kunsthalle im Artforum (P); Berlin, Galerie Pohl
  • 2002: Munich, Otto Gallery; Dresden, Kunsthalle in the Art Forum; Berlin, Galerie Bremer; Salzburg, Weilinger Gallery
  • 2003: Halle, City Museum
  • 2004: Marburg , Galerie Schmalfuss; Ahrenshoop , Kunsthalle Dresden | Kunsthalle; Dresden, Gallery Deutsche Werkstätten Hellerau
  • 2005: Dresden, Galerie Beyer (K); Salzburg , Weilinger Gallery (K)
  • 2006: Magdeburg, Galerie Himmelreich, KV e. V.
  • 2007: Arth, CH, Galerie Meier; Munich, Otto Gallery; Zurich, Galerie See 301 - Pius Müller
  • 2008: Vienna , Galerie Lehner; Berlin, Art Center Berlin Friedrichstrasse; Hanover, Nord LB gallery; Salzburg, Municipal Gallery in the Mirabell Gardens
  • 2009: Zurich, Pius Müller - Art Seefeld ; Nuremberg , LandskronSchneidzik Gallery; Munich, Galerie Andreas Baumg: artl
  • 2010: Berlin, Galerie Son; Andernach, Kunsthaus Schöne
  • 2011: Coburg, Kunstverein Coburg (catalog); Vienna, “Metamorphoses”, Galerie Lehner / Novomatic Forum
  • 2012: Stuttgart, “Archetypes”, Galerie Z; Berlin, gallery cubus m; , Zwickau , gallery in the Domhof - Municipal Museum Zwickau
  • 2013: Brest, France, “Passerelle” art gallery; Image search "Ostmoderne" - works from the collection of the DKW art museum Cottbus,
  • 2013: Munich, Galerie Hegemann; Arth am Zuger See, Switzerland, Galerie Meier
  • 2014: Karlsruhe , Art Karlsruhe with Galerie Klinger; Cologne, "Art Fair" Cologne with Galerie Hegemann, Munich
  • 2015: Karlsruhe, Art Karlsruhe with Galerie Klinger; Nuremberg, LandskronSchneidzik Gallery
  • 2016: Halle (Saale) , Zaglmaier Gallery; Vienna, Lehner Gallery
  • 2017: Vienna , WIKAM in the Palais Ferstel; Dresden, "Ostrale-Biennale Dresden"
  • 2017: Saarbrücken, Galerie Neuheisel
  • 2018: Halle (Saale), " Sittes Meisterschüler", Kunsthalle Talstraße
  • 2018: La Valletta , Malta, Museum “St. James Cavalier "," International Visual Arts Festival of the Capital of Culture "
  • 2018: Dresden, "Ouverture", group show, Galerie Antonstadt

Prices

  • 1984: "Prize for Painting" of the exhibition "Young Art of the GDR", Altes Museum Berlin

literature

  • Camilla Blechen: To the Xth art exhibition of the GDR. In: Frankfurter Allgemeine Zeitung. October 13, 1987
  • Wolfgang Hütt: Hand drawings in the GDR. Exhibition catalog (districts Halle, Leipzig, Dresden) in the art collections Gera. Halle, Gera 1988.
  • Anton Gugg: Adolf Frohner and Henri Deparade. Painting festival exhibition in the Weilinger gallery, Salzburg. In: Weltkunst. Issue 7. Munich 2001.
  • Anton Gugg: Alexander Waltner and Henri Deparade. Painting festival exhibition in the Weilinger gallery, Salzburg. In: Weltkunst. Issue 7. Munich 2002.
  • Henri Deparade, painting. With contributions by Rainer Beck , Dresden, Peter Engel, Hamburg. Husum-Verlag der Kunst, Husum 2012, ISBN 978-3-86530-167-3 .
  • Joachim Goslar: Myth and Metamorphosis. Henri Deparade - painting. Catalog of the Coburg Art Association. Coburg 2011.
  • Henri Deparade, painting. (Works 1999-2005). Catalog. With contributions by Klaus Hammer, Berlin, Andreas Kühne, Munich, Ingrid Koch, Dresden. 2005, ISBN 3-00-015722-0 .
  • Kürschner's Handbook of Fine Artists. Volume I. Saur, Munich, Leipzig 2005, ISBN 3-598-24734-6 .

Web links

Individual evidence

  1. ^ Henri Deparade on Artfacts. Retrieved October 30, 2016 .
  2. ^ Camilla Blechen: Feuilleton. In: Frankfurter Allgemeine Zeitung. October 13, 1987.
  3. ^ Wolfgang Hütt: Catalog No. 6 of the exhibition "Hand Drawings in the GDR". 1989.