Hermann Christian Benda
Hermann Christian Benda , also Christian Benda and Christel Benda (≈ August 9, 1759 in Gotha ; † November 9, 1805 in Weimar ) was a German opera singer (tenor) and actor, son of the composer Georg Anton Benda .
Life
His basic musical training, e.g. B. Composition, Benda received from family members. Since his beautiful voice was noticed at an early age, this was mainly trained by Georg Anton Benda's sister, the singer Anna Franziska Benda, married to the violinist Dimas Hattas. The peculiarity of the Gothaer Hoftheater ( Ekhof Theater ) as a deep "peep box" shaped him all his life: he did not succeed in getting used to the conspicuous gesticulations and exaggerated facial expressions (up to the "terrifying eye rolls"), which made him understand better Audience had been taught. Later he was praised much more for his beautiful singing than for his acting. Hermann Christian Benda made his debut in Gotha in 1777 in a Singspiel by his father, who later used it in his other works for the stage, e.g. B. on the initiative of theater director Friedrich Ludwig Schröder in Hamburg from spring to autumn 1778 , then on stages in Vienna and with the Bondin Society in Prague and Dresden . From 1786 at the Berlin theater, the high point of the role was Don Ottavio in the German premiere of Mozart's Don Juan. Because of his well-founded vocal training, Benda was also used as a vocal teacher for other stage members.
In 1791, Benda successfully applied for the Weimar Court Theater , which Goethe took over , through the intervention of his brother Heinrich Benda and his cousins Maria Carolina Benda , singer, pianist and composer, who were prominently married in Weimar , and Wilhelmine Benda, daughters of Franz Benda . However, because of his acting, which took some getting used to, he was only able to win the favor of the audience very gradually and solely thanks to his beautiful voice. Goethe, however, chronically dissatisfied with his theater staff, valued Benda's versatile usability, as he showed no airs in the distribution of roles, and: "Benda sings at least". Goethe gladly endorsed requests for support submitted by Benda, possibly through the intercession of Goethe's wife Christiane, who regularly invited Weimar theater people to her home; with the Bendas she shared the fate of having lost several children at an early age. Benda tried to supplement his rather low salary by composing songs and other pieces of music for the court theater, because the Weimar court actors were prohibited from accepting guest roles at other theaters.
progeny
Hermann Christian Benda's only child who did not die prematurely in Weimar was Amalia Carolina Louisa Benda . In order to trace the path of this daughter, baptized in 1795, the author Franz Lorenz searched meticulously in church registers, theater almanacs and magazines but found nothing definite. His thesis that it might be identical to the Karlsruhe "Amalie Benda" in Karoline Bauer's memoirs could not be substantiated, but the biography of Sophia Carolina Benda , daughter of Benda's brother Carl Ernst Eberhard Benda , was partially used here. Friedrich Gottlieb Adolph Benda , "grand ducal opera singer and actor, entitled to live in Weimar", stated when he married in 1856 as the mother "from time to time Amalia Benda", as the wife of Carl August Schmidt, actor in Dresden - difficult under the name "Mad. Schmidt" assign.
siblings
- Friedrich Ludwig Benda (1752–1792), violinist first with the Seylerschen Schauspiel-Gesellschaft , then also violin virtuoso a. Composer in Hamburg, Ludwigslust and Königsberg
- Heinrich Benda (1754 – before 1806), violinist, initially also with the Seyler Society, later at the Döbbelin Theater in Berlin
- Catharina Justina (Justel) Benda (1757–1815), widowed Zimdar , married Blanchard, actress a. Singer, e.g. B. in Hamburg, Schleswig, most recently for many years in Breslau
- Carl Ernst Eberhard Benda (1764–1824), initially as an actor and singer in Berlin at the Döbbelin Theater, then for many years at the court theater there.
See also
Stage roles (selection)
Hoftheater Gotha:
- Lukas in Der Dorfjahrmarkt (1777, HC Benda's debut) by Georg Anton Benda
- Valentin Konrad in Der Holzhauer by Georg Anton Benda
- Romeo in Romeo and Julie (1778) by Georg Anton Benda
Royal National Theater Berlin
Weimar Court Theater
- Belmont (e) in Die Entführung aus dem Serail (1791, debut Weimar) by Mozart
- Saint George in Clavigo (1792) by Goethe
- Rosary in Hamlet by Shakespeare
- Duke of Feria in Don Carlos (1792) by Schiller
- Blunt in Henry IV by Shakespeare
- Grimm in The Robbers by Schiller
- King Richard in Richard the Lionheart (1793) by Gretry
- Battista in Emilia Galotti by Lessing
- Servant Minnas in Minna von Barnhelm von Lessing
- Basilio in Figaro's wedding by Mozart
- Monostatos in The Magic Flute (1794) by Mozart
- Soap boiler in Egmont (1796) by Goethe
- Hüon in Oberon (1797) by Paul Wranitzky
- Dragoons in Wallenstein's camp (1798) by Schiller
- Rittmeister Neumann in Piccolomini (1799) by Schiller
- Rittmeister Neumann in Wallenstein's Death (1799, world premiere) by Schiller
(partly without role specification :)
- in Mahomet (1800) by Voltaire
- An old man in Macbeth by Schiller
- in The Creation (1801) by Haydn
- in tancrède by Voltaire
- in Nathan the Wise of Lessing
- in Turandot (1802) by Schiller
- in Iphigenia on Tauris by Goethe
- Titus in Titus by Mozart
- Knight of Don Cesar in The Bride of Messina (1803) by Schiller
- in Goethe's natural daughter
- Raimond in The Maiden of Orléans by Schiller
- Clitus in Julius Caesar by Shakespeare
- Werni the hunter in Wilhelm Tell (1804) by Schiller
- Bishop of Bamberg in Götz von Berlichingen by Goethe
- in Othello (1805) by Shakespeare
- in Phaedra by Schiller
- in Das Lied von der Glocke by Goethe after Schiller
literature
- Sigrid Damm: Christiane and Goethe, a research. Insel Verlag, 2005, ISBN 3-458-17280-7 .
- Franz Lorenz: The Benda family of musicians. Volume 2: Georg Anton Benda. de Gruyter, Berlin 1971, ISBN 3-11-003568-5 .
- Ernst Pasqué: Goethe's theater management in Weimar: in episodes and documents, Volume 1 , Verlagbuchhandlung JJ Weber Leipzig 1863, pp. 81–83 full text on Google Books
- Barbara Albrecht, Günter Albrecht: You are allowed to waste the stars - actor memories of the 18th and 19th centuries. Buchverlag Der Morgen, Berlin 1980, DNB 810197332 , p. 165.
- Online theater ticket from the Grand Ducal Court Theater Weimar
- Karoline Bauer: Lost Heart Stories / Leftover Memoirs. here: Stella. edited by Arnold Wellmer. Louis Gerschel publishing house, Berlin 1878/80.
- Franz Lorenz: The Benda family of musicians. Volume 1: Franz Benda. de Gruyter, Berlin 1967.
Individual evidence
- ^ According to Franz Lorenz: The Benda family of musicians. Volume 2: Georg Anton Benda. P. 141: Baptism in the castle church
- ^ Wife of Hofkapellmeister Ernst Wilhelm Wolf
- ^ Wife of the court medic, pharmacist and Goethe friend Dr. Wilhelm Heinrich Sebastian Bucholz
- ^ Damm: Christiane and Goethe
- ↑ to Die Sonnen-Jungfrau von Kotzebue in the Digital Archive of the Thuringian State Archives
- ↑ to Otto der Schütz, Prince of Hesse von Hagemann in the Digital Archive of the Thuringian State Archives
- ^ Eduard Devrient: History of German Drama , Henschelverlag Art and Society (license from Langen Müller publisher), Berlin 1967, Volume 1, p. 615
- ↑ Playbill The Abduction from the Seraglio in the Digital Archive of the Thuringian State Archives
- ↑ Playbill Clavigo at Digital Archive of the Thuringian State Archive
- ↑ Theater ticket Dom Karlos in the Digital Archive of the Thuringian State Archives
- ↑ Wallenstein theater ticket at the digital archive of the Thuringian State Archives
personal data | |
---|---|
SURNAME | Benda, Hermann Christian |
ALTERNATIVE NAMES | Benda, Christian; Benda, Christel |
BRIEF DESCRIPTION | German opera singer (tenor) and actor |
DATE OF BIRTH | August 9, 1759 |
PLACE OF BIRTH | Gotha |
DATE OF DEATH | November 9, 1805 |
Place of death | Weimar |