L'Arlesiana

from Wikipedia, the free encyclopedia
Work data
Title: The girl from Arles
Original title: L'Arlesiana
Title page of the libretto, Milan 1897

Title page of the libretto, Milan 1897

Shape: Opera in four or three acts
Original language: Italian
Music: Francesco Cilea
Libretto : Leopoldo Marenco
Literary source: Play L'Arlésienne by Alphonse Daudet
Premiere: November 27, 1897
Place of premiere: Teatro Lirico, Milan
Playing time: approx. 2 ¼ hours
Place and time of the action: a village near Arles in the 19th century
people
  • Rosa Mamai, a landowner ( mezzo-soprano )
  • Federico, her eldest son ( tenor )
  • Vivetta, Rosa's godchild ( soprano )
  • Baldassare, an old shepherd ( baritone )
  • Metifio, a horse herdsman ( bass )
  • Marco, Rosa's brother (bass)
  • L'Innocente, Rosa's youngest son (soprano)
  • L'Arlesiana, a girl from Arles (does not appear)
  • Guests, shepherds, people ( choir )

L'Arlesiana is an opera (dramma lirico) in four acts (original version) by Francesco Cilea , which is sometimes given the German title Das Mädchen aus Arles . The text was written by Leopoldo Marenco . It is based on Alphonse Daudet's play L'Arlésienne from Letters from My Mill . The first performance took place on November 27, 1897 in the Teatro Lirico in Milan . Georges Bizet composed the incidental music L'Arlésienne as early as 1872 , which is also based on Daudet's play.

Emergence

Cilea composed the opera between 1892 and 1897, initially in four acts. At the world premiere at the Teatro Lirico in Milan in 1897, the young Enrico Caruso shone in the role of Federico, which contributed to his later glamorous singing career. In 1898 Cilea wrote a new version in which Acts II and III were combined. By adding a prelude in 1912, a third version was created, which is still mostly performed today. Other minor changes to the score were made between 1936 and 1940. The opera is rarely featured in the opera houses' repertoire and is sometimes performed in concerts, for example at the Deutsche Oper Berlin 2018 or as a rarity at festivals, for example at the Wexford Festival in 2012 .

action

The landowner Rosa Mamai lives with her sons Federico and the mentally retarded L'Innocente in the countryside near Arles . Federico fell in love with a girl from Arles called L'Arlesiana. Rosa would rather see a connection between her son and Vivetta, a girl from the neighborhood who also genuinely loves him. Federico, on the other hand, only has thoughts for L'Arlesiana and rejects Vivetta. The horse herdsman Metifio is also in love with L'Arlesiana. He presents letters that are supposed to document their immoral lifestyle. Thereupon the disappointed Federico turns to Vivetta after all. However, when he learns that Metifio wants to kidnap L'Arlesiana on horseback and just want to have fun, he commits suicide out of desperation by jumping out of the roof window of a hayloft.

Instrumentation

The orchestral line-up for the opera includes the following instruments:

Total recordings

  • L'Arlesiana - Ferruccio Tagliavini , Pia Tassinari, Paolo Silveri , Gianna Galli - Coro e Orchestra della RAI Torino, Arturo Basile - Cetra Records (1955)
  • L'Arlesiana - Giuseppe Filianoti, Iano Tamar, Francesco Landolfi, Mirela Bunoaica - Opernchor des Theater Freiburg, Freiburg Philharmonic Orchestra, Fabrice Bollon - CPO: 7778052 (record label) (2014)
  • L'Arlesiana - Dmitry Golovnin, Annunziata Vestri, Stefano Antonucci, Mariangela Sicilia - Coro Lirico Marchigiano “V. Bellini ", Orchestra Filarmonica Marchigiana, Francesco Cilluffo - Dynamic (record label) (2015)

literature

  • Ulrich Schreiber : Opera guide for advanced learners. 20th Century II. German and Italian Opera after 1945, France, Great Britain. Bärenreiter, Kassel 2005, ISBN 3-7618-1437-2 , p. 390.
  • Giancosimo Russo: L'Arlesiana di Cilea dall'ipotesto all'opera. Aracne, Rome 2016, ISBN 978-88-255-1765-1 .

Web links

Commons : L'Arlesiana  - collection of images, videos and audio files

Individual evidence

  1. network information on esdf-opera.de, accessed on 11 December 2017th
  2. Information on the work at Klassika, accessed on December 11, 2017.
  3. Thomas Molke: Between strong women. Review of the Wexford Festival performance in Online Musik Magazin, accessed December 11, 2017.
  4. ^ Egon Voss : L'Arlesiana. In: Piper's Encyclopedia of Musical Theater . Volume 1: Works. Abbatini - Donizetti. Piper, Munich / Zurich 1986, ISBN 3-492-02411-4 , pp. 582-583.