List of singles in the Race Records Charts 1946
This list contains musicians, titles and their composer (s), date of entry into the charts, length of stay in the charts and highest position (abbreviated HP , each related to the calendar year). The presetting takes place after the artist / title first enters the top 10 of the charts. It can also be sorted by artist, title, chart entry, length of stay, position and label. |
The list of singles in the Race Records Charts in 1946 contains all songs by singles who were listed in the Billboard's Most Played Juke Box Race Records category in the calendar year 1946 . This represented the forerunner of the Billboard R&B charts introduced in 1949 .
background
Since the early 1940s, the market for so-called race records (records by African American musicians for an African American audience) had grown so much that Billboard became interested in measuring their sales. Race Music was a term that had been used by the record industry since the 1920s .
Initially as a Harlem Hit Parade and through sales of records, Billboard has been determining charts for such race records since 1942 . The weekly sales were first surveyed in an informal survey of an unspecified selection of the “most popular record stores” in the New York borough of Harlem (which was heavily influenced by African American people). In 1944 record stores were opened in Chicago and Newark, New Jersey , and then throughout the United States.
Since February 17, 1945 published billboard instead of these sales charts in a chart identifying the weekly most-played songs jukebox , which was based on reports of such jukebox operators in the United States, their location Race Records required; this was released under the title Most Played Juke Box Race Records . In June 1949 the term Race was replaced in the chart lists by " Rhythm and Blues ".
In 1946 a total of 63 songs were placed.
list
Interpreter | Title Author (s) |
Chart entry | Weeks | HP | Label number | Remarks |
---|---|---|---|---|---|---|
Joe Liggins |
The Honeydripper Joe Liggins |
08/11/1945 | 26th | 1 | Exclusive 207 | |
Lionel Hampton & His Orchestra |
Beula's boogie Lionel Hampton |
October 19, 1945 | 9 | 2 | Decca 18719 | |
Joe Liggins |
I've Got a Right to Cry Joe Liggins |
05/01/1946 | 2 | 2 | Exclusive 210 | I've Got a Right to Cry was re-released on Specialty Records (#SP 338) in 1949 . |
Wynonie Harris with Illinois Jacquet & His All-Stars |
Wynonie's Blues Wynonie Harris |
05/01/1946 | 2 | 3 | Apollo 262 | Wynonie Harris, known as "Mr. Blues “, was one of the pioneers of rhythm & blues in the period after the Second World War. From 1946 to early 1952, he was a dominant force on the R&B charts |
Jimmy Lunceford & Delta Rhythm Boys |
The Honeydripper Joe Liggins |
11/03/1945 | 9 | 2 | Decca 23451 | After Joe Liggins was successful with the number in the charts from August 1945, cover versions of Jimmy Lunceford, Roosevelt Sykes, Oscar Peterson and Cab Calloway soon followed . |
Louis Jordan & His Tympany Five |
Buzz Me Fleecy Moore , Dave Dexter |
01/12/1946 | 13 | 1 | Decca 18734 | Slang term for "call me" |
Roosevelt Sykes |
The Honeydripper Joe Liggins |
11/24/1945 | 4th | 3 | Bluebird 34-0737 | The American blues pianist was also known as "the Honeydripper". On the title of the same name he accompanies himself on the piano. |
Pearl Bailey with Mitchell Ayres Orchestra |
Fifteen Years (And I'm Still Serving Time) Allan Roberts , Doris Fisher |
01/12/1946 | 1 | 4th | Columbia36881 | Fifteen Years (And I'm Still Serving Time) was the B-side of Tired . |
Nat King Cole Trio |
Come to baby, do! Inez James , Sid Miller |
01/12/1946 | 2 | 3 | Capitol 224 | Come to baby, do! was the B-side of The Frim Fram Sauce , a song by Joe Ricardel & Sid Miller. |
Ella Mae Morse |
Buzz Me Fleecy Moore , Dave Dexter |
01/26/1946 | 4th | 2 | Capitol228 | Ella Mae Morse's version of the Louis Jordan hit hit the billiards pop chart at # 15 in January 1946. |
Louis Jordan & His Tympany Five |
Don't Worry 'bout That Mule Charlie Stewart, Duke Groaner, Fleecie Moore , Wild Bill Davis |
01/26/1946 | 10 | 2 | Decca 1873 | Jordan's R&B song shouldn't be confused with Glenn Barber's country song Don't Worry 'Bout the Mule (Just Load the Wagon) . |
Delta Rhythm Boys |
A Sittin 'and a Rockin' Duke Ellington, Billy Strayhorn , Lee Gaines |
05/01/1946 | 3 | 3 | Decca 18739 | An Ellington / Strayhorn title that Lee Gaines, member of the Delta Rhythm Boys, wrote the lyrics to. |
Cab Calloway |
The Honeydripper Joe Liggins |
02/01/1946 | 1 | 4th | Columbia 36894 | Another cover version of one of the biggest hits of the year. |
Helen Humes & Bill Doggett Octet |
Be-Baba-Leba Humes |
December 15, 1945 | 6th | 7th | Philo PV106 | With Ross Butler (tp), Johnny Brown a (s), Wild Bill Moore (ts), Ernest Thompson (bar), Bill Doggett (p), Elmer Warner (git), Alfred Moore (kb) and Charles Harris (dr) . Helen Humes had adapted the title from Big Jim Wynn's Ee-Bobaliba . Humes Be-Baba-Leba "is pure R&B with an intermittent backbeat and boogie bass line". |
Lionel Hampton |
Hey Ba-Ba-Re-Bop Curley Hamner , Lionel Hampton |
03/02/1946 | 24 | 1 | Decca 18754 | The post-war version of Cologne read: “ Dä Papp it still em Kreech, de Mamm doesn't have it easy. Mer Pänz mer steal crevices and do some prank and sing: Hey ba ba re bop - hey ba ba re bop. " |
Johnny Moore 's Three Blazers |
Driftin 'Blues Three Blazers |
03/02/1946 | 23 | 2 | Philo P-112 | Drifting Blues was the best-selling record Johnny Moore's Three Blazers ever made, but they never made more than the original $ 800. |
Louis Jordan & His Tympany Five |
Salt Pork, West Virginia Fleecie Moore , Bill Tennyson |
03/02/1946 | 16 | 2 | Decca 18762 | Salt Pork, West Virginia was the B-side of Reconversion Blues , a song that soon hit the Race Records charts as well. |
The Blues Woman |
Voo It! Voo It! William Frosty Pyles |
03/02/1946 | 5 | 4th | Juke Box JB-5025 | With Marion Abernathy (voc), Allen Durham (trb), Buddy Banks (ts), Eddie Beal (p), William "Frosty" Pyles (git), Ernie Shepard (kb), Nat "Monk" McFay (dr). |
Louis Jordan & His Tympany Five |
Reconversion Blues Fleecie Moore , Steve Graham |
March 9, 1946 | 7th | 2 | Decca 18762 | " Can't wait to buy a new automobile and a pair of two-tone shoes. / l can walk right past my draft board, / and l won't get no dirty looks, l can go down to see my grocer, without taking my ration books, l got those reconversion blues " |
The Mills Brothers |
Don't Be a Baby, Baby Buddy Kaye , Howard Steiner |
03/30/1946 | 9 | 3 | Decca 18753 | " Don't be a baby, baby / 'Bout a love that passed you by / But if you have to, baby / Go ahead and have your cry " |
Cats'n'Jammers Three (Vocal by Bill Samuels) |
I Cover the Waterfront Johnny Green , Edward Heyman |
04/06/1946 | 2 | 5 | Mercury 2003 | Samuels, who comes from the state of Mississippi, founded the trio Cats'n'Jammer Three in Chicago, with whom he wrote the popular novelty song Open the Door, Richard! and recorded a cover version of the ballad I Cover the Waterfront . |
Elle Fitzgerald & Louis Armstrong |
The Frim Fram Sauce Joe Ricardel |
04/13/1946 | 2 | 4th | Decca 23496 | B-side of the single You Won't Be Satisfied . |
Roy Milton |
RM Blues Roy Milton |
04/27/1946 | 24 | 3 | Juke Box JB-504 | The single also appeared on Milton's own label, Roy Milton Record Co. |
Billy Eckstine |
Prisoner of Love Leo Robin |
05/04/1946 | 2 | 3 | National 9017 | Prisoner of Love was popular in the US in 1946, especially in the versions of Perry Como and the Ink Spots . |
Louis Jordan |
Beware Morry Lasco , Fleecie Moore, Dick Adams |
05/04/1946 | 9 | 2 | Decca 18818 | As Lucius Brokenshire "Louis" Jordan, the singer and bandeader had the lead role in the musical film of the same name directed by Bud Pollard. |
Johnny Moore 's Three Blazers |
I know three blazers |
05/04/1946 | 1 | 2 | Phil P-112 | The Three Blazers were Eddie Williams (bass), Johnny Moore (guitar, vocals) and Charles Brown (piano, vocals). |
Andy Kirk Orchestra & The Jubilaires |
I know John Jennings, Ted Brooks |
05/11/1946 | 15th | 2 | Decca 18782 | As saxophonist Joe Evans recalled, “The first recording I worked with the Andy Kirk Orchestra on, which became a hit, had the Jubilaires singing“ I Know ”. Amazingly, the artist and repertoire man didn't want to record this song, but Andy insisted. " |
Slim Gaillard Trio |
Cement Mixer (Put-ti Put-ti) Slim Gaillard, Earn Brown |
05/11/1946 | 1 | 5 | Cadet CR 201 | Slim Gaillard Trio with Zutty Singleton (drums) and Tiny Brown (bass). |
The Ink Spots |
The Gypsy Billy Reid |
06/01/1946 | 12 | 1 | Decca 18817 | The Gypsy was one of the big hits of 1946; the song hit the Billbaord pop charts in versions by Dinah Shore , Ink Spots and Sammy Kaye . |
Louis Jordan & His Tympany Five |
Don't Let the Sun Catch You Cryin ' Joe Greene |
06/08/1946 | 7th | 3 | Decca 18818 | In 1959, Ray Charles was also successful in the US charts with this Jordan number. |
Lucky Millinder and His Orchestra |
Shorty's Got to Go Lucky Millinder |
06/08/1946 | 4th | 5 | Decca 18667 | Shorty's Got to Go was the last chart success of Lucky Millinder and his 16-piece orchestra. |
Nat King Cole Trio |
(Get Your Kicks on) Route 66 Bobby Troup |
06/08/1946 | 10 | 3 | Capitol 256 | |
Bull Moose Jackson & His Orchestra |
I Know Who Threw the Whiskey (in the Well) Eddie DeLange, John Benson Brooks |
06/29/1946 | 7th | 4th | Queen 4 ^ 116 | Bull Moose Jackson's cover version of the 1945 hit song Lucky Millinder. |
Erskine Hawkins and His Orchestra |
Sneakin 'Out Bobby Smith (musician) Bobby Smith |
06/29/1946 | 2 | 6th | Victor 20-1883 | The Erskine Hawkins Band had three hits in 1946, including Sneakin 'Out , a composition by alto saxophonist Bobby Smith (who had also written Tippin' In ). Smith is also the soloist alongside contributions from tenor saxophonist Julian Dash , pianist Ace Harris , trumpeter Bobby Johnson and the band leader himself. |
Louis Jordan & Ella Fitzgerald |
Stone Cold Dead in the Market (He'd Had it Coming) Wilmoth Houdini |
06/29/1946 | 20th | 1 | Decca 23546 | The origins of the song are on the island of Barbados ; it was a folk song that was alternatively called Payne Dead or Murder in the Market . |
The Ink Spots |
Prisoner of Love Leo Robin |
07/06/1946 | 1 | 5 | Decca 18864 | |
Buddy Johnson and His Orchestra (Vocal Chorus by Arthur Prysock ) |
They All Say I'm the Biggest Fool Buddy Johnson |
07/06/1946 | 1 | 5 | Decca 11000 | B-side of Fine Brown Frame . |
Erskine Hawkins |
I've Got a Right to Cry Joe Liggins |
07/13/1946 | 10 | 3 | Victor 20-1902 | I've Got a Right to Cry , the B-side of Tippin 'In , was a cover version of the hit Joe Liggins. Laura Washington did the singing. |
Ella Fitzgerald & Louis Jordan |
Peetotie Pie Ella Fitzgerald |
07/27/1946 | 2 | 3 | Decca 23546 | |
Big Joe Turner |
My Gal's a Jockey Joe Turner |
08/03/1946 | 1 | 6th | National 4002 | With Wild Bill Moore 's Lucky Seven Band, with Warren Brocken (tp), Wild Bill Moore, Lloyd Harrison (ts), Al Williams (p), Teddy Bunn (git), Shifty Henry (kb) and Alray Kidd (dr) . |
Louis Jordan & His Tympany Five |
Choo Choo Ch'Boogie Vaughn Horton , Denver Darling , Milt Gabler |
08/17/1946 | 26th | 1 | Decca 23810 | |
Louis Jordan & His Tympany Five |
That Chick's Too Young to Fry Jimmy Hilliard |
08/31/1946 | 11 | 3 | Decca 23610 | Jordan appeared as Schyler Jarvis in the musical film Reet, Petite, and Gone (1947, directed by William Forest Crouch), in which u. a. this song was also performed. The leading roles were played by Louis Jordan, June Richmond and Milton Woods . |
Billy Eckstine |
You Call It Madness Russ Columbo , Con Conrad |
07.09.1946 | 1 | 3 | National 9019 | |
Roosevelt Sykes & His Original Honeydrippers |
Sunny Road R. Sykes |
07.09.1946 | 7th | 2 | Decca 18754 | B-side of That's My Gal |
Phil Harris and His Orchestra |
The Darktown Poker Club Bert Williams , Will Vodery, Jean Havez |
07.09.1946 | 1 | 4th | ARA 116 | “There was also the Jack Benny Show with Phil Harris, who couldn't sing but made a name for himself reciting narrative poems like The Darktown Poker Club that wouldn't be politically correct today, but at least not with the scatological crap were filled, which is mandatory in current rap productions [...] " |
Wynonie Harris (with Johnny Olston & His All Stars) |
Playful baby Helen Miller |
09/29/1946 | 3 | 2 | Apollo 372 | Wynonie Harris (vcl) is accompanied by Jimmy Moorman (tp), Johnnie Allston (ts), King Fleming (p), Herman Mitchell (git), Clarence Jones (kb), Al Cake Wichard (dr). |
The Ink Spots |
To Each His Own Jay Livingston |
09/29/1946 | 3 | 3 | Decca 23615 | A song from the Paramount production Mutterherz . In 1946 the song was also featured in the versions of Eddy Howard (# 1), Freddy Martin (# 1), Tony Martin (# 4) and The Modernaires (# 5) on the Billboard pop charts . The Ink Spots also made it to # 1. |
Luis Russell |
The Very Thought of You Ray Noble |
05.10.1946 | 3 | 3 | Apollo 1012 | A song from the 1930s that became a popular jazz standard in the mid-1940s . |
Arthur Crudup |
So Glad You're Mine Crudup |
05.10.1946 | 3 | 3 | Victor 29-1949 | “Blues singer with guitar and drums” was the label on the 78s ; ten years later Elvis Presley covered the R&B title Crudups. |
Joe Liggins |
Tanja [[]] |
05.10.1946 | 7th | 3 | Exclusive 231 | |
Louis Jordan and His Tympany Five |
Ain't That Just Like a Woman (They'll Do It Every Time) Claude Demetrius , Fleecie Moore |
October 19, 1946 | 17th | 1 | Decca 23669 | |
Arthur Crudup |
Ethel Mae Arthur Crudup |
11/09/1946 | 1 | 4th | Victor 20-1949 | B-side of So Glad You're Mine . |
Andy Kirk & The Jubilaires |
I Don't Know What I'd Ever Do Without You Lee Kuhn |
11/09/1946 | 1 | 5 | Decca 18916 | The Jubalaires (also Royal Harmony Singers ) were a successful vocal quartet in the United States in the 1930s and 40s. |
Julia Lee & Her Boy Friends |
Gotta Gimme Whatcha Out Julia Lee |
11/18/1946 | 7th | 3 | Capitol 308 | Julia Lee and Her Boy Friends consisted of Julia Lee (vcl, p), Geechie Smith (tp), Henry Bridges (ts), Nappy Lamare (git), Billy Hadnott (kb) and Sam "Baby" Lovett (dr). |
Erskine Hawkins & His Orchestra with Avery Parrish , piano |
After Hours, E. Hawkins |
11/18/1946 | 4th | 3 | Victor 20-1979 | After the previous chart success with I've Got a Right to Cry , RCA-Victor followed up with a title from the Hawkins band that was written in 1940. After Hours remained unpublished due to shellac rationing during World War II. |
Bill Samuels & The Cats 'n' Jammer Three |
Port Wine B. Samuels |
11/18/1946 | 1 | 5 | Mercury 8012 | Bill Samuels (p, voc), Adam Lamberts (git), Sylvester Hicks (or Hickman?) (Kb, voc) and Hillard Brown (dr). |
Nat King Cole Trio |
The Christmas Song Mel Tormé , Robert Wells |
11/23/1946 | 6th | 3 | Capitol311 | |
Johnny Moore 's Three Blazers |
So Long Irving Melsher , Remus Harris |
11/18/1946 | 1 | 4th | Modern Music 143 | With R&B hits like Drifting Blues, Sunny Road, So Long, New Orleans Blues, and Changeable Woman Blues , Johnny Moore's Three Blazers were the springboard to rum for rhythm and blues stylist Charles Brown . |
Nat King Cole Trio |
(I Love You) For Sentimental Reasons William Best , Deek Watson |
11/18/1946 | 7th | 3 | Capitol 304 | Artists like Ella Fitzgerald, Eddy Howard , Perry Como , and Dinah Shore were also successful with the song in the Billbarods pop charts. |
Louis Jordan and His Tympany Five |
Ain't Nobody Here, But Us Chickens Joan Whitney , Alex Kramer |
December 14, 1946 | 27 | 4th | Decca 23741 | "You can experience the trickster hero character used in Louis Jordan's hit song" Ain't Nobody Here but Us Chickens, "which takes over the lyrics of an old field song that was popular with slaves." |
Roy Milton |
Milton Boogie Roy Milton |
December 14, 1946 | 1 | 4th | Juke Box JB-503 | “For the rhythm and blues artists of the post-war era, boogie woogie records were a bit like business cards. There was Cecil Boogie ( Cecil Gant ), T-Bone Boogie ( T-Bone Walker ), Milton Boogie (Roy Milton), Amos Boogie ( Amos Milbum ), Wynonie's Boogie "[...] |
Louis Jordan |
Let the Good Times Roll Sam Theard , Fleecie Moore |
December 23, 1946 | 25th | 4th | Decca 23741 | |
Lenny Lewis & His Orchestra |
Blue Flame James "Jiggs" Noble |
10/28/1946 | 1 | 5 | Queen / king 5133 | Cover version of the jazz track popular with Woody Herman and His Orchestra . |
Web links
Individual evidence
- ↑ Michael Campbell Popular Music in America: The Beat Goes on. Wadsworth / Thomson Learning, 2005
- ^ Billboard February 26, 2000
- ↑ Michael Campbell: Popular Music in America: The Beat Goes On. Cengage Learning 2012, p. 160.
- ^ Billboard February 17, 1945, p. 18
- ↑ Nelson George: Black Music Charts: What's in a Name? . Billboard. Vol. 94 H. 25-26 June 1982, p. 10
- ↑ See Rhythm and Blues, Rap, and Hip-hop by Frank W. Hoffmann (2005), p. 118
- ↑ Max décharné: Straight from the Fridge, Dad: A Dictionary of hipster slang . New York: Broadway Books 2002, p. 23
- ↑ The King Cole Trio - The Frim Fram Sauce / Come To Baby, Do! at Discogs
- ↑ Larry Birnbaum: Before Elvis: The Prehistory of Rock 'n' Roll . 2013, p. 177
- ↑ Heinz Monheim: "Bombs, Chewing Gum and Swing": Cologne between war and peace . Rass, 2005
- ^ Chip Deffaa: Blue Rhythms: Six Lives in Rhythm and Blues . Urbana & Chicago: University of Chicago Press 1996, p. 112
- ↑ The Blues Woman - Voo-It! Voo-It! / Cryin 'Blues The Blues Woman - Voo-It! Voo-It! / Cryin 'Blues at Discogs
- ↑ Michael Fedo: Zenith City: Stories from Duluth . University of Minnesota Press 2014.
- ↑ Ella Fitzgerald and Louis Armstrong - You Won't Be Satisfied / The Frim Fram Sauce at Discogs
- ^ Roy Milton - RM Blues / Groovy Blues at Discogs
- ↑ Beware the Internet Movie Database (English)
- ↑ Joe Evans, Christopher Brooks Follow Your Heart: Moving with the Giants of Jazz, Swing, and Rhythm and Blues . 2008, p. 74.
- ^ Marv Goldberg: More Than Words Can Say: The Ink Spots and Their Music . Lanham: Svaregrow Press 1998, p. 160
- ^ Joel Whitburn's Top Pop Singles 1955-2006. Joel Whitburn. Record Research, 2007
- ↑ Michael Lydon: Ray Charles: Man and Music, Updated Commemorative Edition . New York: Routledge 2004, p. 43.
- ^ A b c Bob Porter: Soul Jazz : Jazz in the Black Community, 1945-1975 . 2016
- ↑ Timothy Dodge: Rhythm and Blues Goes Calypso . 2019, p. 152.
- ↑ Buddy Johnson: They All Say I'm the Biggest Fool at Discogs
- ↑ Erskine Hawkins and His Orchestra - Tippin 'In / I've Got a Right to Cry at Discogs
- ↑ a b c Tom Lord The Jazz Discography (online, accessed May 19, 2019)
- ↑ Michael R. Pitts: Astor Pictures: A Filmography and History of the Reissue King, 1933-1965 . Jefferson (NC): McFarland & Col. 2019
- ↑ Reet, Petite, and Gone in the Internet Movie Database (English)
- ↑ Robert L. Pirtle: To Right the Wrong Unrightable Xlibris 2007, p 91
- ↑ In 1914 Will Vodery wrote the song with Bert Williams and Jean Havez for the Ziegfeld Follies of 1914. Cf. Incidental and Dance Music in the American Theater from 1786 to 1923: Volume 3 , by John Franceschina (2014)
- ^ The Mercury Labels: The 1945-1956 era , edited by Michel Ruppli, Ed Novitsky. Westport (CT): Greenwood Press 1993
- ^ Frank W. Hoffmann Rhythm and Blues, Rap, and Hip-hop 2005. P. 143.
- ^ Class: The Anthology , edited by Stanley Aronowitz, Michael J. Roberts. Wiley Brackwell 2018, p. 121
- ↑ Larry Birnbaum: Before Elvis: The Prehistory of Rock 'n' Roll . 2013, p. 118.