List of singles in the Race Records charts in 1945
This list contains musicians, titles and their composer (s), date of entry into the charts, length of stay in the charts and highest position (abbreviated HP , each related to the calendar year). The presetting takes place after the artist / title first enters the top 10 of the charts. It can also be sorted by artist, title, chart entry, length of stay, position and label. |
The list of singles in the Billboard Race Records Charts 1945 contains all the songs from singles that in calendar year 1945 initially in the "Harlem" Hit Parade , starting 17 February in the category of Most Played Juke Box Race Records of Billboard listed were. This represented the forerunner of the Billboard R&B charts introduced in 1949 .
background
Since the early 1940s, the market for so-called race records (records by African American musicians for an African American audience) had grown so much that Billboard became interested in measuring their sales. Race Music was a term that had been used by the record industry since the 1920s .
Sales charts for Race Records had been identified by Billboard as the Harlem Hit Parade since October 1942 . The weekly sales were first surveyed in an informal survey of an unspecified selection of the “most popular record stores” in the New York borough of Harlem (which was heavily influenced by African American people). In early 1944, record stores in Chicago and Newark (New Jersey) were added, from February 1944 in the whole of the United States, which is why the list then appeared under the embarrassment title as the "Harlem" Hit Parade . On February 10, 1945, the last chart listing based on a determination of record sales was published under this title.
From February 17, 1945, these sales charts were replaced by a chart identifying the weekly most-played songs in the jukebox , which was based on reports of such jukebox operators in the United States, their location Race Records required; this was released under the title Most Played Juke Box Race Records . In June 1949 the term Race was replaced in the chart lists by " Rhythm and Blues ".
In 1945 a total of 61 songs were placed.
list
Interpreter | Title Author (s) |
Chart entry | Weeks | HP | Label number | Remarks |
---|---|---|---|---|---|---|
Ella Fitzgerald & The Ink Spots |
Into Each Life Some Rain Must Fall Allan Roberts , Doris Fisher |
10/28/1944 | 21st | 1 | Decca 23356 | The successful single was number one in both the Harlem Hit Parade and the pop charts. The B-side of the single was the song I'm Making Believe , which was also successful in both charts. |
Nat King Cole Trio |
Gee Baby, Ain't I Good to You Don Redman , Andy Razaf |
09/30/1944 | 22nd | 1 | Capitol 169 | |
Lionel Hampton |
Hamp's Boogie Woogie Lionel Hampton |
08/12/1944 | 23 | 1 | Decca 18613 | "Lionel Hampton's most famous composition in this genre was undoubtedly Hamp's Boogie-Woogie (1944), with tiny Teddy Buckner pushing the number forward." |
Cecil Gant |
I Wonder Cecil Gant |
October 19, 1944 | 28 | 1 | Giltedge 500 | I Wonder's Gilt Edge publication (as Pvt. Cecil Gant ) sold well in the United States; the title reached number one on the Billboard Harlem Hit Parade in 1944 and number 20 on the national pop table. |
Nat King Cole Trio |
I'm Lost Otis René |
04/11/1944 | 12 | 4th | Excelsior 2986 | |
The Mills Brothers |
You Always Hurt the One You Love Allan Roberts , Doris Fisher |
08/05/1944 | 22nd | 5 | Decca 18599 | You Always Hurt the One You Love was the Mills Brothers' fourth number 1 hit on the Billboard charts and the second '78 to sell over a million copies. In 1944, Kay Starr , Charlie Spivak , Charlie Barnet and Bunk Johnson also took him on. |
Ella Fitzgerald & The Ink Spots |
I'm Making Believe James V. Monaco , Mack Gordon |
10/28/1944 | 14th | 3 | Decca 23356 | |
Cootie Williams |
Cherry Red - Blues Big Joe Turner , Pete Johnson |
05/20/1944 | 39 | 2 | Hit 7084 | Cherry Red was the biggest hit for Cootie Williams and His Orchestra . a. Eddie Vincon , Bud Powell , Eddie Lockjaw Davis and George Treadwell played. |
Louis Jordan |
White Cliffs of Dover Walter Kent , Nat Burton |
December 16, 1944 | 3 | 10 | Hit 7109 | The patriotic song was popular in wartime versions by Vera Lynn , Kai Kyser , Glenn Miller, and Kate Smith . |
Cootie Williams Orchestra & Eddie Vinson |
Somebody's Got to Go Bob Haggart |
01/06/1945 | 13 | 1 | Hit 7119 | Eddie "Cleanhaed" Vinson had a number of hits with Cootie Williams and His Orchestra , such as Cherry Red , Wee Baby Blues , also successfully with his older titles Juice Head Baby, Somebody's Gotta Go and Alimony Blues. |
Duke Ellington and His Famous Orchestra |
I Don't Mind Billy Strayhorn , Duke Ellington |
December 23, 1944 | 3 | 9 | Victor 1598 | With Ivy Anderson , vocals |
Loois great |
Robin Hood Prima - Miketta |
01/13/1945 | 1 | 10 | Hit 7083 | The Billboard noted in early 1945: "The power of these musical fashion designers is best shown in Louis Primate Robin Hood , who gives the legendary Jesse James a feline character." |
Duke Ellington his Famous Orchestra, Vocal Refrain by Joya Sherrill |
I'm Beginning to See the Light Harry James , Duke Ellington, Johnny Hodges , Don George |
01/20/1945 | 7th | 4th | Victor 20-1618 | Almost at the same time, Harry James and Duke Ellington were with the song in the US pop charts; It was followed by Ella Fitzgerald with the Ink Spots late April 1945th |
The Andrew Sisters |
Rum and Coca-Cola Morey Amsterdam |
01/20/1945 | 3 | 3 | Decca 18636 | The text for the Andrews Sisters version of "Rum and Coca-Cola" has been changed significantly from the original 1942 version. |
Bing Crosby & Andrew Sisters |
Don't Fence Me In (From Warner Bros.-Picture "Hollywood Canteen") Cole Porter |
01/20/1946 | 1 | 9 | Decca 23364 | Version of the piece from the Warner Bros. production Hollywood Canteen . In the film version, the Andrews Sisters sang to the accompaniment of Jimmy Dorsey . |
Johnny Mercer |
Ac-Cent-Tchu-Ate the Positive (From Paramount-Picture "Here Come The Waves") Harold Arlen , Johnny Mercer |
01/27/1946 | 2 | 4th | Capitol 180 | Version of the song from the Paramount production Here Come the Waves (1944, directed by Mark Sandrich ), in which the song was introduced by Bing Crosby. Its version received an Oscar nomination in 1946 . |
Duke Ellington & His Famous Orchestra, Vocal Refrain by Al Hibbler |
Don't You Know I Care (or Don't You Care to Know) Mack David , Duke Ellington |
01/27/1945 | 1 | 10 | Victor 20-1618 | Duke Ellington and His Orchestra recorded December 1, 1944; the vocalist is Al Hibbler . |
Tab Smith with Trevor Bacon |
I'll Live True with You William T. Ford |
02/03/1946 | 1 | 7th | Decca 8661 | The Tab Smith Orchestra had recorded several great hits with singer Trevor Bacon, including You Lovely You and I'm Live True to You . At the height of his immense popularity, he died in a traffic accident on the way to New York to get engaged in April 1945. |
Dinah Washington |
Salty Papa Blues Leonard Feather , Sammy Price |
02/03/1945 | 1 | 8th | Keynote 606 | Dinah Washington at her first record session for the small Keynote label, accompanied by the Lionel Hampton Sextet. |
Louis Jordan and His Tympany Five |
Mop-Mop Claude Demetruis , J. Mayo Williams |
02/10/1946 | 17th | 2 | Decca 8668 | B-side of Jordans You Can't Get That No More . |
Roosevelt Sykes |
I Wonder Cecil Gant |
02/17/1945 | 13 | 1 | Bluebird 34-0721 | |
Louis Jordan |
You Can't Get That No More Louis Jordan, Sam Theard |
02/17/1946 | 12 | 2 | Decca 8668 | Jordan's vocabulary was based on the everyday words of the urban ghetto: “ You just can't get it, you got to do with what you got / Ain't go have no more for the duration, / You got to be careful with your boots on. " |
Warren Evans |
I Wonder Cecil Gant |
02/17/1945 | 2 | 6th | National 9003 | Another cover version of Cecil Gant's hit title. The singer Warren Evans was active in the 1940s and 50s, including in the band of pianist Buddy Johnson . He died in New York in 1959. |
Duke Ellington |
I Ain't Got Nothin 'But the Blues Duke Ellington, Don George |
02/17/1945 | 3 | 4th | Victor 20-1623 | The vocalists were Al Hibbler and Kay Davis (obligatory). |
Count Basie |
Red Bank Boogie Buck Clayton , Count Basie |
March 17, 1945 | 2 | 6th | Columbia 36766 | B-side of I Didn't Know About You . |
Pete Johnson All Star Orchestra (Vocal Big Joe Turner ) |
SK Blues Saunders King |
March 17, 1945 | 6th | 2 | National 9010 | The blues singer Big Joe Turner was accompanied by Pete Johnson's All Stars; The band included Frankie Newton (tp), Don Byas (ts), Pete Johnson (p), Leonard Ware (git), Al Hall (kb) and Harold "Doc" West (dr). |
Erskine Hawkins |
Tippin 'in Bobby Smith |
March 31, 1945 | 24 | 1 | Victor 20-1639 | One of the biggest hits of the year, Tippin 'In was the b-side of Erskine Hawkins' single Remember . |
Louis Armstrong |
I Wonder Cecil Gant |
March 31, 1945 | 4th | 4th | Decca 18652 | Another cover version of Cecil Gant's successful title. In Louis Armstrong's orchestra played Billy Butterfield (tp), Sid Stoneburn (as), Jules Rubin (as, cl), Bill Stegmeyer (ts, cl), Arthur Rollini (ts), Paul Ricci (bar), Dave Bowman (p) , Carl Kress (git), Bob Haggart (kb, dir) and Johnny Blowers (dr). |
Cecil Gant |
Cecil's Boogie Cecil Gant |
04/21/1945 | 1 | 5 | Giltedge 500 CG 2 | |
Sister Rosetta Tharpe |
Strange Tings Happen Every Day Bernie Hanighen |
04/28/1945 | 11 | 2 | Decca 8669 | De Be page from Two Little Fishes and Five Loaves of Bread . |
Arthur Crudup |
Rock me, mom |
05/05/1945 | 7th | 3 | Bluebird 34-0725 | Rock Me Mama ( aka Rock Me Momma ), based on Big Bill Bronnzy's Rockin 'Chair Blues , had a huge impact on the next generation of musicians like Elvis Presley . |
Louis Jordan |
Caldonia Boogie Louis Jordan |
05/12/1945 | 26th | 1 | Decca 86703 | |
Nat King Cole Trio |
If You Can't Smile and Say Yes Louis Jordan , Timmie Rodgers |
05/12/1945 | 3 | 3 | Capitol 192 | "Nat Cole almost single-handedly paved the way for the next generation of pianists and singers." |
Billie Holiday |
Lover Man (Oh Where Can You Be) Jimmy Davis, Ram Ramirez , Jimmy Sherman |
05/12/1945 | 1 | 5 | Decca 23391 | Lover Man (Oh Where Can You Be) is particularly associated with, for whom it was written, Billie Holiday, and her version was inducted into the Grammy Hall of Fame in 1989 . |
Arthur Crudup |
Who's Been Foolin 'You |
05/12/1945 | 1 | 5 | Bluebird 34-0725 | |
Erskine Hawkins & His Orchestra (Vocal Refrain by Ace Harris) |
Caldonia Louis Jordan |
May 19, 1945 | 9 | 3 | Victor 20-1659 | Billboard, in its April 21, 1945 issue, described Hawkins' version as "proper rock and roll rhythmic music," possibly the first use of the term to describe a style of music, 14 months prior to the more frequently cited use of the words in a description of "Sugar Lump" by Joe Liggins . |
The Mills Brothers |
Put Another Chair at the Table Cecil Gant , Richard Nelson |
05/26/1945 | 3 | 4th | Decca 18863 | |
The Mills Brothers |
I wish Allan Roberts , Doris Fisher |
06/02/1945 | 3 | 4th | Decca 18863 | I Wish was the B-side of Put Another Chair at the Table . |
Lucky Millinder and His Orchestra |
Who Threw the Whiskey in the Well? Lucky Millinder, Eddie DeLange |
06/09/1945 | 20th | 1 | Decca 18374 | Wynonnie Harris was the vocalist in Lucky Millinder's orchestra, in which u. a. and Freddie Webster , Preston Love , Eddie Lockjaw Davis , Lucky Thompson , Ellis Larkins , Lawrence Lucie , Al McKibbon and Panama Francis played. The song was also covered by Bull Moose Jackson and Louis Prima in the following years . |
Louis Jordan |
Somebody Done Changed the Lock on My Door William Weldon |
June 23, 1945 | 10 | 3 | Decca 8670 | B-side of Caldonia . |
Buddy Johnson |
That's the Stuff You Gotta Watch Buddy Johnson |
07/14/1945 | 10 | 2 | Decca 8671 | An R&B title also recorded in 1945 by Rubberlegs Williams & Herbie Fields ' Band (with Miles Davis ), Wynonie Harris & Jack McVea and His All Stars, as well as Tony Pastor and Stan Kenton . |
Cecil Gant |
Grass Is Getting Greener Every Day Cecil Gant |
07/21/1945 | 1 | 7th | Giltedge 505 | |
Cecil Gant |
I'm Tired Cecil Gant, WS Stevenson |
08/11/1945 | 2 | 4th | Giltedge 506 | |
Joe Liggins |
The Honeydripper Joe Liggins |
08/11/1945 | 26th | 1 | Exclusive 207 | |
Ella Fitzgerald & Delta Rhythm Boys |
It's Only a Paper Moon Harold Arlen , EY Harburg , Billy Rose |
August 18, 1945 | 2 | 4th | Decca 23425 | In 1945, both Benny Goodman and Ella Fitzgerald (with the Delta Rhythm Boys as background singers) were successful with the 1933 Broadway song. |
Nat King Cole Trio |
I'm a Shy Guy Nat King Cole |
08/25/1945 | 5 | 2 | Capitol 208 | Nat King Cole's Trio also appeared in a soundie of the same name with the song (1946, directed by William Forest Crouch). |
Tampa Red |
Detroit Blues Tampa Red |
09/01/1945 | 1 | 5 | Bluebird 34-0731 | "... a wonderfully grooving laid-back blues" |
Count Basie & His Orchestra |
Jimmy's Blues Jimmy Rushing |
September 15, 1945 | 1 | 5 | Columbia 36831 | B-side of Taps Miller , a title by Basie and Bob Russell . In Count Basie hits this time, Red Bank Boogie and Jimmy's Blues was Jimmy Rushing the Bandvokalist. |
Billy Eckstine |
Lonesome Lover Blues B. Eckstine / J. Valentine |
October 13, 1945 | 1 | 4th | National 9015 | |
Erskine Hawkins |
Fifteen Years (And I'm Still Serving Time) Allan Roberts , Doris Fisher |
October 13, 1945 | 1 | 4th | Victor 20-1685 | Fifteen Years (And I'm Still Serving Time) was also covered by Pearl Bailey (Columbia) in 1945 . |
Billy Eckstine |
Last Night (and Now Tonight Again Sam Keval |
October 27, 1945 | 1 | 3 | National 9015 | Last Night (And Now Tonight Again) begins with a tenor saxophone solo by Gene Ammons . |
Savannah Churchill |
Daddy, Daddy Savannah Churchill, Irving Berman |
October 27, 1945 | 1 | 4th | Manor 1004 | The soloist on the title is trombonist JJ Johnson . |
Jimmy Lunceford & Delta Rhythm Boys |
The Honeydripper Joe Liggins |
11/03/1945 | 9 | 2 | Decca 23451 | After Joe Liggins was successful with the number in the charts from August 1945, cover versions of Jimmy Lunceford, Roosevelt Sykes, Oscar Peterson and Cab Calloway soon followed . |
Billy Eckstine |
A Cottage for Sale Willard Robison , Larry Conley) |
11/03/1945 | 1 | 3 | National 9014 | |
Herb Jeffries with Joe Liggins' Honeydrippers |
Left a Good Deal in Mobile Herb Jeffries, Nat Leslie |
11/10/1945 | 4th | 3 | Exclusive 208 | |
Roosevelt Sykes |
The Honeydripper Joe Liggins |
11/24/1945 | 4th | 3 | Bluebird 34-0737 | The American blues pianist was also known as "the Honeydripper". On the title of the same name he accompanies himself on the piano. |
Big Maceo Merriweather |
Things Have Changed - Blues Big Maceo |
December 01, 1945 | 1 | 4th | Bluebird 34-0737 | "Blues singer with piano, guitar and drums" |
Lionel Hampton & His Orchestra |
Beula's boogie Lionel Hampton |
October 19, 1945 | 9 | 2 | Decca 18719 | |
Ivory Joe Hunter with Johnny Moore and The Three Blazers |
Blues at Sunrise Ivory Joe Hunter |
December 15, 1945 | 1 | 5 | Exclusive 209 | Hunter's first major chart success, Blues at Sunrise was one of the typical R&B ballads of the time, as were Charles Brown's Drifting Blues (1946) and T-Bone Walker's Call It Stormy Monday (1948). |
Helen Humes & Bill Doggett Octet |
Be-Baba-Leba Humes |
December 15, 1945 | 8th | 4th | Philo PV106 | With Ross Butler (tp), Johnny Brown a (s), Wild Bill Moore (ts), Ernest Thompson (bar), Bill Doggett (p), Elmer Warner (git), Alfred Moore (kb) and Charles Harris (dr) . Helen Humes had adapted the title from Big Jim Wynn's Ee-Bobaliba . Humes Be-Baba-Leba "is pure R&B with an intermittent backbeat and boogie bass line". |
Arthur Crudup |
Keep Your Arms Around Me Crudup |
December 19, 1945 | 1 | 3 | Bluebird 34-0738 | Arthur "Big Boy" Crudup, like many blues greats, had a greater influence on a later language of music: "Rock and Roll". |
Web links
Individual evidence
- ↑ Michael Campbell Popular Music in America: The Beat Goes on. Wadsworth / Thomson Learning, 2005
- ^ Billboard February 26, 2000
- ↑ Michael Campbell: Popular Music in America: The Beat Goes On. Cengage Learning 2012, p. 160.
- ^ Billboard, February 10, 1945, p. 18
- ^ Billboard February 17, 1945, p. 18
- ↑ Nelson George: Black Music Charts: What's in a Name? . Billboard. Vol. 94 H. 25-26 June 1982, p. 10
- ↑ Peter J. Silvester: He Story of Boogie-Woogie: A Left Hand Like God . Lanham: Scaregrow 2009, p. 255.
- ^ Whitburn, Joel (1986). Pop Memories 1890–1954: The History of American Popular Music. Menomonee Falls, Wisconsin: Record Research, Inc. p. 168. ISBN 0-89820-083-0
- ^ A b Gerhard Klußmeier : Jazz in the Charts. Another view on jazz history. Liner notes and booklet for the 100 CD edition. Membrane International GmbH. ISBN 978-3-86735-062-4
- ↑ a b c d e f Tom Lord The Jazz Discography (online, accessed May 19, 2019)
- ^ Cootie Williams and His Orchestra - Cherry Red / Things Ain't What They Used to Be at Discogs
- ↑ Jazz, Volumes 5-6 . Jazz Press, 1966, p. 87
- ^ Billboard Jan. 20, 1945
- ^ Andrew R. Martin: Steelpan Ambassadors: The US Navy Steel Band, 1957-1999 . Jackson, University of Mississippi Press 2017. p. 11
- ↑ Here Come the Waves in the Internet Movie Database (English)
- ↑ David Leander Williams: Indianapolis Jazz: The Masters, Legends and Legacy of Indiana Avenue . Charleston: The History Press 2014.
- ↑ Louis Jordan and His Tympany Five - You Can't Get That No More / Mop! Mop! at Discogs
- ↑ See Just Remember This by Colin Bratkovich (2014), p. 470.
- ↑ With Dick Vance , Dave Nelson (tp), Benny Morton (trb), George James, Joe Eldridge (as), Lem Johnson (ts), Sammy Price (p), Everett Barksdale (git) Billy Taylor, Sr. (kb ), Harold Doc West (dr).
- ↑ Warren Evans at Discogs (English)
- ↑ Count Basie And His Orchestra - I Didn't Know About You / Red Bank Boogie at Discogs
- ↑ Erskine Hawkins and His Orchestra - Remember / Tippin 'In at Discogs
- ↑ Cf. :: Before Elvis: The Prehistory of Rock 'n' Roll by Larry Birnbaum (2013), p. 4
- ↑ Discovering Great Jazz: A New Listener's Guide to the Sounds and Styles of the Top Musicians and Their Recordings on CDs, LPs, and Cassettes . Newmarket Press, 1991
- ↑ See also Before Elvis: The Prehistory of Rock 'n' Roll by Larry Birnbaum (2014), p. 384.
- ↑ The Billboard from 1945 also says: "With Erskine Hawkins's trumpet scraping the ceiling, the band rifnng, and pianist Ace Harris applying a bite to the lyrics, there is plenty of musical excitement set off with the spinning."
- ↑ Mills Brothers - Put Another Chair At The Table / I Wish at Discogs
- ↑ Larry Richards: African American Films Through 1959: A Comprehensive, Illustrated Filmography Jefferson (NC): McFarland & Co. 2015, p. 89.
- ↑ Richard Koechli: The Forgotten King of the Blues - Tampa Red: The Comprehensive Biography! . 2017.
- ↑ Count Basie And His Orchestra - Taps Miller / Jimmy's Blues at Discogs
- ↑ See Good Morning Blues: The Autobiography of Count Basie . 2016
- ↑ Columbia 36837; Orchestra directed by Mitchell Ayres.
- ↑ See Mr. B: The Music and Life of Billy Eckstine by Cary Ginell (2013)
- ↑ Joshua Berrett, Louis G. Bourgois, III: The Musical World of JJ Johnson , Lanham (SC): Scaregrow Press 2002, p. 40.
- ↑ See Rock Obituaries: Knocking On Heaven's Door by Nick Talevski (2010).
- ↑ See California Soul: Music of African Americans in the West , edited by Jacqueline Cogdell DjeDje, Eddie S. Meadows. Berkeley: University of California Press 1998, p. 225
- ↑ Larry Birnbaum: Before Elvis: The Prehistory of Rock 'n' Roll . 2013, p. 177
- ↑ See Just Remember This by Colin Bratkovich (2014), p. 4335