Eddie Lockjaw Davis
Eddie "Lockjaw" Davis , also called Jaws or lock , (* 2. March 1922 in New York as Edward Davis , † 3. November 1986 in Culver City , California ) was an American jazz - Tenor saxophonist and composer .
Live and act
First the tenor saxophonist, who taught himself to play with sheet music and an instrument from the pawn shop and already had his first engagement eight months later, played with Cootie Williams from 1942 to 1944 , then with Lucky Millinder , in Louis Armstrong's last big band and from 1945 / 46 at Andy Kirk . He also took part in the sessions of the bebop musicians in Clark Monroe's Uptown House , played with Roy Eldridge , Ace Harris , Gerald Wilson and with Billie Holiday , who voted him into her dream band in 1946 for the Esquire Jazz Book .
In 1946 he founded his own rhythm and blues group and made his recording debut; His nickname supposedly comes from this time: To save royalties, the small record labels often renamed the well-known standards - Eddie Davis had a huge success with Lockjaw and this "nickname", which also means "Lock" or "Jaw" was abbreviated, remained with him throughout his life. With his combo he formed the house band at Minton's Playhouse ; she also performed at the Royal Roost . During this time he worked with Tadd Dameron and the late trumpeter Fats Navarro .
Since 1952 he was with Count Basie as a saxophonist, at times also as manager of the Basie Band ; he returned to the orchestra in 1957, 1964/65, 1966 and from 1967 to 1973. Between 1955 and 1960 he had a permanent trio (consisting of tenor, organ and percussion). a. the organist Shirley Scott was a member of, performing at Count Basie's Harlem pub. For his albums for Prestige Records at the time , the trio was expanded to include other musicians; there were also bassist George Duvivier , who did the footwork for Shirley Scott, and flutist Jerome Richardson . His early 1960s albums with Harry "Sweets" Edison and Jawbreakers (1962) caused a sensation . His delicate, supple style contrasted with the rather heated Davis. In 1960 Davis had the opportunity to put together a big band for Trane Whistle . a. Clark Terry , Melba Liston , Eric Dolphy and Jimmy Cleveland played - the arrangements were made by Oliver Nelson , who also wrote most of the compositions, including a first version of his famous Stolen Moments . In the same year, the album Night Hawk was created together with his great role model Coleman Hawkins .
In 1961 he worked on the album Carmen McRae Sings Lover Man and Other Billie Holiday Classics . With his prestige series The Eddie Lockjaw Davis Showcase , he campaigned for the promotion of little-known talent; so he accompanied with his band blues vocalists like Al Smith or Milfred Anderson , neither of whom had a big breakthrough.
Between 1960 and 1962 he led a quintet with junior Mance , Larry Gales and Ben Riley , together with tenor colleague Johnny Griffin , which made several records and later had several reunions; then he worked temporarily as a music agent in 1963/64. Outside of the quintet, Davis experimented with Latin Jazz ( Afro-Jaws ), a. a. with Clark Terry and Ernie Royal .
He returned to Basie again and played in the Kenny Clarke / Francy Boland Big Band ; he also had groups with Roy Eldridge (1974) and with "Sweets" Edison (1975-1982); During this time he was associated with Norman Granz 'label Pablo Records and appeared with Zoot Sims , Tommy Flanagan , Oscar Peterson , Ella Fitzgerald , Dizzy Gillespie and Milt Jackson in the all-star formations put together by Granz, so in 1977 on the Montreux Jazz Festival . One of the highlights of the late Davis's discography is the album Straight Ahead . In 1983 there was a final reunion with Basie in the formation The Kansas City Seven .
From the 1970s, Davis also frequently worked with European musicians, such as Niels-Henning Ørsted Pedersen , Georges Arvanitas , Alex Riel , Isla Eckinger and Jesper Lundgaard . From 1974 to 1985 he made regular guest appearances in Vienna's Jazzland , where he performed with Austrian jazz musicians for a total of 18 weeks in 12 years. In 1982 he played the album Land Of Dreams with the Michael Starch Trio and Karl Ratzer. In 1982 he made a guest appearance in a Battle of the Saxes at the Berlin Jazz Festival .
In 1986, one of his last honors was the Lifetime Achievement Award from the Los Angeles Jazz Society. His numerous compositions include Hey Lock! , Foxy , Three Deuces and Very Saxy .
His style
“Lockjaw” Davis played a robust and voluminous tenor; Due to his powerful tone, he developed an individual and inimitable style, which was characterized by idiosyncratic twists and turns and expressive phrasing. The distinguishing feature was his extroverted, earthy, robust game "with a growling, roaring, but brilliant tone".
With all of his recordings soaked in blues and gospel , Davis had already found himself on a similar line as hardbop musicians in the 1950s . His game was “an independent alternative to the trends set by 'modernists' like Sonny Rollins and John Coltrane .” “His credo was:“ I don't want to be typed, but simplicity is my theme and I do want to stay close to basic ingredients ”. Elsewhere he said: "I did not experiment or develop, but tried to reach the audience's ears through simplicity - with melody, a simple improvised line, in performances that were not too long."
Trivia
To what extent Lockjaw Records refer to his nickname is not known, the rock group Lockjaw chose their band name more or less randomly.
Discographic notes
- Eddie Lockjaw Davis 1946–1947 (Classics) with Fats Navarro , Sadik Hakim , Al Haig
- Rarest Sessions of the 40's (Raretone 1946–1948) with Sadik Hakim , Al Haig , Shad Collins
- Eddie Lockjaw Davis 1948–1952 (Classics) with Wynton Kelly , Billy Taylor , Freddie Green , Oscar Pettiford
- Tenor Battles 1954 (Phoenix Jazz) with Sonny Stitt
- Modern Jazz Expressions 1955 (Sing) with Doc Bagby , Charlie Rice
- Uptown (Contact Record - Denmark 1955-1958) with Doc Bagby , Charlie Rice , Shirley Scott , Bill Pemberton
- Eddie's Function 1957 (Affinity) with Shirley Scott
- Count Basie presents Eddie Davis (Roulette - 1957) with Joe Newman , Shirley Scott , George Duvivier , Butch Ballard
- Cookbook , Vol 1 & 2, ( Prestige / OJC, 1958), with Shirley Scott , George Duvivier , Arthur Edgehill (dr), Jerome Richardson
- Jaws (Prestige - 1957) with Shirley Scott , George Duvivier , Arthur Edgehill
- Very Saxy (OJC, 1959) with Coleman Hawkins , Arnett Cobb , Buddy Tate
- Jaws in Orbit (Prestige 1959) with Shirley Scott , George Duvivier
- Stolen Moments - Lockjaw Davis Bigband (Prestige 1960) with Clark Terry , Melba Liston , Jimmy Cleveland , Oliver Nelson , Eric Dolphy , Richard Wyands , Roy Haynes - arrangements by Ernie Wilkins
- Tough Tenors (1960) with Johnny Griffin , Junior Mance , Ben Riley , Larry Gales
- Griff and Lock (Jazzland - 1960) with Johnny Griffin , Junior Mance , Ben Riley , Larry Gales
- The First Set (Prestige - 1961) with Johnny Griffin , Junior Mance , Ben Riley , Larry Gales
- The Late Show (Prestige - 1961) with Johnny Griffin , Junior Mance , Ben Riley , Larry Gales
- Blues Up and Down (OJC, 1961); The Tenor Scene (OJC, 1961) with Johnny Griffin
- Live at Mintons (Prestige, 1961) with Johnny Griffin , Junior Mance , Ben Riley
- Afro-Jaws (Fantasy - 1961) with Clark Terry , Ray Barretto
- Streetlights (1962) with Don Patterson (org)
- Battle Stations (Prestige, 1963) with Johnny Griffin and Norman Simmons
- Misty (Moodsville 1963) with Shirley Scott
- Save your Love for me (Bluebird - 1966) with Joe Newman , Thad Jones , Hank Jones , Jay Jay Johnson , Frank Wess
- The Fox and the Hounds (RCA 1966) with Jerome Richardson , Bobby Plater , Frank Wess , Billy Mitchell , Ernie Royal , Joe Newman , Thad Jones , Snooky Young , Urbie Green , Hank Jones , George Duvivier , Grady Tate
- Love Calls (RCA - 1967) with Paul Gonsalves , Roland Hanna , Everett Barksdale , Ben Tucker , Grady Tate
- Light and Lovely (Black and Blue 1975) with Harry Edison , Gerry Wiggins , Major Holley , Oliver Jackson
- Eddie Lockjaw Davis (Storyville, 1975) with Michel Attenoux
- Jaws strikes again (Black & Blue, 1976) with Wild Bill Davis , Billy Butler , Oliver Jackson
- Straight Ahead (Pablo 1976) with Tommy Flanagan , Keter Betts , Bobby Durham
- Straight Blues (Prestige, 1976) with Count Basie , Harry Edison
- Eddie Davis & Wild Bill Davis ; Vol.1 & 2 (Black & Blue 1976) with Wild Bill Davis , Oliver Jackson
- Opus funk ; Vol.1 & 2 (Storyville 1976) with Harry Edison , Kenny Drew
- Swingin 'till the Girls come Home (Steeplechase 1976) with Thomas Clausen , Alex Riel
- Montreux 77 (Pablo Live 1977) with Oscar Peterson , Ray Brown , Jimmy Smith
- Leapin 'on Lenox (Black & Blue, 1978) with Eddie "Cleanhead" Vinson , Milt Buckner , Milt Hinton , JC Heard
- All of Me (All Life - 1978) with Harry Edison , Pierre Michelot , Sam Woodyard
- The Heavy Hitter (Muse Records 1979) with Albert Daily , George Duvivier , Victor Lewis
- Sonny, Sweets and Jaws (Kingdom 1981) with Sonny Stitt , Harry Edison , Eddie Higgins , Duffy Jackson
- Eddie Lockjaw Davis (Enja - 1981) with Horace Parlan , Reggie Johnson , Alvin Queen
- Live at the Widder - Zurich 1982 Vol. 1 & 2 - with Gustav Csik , Isla Eckinger , Oliver Jackson
- Land of Dreams (Tilly Disc 1982) - with Karl Ratzer , Michael Starch , Viktor Plasil
- Jazz at the Philharmonic (Pablo 1983) - with Harry Edison and Al Gray
- All of Me (Steeplechase - 1983) - with Kenny Drew
literature
- Carlo Bohländer , Karl Heinz Holler, Christian Pfarr: Reclam's Jazz Guide . 4th, revised and supplemented edition. Reclam, Stuttgart 1990, ISBN 3-15-010355-X .
- Ian Carr , Digby Fairweather , Brian Priestley : Rough Guide Jazz. The ultimate guide to jazz music. 1700 artists and bands from the beginning until today. Metzler, Stuttgart / Weimar 1999, ISBN 3-476-01584-X .
- Leonard Feather , Ira Gitler : The Biographical Encyclopedia of Jazz. Oxford University Press, New York 1999, ISBN 0-19-532000-X .
- Wolf Kampmann (Ed.), With the assistance of Ekkehard Jost : Reclams Jazzlexikon . Reclam, Stuttgart 2003, ISBN 3-15-010528-5 .
- Martin Kunzler : Jazz Lexicon. Volume 1: A – L (= rororo-Sachbuch. Vol. 16512). 2nd Edition. Rowohlt, Reinbek near Hamburg 2004, ISBN 3-499-16512-0 .
- Marcus A. Woelfle : Liner Notes for the CD Edition Eddie Lockjaw Davis - '80th Birthday Celebration
Web links
- Works by and about Eddie Lockjaw Davis in the catalog of the German National Library
- Review of Davis' contributions to jazz. BBC (English)
Individual evidence
- ↑ Bohländer and Feather / Gitler give 1921 as the year of birth.
- ↑ Recorded on the small Haven label (HL 920), 1946.
- ↑ According to a report by Bill Crow , Eddie Davis recorded for the music producer Bob Shad . He named all the pieces after various diseases. The track entitled Lockjaw then became a minor hit with jazz disc jockeys, making it his nickname. See Bill Crow in Local 802 . 2014
- ↑ According to Marcus A. Woelfle, it refers to his pronounced chin; another nickname was "The Fox".
- ↑ See Woelfle, p. 9.
- ↑ Released on Tilly-Disc (LP 120-588 - out of print, re-released on CD with 4 bonus tracks on RST-Records ).
- ↑ Quoted from Martin Kunzler, p. 277.
- ↑ Quoted from Marcus A. Woelfle, p. 10 f.
- ↑ Quoted from Kunzler, p. 277.
personal data | |
---|---|
SURNAME | Davis, Eddie Lockjaw |
ALTERNATIVE NAMES | Davis, Edward (real name); Jaws; Lock |
BRIEF DESCRIPTION | American jazz saxophonist |
DATE OF BIRTH | March 2, 1922 |
PLACE OF BIRTH | new York |
DATE OF DEATH | 3rd November 1986 |
Place of death | Culver City , California |