Maria am Mösl

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Maria am Mösl: Baroque tower tower that has been missing an onion since 1838

UL woman Arnsdorf ( "Maria am Mösl") is a Roman Catholic pilgrimage church in the municipality of Lamprechtshausen belonging place Lower Arnsdorf in the north of the province of Salzburg . The core of the Church of Our Lady (August 15), which dates back to 1520, is endowed with a curate beneficiary and has been incorporated into the Michaelbeuern Benedictine Abbey since the 13th century .

history

History of origin

The name Maria im Mösl refers to a formerly existing small moor, known locally as Mösl . It is a diminutive of moss , a variant of the word moor .

According to pilgrimage legend, a chapel has stood in the Mösl since at least the first half of the 13th century. In 1241 the cult object revered in it was lost. It was decided to build a new chapel on a slightly elevated, not very humid place, in which the cult objects should be kept after they were found again. Abbot Konrad I (1230–1258) von Michaelbeuern chose the Viehberg for this. According to legend, the building material brought to the Viehberg was found overnight at the site by the previous chapel. Therefore, in 1242 either this was enlarged or a new one was built in its place. It is not known when the chapel was designed and consecrated as a church. This could have happened in 1376, when Ulrich and Seibot von Nussdorf held a daily St. Messe 116 donated Regensburg Pfennings .

The lost original cult object had not been found again, but after 1242 the chapel was still of a pilgrimage character. Furthermore, it is assumed that in the Middle Ages there was a common place of execution for the courts of Eching (St. Georgen) and Haunsberg (today's judicial district Oberndorf ) in Arnsdorf .

Building history

Detail view

In the years 1464–1467, Master Hans from Laufen built the large church tower that still exists today, presumably with a view to a planned new church. The new building only began when Abbot Bernard von Michaelbeuern ordered the construction of a new church, which Bishop Berthold von Chiemsee inaugurated on June 17, 1520.

The church and the high altar were dedicated to St. Consecrated to the Virgin , the west altar on the gallery of St. Catherine and the evangelist Mark .

In the 17th and 18th centuries, the late Gothic church was further redesigned and expanded with additions. It received a new baroque altar in 1677/78, on which the cabinet maker Matthias Steinle, among others , had worked. In 1686 he also manufactured the organ case that was previously available. The organist and painter M. Magdalena Rottmayr, mother of the Baroque painter Johann Michael Rottmayr , from Laufen, was also involved, and she received nine guilders for gilding two angels. In 1752 Abbot Martin II. Dorner (1731–1762) had the stone vault, the pillars and supporting arches of which darkened the church and cramped in space, demolished and replaced with a light hollow vault . Apparently the removal of the vault was carried out improperly, because it collapsed unexpectedly on April 12, 1752, killing four workers, four others were seriously injured. The high altar and the organ were also affected. The damaged high altar was then redesigned and set up again. In the middle it shows the miraculous image, a late Gothic Mary with child. The west altar on the loft already existing in 1520 is dedicated to St. Catherine and the Evangelist Mark . The two altars of the side chapels from 1722 have figures by Georg Itzlfelder, the northern altar panel shows a Rosary Madonna (1759), the southern the Holy Family.

The organ was repaired in 1753. In the middle of the 18th century the tower was raised and there is an archbishop's cross at the top. After heavy storms in 1838, the top of the original Baroque spire, consisting of two onions, was thrown down. Then the tower attachment without the second onion d. H. restored in simplified form. Altars, organ and various furnishings were originally painted black / gold, their now distinctive blue paintwork dates from 1847/48, and the high altar was marbled in red in 1904.

Cult item

Interior of the pilgrimage church

According to pilgrimage legend, the original cult object was lost around or before 1241. The current miraculous image is a wooden Gothic statue of the seated Mother of God with the child. The naked Jesus boy sitting on Mary's lap, lightly supported by his mother with his left hand, grasps her veil with his right hand and a grape with the left which she hands him . The Madonna has been integrated in the middle since 1758 - after the repair of the baroque high altar, which was damaged by the collapse of the vault in 1752. She wears a baroque crown, as does the baby Jesus. The statue is probably a work from Salzburg from around 1520.

Pilgrimage

A special feature is the tradition, which is still practiced to this day, that every newly elected Archbishop of Salzburg goes on a foot pilgrimage to Our Lady on the Mösl . Votives used to be penance stones and penance crosses.

organ

In 1686, the cabinet- maker Matthias Steinle from Mattsee made a case, veil boards and wooden pipes for a positive ; It has not yet been known which organ builder created the instrument himself. This positive, which had 4 registers during the repair by Johann Franz Xaver Egedacher in 1714  , was brought to the parish church of Lamprechtshausen in 1745. This task was done by the electoral organ builder Andreas Mitterreiter from Altötting , who also delivered a new organ with 6 registers and an attached pedal . In the course of the construction of the new organ in 1744/45, the body of the organ that has been preserved to this day was painted black by Joseph Anthoni Schrökher from Laufen and the carvings on it were gilded by him. In 1753, one year after the dramatic collapse of the vault, the damaged organ was repaired by journeyman organ maker Johannes Groll. Perhaps Groll also added 2 registers to the organ, because in 1820 Franz Xaver Gruber reported that the organ had 8 registers and, supposedly, was tuned two semitones too high, i.e. in the cornetto tone . During the repair and expansion of the organ in 1753, new carvings in the Rococo style were apparently added to the case, possibly by Johann Georg Itzlfeldner, who was commissioned to design the altars, the pulpit, the tabernacle, etc. from 1752 . In 1846, more than ten years after Gruber left Arnsdorf, the organ was rebuilt by Ludwig Mooser . The occasion was the first Mass of Simon Aicher from Arnsdorf, 1846. August 24, Mooser Advanced including the manual compass to the four missing notes of the short octave by sent to both side faces two Kanz Ellen anschäftete, and soldered to individual pipes Mitter rider extensions to to lower the mood. The organ has been preserved in this condition, but it was modified by Fritz Mertel in 1981 and restored in 1993.

Disposition

Mitterreiter organ 1745
Manual: (49 keys C – c 3 )
Dumped 8th'
Gamba 8th'
Octav 4 '
flute 4 '
Qinte 2 2 / 3 '
Octav 2
Mixture III 1 1 / 3 '
Pedal: (18 keys C – f 0 , 16 notes)
Sub bass 16 '
Pedal always coupled

literature

  • Dehio Salzburg , Vienna 1986.
  • History of Salzburg . City and Country, ed. by Heinz Dopsch , 2nd improved edition, Salzburg 1983, Volume I, 2nd part.
  • Gustav Gugitz : Austria's places of grace in cult and custom. A topographical handbook on religious folklore in five volumes , Vienna 1958, volume 5.
  • Lamprechtshausen , ed. from the Catholic parish office of Lamprechtshausen, Salzburg 1995 (Christian Art Centers Austria No. 121; 2nd edition).
  • Franz Leitner: The pilgrimage church to Our Lady in Arnsdorf , Salzburg [1905].
  • Austrian art topography 10 : The monuments of the political district of Salzburg, Vienna 1913.
  • Christina Pfeffer / Josef Haunschmidt: The churches in Lamprechtshausen and Arnsdorf with St. Alban. Church guide, Peda Art Publishing House, Passau 2007.
  • Roswitha Preiß: Johann Georg Itzlfeldner 1704 / 05–1790 . A sculptor of the Salzburg Rococo in Bavaria, Weißenhorn 1983.
  • Roman Schmeißner: Organ building in Salzburg pilgrimage churches . WiKu-Verlag, Duisburg & Cologne 2015, ISBN 978-3-86553-446-0 .
  • Stiftsarchiv Michaelbeuern : Fach 54 , (Conrad) Franz Xaver Gruber : Brief description of the pilgrimage church in Arnsdorf , No. 72, Arnsdorf 1820 (manuscript).
  • Gerhard Walterskirchen: Organs and Organ Builders in Salzburg from the Middle Ages to the Present . Dissertation University of Salzburg 1982.

Web links

Commons : Maria im Mösl  - Collection of images, videos and audio files

Individual evidence

  1. ^ Personnel status of the world and religious clergy of the Archdiocese of Salzburg for 1957 ( Schematismus 1957), ed. from the Archbishop's Office in Salzburg 1957, p. 184.
  2. a b Christina Pfeffer / Josef Haunschmidt: The churches in Lamprechtshausen and Arnsdorf with St. Alban , Passau 2007, p. 17.
  3. Kluge: Etymological Dictionary of the German Language , 24th edition, de Gruyter, Berlin 2002.
  4. a b Stiftsarchiv Michaelbeuern: Fach 54 , Franz Xaver Gruber: Brief description of the pilgrimage church in Arnsdorf , No. 72 (manuscript).
  5. ^ A b c Gustav Gugitz: Austria's places of grace in cult and custom . A topographical handbook on religious folklore in five volumes, Vienna 1958, volume 5, p. 149.
  6. Heinz Dopsch (Ed.): Law and Administration . In: History of Salzburg. Stadt und Land , 2nd improved edition, Salzburg 1983, Volume I, Part 2, p. 922.
  7. ^ "Maister Hanns von Lauffen" , active or resident in Landshut , is registered as a member in the brotherhood book of St. Leonhard ob Tamsweg ; SLA , Microfilm 457, (fol. 165 ') . Quoted from: Friederike Zaisberger : The Brotherhood Book of St. Leonhard ob Tamsweg 1446–1482 . In: Salzburg's pilgrimages in cult and custom , ed. by Johannes Neuhardt , Salzburg 1986, p. 76.
  8. ^ Austrian art topography 10 : The monuments of the political district of Salzburg, Vienna 1913, p. 377.
  9. a b Austrian Art Topography 10 : The monuments of the political district of Salzburg, Vienna 1913, p. 378.
  10. ^ Roswitha Preiß: Johann Georg Itzlfeldner 1704 / 05–1790 . A sculptor of the Salzburg Rococo in Bavaria, Weißenhorn 1983, p. 25.
  11. Dehio Salzburg , Vienna 1986, p. 22.
  12. Patriarch's Cross, Archbishop's Cross or Scheyerer Cross, popularly known as the shower cross, which is supposed to protect against plague, hail, fire, thunder, evil stalking and all evil . In: [1] Marterln, Kreuze, Kapellen, Glocken ... (accessed on October 26, 2010).
  13. ^ Franz Leitner: The pilgrimage church to Our Lady in Arnsdorf , Salzburg [1905], p. 20.
  14. ^ Franz Leitner: The pilgrimage church to Our Lady in Arnsdorf , Salzburg [1905], p. 21.
  15. ^ Franz Leitner: The pilgrimage church to Our Lady in Arnsdorf , Salzburg [1905], p. 23.
  16. ^ A b Austrian art topography 10 : The monuments of the political district of Salzburg, Vienna 1913, p. 386.
  17. Lamprechtshausen , ed. from the Catholic Parish Office Lamprechtshausen, Salzburg 1995 (Christian Art Centers Austria No. 121; 2nd edition), p. 13.
  18. Lamprechtshausen , ed. from the Catholic Parish Office Lamprechtshausen, Salzburg 1995 (Christian Art Centers Austria No. 121; 2nd edition) p. 10.
  19. This organ has 8 registers and is a good work. The only pity is that the principal register does not have 8-foot sound , [...] and that the organ [...] hochkornet and two pipes of beÿgesetzt transforming due would have to be "; Michaelbeuern Abbey Archives: Subject 54 , Franz Xaver Gruber: Brief description of the pilgrimage church in Arnsdorf , No. 72 (manuscript, 1820). Quoted from: Roman Matthias Schmeißner: Studies on organ building in pilgrimage churches of the Archdiocese of Salzburg . Dissertation University Mozarteum Salzburg 2012, p. 12 and p. 358f.
  20. ^ Roswitha Preiß: Johann Georg Itzlfeldner 1704 / 05–1790 . A sculptor of the Salzburg Rococo in Bavaria, Weißenhorn 1983, p. 194.
  21. ^ Roman Matthias Schmeißner: Studies on organ building in pilgrimage churches of the Archdiocese of Salzburg , dissertation University Mozarteum Salzburg 2012, pp. 11-19.

Coordinates: 47 ° 58 ′ 9.5 ″  N , 12 ° 57 ′ 11.9 ″  E