Mark Dion
Mark Dion (* 1961 in New Bedford , Massachusetts , USA ) is an American draftsman , object and installation artist .
Life
Dion comes from a working-class family and did not visit a museum until he was 18. In his hometown he experienced the decline of the fishing industry and the social and ecological problems associated with it. Until 1982 he worked as an art restorer. From 1984 he studied at the School of Visual Arts in New York and in 1985 took part in the Independent Study Program of the Whitney Museum of American Art in New York , where he met the conceptual artists Joseph Kosuth and Hans Haacke and the photographer Martha Rosler . In 1986 he moved to the University of Hartford School of Art in Hartford , Connecticut, and in the same year became an assistant to Ashley Bickerton, whom he worked with until 1990. In 2003 he received an honorary doctorate from this university . The artist lives in Beach Lake, Pennsylvania , and New York.
plant
Mark Dion has been a passionate collector for over 20 years. Out of this obsessive passion, he develops objects, sculptures and photographic works and arranges them into installations that often seem like natural history showrooms. In his outdoor stagings he combines natural history phenomena in artfully arranged scenarios , in which he not only includes biological but also philosophical considerations and connects them with the current art discourse. He often works with natural history museums and collections, but disputes with them the sole interpretation of nature in his work.
For the contribution Grotto of the Sleeping Bear to the Skulptur.Projekte Münster 1997, Dion built an artificial grotto out of earth and tree trunks , which he covered with rubble stones. He closed the entrance with a pane of glass. In the cave he placed a lying bear made of faux fur with half-open glass eyes, which he surrounded with civilization garbage, such as empty cartridges , lance tips , an old wheel and broken bottles. For the exhibition Concerning Hunting (What the hunting concerns), 2008, he arranged in Kunstraum Dornbirn both fallen and standing high seats and several hunting lodges, the interiors of which he endowed with hunting known handy everyday objects. In one he built up an extensive library of the woad trade. In another, the visitor found an opulently laid table with porcelain with hunting motifs and stag horn cutlery , with which the artist referred to the aspect of hunting as food procurement. In 2010 the Georg Kargl Gallery in Vienna exhibited a high standard for hunters.
Exhibitions
- 1987 New Museum of Contemporary Art , New York, Fake
- 1991 Galerie Christian Nagel, Cologne, Frankenstein in the Age of Biotechnology
- 1997 Sculpture.Projects in Münster; Venice Biennale , Scandinavian Pavilion
- 1998 German Museum Bonn
- 1999 Museum of Modern Art , New York, The Museum as Muse
- 2000 Tate Britain , London
- 2001 Deichtorhallen , Hamburg, From impression to expression
- 2002 Museum Ludwig , Cologne, Economies of Time (also Academy of the Arts (Berlin) )
- 2002 Vivarium in the Hofgarten , Düsseldorf, as part of the light green art path . It was destroyed in a storm on June 19, 2014.
- 2003 Migros Museum for Contemporary Art , Zurich
- 2004 Museum of Modern Art, New York (Abby Aldrich Rockefeller Sculpture Garden), Rescue Archeology
- 2006 Kunsthalle Hamburg , Art in Hamburg. today
- 2008 Biennale of Sydney , Kunstraum Dornbirn
- 2010 EMSCHERKUNST.2010 , as part of RUHR.2010 - European Capital of Culture with the project "Society of Amateur Ornithologists" (again at EMSCHERKUNST.2013 )
- 2012 dOCUMENTA (13) , Kassel, Xylothek
- 2015 Kai 10 - Space for Art (Arthena Foundation), Düsseldorf, Lost Paradise
- 2015/16 Mark Dion. Unruly Wilderness, Herford, MARTa (Gehry Galleries)
literature
- Daniel Birnbaum : Stream of Conscience . In: Artforum International 11, 1999, ISSN 0004-3532 , pp. 116-121.
- Dieter Buchhart , Verena Gamper (Ed.): Mark Dion. Concerning hunting . Hatje Cantz, Ostfildern 2008, ISBN 978-3-7757-2197-4 , (published for the traveling exhibition of the same name).
- Petra Gördüren, Dirk Luckow (Eds.): Dopplereffekt. Pictures in Art and Science , Kunsthalle zu Kiel January 31 to May 2, 2010. DuMont Buchverlag, Kiel 2010, ISBN 978-3-8321-9295-2
- Burkhard Riemenschneider u. a .: Art at the Turn of Millennium , Taschen, Cologne 1999, ISBN 3-8228-7195-8 .
- Jason Simon: Jean Paineve and Mark Dion . In: Parkett 44, 1995, ISBN 3-907509-94-3 ; Pp. 154-171.
- M. Revier Schwendener: Mark Dion: "American Fine Arts" in the Aldrich Museum . In: Artforum International Summer 2003, ISSN 0004-3532 , pp. 192–193
- Colleen J. Sheehy (Ed.): Cabinet of Curiosities: Mark Dion and the University as Installation . University of Minnesota Press, Minneapolis Mn 2006, ISBN 978-0-8166-4470-4 , (exhibition catalog, Frederick R. Weisman Art Museum Minneapolis, February 24 - May 27, 2001).
Web links
- Literature by and about Mark Dion in the catalog of the German National Library
- Materials by and about Mark Dion in the documenta archive
- Mark Dion on kunstaspekte.de
- Mark Dion on artnet.com *
- Christine Heidemann: Dilettantism as a method. Mark Dion's research on the phenomenology of the natural sciences, Univ.-Diss., Gießen 2005
Individual evidence
- ↑ Nato Thompson et al. a .: Becoming Animal: Contemporary Art in the Animal Kingdom , Massachusetts Museum of Contemporary Art, MIT Press, 2005, ISBN 978-0-262-20161-2
personal data | |
---|---|
SURNAME | Dion, Mark |
BRIEF DESCRIPTION | American object artist |
DATE OF BIRTH | 1961 |
PLACE OF BIRTH | New Bedford , Massachusetts, USA |