Schützenliesel (1954)
Movie | |
---|---|
Original title | Schützenliesel |
Country of production | Germany |
original language | German |
Publishing year | 1954 |
length | 100 minutes |
Age rating | FSK 12 |
Rod | |
Director | Rudolf Schündler |
script |
Ernst Nebhut Fritz Boettger |
production | Waldemar Frank |
music | Edmund Eysler |
camera | Karl Löb |
cut | Margarete Steinborn |
occupation | |
and Sepp Rist , Joe Furtner , Kurt Pratsch-Kaufmann , Lutz Götz |
Schützenliesel is a German operetta adaptation from 1954 by Rudolf Schündler . The film was based on the operetta of the same name (1905) by Edmund Eysler .
action
In a small, tranquil town in Upper Bavaria at the beginning of the 20th century. Gretl Mooshammer, the daughter of the local landlord, was chosen to be this year's Schützenliesel. Gretl loves the border policeman Stefan Brandner, which her gruff, bumbling mister papa doesn't like at all. Because once as a young man he had courted Brandner's mother Therese and received a basket from her. In the course of the plot, several events lead to the fact that the Schützenliesel's relationship with their loved one is temporarily broken. But then Gretl sees what she has in her Stefan when he bravely single-handedly arrests a gang of smugglers. At the upcoming Schützenfest, the lovers will finally be reconciled.
Production notes
Schützenliesel was shot in mid-1954 in Berlin-Spandau (studio recordings) and in the Bavarian locations of Mittenwald, Garmisch-Partenkirchen and Lautersee. The premiere took place on October 20, 1954 in Munich, the Berlin premiere took place on November 26 of the same year.
Fritz Klotzsch took over the production management. Karl Weber and Helmut Nentwig designed the film buildings. Herbert Trantow took over the musical direction, Egon Kaiser took over the orchestration. Anton Karas can be heard on the zither . Horst Wendlandt was a production assistant.
Reviews
Der Spiegel wrote: “Lederhosen humor and waddling eroticism (with Herta Staal), motherly emotion (vocals: Paul Hörbiger) to the zither by Anton Karas, father's stubbornness and Grenzer's vigilance in the mountainous country - smuggling, criminal records and unfriendly flirting the spa guests. Rudolf Schündler staged innocent and lively. "
In the lexicon of the international film it says: “Village love entanglements from Bavaria in a partly popular, hearty, partly slightly frivolous musical variation based on the eponymous Singspiel. Simple entertainment film. "
Individual evidence
- ↑ Short review in Der Spiegel from December 15, 1954
- ↑ Schützenliesel. In: Lexicon of International Films . Film service , accessed July 1, 2020 .
Web links
- Schützenliesel in the Internet Movie Database (English)
- Schützenliesel at filmportal.de