The mighty bell tower from the middle of the 15th century rises up on the west facade, reinforced by buttresses protruding far . He originally had a pointed helmet, which burned down in the 17th century during the Franco-Spanish War (1635-1659) and was replaced by a dome. In the 17th century, a porch was placed in front of the main portal on the west facade. On the tympanum of the main portal, framed by arched archivolts , a relief depicting the martyrdom of St. Hippolytus has been preserved. In front of the Trumeau pillar, a colored Madonna and Child from the 15th century, attributed to Juan de la Huerta , stands on a column . The portal of the south aisle is decorated in the Flamboyant Gothic style with pinnacles and crabs and crowned with a finial .
Main portal
Relief with the martyrdom of St. Hippolytus
Madonna and Child at the main portal
inner space
The three-aisled nave is divided into five bays and is covered by ribbed vaults. High pointed arches resting on mighty pillars open the main nave to the side aisles. The two-bay choir ends in a polygonal apse .
Lead glass window depicting the transfer of Saint Colette to Poligny
Leaded glass window
The lead glass windows of the church were created in the 19th century. The original windows were destroyed in 1638 during the Franco-Spanish War.
Furnishing
The church has numerous sculptures from the 15th century that are attributed to the Burgundian art school, such as the works of Claus de Werve and Juan de la Huerta.
In a side chapel there is a wood-carved passion altar, which also dates from the 15th century.
The triumphal cross above the entrance to the choir, originally a crucifixion group, has also been preserved from this period .
The lead glass windows of the church were created in the 19th century. The original windows were destroyed in 1638 during the Franco-Spanish War.
Two alabaster sculptures , a representation of St. Anne teaching Mary to read, and a Madonna and Child, are dated to the 16th century and are attributed to a workshop owned by Brou .
Saint Catherine, 15th century
Jean Chevrot, Bishop of Tournai, 15th century
Pierre Versey, Bishop of Amiens, 15th century
Saint Leonhard, 15th century
Main organ
Main organ
The large organ was built in 1859 by the organ builder Aristide Cavaillé-Coll . The organ work was inserted into the existing organ case , which dates from the 17th century and was probably created by Jean de Joyeuse. Until then it was in the Saint-Michel cathedral in Carcassonne . The case is an exact copy of the organ case of the Sainte-Marie Cathedral in Auch . The instrument has 26 stops on two manuals and a pedal . The playing and stop actions are mechanical.
Disposition
I Grand Orgue C – f 3
1.
Bourdon
16 ′
2.
Montre
8th'
3.
Bourdon
8th'
4th
Flûte harmonique
8th'
5.
Salicional
8th'
6th
Prestant
4 ′
7th
Octave
4 ′
8th.
Fifth
2 2 ⁄ 3 ′
9.
Duplicate
2 ′
10.
Plein jeu harm. II-IV
11.
Trumpet
8th'
12.
Clairon
4 ′
II Positif-Récit expressif C – f 3
13.
Montre
8th'
14th
Bourdon
8th'
15th
Viole de gambe
8th'
16.
Voix céleste
8th'
17th
Flûte octaviante
4 ′
18th
Viole d'amour
4 ′
19th
Octavine
2 ′
20th
Trumpets
8th'
21st
Basson / Hautbois
8th'
22nd
Voix humaine
8th'
tremolo
Pedale C – d 1
23.
Flute
16 ′
24.
Flute
8th'
25th
Bombard
16 ′
26th
Trumpets
8th'
Coupling : I / I (sub-octave coupling), II / I, I / P, II / P
Choir organ
The choir organ was built by Aristide Cavaillé-Coll in 1867. At the beginning of the 20th century, the organ builder Louis Georgel (Eurville) replaced two registers, u. a. a trumpet 8 'by a Bourdon 16; another change was reversed in 1971. Today the instrument has ten registers, including a transmitted register on a manual.
Disposition
Manual expressif C – f 3
1.
Bourdon
16 ′
2.
Montre
8th'
4th
Flûte harmonique
8th'
5.
Bourdon
8th'
(Continuation)
6th
Prestant
4 ′
7th
Duplicate
2 ′
8th.
Larigot
1 1 ⁄ 3 ′
9.
Hautbois
8th'
Pedale C – g 0
10.
Bourdon (= No. 1)
16 ′
literature
G. Sage: Collégiale Saint Hippolyte Poligny . Lyon undated