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{{Cleanup|date=December 2007}}
{{Refimprove|date=February 2008}}
{{Original research|date=August 2008}}
{{Infobox Person
{{Infobox musical artist <!-- See Wikipedia:WikiProject_Musicians -->
|name = John Thain
|image = John Thain briefing.jpg
| Name = Buddy Guy
| Img = BuddyGuyCrossroads2007.jpg
|image_size =
| Img_capt = Buddy Guy performing at the [[Crossroads Guitar Festival]] in 2007
|caption = Thain in 2006.
| Img_size = 250px
|birth_name = John Alexander Thain
| Landscape =
|birth_date = {{birth date and age|mf=yes|1955|5|26}}
| Background = solo_singer
|birth_place =
|death_date =
| Birth_name =
|death_place =
| Alias =
| Born = {{birth date and age|1936|7|30}}<ref>{{cite web|url=http://www.rockhall.com/inductee/buddy-guy|publisher=Rock and Roll Hall of Fame|title=Buddy Guy}}</ref>
|death_cause =
|nationality =
| Died =
| Origin = [[Lettsworth, Louisiana]]
|other_names =
|known_for =
| Instrument =
|education =
| Voice_type =
| Genre = [[Blues]], [[Chicago Blues]]
|alma_mater =
|employer =
| Occupation =
| Years_active = 1957 - present
|occupation = president of global banking, securities, and wealth management at [[Bank of America]]
| Label =
|home_town = Antioch, IL
|title =
| Associated_acts =
| URL = [http://www.buddyguy.net/ Official Website]
|salary = $83.1 million<ref name="highpay">{{cite web |url=http://ap.google.com/article/ALeqM5joqFL0xgMcnWcdP4piX5YpeBwh7wD91AMG903 |title=List of highest-paid CEOs in 2007 |accessdate=2008-06-20 |work=[[Associated Press]] |publisher=ap.google.com |date=2008-06 |quote=The total pay figures are rounded, and are based on the AP's compensation formula, which adds up salary, perks, bonuses, above-market interest on pay set aside for later, and company estimates for the value of stock options and stock awards on the day they were granted [[2007|last year]].}}</ref>
|networth =
| Current_members =
|term =
| Past_members =
| Notable_instruments = [[Fender Stratocaster|Fender Buddy Guy Signature Stratocaster]]
|predecessor =
|successor =
|party =
|boards = [[INSEAD]], [[MIT Sloan School of Management]], [[National Urban League]]
|website =
|footnotes =
}}
}}
'''John Alexander Thain''' (born May 26, 1955) is the current president of global banking, securities, and [[wealth management]] at [[Bank of America]]. He was also the last [[chairman]] and [[chief executive officer]] of [[Merrill Lynch]] before its acquisition by Bank of America for $50 billion. The Associated Press identified him as the best-paid CEO in 2007, among [[List of S&P 500 companies|S&P 500 companies]].
==Career==
Previously, Mr. Thain held management positions at: the [[New York Stock Exchange]] ([[CEO]]), and [[Goldman Sachs]] ([[President]], [[Chief Operating Officer]], [[Chief Financial Officer]]). He amassed $300 million in Goldman [[stock]]. It was widely believed that Mr. Thain was also a front runner to head Citigroup.<ref>[http://www.businessweek.com/bwdaily/dnflash/content/nov2007/db2007112_107657.htm John Thain to Head Citi?<!-- Bot generated title -->]</ref><ref>[http://www.iht.com/articles/ap/2007/11/14/business/NA-FIN-COM-US-Citigroup-CEO.php John Thain, taking over Merrill's helm, is no longer a prospect for the leaderless Citigroup - International Herald Tribune<!-- Bot generated title -->]</ref><ref>[http://www.nypost.com/seven/11142007/business/citi_snub__thain_going_to_merrill_449137.htm Citi Snub: Thain Going To Merrill - New York Post<!-- Bot generated title -->]</ref> Merrill Lynch and Citigroup sought new leaders following the sudden departure of their former CEOs due to disappointing Q3 2007 earnings reports.<ref>[http://www.iht.com/articles/2007/11/04/business/merrill.php At Merrill Lynch, accountability for a record loss on Wall Street - International Herald Tribune<!-- Bot generated title -->]</ref><ref>[http://www.telegram.com/article/20071106/NEWS/711060338/1002/BUSINESS Worcester Telegram & Gazette News<!-- Bot generated title -->]</ref>


'''George "Buddy" Guy''' (born [[July 30]], [[1936]]) is a five-time Grammy Award-winning [[United States|American]] [[blues]] and [[rock music|rock]] [[guitar]]ist and singer. Known as an inspiration to [[Jimi Hendrix]], [[Eric Clapton]], [[Stevie Ray Vaughan]], and other guitarists, Guy is considered an important exponent of [[Chicago blues]]. He is the father of female [[rapper]] [[Shawnna]] and son Michael. He is the older brother of late blues guitarist [[Phil Guy]].
Thain will be president of Global Banking, Securities and Wealth Management, a new division of Bank of America that will include its corporate and investment bank and most of its wealth and investment-management business once the merger is completed.<ref>http://www.boston.com/business/ticker/2008/10/merrills_john_t.html</ref>


Guy is known for his showmanship: for example, he plays his guitar with drumsticks, or strolls into the audience while [[Jam session|jamming]] and trailing a long guitar cord.
==Compensation==
In December 2003 NYSE interim Chairman [[John S. Reed|John Reed]], told ''[[The Wall Street Journal]]'' that Thain would be paid "a plain vanilla number" - about $4 million a year, including bonuses, with no "strange retirement" programs like former CEO [[Richard Grasso|Dick Grasso]] was paid.


==Biography==
Merrill Lynch announced that Mr. Thain will receive at least $50 million per year in compensation and could achieve as much as $120 million per year, depending on the company's stock price. Based on a formula by the [[Associated Press]]<ref name="highpay"/>, in 2007 Thain was the best-paid CEO among the [[List of S&P 500 companies|S&P 500 companies]], receiving $83.1 million.


Born in [[Lettsworth, Louisiana|Lettsworth]], [[Louisiana]], Guy grew up in Louisiana learning guitar on a two string [[diddley bow]] he made. Later he was given a Harmony acoustic guitar, which he later donated to the Rock and Roll Hall of Fame. In the early '50s he began performing with bands in [[Baton Rouge]]. Soon after moving to [[Chicago]] in 1957, Guy fell under the influence of [[Muddy Waters]]. In 1958, a competition with West Side guitarists [[Magic Sam]] and [[Otis Rush]] gave Guy a record contract. Soon afterwards he recorded for [[Cobra Records]]. He recorded sessions with [[Junior Wells]] for [[Delmark Records]] under the [[pseudonym]] Friendly Chap in 1965 and 1966<ref>Lockhart, John M. "Words & Music", ''[http://www.riversidereader.com The Riverside Reader]'', February 4, 2008, p. 1</ref>.
==Memberships==
Mr. Thain's memberships include:
*MIT Corporation, Dean's Advisory Council – [[MIT Sloan School of Management]],
*[[INSEAD]] – U.S. National Advisory Board,
*James Madison Council of the [[Library of Congress]],
*[[Federal Reserve System|Federal Reserve Bank]] of New York's International Capital Markets Advisory Committee<ref>[http://www.newyorkfed.org/ Federal Reserve Bank Of New York<!-- Bot generated title -->]</ref>,
*[[French-American Foundation]]<ref>[http://www.frenchamerican.org/ French American Foundation aims to strengthen the French American relationship<!-- Bot generated title -->]</ref>,
* Board of Trustees of the [[National Urban League]], and
*the [[Trilateral Commission]]<ref>[http://www.forbes.com/2003/12/19/cx_da_1219topnews.html Goldman's Thain Trades Money For Fame - Forbes.com<!-- Bot generated title -->]</ref>


Guy’s early career was supposedly held back by both conservative business choices made by his record company ([[Chess Records]]) and "the scorn, diminishments and petty subterfuge from a few jealous rivals". Chess, Guy’s record label from 1959 to 1968, refused to record Buddy Guy’s novel style that was similar to his live shows. [[Leonard Chess]] (Chess founder and 1987 [[Rock and Roll Hall of Fame]] inductee) denounced Guy’s playing as "noise". In the early 1960s, Chess tried recording Guy as a solo artist with R&B ballads, jazz instrumentals, soul and novelty dance tunes, but none were released as singles. Guy’s only Chess album, "Left My Blues in San Francisco", was finally issued in 1967. Most of the songs belong stylistically to the era's soul boom, with orchestrations by Gene Barge and Charlie Stepney. Chess used Guy mainly as a [[session musician|session guitarist]] to back [[Muddy Waters]], [[Howlin' Wolf]], [[Little Walter]], [[Sonny Boy Williamson]], [[Koko Taylor]] and others.
He serves as a governor at the [[New York-Presbyterian Foundation]], Inc.<ref>[http://www.presbyterianfoundation.org/ Presbyterian Foundation<!-- Bot generated title -->]</ref>


Buddy Guy was a leading star at the 1969 ''[[Supershow]]'' at [[Staines]], England that also included Clapton, [[Led Zeppelin]], [[Jack Bruce]], [[Stephen Stills]], [[Buddy Miles]], [[Glen Campbell]], [[Roland Kirk]], and [[Jon Hiseman]]. [http://www.suitelorraine.com/suitelorraine/News03/Media03/supershowdvd.jpg Image: 1969 Supershow.]
==Political donations==
John Thain donated $332,950 to politically affilated groups/individuals: $208,000 to Republicans, $16,000 to Democrats, and $108,750 to special interest groups.<ref>[http://www.newsmeat.com/ceo_political_donations/John_Thain.php NEWSMEAT ▷ John Thain's Federal Campaign Contribution Report<!-- Bot generated title -->]</ref>


By the late 1960s, Guy's career was in decline. The heavy blues-rock scene he had helped inspire was flourishing without him. For the next two decades, Buddy Guy had to endure the neglect many blues and rock artists faced in their careers: As visionaries and pathfinders they are overlooked while their followers received the fame, recognition and fortune.
==Personal life==
Thain was born in the United States and grew up in [[Antioch, Illinois]]. He earned a [[bachelor's degree]] in electrical engineering from [[MIT]] in 1977 and an [[MBA]] from [[Harvard Business School]] in 1979. While attending MIT, John joined the [[Delta Upsilon Fraternity]].


Guy's career finally took off during the blues revival period of the late 1980s and early 1990s. It was sparked by Clapton's request that Guy be part of the '24 Nights' all-star blues guitar lineup at [[London]]'s [[Royal Albert Hall]] and Guy's subsequent signing with [[Silvertone Records]].
Thain's son Alex also attended [[MIT]]. His daughter, Nicole, graduated from [[Yale University]] and his second daughter, Victoria, is an undergraduate at [[Duke University]].

On July 7, 2008, Guy was presented with an award for performing in all four decades of the Montreux Jazz festival. {{Fact|date=September 2008}}

==Music==

<!-- Deleted image removed: [[Image:Buddy Guy.jpg|thumb|300px|right|Buddy Guy, Massey Hall, Toronto, ON]] -->

While Buddy Guy's music is often labeled [[Chicago blues]], his style is unique and separate. His music can vary from the most traditional, deepest blues to a creative, unpredictable and radical gumbo of the blues, avant rock, soul and free jazz that morphs at each night’s performance.

As ''New York Times'' [[pop music|pop]] [[music critic]] Jon Pareles noted in 2004:
:Mr. Guy, 68, mingles anarchy, virtuosity, deep blues and hammy shtick in ways that keep all eyes on him... [Guy] loves extremes: sudden drops from loud to soft, or a sweet, sustained guitar solo followed by a jolt of speed, or a high, imploring vocal cut off with a rasp...Whether he's singing with gentle menace or bending new curves into a blue note, he is a master of tension and release, and his every wayward impulse was riveting.

Some blues fans and music critics believe that Guy's 1960–1967 Chess catalog remains his most satisfying body of work. This view discounts the pathfinding music Buddy was creating since his early live performances, some of which is captured in the ''American Folk Blues Festival'' albums. Eric Clapton, Jeff Beck and [[Jimmy Page]] appreciated this more radical side of Guy's music, in the early 1960s.

Guy’s songs have been [[cover version|covered]] by [[Led Zeppelin]], Eric Clapton, the Rolling Stones, Stevie Ray Vaughan, [[John Mayall]], Jack Bruce, and others. Several of Guy’s early songs and licks were allegedly stolen by the late [[Willie Dixon]] and Guy’s early record companies. {{Fact|date=February 2007}} Regardless, Guy is perhaps better known for his creative interpretation of the work of other songwriters.

Traditional blues fans may appreciate the albums, ''The Very Best of Buddy Guy'', ''Blues Singer'', Junior Wells' ''[[Hoodoo Man Blues]]'', ''A Man & The Blues'' and ''I Was Walking Through The Woods''. Contemporary blues and rock fans may appreciate ''Slippin’ In'', ''Sweet Tea'', ''Stone Crazy'', ''Buddy's Baddest: The Best Of Buddy Guy'', ''Damn Right, I’ve Got The Blues'', and ''D.J. Play My Blues''. Guy's live show is featured in the video ''Live! The Real Deal'' and he performs in the DVDs ''[[Lightning In a Bottle]]'', ''[[Crossroads Guitar Festival]]'', ''[[Eric Clapton: 24 Nights]]'', ''[[Festival Express]]'', and ''[[A Tribute to Stevie Ray Vaughan]]''.

==Entertainer==
{{Unreferencedsection|date=September 2008}}

[[Image:BuddyGuyBonnaroo2006.jpg|200px|right|thumb|Guy performing at the [[Bonnaroo Music Festival]] in 2006]]Guy's showmanship has influenced many musicians' stage presentation, notably Jimi Hendrix. Hendrix sometimes cancelled his own concerts to attend Guy’s club shows, which he filmed or audio taped. In [[Antoine Fuqua]]'s blues concert DVD, ''Lightning In A Bottle'', footage shows an enchanted Hendrix in the audience watching a wild Buddy Guy performance. One technique Hendrix may have learned from Guy was playing the guitar with only the left hand: Hammering on and pulling off the strings to sound them, without plucking the strings with his right hand at all. Guy would often do something entirely different with his right hand, like swigging from a can of beer, while his left hand did all the work.

One trick Guy has perfected in recent years is pulling someone out of the audience—often an attractive woman—and having her paw the strings on his guitar, as Guy fingers the frets with his left hand. At one concert in the early '90s, playing to a huge hometown audience at Chicago's [[Ravinia Festival]], Guy grabbed a nine-year-old boy by the wrist, pulled him on stage, and had him play the right-hand part of a robust and drawn-out solo. Guy has also left the stage entirely at concerts and into the spectator area. At a concert in Hamilton Place, Ontario, Buddy Guy walked into different sections of the stadium and sat with the audience while he continued to play a guitar solo. He would often say comments to the audience such as "that's really me playing".

[[Tom Lavin]] remembers the first time he saw Buddy Guy at a college concert. "Buddy was wearing a leopard skin blazer and when he soloed with one hand while he removed his jacket and then switched to soloing with the other hand while he took off the other sleeve, never missing a note. I thought it was the coolest thing I had ever seen. Right there I knew that's what I wanted to do."
Guy recalls, "The first guitar player I saw putting on a show was [[Guitar Slim]]—I must've been 13 years old—he came out riding that guitar, wearing a bright red suit. I thought; 'I wanna sound like [[B.B. King]], but I wanna play guitar like ''that''.' " "Buddy's act was not premeditated or contrived," Donald Wilcox said in his biography of Guy. "His style was merely a natural by-product of being self-taught, having a compulsion to play, and being insecure enough to feel that if he didn't dazzle and hypnotize his audience with the flamboyant techniques he'd seen work for Guitar Slim, he'd be buried by competition from guitarists who were better technicians."

==Influence==
For almost 50 years, Guy performed flamboyant live concerts of energetic blues and blues rock, predating the 1960s blues rockers. As a musician’s musician, he had a fundamental impact on the blues and on rock and roll, influencing a new generation of artists.

As [[Josh Hathaway]] once observed: “Rock and roll just could not be the same without Buddy Guy.” Buddy Guy helped modernize the blues, “moving the blues forward without losing sight of its roots.”

Buddy Guy has been called the bridge between the blues and rock and roll. He is one of the historic links between Chicago electric blues pioneers Muddy Waters and [[Howlin' Wolf]] and popular musicians like Eric Clapton, Jeff Beck, Jimi Hendrix and Jimmy Page as well as later revivalists like Stevie Ray Vaughan. This was what Stevie Ray Vaughan meant when he said, "Without Buddy Guy, there would be no Stevie Ray Vaughan." Even ''[[Guitarist (magazine)|Guitarist]]'' magazine observed:
:Without Buddy Guy, the blues, not to mention rock as we know it, might be a heckuva lot less interesting today. Take the blues out of contemporary rock music—or pop, jazz and funk for that matter—and what you have left is a wholly spineless affair. A tasteless stew. Makes you shudder to think about it...

In addition, Guy's pathfinding guitar techniques also contributed greatly to rock and roll music. Guy’s guitar playing was loud and aggressive; used pioneering distortion and [[audio feedback|feedback]] techniques; employed longer solos; had shifts of volume and texture; and was driven by emotion and impulse. These lessons were eagerly learned and applied by the new wave of 1960s British artists and later became basic attributes of blues-rock music and its offspring, hard rock and heavy metal music. Jeff Beck realized in the early 1960s: “I didn't know a [[Strat]] could sound like that — until I heard Buddy's tracks on the ''Blues From Big Bill's Copa Cabana'' album” (reissue of ''1963 Folk Festival Of The Blues'' album) and “It was the total manic abandon in Buddy's solos. They broke all boundaries. I just thought, this is more like it! Also, his solos weren't restricted to a three-minute pop format; they were long and really developed.”

Guy could arguably be considered the inspiration, directly or indirectly, for every rock [[power trio]] format since [[Cream (band)|Cream]] (i.e., bands such as [[Beck Bogert Appice]], the [[Jimi Hendrix Experience]], [[Rush (band)|Rush]], etc.). Clapton admitted that he got his idea for a [[blues-rock]] power trio during his teenage years while watching Buddy Guy's trio perform in England in 1965. Clapton later formed the rock band Cream, which was “the first rock [[Supergroup (music)|supergroup]] to become superstars” and was also “the first top group to truly exploit the power-trio format, in the process laying the foundation for much blues-rock and hard rock of the 1960s and 1970s.”

[[Image:BuddyGuyEricClaptonCrossroads2007.jpg|200px|left|thumb|Buddy Guy and Eric Clapton performing at the Crossroads Guitar Festival in 2007]]Eric Clapton said "Buddy Guy was to me what [[Elvis Presley|Elvis]] was for others." Clapton, who's not prone to hyperbole, insisted in a 1985 ''[[Musician (magazine)|Musician]]'' magazine article that "Buddy Guy is by far and without a doubt the best guitar player alive...if you see him in person, the way he plays is beyond anyone. Total freedom of spirit, I guess… He really changed the course of rock and roll blues."

Recalls Guy: "Eric Clapton and I are the best of friends and I like the tune 'Strange Brew' and we were sitting and having a drink one day and I said ‘Man, that "Strange Brew"...you just cracked me up with that note.’ And he said ‘You should...cause it's your licks...’ " As soon as Clapton completed his famous [[Derek & the Dominos]] sessions (spawning "[[Layla]]") in October 1970, he co-produced (with [[Ahmet Ertegün]] and Tom Dowd) the ''Buddy Guy & [[Junior Wells]] Play The Blues'' album with Guy's longtime harp and vocal compatriot. That record, released in 1972, is regarded by some critics as among the finest electric blues recordings of the modern era.

In recognition of Guy's influence on Hendrix's career, the Hendrix family invited Buddy Guy to headline all-star casts at several Jimi Hendrix tribute concerts they organized in recent years, "calling on a legend to celebrate a legend." Jimi Hendrix himself once said that “Heaven is lying at Buddy Guy’s feet while listening to him play guitar.” Songs such as "[[Red House (song)|Red House]]", "[[Voodoo Chile]]" and "[[Voodoo Child (Slight Return)]]" partly came from the sonic world that Buddy Guy helped to create. According to the Fender Players’ Club: “Almost ten years before Jimi Hendrix would electrify the rock world with his high-voltage voodoo blues, Buddy Guy was shocking juke joint patrons in [[Baton Rouge]] with his own brand of high-octane blues. Ironically, when Buddy’s playing technique and flamboyant showmanship were later revealed to crossover audiences in the late Sixties, it was erroneously assumed that he was imitating Hendrix."
Stevie Ray Vaughan once declared that Buddy Guy "plays from a place that I've never heard anyone play." Vaughan continued:
:Buddy can go from one end of the spectrum to another. He can play quieter than anybody I've ever heard, or wilder and louder than anybody I've ever heard. I play pretty loud a lot of times, but Buddy's tones are incredible…he pulls such emotion out of so little volume. Buddy just has this cool feel to everything he does. And when he sings, it's just compounded. Girls fall over and sweat and die! Every once in a while I get the chance to play with Buddy, and he gets me every time, because we could try to go to Mars on guitars but then he'll start singing, sing a couple of lines, and then stick the mike in front of me! What are you gonna do? What is a person gonna do?!

Jeff Beck affirmed:
:Geez, you can’t forget Buddy Guy. He transcended blues and started becoming theater. It was high art, kind of like drama theater when he played, you know. He was playing behind his head long before Hendrix. I once saw him throw the guitar up in the air and catch it in the same chord.
Beck recalled the night he and Stevie Ray Vaughan jammed with Guy at Buddy Guy’s Legends club in Chicago: “That was just the most incredible stuff I ever heard in my life. The three of us all jammed and it was so thrilling. That is as close you can come to the heart of the blues.” [http://www.jeffbeck.jp/img/guy.jpg Image: Jeff Beck with Guy.]

According to Jimmy Page:
“Buddy Guy is an absolute monster” and “There were a number of albums that everybody got tuned into in the early days. There was one in particular called, I think, American Folk Festival Of The Blues, which featured Buddy Guy—he just astounded everybody.” Former [[Rolling Stones]] bassist [[Bill Wyman]]: “Guitar Legends do not come any better than Buddy Guy. He is feted by his peers and loved by his fans for his ability to make the guitar both talk and cry the blues… Such is Buddy’s mastery of the guitar that there is virtually no guitarist that he cannot imitate.” Guy has opened for the Rolling Stones on numerous tours since the early 1970s. [[Slash (musician)|Slash]]: "Buddy Guy is the perfect combination of R&B and hardcore rock and roll." [[ZZ Top]]’s [[Billy Gibbons]]: "He (Buddy Guy) ain't no trickster. He may appear surprised by his own instant ability but, clearly, he knows what's up." [[Lonnie Brooks]]: “Buddy Guy is a master. He’s the bravest guitar player I’ve ever seen on a bandstand. He’ll pull you into his trap and kill you. He owns that bandstand and everyone knows it when Buddy’s up there." [http://www.rocksoff.org/h-withbuddyguyduringrockmebabybykevinmazurwiththankstoiorr.jpg Image:Guy performing with the Rolling Stones at the Orpheum Theatre, Boston]. [http://www.gpbluesboy.it/img_blues/buddyguy/2002.07_12buddyguy/07130035.jpg Image:Buddy Guy.]

==Awards==
Guy previously served on the Hall of Fame’s nominating committee. Guy has won five [[Grammy Award]]s both for his work on his electric and acoustic guitars, and for contemporary and traditional forms of blues music. By 2004, Buddy Guy had also earned 23 [[Blues Music Award|W.C. Handy Award]]s (more than any other artist has received), ''[[Billboard (magazine)|Billboard]]'' magazine's The Century Award (Guy was its second recipient) for “distinguished artistic achievement,” the title of Greatest Living Electric Blues Guitarist, and the [[National Medal of Arts]] (awarded by the [[President of the United States of America|President]] to those who have made extraordinary contributions to the creation, growth and support in the arts in the United States).

===Rock and Roll Hall of Fame===
Guy was inducted into the [[Rock and Roll Hall of Fame]] on [[March 14]], [[2005]] by [[Eric Clapton]] and [[B.B. King]]. Clapton recalled in 1965, seeing Guy perform in London’s [[The Marquee Club]] and was impressed by Guy’s playing, his looks, his star power. He remembered seeing Guy pick the guitar with his teeth and play it over his head—two tricks that later influenced [[Jimi Hendrix]]. Guy’s acceptance speech was concise: “If you don’t think you have the blues, just keep living.”
<!--leave extra line here to make space for picture-->

== The Louisiana Music Hall Of Fame ==
In 2008, Budy Guy was inducted into The Louisiana Music Hall Of Fame while performing at Texas Club, Baton Rouge, LA.

==Discography==
{|class="wikitable"
!Album !! Year !! Label !! Notes
|-
|''[[Hoodoo Man Blues]]'' || 1965 || Delmark || w/ [[Junior Wells]] band
|-
| ''Chicago/The Blues/Today! vol. 1'' || 1966 || Vanguard || w/ Junior Wells band
|-
| ''It’s my Life, Baby!'' || 1966 || Vanguard || w/ Junior Wells band
|-
| ''I Left My Blues in San Francisco'' || 1967 || Chess ||
|-
| ''[[A Man and the Blues]]'' || 1968 || Vanguard ||
|-
| ''Coming At You'' || 1968 || Vanguard ||
|-
| ''Blues Today'' || 1968 || Vanguard ||
|-
| ''This Is Buddy Guy (live)'' || 1968 || Vanguard ||
|-
| ''Hot And Cool'' || 1969 || Vanguard ||
|-
| ''First Time I Met the Blues-Python'' || 1969 || ||
|-
| ''Buddy and the Juniors'' || 1970 || MCA || w/ [[Junior Mance]] & Junior Wells
|-
| ''South Side Blues Jam'' || 1970 || Delmark || w/ Junior Wells and [[Otis Spann]]
|-
| ''In The Beginning'' || 1971 || Red Lightnin’ ||
|-
| ''Play The Blues'' || 1972 || Rhino || w/ Junior Wells
|-
| ''Hold That Plane!'' || 1972 || Vanguard ||
|-
| ''I Was Walking Through the Woods'' || 1974 || Chess || rec. 1960–64
|-
| ''Got to Use Your House'' || 1979 || Blues Ball ||
|-
| ''Stone Crazy'' || 1981 || Alligator ||
|-
| ''Alone & Acoustic'' || 1981 || Alligator ||
|-
| ''Drinkin' TNT 'n' Smokin' Dynamite (live)'' || 1982 || Blind Pig || rec. 1974 [[Montreux Jazz Festival]]
|-
| ''DJ Play My Blues'' || 1982 || JSP Records ||
|-
| ''Dollar Done Fell'' || 1982 || JSP Records ||
|-
| ''Buddy Guy'' || 1983 || Chess ||
|-
| ''The Original Blues Brothers (live)'' || 1983 || Blue Moon ||
|-
| ''Ten Blue Fingers'' || 1985 || JSP Records ||
|-
| ''Atlantic Blues: Chicago'' || 1986 || Atlantic ||
|-
| ''Chess Masters'' || 1987 || Charly) ||
|-
| ''Live at the Checkerboard Lounge, Chicago-1979'' || 1988 || JSP Records ||
|-
| ''Breakin Out'' || 1988 || JSP Records ||
|-
| ''I Ain’t Got No Money'' || 1989 || Flyright ||
|-
| ''[[Alone & Acoustic]]'' || 1991 || Alligator || rec. 1981 w/ Junior Wells
|-
| ''Damn Right, I've Got the Blues'' || 1991 || Silvertone/BMG ||
|-
| ''Buddy's Baddest: The Best of Buddy Guy'' || 1991 || Silvertone ||
|-
| ''My Time After Awhile'' || 1992 || Vanguard ||
|-
| ''The Very Best of Buddy Guy'' || 1992 || Rhino/WEA ||
|-
| ''The Complete Chess Studio Recordings'' || 1992 || Chess || 2 CD, 1960–67
|-
| ''Live at Montreaux'' || 1992 || Evidence || w/ Junior Wells
|-
| ''Feels Like Rain'' || 1993 || Silvertone ||
|-
| ''Slippin' In'' || 1994 || Silvertone ||
|-
| ''Live: The Real Deal'' || 1996 || Silvertone ||
|-
| ''Buddy's Blues'' || 1997 || Chess "Chess Masters" ||
|-
| ''Buddy’s Blues 1978-1982: The Best of the JSP Recordings'' || 1998 || JSP Records ||
|-
| ''As Good As It Gets'' || 1998 || Vanguard ||
|-
| ''Heavy Love'' || 1998 || Silvertone ||
|-
| ''Last Time Around - Live at Legends'' || 1998 || Jive || w/Junior Wells
|-
| ''This Is Buddy Guy'' || 1998 || VMD ||
|-
| ''Blues Master'' || 1998 || Vanguard ||
|-
| ''Buddy’s Baddest: The Best of Buddy Guy'' || 1999 || Silvertone ||
|-
| ''The Complete Vanguard Recordings'' || 2000 || Vanguard ||
|-
| ''Every Day I Have the Blues'' || 2000 || Purple Pyramid || w/ Junior Wells
|-
| ''20th Century Masters: The Millennium: The Best of Buddy Guy'' || 2001 || MCA ||
|-
| ''Sweet Tea'' || 2001 || Silvertone ||
|-
| ''Double Dynamite'' || 2001 || AIM Recording Co. || Import
|-
| ''Blues Singer'' '' || 2003 || Silvertone ||
|-
| ''Chicago Blues Festival 1964 (live)'' || 2003 || Stardust ||
|-
| ''Jammin’ Blues Electric & Acoustic'' || 2003 || Sony ||
|-
| ''Live At the Mystery Club'' || 2003 || Quicksilver ||
|-
| ''A Night of the Blues'' || 2005 || || w/ Junior Wells - Master Classics
|-
| ''[[Bring 'Em In (Buddy Guy album)|Bring 'Em In]]'' || 2005 || Jive ||
|-
| ''Can't Quit The Blues:Box Set'' || 2006 || Silvertone/Legacy Recordings ||
|-
| ''Live: The Real Deal'' || 2006 || Sony || w/ [[G.E. Smith]] & Saturday Night Live Band
|-
| ''Skin Deep'' || 2008 || Zomba ||
|}
{| class="wikitable"
!Album !! Year !! Label !! Notes
|-|-
| ''Folk Singer'' || || Chess
|-
| ''Baby Please Don’t Go || || Chess || Import
|-
| ''The Super Duper Blues Band || || Chess || Import
|-
| ''Muddy Waters || || Chess
|}


==References==
==References==
<!--See [[Wikipedia:Footnotes]] for an explanation of how to generate footnotes using the <ref> tags-->
<references />
{{reflist}}
*''“Damn Right I've Got the Blues: Buddy Guy and the Blues Roots of Rock-And-Roll'' (1993) by Donald Wilcox and Buddy Guy, Duane Press 1999 paperback: ISBN 0-942627-13-X

==See also==
{{commonscat}}
* [[Chicago Blues Festival]]


==External links==
==External links==
*[http://www.rockhall.com/hof/inductee.asp?id=2344 Buddy Guy: Rock and Roll Hall of Fame inductee]
*[http://www.ml.com/index.asp?id=7695_7696_8149_74412_84736_85585 Merrill Lynch Press Release: John A. Thain Named Chairman and Chief Executive Officer], from the company's website
*[http://www.buddyguy.net/ Buddy Guy: Official Website by Jive Records]
*[http://buddyguy.hansdrost.com/bio/bio_int9312.htm Buddy Guy: Billboard Magazine’s Century Award]
*[http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:zgae4j470wal~T1 Buddy Guy: All Music Guide biography]
*[http://buddyguy.hansdrost.com Buddy Guy: Tribute Site]
*[http://buddyguys.com/ Buddy Guy: Buddy's Chicago Club Website]
*[http://video.google.com/videoplay?docid=-6927697578043359623&q=seventh+hour+blues Buddy Guy Interview & Music Video]
*[http://www.legacyrecordings.com/Buddy-Guy.aspx Buddy Guy at Legacy Recordings] - A focus on Buddy's catalog


===Magazine articles===
{{DEFAULTSORT:Thain, John}}
*[http://www.rollingstone.com/news/story/_/id/7092433 "Roll Hall of Fame 2005: Buddy Guy"] ''[[Rolling Stone]]'', [[March 8]], [[2005]]
[[Category:1955 births]]
*[http://www.modernguitars.com/archives/000559.html April 2005 interview] from ''Modern Guitars'' magazine
[[Category:Living people]]
*[http://www.rollingstone.com/news/story/_/id/5924329/buddyguy "Damn Right He's Buddy Guy"] ''Rolling Stone'', [[May 22]], [[1998]]
[[Category:Greek Americans]]
*[http://guitarworld.com/allaccess/interviews/buddyguy.html 1998 interview] from ''[[Guitar World]]'' magazine
[[Category:American businesspeople]]
*[http://buddyguy.hansdrost.com/bio/bio_int9606.htm June 1996 interview] from ''GuitarTechniques'' magazine
[[Category:American chief executives]]
*[http://buddyguy.hansdrost.com/bio/bio_int9607.htm July 1996 interview] from ''Total Guitar'' magazine
[[Category:Merrill Lynch]]
*[http://www.rollingstone.com/news/story/_/id/7088976/buddyguy "The Blues Are the Truth"] ''Rolling Stone'', [[September 28]], [[1968]]
[[Category:Goldman Sachs people]]
*[http://www.seventhhourblues.com "Down Home With Buddy Guy"] Cover story, "Seventh Hour Blues Magazine" 2006
[[Category:People from Lake County, Illinois]]
[[Category:Massachusetts Institute of Technology alumni]]
[[Category:Harvard Business School alumni|Harvard Business School alumni]]
[[Category:New York Stock Exchange]]


===News articles===
* [http://seattlepi.nwsource.com/pop/161716_hendrix22ww.html ''Seattle Times'' article: Hendrix 2004 tribute concerts]
* [http://www.bigfishconcerts.com/legendsofblues/index.html Articles: Historic Legends of Blues Concert at Lincoln Center Jan. 28, 2005]
* [http://www.jimihendrix.com/magazine/604/604,tribute3.html Article: Hendrix 60th birthday tribute concert]

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[[Category:Living people]]
[[Category:African American musicians]]
[[Category:American blues singers]]
[[Category:American blues guitarists]]
[[Category:Blues Hall of Fame inductees]]
[[Category:American blues musicians]]
[[Category:Rock and Roll Hall of Fame inductees]]
[[Category:People from Louisiana]]
[[Category:United States National Medal of Arts recipients]]
[[Category:Grammy Award winners]]
[[Category:Chicago blues musicians]]


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Revision as of 09:37, 13 October 2008

Buddy Guy

George "Buddy" Guy (born July 30, 1936) is a five-time Grammy Award-winning American blues and rock guitarist and singer. Known as an inspiration to Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, and other guitarists, Guy is considered an important exponent of Chicago blues. He is the father of female rapper Shawnna and son Michael. He is the older brother of late blues guitarist Phil Guy.

Guy is known for his showmanship: for example, he plays his guitar with drumsticks, or strolls into the audience while jamming and trailing a long guitar cord.

Biography

Born in Lettsworth, Louisiana, Guy grew up in Louisiana learning guitar on a two string diddley bow he made. Later he was given a Harmony acoustic guitar, which he later donated to the Rock and Roll Hall of Fame. In the early '50s he began performing with bands in Baton Rouge. Soon after moving to Chicago in 1957, Guy fell under the influence of Muddy Waters. In 1958, a competition with West Side guitarists Magic Sam and Otis Rush gave Guy a record contract. Soon afterwards he recorded for Cobra Records. He recorded sessions with Junior Wells for Delmark Records under the pseudonym Friendly Chap in 1965 and 1966[2].

Guy’s early career was supposedly held back by both conservative business choices made by his record company (Chess Records) and "the scorn, diminishments and petty subterfuge from a few jealous rivals". Chess, Guy’s record label from 1959 to 1968, refused to record Buddy Guy’s novel style that was similar to his live shows. Leonard Chess (Chess founder and 1987 Rock and Roll Hall of Fame inductee) denounced Guy’s playing as "noise". In the early 1960s, Chess tried recording Guy as a solo artist with R&B ballads, jazz instrumentals, soul and novelty dance tunes, but none were released as singles. Guy’s only Chess album, "Left My Blues in San Francisco", was finally issued in 1967. Most of the songs belong stylistically to the era's soul boom, with orchestrations by Gene Barge and Charlie Stepney. Chess used Guy mainly as a session guitarist to back Muddy Waters, Howlin' Wolf, Little Walter, Sonny Boy Williamson, Koko Taylor and others.

Buddy Guy was a leading star at the 1969 Supershow at Staines, England that also included Clapton, Led Zeppelin, Jack Bruce, Stephen Stills, Buddy Miles, Glen Campbell, Roland Kirk, and Jon Hiseman. Image: 1969 Supershow.

By the late 1960s, Guy's career was in decline. The heavy blues-rock scene he had helped inspire was flourishing without him. For the next two decades, Buddy Guy had to endure the neglect many blues and rock artists faced in their careers: As visionaries and pathfinders they are overlooked while their followers received the fame, recognition and fortune.

Guy's career finally took off during the blues revival period of the late 1980s and early 1990s. It was sparked by Clapton's request that Guy be part of the '24 Nights' all-star blues guitar lineup at London's Royal Albert Hall and Guy's subsequent signing with Silvertone Records.

On July 7, 2008, Guy was presented with an award for performing in all four decades of the Montreux Jazz festival. [citation needed]

Music

While Buddy Guy's music is often labeled Chicago blues, his style is unique and separate. His music can vary from the most traditional, deepest blues to a creative, unpredictable and radical gumbo of the blues, avant rock, soul and free jazz that morphs at each night’s performance.

As New York Times pop music critic Jon Pareles noted in 2004:

Mr. Guy, 68, mingles anarchy, virtuosity, deep blues and hammy shtick in ways that keep all eyes on him... [Guy] loves extremes: sudden drops from loud to soft, or a sweet, sustained guitar solo followed by a jolt of speed, or a high, imploring vocal cut off with a rasp...Whether he's singing with gentle menace or bending new curves into a blue note, he is a master of tension and release, and his every wayward impulse was riveting.

Some blues fans and music critics believe that Guy's 1960–1967 Chess catalog remains his most satisfying body of work. This view discounts the pathfinding music Buddy was creating since his early live performances, some of which is captured in the American Folk Blues Festival albums. Eric Clapton, Jeff Beck and Jimmy Page appreciated this more radical side of Guy's music, in the early 1960s.

Guy’s songs have been covered by Led Zeppelin, Eric Clapton, the Rolling Stones, Stevie Ray Vaughan, John Mayall, Jack Bruce, and others. Several of Guy’s early songs and licks were allegedly stolen by the late Willie Dixon and Guy’s early record companies. [citation needed] Regardless, Guy is perhaps better known for his creative interpretation of the work of other songwriters.

Traditional blues fans may appreciate the albums, The Very Best of Buddy Guy, Blues Singer, Junior Wells' Hoodoo Man Blues, A Man & The Blues and I Was Walking Through The Woods. Contemporary blues and rock fans may appreciate Slippin’ In, Sweet Tea, Stone Crazy, Buddy's Baddest: The Best Of Buddy Guy, Damn Right, I’ve Got The Blues, and D.J. Play My Blues. Guy's live show is featured in the video Live! The Real Deal and he performs in the DVDs Lightning In a Bottle, Crossroads Guitar Festival, Eric Clapton: 24 Nights, Festival Express, and A Tribute to Stevie Ray Vaughan.

Entertainer

Guy performing at the Bonnaroo Music Festival in 2006

Guy's showmanship has influenced many musicians' stage presentation, notably Jimi Hendrix. Hendrix sometimes cancelled his own concerts to attend Guy’s club shows, which he filmed or audio taped. In Antoine Fuqua's blues concert DVD, Lightning In A Bottle, footage shows an enchanted Hendrix in the audience watching a wild Buddy Guy performance. One technique Hendrix may have learned from Guy was playing the guitar with only the left hand: Hammering on and pulling off the strings to sound them, without plucking the strings with his right hand at all. Guy would often do something entirely different with his right hand, like swigging from a can of beer, while his left hand did all the work.

One trick Guy has perfected in recent years is pulling someone out of the audience—often an attractive woman—and having her paw the strings on his guitar, as Guy fingers the frets with his left hand. At one concert in the early '90s, playing to a huge hometown audience at Chicago's Ravinia Festival, Guy grabbed a nine-year-old boy by the wrist, pulled him on stage, and had him play the right-hand part of a robust and drawn-out solo. Guy has also left the stage entirely at concerts and into the spectator area. At a concert in Hamilton Place, Ontario, Buddy Guy walked into different sections of the stadium and sat with the audience while he continued to play a guitar solo. He would often say comments to the audience such as "that's really me playing".

Tom Lavin remembers the first time he saw Buddy Guy at a college concert. "Buddy was wearing a leopard skin blazer and when he soloed with one hand while he removed his jacket and then switched to soloing with the other hand while he took off the other sleeve, never missing a note. I thought it was the coolest thing I had ever seen. Right there I knew that's what I wanted to do."

Guy recalls, "The first guitar player I saw putting on a show was Guitar Slim—I must've been 13 years old—he came out riding that guitar, wearing a bright red suit. I thought; 'I wanna sound like B.B. King, but I wanna play guitar like that.' " "Buddy's act was not premeditated or contrived," Donald Wilcox said in his biography of Guy. "His style was merely a natural by-product of being self-taught, having a compulsion to play, and being insecure enough to feel that if he didn't dazzle and hypnotize his audience with the flamboyant techniques he'd seen work for Guitar Slim, he'd be buried by competition from guitarists who were better technicians."

Influence

For almost 50 years, Guy performed flamboyant live concerts of energetic blues and blues rock, predating the 1960s blues rockers. As a musician’s musician, he had a fundamental impact on the blues and on rock and roll, influencing a new generation of artists.

As Josh Hathaway once observed: “Rock and roll just could not be the same without Buddy Guy.” Buddy Guy helped modernize the blues, “moving the blues forward without losing sight of its roots.”

Buddy Guy has been called the bridge between the blues and rock and roll. He is one of the historic links between Chicago electric blues pioneers Muddy Waters and Howlin' Wolf and popular musicians like Eric Clapton, Jeff Beck, Jimi Hendrix and Jimmy Page as well as later revivalists like Stevie Ray Vaughan. This was what Stevie Ray Vaughan meant when he said, "Without Buddy Guy, there would be no Stevie Ray Vaughan." Even Guitarist magazine observed:

Without Buddy Guy, the blues, not to mention rock as we know it, might be a heckuva lot less interesting today. Take the blues out of contemporary rock music—or pop, jazz and funk for that matter—and what you have left is a wholly spineless affair. A tasteless stew. Makes you shudder to think about it...

In addition, Guy's pathfinding guitar techniques also contributed greatly to rock and roll music. Guy’s guitar playing was loud and aggressive; used pioneering distortion and feedback techniques; employed longer solos; had shifts of volume and texture; and was driven by emotion and impulse. These lessons were eagerly learned and applied by the new wave of 1960s British artists and later became basic attributes of blues-rock music and its offspring, hard rock and heavy metal music. Jeff Beck realized in the early 1960s: “I didn't know a Strat could sound like that — until I heard Buddy's tracks on the Blues From Big Bill's Copa Cabana album” (reissue of 1963 Folk Festival Of The Blues album) and “It was the total manic abandon in Buddy's solos. They broke all boundaries. I just thought, this is more like it! Also, his solos weren't restricted to a three-minute pop format; they were long and really developed.”

Guy could arguably be considered the inspiration, directly or indirectly, for every rock power trio format since Cream (i.e., bands such as Beck Bogert Appice, the Jimi Hendrix Experience, Rush, etc.). Clapton admitted that he got his idea for a blues-rock power trio during his teenage years while watching Buddy Guy's trio perform in England in 1965. Clapton later formed the rock band Cream, which was “the first rock supergroup to become superstars” and was also “the first top group to truly exploit the power-trio format, in the process laying the foundation for much blues-rock and hard rock of the 1960s and 1970s.”

Buddy Guy and Eric Clapton performing at the Crossroads Guitar Festival in 2007

Eric Clapton said "Buddy Guy was to me what Elvis was for others." Clapton, who's not prone to hyperbole, insisted in a 1985 Musician magazine article that "Buddy Guy is by far and without a doubt the best guitar player alive...if you see him in person, the way he plays is beyond anyone. Total freedom of spirit, I guess… He really changed the course of rock and roll blues."

Recalls Guy: "Eric Clapton and I are the best of friends and I like the tune 'Strange Brew' and we were sitting and having a drink one day and I said ‘Man, that "Strange Brew"...you just cracked me up with that note.’ And he said ‘You should...cause it's your licks...’ " As soon as Clapton completed his famous Derek & the Dominos sessions (spawning "Layla") in October 1970, he co-produced (with Ahmet Ertegün and Tom Dowd) the Buddy Guy & Junior Wells Play The Blues album with Guy's longtime harp and vocal compatriot. That record, released in 1972, is regarded by some critics as among the finest electric blues recordings of the modern era.

In recognition of Guy's influence on Hendrix's career, the Hendrix family invited Buddy Guy to headline all-star casts at several Jimi Hendrix tribute concerts they organized in recent years, "calling on a legend to celebrate a legend." Jimi Hendrix himself once said that “Heaven is lying at Buddy Guy’s feet while listening to him play guitar.” Songs such as "Red House", "Voodoo Chile" and "Voodoo Child (Slight Return)" partly came from the sonic world that Buddy Guy helped to create. According to the Fender Players’ Club: “Almost ten years before Jimi Hendrix would electrify the rock world with his high-voltage voodoo blues, Buddy Guy was shocking juke joint patrons in Baton Rouge with his own brand of high-octane blues. Ironically, when Buddy’s playing technique and flamboyant showmanship were later revealed to crossover audiences in the late Sixties, it was erroneously assumed that he was imitating Hendrix."

Stevie Ray Vaughan once declared that Buddy Guy "plays from a place that I've never heard anyone play." Vaughan continued:

Buddy can go from one end of the spectrum to another. He can play quieter than anybody I've ever heard, or wilder and louder than anybody I've ever heard. I play pretty loud a lot of times, but Buddy's tones are incredible…he pulls such emotion out of so little volume. Buddy just has this cool feel to everything he does. And when he sings, it's just compounded. Girls fall over and sweat and die! Every once in a while I get the chance to play with Buddy, and he gets me every time, because we could try to go to Mars on guitars but then he'll start singing, sing a couple of lines, and then stick the mike in front of me! What are you gonna do? What is a person gonna do?!

Jeff Beck affirmed:

Geez, you can’t forget Buddy Guy. He transcended blues and started becoming theater. It was high art, kind of like drama theater when he played, you know. He was playing behind his head long before Hendrix. I once saw him throw the guitar up in the air and catch it in the same chord.

Beck recalled the night he and Stevie Ray Vaughan jammed with Guy at Buddy Guy’s Legends club in Chicago: “That was just the most incredible stuff I ever heard in my life. The three of us all jammed and it was so thrilling. That is as close you can come to the heart of the blues.” Image: Jeff Beck with Guy.

According to Jimmy Page: “Buddy Guy is an absolute monster” and “There were a number of albums that everybody got tuned into in the early days. There was one in particular called, I think, American Folk Festival Of The Blues, which featured Buddy Guy—he just astounded everybody.” Former Rolling Stones bassist Bill Wyman: “Guitar Legends do not come any better than Buddy Guy. He is feted by his peers and loved by his fans for his ability to make the guitar both talk and cry the blues… Such is Buddy’s mastery of the guitar that there is virtually no guitarist that he cannot imitate.” Guy has opened for the Rolling Stones on numerous tours since the early 1970s. Slash: "Buddy Guy is the perfect combination of R&B and hardcore rock and roll." ZZ Top’s Billy Gibbons: "He (Buddy Guy) ain't no trickster. He may appear surprised by his own instant ability but, clearly, he knows what's up." Lonnie Brooks: “Buddy Guy is a master. He’s the bravest guitar player I’ve ever seen on a bandstand. He’ll pull you into his trap and kill you. He owns that bandstand and everyone knows it when Buddy’s up there." Image:Guy performing with the Rolling Stones at the Orpheum Theatre, Boston. Image:Buddy Guy.

Awards

Guy previously served on the Hall of Fame’s nominating committee. Guy has won five Grammy Awards both for his work on his electric and acoustic guitars, and for contemporary and traditional forms of blues music. By 2004, Buddy Guy had also earned 23 W.C. Handy Awards (more than any other artist has received), Billboard magazine's The Century Award (Guy was its second recipient) for “distinguished artistic achievement,” the title of Greatest Living Electric Blues Guitarist, and the National Medal of Arts (awarded by the President to those who have made extraordinary contributions to the creation, growth and support in the arts in the United States).

Rock and Roll Hall of Fame

Guy was inducted into the Rock and Roll Hall of Fame on March 14, 2005 by Eric Clapton and B.B. King. Clapton recalled in 1965, seeing Guy perform in London’s The Marquee Club and was impressed by Guy’s playing, his looks, his star power. He remembered seeing Guy pick the guitar with his teeth and play it over his head—two tricks that later influenced Jimi Hendrix. Guy’s acceptance speech was concise: “If you don’t think you have the blues, just keep living.”

The Louisiana Music Hall Of Fame

In 2008, Budy Guy was inducted into The Louisiana Music Hall Of Fame while performing at Texas Club, Baton Rouge, LA.

Discography

Album Year Label Notes
Hoodoo Man Blues 1965 Delmark w/ Junior Wells band
Chicago/The Blues/Today! vol. 1 1966 Vanguard w/ Junior Wells band
It’s my Life, Baby! 1966 Vanguard w/ Junior Wells band
I Left My Blues in San Francisco 1967 Chess
A Man and the Blues 1968 Vanguard
Coming At You 1968 Vanguard
Blues Today 1968 Vanguard
This Is Buddy Guy (live) 1968 Vanguard
Hot And Cool 1969 Vanguard
First Time I Met the Blues-Python 1969
Buddy and the Juniors 1970 MCA w/ Junior Mance & Junior Wells
South Side Blues Jam 1970 Delmark w/ Junior Wells and Otis Spann
In The Beginning 1971 Red Lightnin’
Play The Blues 1972 Rhino w/ Junior Wells
Hold That Plane! 1972 Vanguard
I Was Walking Through the Woods 1974 Chess rec. 1960–64
Got to Use Your House 1979 Blues Ball
Stone Crazy 1981 Alligator
Alone & Acoustic 1981 Alligator
Drinkin' TNT 'n' Smokin' Dynamite (live) 1982 Blind Pig rec. 1974 Montreux Jazz Festival
DJ Play My Blues 1982 JSP Records
Dollar Done Fell 1982 JSP Records
Buddy Guy 1983 Chess
The Original Blues Brothers (live) 1983 Blue Moon
Ten Blue Fingers 1985 JSP Records
Atlantic Blues: Chicago 1986 Atlantic
Chess Masters 1987 Charly)
Live at the Checkerboard Lounge, Chicago-1979 1988 JSP Records
Breakin Out 1988 JSP Records
I Ain’t Got No Money 1989 Flyright
Alone & Acoustic 1991 Alligator rec. 1981 w/ Junior Wells
Damn Right, I've Got the Blues 1991 Silvertone/BMG
Buddy's Baddest: The Best of Buddy Guy 1991 Silvertone
My Time After Awhile 1992 Vanguard
The Very Best of Buddy Guy 1992 Rhino/WEA
The Complete Chess Studio Recordings 1992 Chess 2 CD, 1960–67
Live at Montreaux 1992 Evidence w/ Junior Wells
Feels Like Rain 1993 Silvertone
Slippin' In 1994 Silvertone
Live: The Real Deal 1996 Silvertone
Buddy's Blues 1997 Chess "Chess Masters"
Buddy’s Blues 1978-1982: The Best of the JSP Recordings 1998 JSP Records
As Good As It Gets 1998 Vanguard
Heavy Love 1998 Silvertone
Last Time Around - Live at Legends 1998 Jive w/Junior Wells
This Is Buddy Guy 1998 VMD
Blues Master 1998 Vanguard
Buddy’s Baddest: The Best of Buddy Guy 1999 Silvertone
The Complete Vanguard Recordings 2000 Vanguard
Every Day I Have the Blues 2000 Purple Pyramid w/ Junior Wells
20th Century Masters: The Millennium: The Best of Buddy Guy 2001 MCA
Sweet Tea 2001 Silvertone
Double Dynamite 2001 AIM Recording Co. Import
Blues Singer 2003 Silvertone
Chicago Blues Festival 1964 (live) 2003 Stardust
Jammin’ Blues Electric & Acoustic 2003 Sony
Live At the Mystery Club 2003 Quicksilver
A Night of the Blues 2005 w/ Junior Wells - Master Classics
Bring 'Em In 2005 Jive
Can't Quit The Blues:Box Set 2006 Silvertone/Legacy Recordings
Live: The Real Deal 2006 Sony w/ G.E. Smith & Saturday Night Live Band
Skin Deep 2008 Zomba
Album Year Label Notes
Folk Singer Chess
Baby Please Don’t Go Chess Import
The Super Duper Blues Band Chess Import
Muddy Waters Chess

References

  1. ^ "Buddy Guy". Rock and Roll Hall of Fame.
  2. ^ Lockhart, John M. "Words & Music", The Riverside Reader, February 4, 2008, p. 1
  • “Damn Right I've Got the Blues: Buddy Guy and the Blues Roots of Rock-And-Roll (1993) by Donald Wilcox and Buddy Guy, Duane Press 1999 paperback: ISBN 0-942627-13-X

See also

Wikimedia Commons has media related to Buddy Guy.

External links

Magazine articles

News articles

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