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| image = Margaret Drabble (2011).jpg
| image = Margaret Drabble (2011).jpg
| image_size = 250px
| image_size = 250px
| caption = Drabble at a book signing in 2011
| caption = Drabble in 2011
| honorific_prefix = [[Dame]]
| honorific_prefix = [[Dame]]
| name = Margaret Drabble
| name = Margaret Drabble
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}}
}}
| yearsactive = 1963–
| yearsactive = 1963–
| notableworks = {{unbulleted list|''[[The Garrick Year]]''|''[[The Millstone (novel)|The Millstone]]''|''[[Jerusalem the Golden]]''|''[[The Needle's Eye (novel)|The Needle's Eye]]''}}
| notableworks = {{unbulleted list|''[[A Summer Bird-Cage]]''|''[[The Garrick Year]]''|''[[The Millstone (novel)|The Millstone]]''|''[[Jerusalem the Golden]]''|''[[The Needle's Eye (novel)|The Needle's Eye]]''}}
| awards = {{awd|[[John Llewellyn Rhys Prize|John Llewellyn Rhys Memorial Prize]]|1966}} {{awd|[[James Tait Black Memorial Prize]]|1967}} {{awd|''[[The Yorkshire Post]]'' Book Award (Finest Fiction)|1972}} {{awd|[[American Academy of Arts and Letters]] [[E. M. Forster Award]]|1973}} {{awd|[[Golden PEN Award]]|2011}}
| awards = {{awards|[[John Llewellyn Rhys Prize|John Llewellyn Rhys Memorial Prize]]|1966}} {{awards|[[James Tait Black Memorial Prize]]|1967}} {{awards|''[[The Yorkshire Post]]'' Book Award (Finest Fiction)|1972}} {{awards|[[American Academy of Arts and Letters]] [[E. M. Forster Award]]|1973}} {{awards|[[Golden PEN Award]]|2011}}
| spouses = {{ubl
| spouses = {{ubl
| {{marriage|[[Clive Swift]]|1960|1975|reason=divorced}}
| {{marriage|[[Clive Swift]]|1960|1975|reason=divorced}}
| {{marriage|[[Michael Holroyd]]|1982}}
| {{marriage|[[Michael Holroyd]]|1982}}
}}
}}
| relatives = [[A. S. Byatt]] (sister)
| children = {{ubl
| children = {{ubl
| [[Rebecca Swift]]
| [[Adam Swift]]
| [[Adam Swift]]
| [[Rebecca Swift]]
| [[Joe Swift]]
| [[Joe Swift]]
}}
}}
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'''Dame Margaret Drabble, Lady Holroyd''', {{postnominals|country=GBR|size=100%|sep=,|DBE|FRSL}} (born 5 June 1939)<ref name="British Council: Literature"/> is an English biographer, [[novelist]] and short story writer.
'''Dame Margaret Drabble, Lady Holroyd''', {{postnominals|country=GBR|size=100%|sep=,|DBE|FRSL}} (born 5 June 1939)<ref name="British Council: Literature"/> is an English biographer, [[novelist]] and short story writer.


Drabble's books include won ''[[The Millstone (novel)|The Millstone]]'' (1965), which won the following year's [[John Llewellyn Rhys Prize|John Llewellyn Rhys Memorial Prize]], and ''[[Jerusalem the Golden]]'', which won the 1967 [[James Tait Black Memorial Prize]]. She was honoured by the [[University of Cambridge]] in 2006, having earlier received awards from numerous [[Red brick university|redbrick]] (e.g. [[University of Sheffield|Sheffield]], [[University of Hull|Hull]], [[University of Manchester|Manchester]],) and [[Plate glass university|plateglass universities]] (such as [[University of Bradford|Bradford]], [[Keele University|Keele]], [[University of East Anglia|East Anglia]] and [[University of York|York]]). She received the [[American Academy of Arts and Letters]] [[E. M. Forster Award]] in 1973.
Drabble's books include ''[[The Millstone (novel)|The Millstone]]'' (1965), which won the following year's [[John Llewellyn Rhys Prize|John Llewellyn Rhys Memorial Prize]], and ''[[Jerusalem the Golden]]'', which won the 1967 [[James Tait Black Memorial Prize]]. She was honoured by the [[University of Cambridge]] in 2006, having earlier received awards from numerous [[Red brick university|redbrick]] (e.g. [[University of Sheffield|Sheffield]], [[University of Hull|Hull]], [[University of Manchester|Manchester]],) and [[Plate glass university|plateglass universities]] (such as [[University of Bradford|Bradford]], [[Keele University|Keele]], [[University of East Anglia|East Anglia]] and [[University of York|York]]). She received the [[American Academy of Arts and Letters]] [[E. M. Forster Award]] in 1973.


Drabble also wrote biographies of [[Arnold Bennett]] and [[Angus Wilson]] and edited two editions of ''[[The Oxford Companion to English Literature]]'' and a book on [[Thomas Hardy]].
Drabble also wrote biographies of [[Arnold Bennett]] and [[Angus Wilson]] and edited two editions of ''[[The Oxford Companion to English Literature]]'' and a book on [[Thomas Hardy]].


==Early life==
==Early life==
Drabble was born in [[Sheffield]], the second daughter of the advocate and novelist John F. Drabble and the teacher Kathleen Marie ([[née]] Bloor). Her elder sister is the novelist and critic [[A. S. Byatt|Dame Antonia Byatt]] (A.S. Byatt);<ref name="British Council: Literature"/> the youngest sister is [[art historian]] Helen Langdon, and their brother, Richard Drabble, is a [[King's Counsel|KC]] (lawyer). Drabble's father participated in [[Jewish refugees from German-occupied Europe in the United Kingdom|the placement of Jewish refugees]] in Sheffield during the 1930s.<ref name="Art Thou Contented">{{cite news|url=https://www.tabletmag.com/sections/arts-letters/articles/art-thou-contented-jew|title=Art Thou Contented, Jew? The British novelist on England, the Jews, and anti-Semitism today|work=[[Tablet (magazine)|Tablet]]|first=Margaret|last=Drabble|date=20 April 2010}}</ref> Her mother was a [[George Bernard Shaw|Shavian]] and her father a [[Quakers|Quaker]].<ref name="Art Thou Contented"/>
Drabble was born in [[Sheffield]], the second daughter of the County Court judge and novelist [[John Drabble|John Frederick Drabble]] and the teacher Kathleen Marie (''[[née]]'' Bloor). Her elder sister was the novelist and critic [[A. S. Byatt]];<ref name="British Council: Literature"/> the youngest sister is [[art historian]] Helen Langdon, and their brother is the barrister Richard Drabble, [[King's Counsel|KC]]. Drabble's father participated in [[Jewish refugees from German-occupied Europe in the United Kingdom|the placement of Jewish refugees]] in Sheffield during the 1930s.<ref name="Art Thou Contented">{{cite news|url=https://www.tabletmag.com/sections/arts-letters/articles/art-thou-contented-jew|title=Art Thou Contented, Jew? The British novelist on England, the Jews, and anti-Semitism today|work=[[Tablet (magazine)|Tablet]]|first=Margaret|last=Drabble|date=20 April 2010}}</ref> Her mother was a [[George Bernard Shaw|Shavian]] and her father a [[Quakers|Quaker]].<ref name="Art Thou Contented"/>


After attending [[The Mount School, York|The Mount School]], a Quaker boarding school at [[York]] where her mother was employed, Drabble received a scholarship to [[Newnham College, Cambridge]].<ref name="British Council: Literature"/> She studied English Literature whilst attending Cambridge.<ref name="The Paris Review"/> She joined the [[Royal Shakespeare Company]] at [[Stratford-upon-Avon]] in 1960, and, before leaving to pursue a career in literary studies and [[writing]], served as an [[understudy]] for [[Vanessa Redgrave]] and [[Diana Rigg]].<ref name="British Council: Literature"/><ref>{{cite news|url=http://www.theguardian.com/stage/2020/sep/11/margaret-drabble-diana-rigg-understudy-royal-shakespeare-company|title=As Diana Rigg's understudy, I never tired of watching her — she was splendid|work=The Guardian|language=en|first=Margaret|last=Drabble|date=11 September 2020|access-date=5 November 2021}}</ref>
After attending [[The Mount School, York|The Mount School]], a Quaker boarding school at [[York]] where her mother was employed, Drabble received a scholarship to [[Newnham College, Cambridge]].<ref name="British Council: Literature"/> She studied English Literature whilst attending Cambridge.<ref name="The Paris Review"/> She joined the [[Royal Shakespeare Company]] at [[Stratford-upon-Avon]] in 1960, and, before leaving to pursue a career in literary studies and [[writing]], served as an [[understudy]] for [[Vanessa Redgrave]] and [[Diana Rigg]].<ref name="British Council: Literature"/><ref>{{cite news|url=http://www.theguardian.com/stage/2020/sep/11/margaret-drabble-diana-rigg-understudy-royal-shakespeare-company|title=As Diana Rigg's understudy, I never tired of watching her — she was splendid|work=The Guardian|language=en|first=Margaret|last=Drabble|date=11 September 2020|access-date=5 November 2021}}</ref>


==Personal life==
==Personal life==
Drabble was married to the actor [[Clive Swift]] between 1960 and 1975; they had three children, including the gardener and TV personality [[Joe Swift]], the academic [[Adam Swift]], and [[Rebecca Swift]] (d. 2017), who ran [[The Literary Consultancy]].<ref>{{cite news|url=https://www.theguardian.com/culture/2011/jun/17/life-writing-margaret-drabble-interview|title=A life in writing: Margaret Drabble|work=The Guardian|first=Lisa|last=Allardice|date=17 June 2011}}</ref><ref>{{cite news|url=http://www.islingtontribune.com/reviews/features/2011/may/feature-interview-margaret-drabble-talks-andrew-johnson|title=Feature: Interview — Margaret Drabble talks to Andrew Johnson|work=[[Islington Tribune]]|first=Andrew|last=Johnson|date=19 May 2011|archive-url=https://web.archive.org/web/20161112040937/http://www.islingtontribune.com/reviews/features/2011/may/feature-interview-margaret-drabble-talks-andrew-johnson|archive-date=12 November 2016}}</ref><ref>{{cite news|url=https://www.theguardian.com/books/2017/apr/25/rebecca-swift-obituary|title=Rebecca Swift obituary|work=The Guardian|first=Melanie|last=Silgardo|date=25 April 2017|access-date=7 May 2017}}</ref> In 1982, Drabble married the writer and biographer [[Michael Holroyd|Sir Michael Holroyd]];<ref name="Randall Stevenson 2004"/> they live in London and [[Somerset]].<ref name="British Council: Literature"/>
Drabble was married to the actor [[Clive Swift]] between 1960 and 1975. They had three children, the gardener and TV personality [[Joe Swift]]; the academic [[Adam Swift]]; and [[Rebecca Swift]] (d. 2017), who ran [[The Literary Consultancy]].<ref>{{cite news|url=https://www.theguardian.com/culture/2011/jun/17/life-writing-margaret-drabble-interview|title=A life in writing: Margaret Drabble|work=The Guardian|first=Lisa|last=Allardice|date=17 June 2011}}</ref><ref>{{cite news|url=http://www.islingtontribune.com/reviews/features/2011/may/feature-interview-margaret-drabble-talks-andrew-johnson|title=Feature: Interview — Margaret Drabble talks to Andrew Johnson|work=[[Islington Tribune]]|first=Andrew|last=Johnson|date=19 May 2011|archive-url=https://web.archive.org/web/20161112040937/http://www.islingtontribune.com/reviews/features/2011/may/feature-interview-margaret-drabble-talks-andrew-johnson|archive-date=12 November 2016}}</ref><ref>{{cite news|url=https://www.theguardian.com/books/2017/apr/25/rebecca-swift-obituary|title=Rebecca Swift obituary|work=The Guardian|first=Melanie|last=Silgardo|date=25 April 2017|access-date=7 May 2017}}</ref> In 1982, Drabble married the writer and biographer [[Michael Holroyd|Sir Michael Holroyd]];<ref name="Randall Stevenson 2004"/> they live in London and [[Somerset]].<ref name="British Council: Literature"/>


Drabble's relationship with her sister [[A. S. Byatt]] has sometimes been strained because of the presence of autobiographical elements in both their writing. While their relationship is no longer especially close and they do not read each other's books, Drabble describes the situation as "normal sibling rivalry"<ref>{{cite news|url=https://www.telegraph.co.uk/news/newstopics/mandrake/5062259/Why-Margaret-Drabble-is-not-A-S-Byatts-cup-of-tea.html|title=Why Margaret Drabble is not A. S. Byatt's cup of tea|work=The Daily Telegraph|accessdate=22 September 2011}}</ref> and Byatt says it has been "terribly overstated by gossip columnists" and that the sisters "always have liked each other on the bottom line."<ref>''[[Desert Island Discs]]'', [[BBC Radio 4]], 16 June 1991.</ref>
Drabble's relationship with her sister [[A. S. Byatt]] was sometimes strained because of autobiographical elements in both their writing. While their relationship was not especially close and they did not read each other's books, Drabble described the situation as "normal sibling rivalry"<ref>{{cite news|url=https://www.telegraph.co.uk/news/newstopics/mandrake/5062259/Why-Margaret-Drabble-is-not-A-S-Byatts-cup-of-tea.html|title=Why Margaret Drabble is not A. S. Byatt's cup of tea|work=The Daily Telegraph|date=27 March 2009}}</ref> and Byatt said it had been "terribly overstated by gossip columnists" and that the sisters "always have liked each other on the bottom line."<ref>''[[Desert Island Discs]]'', [[BBC Radio 4]], 16 June 1991.</ref>


When sought out for interview by ''[[The Paris Review]]'''s Barbara Milton in 1978, Drabble was described as "smaller than one might expect from looking at her photographs. Her face is finer, prettier and younger, surprisingly young for someone who has produced so many books in the past sixteen years. Her eyes are very clear and attentive and they soften when she is amused, as she often is, by the questions themselves and her own train of thought".<ref name="The Paris Review">{{cite journal|url=http://www.theparisreview.org/interviews/3440/the-art-of-fiction-no-70-margaret-drabble|title=Margaret Drabble, The Art of Fiction No. 70|journal=The Paris Review|first=Barbara|last=Milton|volume=Fall-Winter 1978|issue=74|date=Fall–Winter 1978}}</ref> In the same interview she admitted there were three writers for whom she felt an "immense admiration": [[Angus Wilson]], [[Saul Bellow]] and [[Doris Lessing]].<ref name="The Paris Review"/>
When sought out for interview by ''[[The Paris Review]]'''s Barbara Milton in 1978, Drabble was described as "smaller than one might expect from looking at her photographs. Her face is finer, prettier and younger, surprisingly young for someone who has produced so many books in the past sixteen years. Her eyes are very clear and attentive and they soften when she is amused, as she often is, by the questions themselves and her own train of thought".<ref name="The Paris Review">{{cite journal|url=http://www.theparisreview.org/interviews/3440/the-art-of-fiction-no-70-margaret-drabble|title=Margaret Drabble, The Art of Fiction No. 70|journal=The Paris Review|first=Barbara|last=Milton|volume=Fall-Winter 1978|issue=74|date=Fall–Winter 1978}}</ref> In the same interview she admitted there were three writers for whom she felt an "immense admiration": [[Angus Wilson]], [[Saul Bellow]] and [[Doris Lessing]].<ref name="The Paris Review"/>
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==Writing==
==Writing==
Drabble's early novels were published by [[Weidenfeld & Nicolson]] (1963–87), while the publishers of her later works were [[Penguin Books|Penguin]], [[Viking Press|Viking]] and [[Canongate Books|Canongate]], and a recurring theme is the correlation between contemporary England's society and its people. Most of her [[protagonist]]s are women<ref>{{cite web|url=https://ttu-ir.tdl.org/bitstream/handle/2346/59758/31295006056070.pdf|title=Margaret Drabble's reams of gall: the feminist writer who dislikes women|year=1991}}</ref><ref>{{cite web|url=https://theshortstory.co.uk/smiling-women-an-exploration-of-margaret-drabbles-short-stories-by-kate-jones/|title='Smiling Women: An Exploration Of Margaret Drabble's Short Stories'|publisher=TSS Publishing|first=Kate|last=Jones|date=16 January 2017}}</ref><ref>{{cite news|url=https://www.researchgate.net/publication/321681556_The_sap_began_to_flow_Nature_and_the_quest_for_the_female_self_in_margaret_drabble's_the_merry_widow|title='The sap began to flow': Nature and the quest for the female self in margaret drabble's [short story] 'the merry widow'|first=I. M. A.|last=Cuevas|date=January 2017|quote=Through her invariably female protagonists, Margaret Drabble frequently imprints her narratives with the concerns of women from very different contexts and at various stages in their lives in their quest for identity.}}</ref> and the realistic descriptions of her figures often derive from Drabble's personal experiences; thus, her first novels describe the life of young women during the 1960s and 1970s, for whom the conflict between motherhood and intellectual challenges is being brought into focus, while ''[[The Witch of Exmoor]]'', published in 1996, shows the withdrawn existence of an elderly writer. As [[Hilary Mantel]] wrote in 1989: "Drabble's heroines have aged with her, becoming solid and sour, more prone to drink and swear; yet with each successive book their earnest, moral nature blossoms".<ref name="Mantel 1989"/> Her characters' tragic faults reflect their political and economic situation. Drabble wrote novels, she claimed in 2011, "to keep myself company".<ref name="The Millstone 2011"/>
Drabble's early novels were published by [[Weidenfeld & Nicolson]] (1963–87), while the publishers of her later works were [[Penguin Books|Penguin]], [[Viking Press|Viking]] and [[Canongate Books|Canongate]], and a recurring theme is the correlation between contemporary England's society and its people. Most of her [[protagonist]]s are women<ref>{{cite web|url=https://ttu-ir.tdl.org/bitstream/handle/2346/59758/31295006056070.pdf|title=Margaret Drabble's reams of gall: the feminist writer who dislikes women|year=1991}}</ref><ref>{{cite web|url=https://theshortstory.co.uk/smiling-women-an-exploration-of-margaret-drabbles-short-stories-by-kate-jones/|title='Smiling Women: An Exploration Of Margaret Drabble's Short Stories'|publisher=TSS Publishing|first=Kate|last=Jones|date=16 January 2017}}</ref><ref>{{cite news|url=https://www.researchgate.net/publication/321681556|title='The sap began to flow': Nature and the quest for the female self in margaret drabble's [short story] 'the merry widow'|first=I. M. A.|last=Cuevas|date=January 2017|quote=Through her invariably female protagonists, Margaret Drabble frequently imprints her narratives with the concerns of women from very different contexts and at various stages in their lives in their quest for identity.}}</ref> and the realistic descriptions of her figures often derive from Drabble's personal experiences; thus, her first novels describe the life of young women during the 1960s and 1970s, for whom the conflict between motherhood and intellectual challenges is being brought into focus, while ''[[The Witch of Exmoor]]'', published in 1996, shows the withdrawn existence of an elderly writer. As [[Hilary Mantel]] wrote in 1989: "Drabble's heroines have aged with her, becoming solid and sour, more prone to drink and swear; yet with each successive book their earnest, moral nature blossoms".<ref name="Mantel 1989"/> Her characters' tragic faults reflect their political and economic situation. Drabble wrote novels, she claimed in 2011, "to keep myself company".<ref name="The Millstone 2011"/>


Her first novel, ''[[A Summer Bird-Cage]]'', was published in 1963. She wrote it, she said, because she had just got married and "the children—I had one and was expecting another—and writing was such a convenient career to combine with having a family".<ref name="The Paris Review"/> With it she found her "informal first-person narrative voice", which she said was an unexpected discovery.<ref name="The Millstone 2011"/> She maintained this approach for her first three books, having "liberated myself from the neutral critical prose of the university essay", which she nevertheless admitted she had enjoyed writing.<ref name="The Millstone 2011"/>
Her first novel, ''[[A Summer Bird-Cage]]'', was published in 1963. She wrote it, she said, because she had just got married and "the children—I had one and was expecting another—and writing was such a convenient career to combine with having a family".<ref name="The Paris Review"/> With it she found her "informal first-person narrative voice", which she said was an unexpected discovery.<ref name="The Millstone 2011"/> She maintained this approach for her first three books, having "liberated myself from the neutral critical prose of the university essay", which she nevertheless admitted she had enjoyed writing.<ref name="The Millstone 2011"/>
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Her second novel ''[[The Garrick Year]]'', published in 1964, drew upon her theatrical experience.<ref name="British Council: Literature"/> Her third novel, ''[[The Millstone (novel)|The Millstone]]'', was published in 1965. About a woman with a baby, Drabble made her character unmarried so as to avoid having to write about marriage or the baby's father.<ref name="The Millstone 2011"/> She used the personal experience of one of her own children's diagnosis with a [[lesion]] (a [[hole in the heart]]) to inform her writing on the illness she gave the child.<ref name="The Millstone 2011"/> Indeed, Drabble herself wrote ''The Millstone'' whilst pregnant with her own child, that is, her third.<ref name="The Millstone 2011">{{cite news|url=https://www.theguardian.com/books/2011/mar/19/book-club-margaret-drabble-millstone|title=The Millstone by Margaret Drabble|work=The Guardian|first=Margaret|last=Drabble|date=19 March 2011}}</ref> On the book's fiftieth anniversary in 2015, [[Tessa Hadley]] described it as "the seminal [[1960s|60s]] feminist novel that [[Doris Lessing]]'s ''[[The Golden Notebook]]'' is always supposed to be".<ref>{{cite news|url=https://www.theguardian.com/books/2015/may/15/the-millstone-the-crucial-1960s-feminist-novel|title=The Millstone – the crucial 1960s feminist novel|work=The Guardian|first=Tessa|last=Hadley|date=15 May 2015}}</ref> Drabble admitted, years after writing ''The Millstone'': "I didn't realise until many years later that some of the medical details I invented were way off the mark".<ref name="The Millstone 2011"/>
Her second novel ''[[The Garrick Year]]'', published in 1964, drew upon her theatrical experience.<ref name="British Council: Literature"/> Her third novel, ''[[The Millstone (novel)|The Millstone]]'', was published in 1965. About a woman with a baby, Drabble made her character unmarried so as to avoid having to write about marriage or the baby's father.<ref name="The Millstone 2011"/> She used the personal experience of one of her own children's diagnosis with a [[lesion]] (a [[hole in the heart]]) to inform her writing on the illness she gave the child.<ref name="The Millstone 2011"/> Indeed, Drabble herself wrote ''The Millstone'' whilst pregnant with her own child, that is, her third.<ref name="The Millstone 2011">{{cite news|url=https://www.theguardian.com/books/2011/mar/19/book-club-margaret-drabble-millstone|title=The Millstone by Margaret Drabble|work=The Guardian|first=Margaret|last=Drabble|date=19 March 2011}}</ref> On the book's fiftieth anniversary in 2015, [[Tessa Hadley]] described it as "the seminal [[1960s|60s]] feminist novel that [[Doris Lessing]]'s ''[[The Golden Notebook]]'' is always supposed to be".<ref>{{cite news|url=https://www.theguardian.com/books/2015/may/15/the-millstone-the-crucial-1960s-feminist-novel|title=The Millstone – the crucial 1960s feminist novel|work=The Guardian|first=Tessa|last=Hadley|date=15 May 2015}}</ref> Drabble admitted, years after writing ''The Millstone'': "I didn't realise until many years later that some of the medical details I invented were way off the mark".<ref name="The Millstone 2011"/>


Drabble's fourth novel, ''[[Jerusalem the Golden]]'', was published in 1967. It is also about a woman, an English woman who, not unlike Drabble, is from the north of the country and is attending university in London.<ref name="British Council: Literature"/> Her fifth novel, ''[[The Waterfall (novel)|The Waterfall]]'', was published in 1969. It is experimental.<ref name="British Council: Literature"/> Drabble's sixth novel, ''[[The Needle's Eye (novel)|The Needle's Eye]]'', was published in 1972.<ref name="Randall Stevenson 2004">{{cite web|url=https://books.google.com/books?id=2q2m1alqgywC&pg=PA541|title=''The Oxford English Literary History: Volume 12: The Last of England''|publisher=Oxford University Press|first=Randall|last=Stevenson|year=2004|page=541}}</ref> It is about an [[heir]]ess who gives away her [[inheritance]].<ref name="British Council: Literature"/> Her seventh novel ''[[The Realms of Gold]]'', published in 1975, has a lady [[Archaeology|archaeologist]] as its central character.<ref name="British Council: Literature"/> Her eighth novel ''[[The Ice Age (novel)|The Ice Age]]'', published in 1977, is set in 1970s England and the social and economic conditions of that time.<ref name="British Council: Literature"/> Drabble's ninth novel ''[[The Middle Ground]]'', published in 1980, has a lady journalist as its central character.<ref name="British Council: Literature"/> [[Margaret Forster]], normally one of her kinder reviewers, called ''The Middle Ground'' "not a novel but a [[Sociology|sociological]] treatise".<ref name="Mantel 1989">{{cite magazine|url=https://www.nybooks.com/articles/1989/11/23/england-whose-england/|title=England, Whose England?|work=The New York Review of Books|first=Hilary|last=Mantel|date=23 November 1989}}</ref>
Drabble's fourth novel, ''[[Jerusalem the Golden]]'', was published in 1967. It is also about a woman, an English woman who, not unlike Drabble, is from the north of the country and is attending university in London.<ref name="British Council: Literature"/> Her fifth novel, ''[[The Waterfall (novel)|The Waterfall]]'', was published in 1969. It is experimental.<ref name="British Council: Literature"/> Drabble's sixth novel, ''[[The Needle's Eye (novel)|The Needle's Eye]]'', was published in 1972.<ref name="Randall Stevenson 2004">{{cite book|url=https://books.google.com/books?id=2q2m1alqgywC&pg=PA541|title=''The Oxford English Literary History: Volume 12: The Last of England''|publisher=Oxford University Press|first=Randall|last=Stevenson|year=2004|page=541|isbn=978-0-19-158884-6 }}</ref> It is about an [[heir]]ess who gives away her [[inheritance]].<ref name="British Council: Literature"/> Her seventh novel ''[[The Realms of Gold]]'', published in 1975, has a lady [[Archaeology|archaeologist]] as its central character.<ref name="British Council: Literature"/> Her eighth novel ''[[The Ice Age (novel)|The Ice Age]]'', published in 1977, is set in 1970s England and the social and economic conditions of that time.<ref name="British Council: Literature"/> Drabble's ninth novel ''[[The Middle Ground]]'', published in 1980, has a lady journalist as its central character.<ref name="British Council: Literature"/> [[Margaret Forster]], normally one of her kinder reviewers, called ''The Middle Ground'' "not a novel but a [[Sociology|sociological]] treatise".<ref name="Mantel 1989">{{cite magazine|url=https://www.nybooks.com/articles/1989/11/23/england-whose-england/|title=England, Whose England?|magazine=The New York Review of Books|first=Hilary|last=Mantel|date=23 November 1989}}</ref>


Her eleventh novel, titled ''[[A Natural Curiosity]]'', published in 1989, continues the story of characters from her tenth novel, titled ''[[The Radiant Way]]'', which was published in 1987. Drabble apologised to her readers in a [[preface]] to ''A Natural Curiosity'' and said a sequel had been unintended.<ref>{{cite news|url=http://articles.latimes.com/1989-09-24/books/bk-133_1_natural-curiosity|title=Psychoanalyzing Britain: A NATURAL CURIOSITY by Margaret Drabble (Viking: $19.95; 309 pp.)|newspaper=Los Angeles Times|language=en-US|issn=0458-3035|first=Hermione|last=Lee|date=1989-09-24|access-date=2016-03-23}}</ref> Her thirteenth novel ''[[The Witch of Exmoor]]'', published in 1996, treats of contemporary Britain.<ref name="British Council: Literature"/> Drabble's fourteenth novel ''[[The Peppered Moth]]'', published in 2001, treats of a young girl growing up in a mining town in [[South Yorkshire]] and spans four generations of her family.<ref name="British Council: Literature"/> Her fifteenth novel ''[[The Seven Sisters (novel)|The Seven Sisters]]'', published in 2002, is about a woman whose marriage has collapsed and off she goes to Italy.<ref name="British Council: Literature"/> ''[[The Observer]]'' referred to part of her sixteeth novel, ''[[The Red Queen (Drabble novel)|The Red Queen]]'' (published in 2004), as "[[Psychobabble|psychodrabble]]", noting her claim in the book's preface that she is seeking "universal transcultural human characteristics".<ref>{{cite news|url=https://www.theguardian.com/books/2004/aug/22/fiction.features|title=Seoul destroying|work=[[The Observer]]|language=en-GB|issn=0261-3077|first=David|last=Jays|date=21 August 2004}}</ref> [[Ursula K. Le Guin]] compared Drabble's seventeenth novel, ''[[The Sea Lady (Drabble novel)|The Sea Lady]]'' (published in 2006), favourably with her earlier book ''The Needle's Eye''.<ref>{{cite news|url=https://www.theguardian.com/books/2006/jul/22/featuresreviews.guardianreview13|title=Mermaid on Dry Land|work=The Guardian|first=Ursula K.|last=Le Guin|authorlink=Ursula K. Le Guin|date=22 July 2006}}</ref> In 2009, Drabble announced she would cease to write fiction, for fear of "repeating herself".<ref>{{cite news|url=https://www.npr.org/2013/10/20/225461025/margaret-drabble-spins-a-mother-daughter-yarn-into-gold|title=Margaret Drabble Spins A Mother-Daughter Yarn Into 'Gold'|publisher=[[NPR]]|first=Meg|last=Wolitzer|date=2 October 2013}}</ref> The same year, she published her [[memoir]] ''The Pattern in the Carpet: A Personal History with Jigsaws''.<ref name="British Council: Literature"/>
Her eleventh novel, titled ''[[A Natural Curiosity]]'', published in 1989, continues the story of characters from her tenth novel, titled ''[[The Radiant Way]]'', which was published in 1987. Drabble apologised to her readers in a [[preface]] to ''A Natural Curiosity'' and said a sequel had been unintended.<ref>{{cite news|url=http://articles.latimes.com/1989-09-24/books/bk-133_1_natural-curiosity|title=Psychoanalyzing Britain: A NATURAL CURIOSITY by Margaret Drabble (Viking: $19.95; 309 pp.)|newspaper=Los Angeles Times|language=en-US|issn=0458-3035|first=Hermione|last=Lee|date=1989-09-24|access-date=2016-03-23}}</ref> Her thirteenth novel ''[[The Witch of Exmoor]]'', published in 1996, treats of contemporary Britain.<ref name="British Council: Literature"/> Drabble's fourteenth novel ''[[The Peppered Moth]]'', published in 2001, treats of a young girl growing up in a mining town in [[South Yorkshire]] and spans four generations of her family.<ref name="British Council: Literature"/> Her fifteenth novel ''[[The Seven Sisters (novel)|The Seven Sisters]]'', published in 2002, is about a woman whose marriage has collapsed and off she goes to Italy.<ref name="British Council: Literature"/> ''[[The Observer]]'' referred to part of her sixteenth novel, ''[[The Red Queen (Drabble novel)|The Red Queen]]'' (published in 2004), as "[[Psychobabble|psychodrabble]]", noting her claim in the book's preface that she is seeking "universal transcultural human characteristics".<ref>{{cite news|url=https://www.theguardian.com/books/2004/aug/22/fiction.features|title=Seoul destroying|work=[[The Observer]]|language=en-GB|issn=0261-3077|first=David|last=Jays|date=21 August 2004}}</ref> [[Ursula K. Le Guin]] compared Drabble's seventeenth novel, ''[[The Sea Lady (Drabble novel)|The Sea Lady]]'' (published in 2006), favourably with her earlier book ''The Needle's Eye''.<ref>{{cite news|url=https://www.theguardian.com/books/2006/jul/22/featuresreviews.guardianreview13|title=Mermaid on Dry Land|work=The Guardian|first=Ursula K.|last=Le Guin|authorlink=Ursula K. Le Guin|date=22 July 2006}}</ref> In 2009, Drabble announced she would cease to write fiction, for fear of "repeating herself".<ref>{{cite news|url=https://www.npr.org/2013/10/20/225461025/margaret-drabble-spins-a-mother-daughter-yarn-into-gold|title=Margaret Drabble Spins A Mother-Daughter Yarn Into 'Gold'|publisher=[[NPR]]|first=Meg|last=Wolitzer|date=2 October 2013}}</ref> The same year, she published her [[memoir]] ''The Pattern in the Carpet: A Personal History with Jigsaws''.<ref name="British Council: Literature"/>


''A Day in the Life of a Smiling Woman,'' a collection of the 14 short stories that Drabble published between 1966 and 2000, appeared in 2011.<ref>{{cite news|url=https://www.theguardian.com/books/2013/apr/14/day-smiling-woman-drabble-review|title=A Day in the Life of a Smiling Woman: The Collected Stories by Margaret Drabble — review|work=The Guardian|first=Natasha|last=Tripney|date=14 April 2013|quote=This collection of 14 stories, assembled by the Spanish academic José Francisco Fernández, spans four decades of Margaret Drabble's writing career, from 1966 to 2000.}}</ref><ref>{{cite news|url=https://www.theguardian.com/books/2011/jun/30/margaret-drabble-smiling-woman-review|title=A Day in the Life of a Smiling Woman by Margaret Drabble — review|work=The Guardian|first=Elaine|last=Showalter|authorlink=Elaine Showalter|date=30 June 2011}}</ref> Drabble's other writing includes several screenplays, plays and short stories, as well as non-fiction such as ''A Writer's Britain: Landscape and Literature'' and biographies of [[Arnold Bennett]] and [[Angus Wilson]].<ref name="Randall Stevenson 2004"/> Her critical works include studies of [[William Wordsworth]] and [[Thomas Hardy]]. She edited two editions of ''[[The Oxford Companion to English Literature]]'' in 1985 and 2000.<ref name="Randall Stevenson 2004"/>
''A Day in the Life of a Smiling Woman,'' a collection of the 14 short stories that Drabble published between 1966 and 2000, appeared in 2011.<ref>{{cite news|url=https://www.theguardian.com/books/2013/apr/14/day-smiling-woman-drabble-review|title=A Day in the Life of a Smiling Woman: The Collected Stories by Margaret Drabble — review|work=The Guardian|first=Natasha|last=Tripney|date=14 April 2013|quote=This collection of 14 stories, assembled by the Spanish academic José Francisco Fernández, spans four decades of Margaret Drabble's writing career, from 1966 to 2000.}}</ref><ref>{{cite news|url=https://www.theguardian.com/books/2011/jun/30/margaret-drabble-smiling-woman-review|title=A Day in the Life of a Smiling Woman by Margaret Drabble — review|work=The Guardian|first=Elaine|last=Showalter|authorlink=Elaine Showalter|date=30 June 2011}}</ref> Drabble's other writing includes several screenplays, plays and short stories, as well as non-fiction such as ''A Writer's Britain: Landscape and Literature'' and biographies of [[Arnold Bennett]] and [[Angus Wilson]].<ref name="Randall Stevenson 2004"/> Her critical works include studies of [[William Wordsworth]] and [[Thomas Hardy]]. She edited two editions of ''[[The Oxford Companion to English Literature]]'' in 1985 and 2000.<ref name="Randall Stevenson 2004"/>


Drabble served as chairman<!-- THE SOURCE USES CHAIRMAN --> of the National Book League (now [[Booktrust Early Years Award|Booktrust]]) from 1980 until 1982.<ref name="British Council: Literature">{{cite web|url=https://literature.britishcouncil.org/writer/margaret-drabble|title=Margaret Drabble|publisher=[[British Council]]: Literature|accessdate=25 October 2022}}</ref>
==Other work==
Drabble served as chairman of the National Book League (now [[Booktrust Early Years Award|Booktrust]]) from 1980 until 1982.<ref name="British Council: Literature">{{cite web|url=https://literature.britishcouncil.org/writer/margaret-drabble|title=Margaret Drabble|publisher=[[British Council]]: Literature|accessdate=25 October 2022}}</ref>


==Awards and honours==
==Awards and honours==
Drabble was appointed [[Commander of the Order of the British Empire]] (CBE) in [[Elizabeth II]]'s [[1980 Birthday Honours]],<ref>{{London Gazette|issue=48212|supp=y|page=8|date=13 June 1980}}</ref> and was promoted to [[Dame Commander of the Order of the British Empire]] (DBE) in the [[2008 Birthday Honours]].<ref name="British Council: Literature"/><ref>{{London Gazette|issue=58729|supp=y|page=6|date=14 June 2008}}</ref>
Drabble was appointed [[Commander of the Order of the British Empire]] (CBE) in [[Elizabeth II]]'s [[1980 Birthday Honours#Commander of the Order of the British Empire (CBE)|1980 Birthday Honours]],<ref>{{London Gazette|issue=48212|supp=y|page=8|date=13 June 1980}}</ref> and was promoted to [[Dame Commander of the Order of the British Empire]] (DBE) in the [[2008 Birthday Honours]].<ref name="British Council: Literature"/><ref>{{London Gazette|issue=58729|supp=y|page=6|date=14 June 2008}}</ref>


*1966: [[John Llewellyn Rhys Prize|John Llewellyn Rhys Memorial Prize]], for ''[[The Millstone (novel)|The Millstone]]''<ref>{{cite web|url=http://facstaff.unca.edu/moseley/rhys.html|title=The Mail on Sunday/John Llewllyn Rhys Prize|access-date=9 July 2009|archive-date=4 December 2005|archive-url=https://web.archive.org/web/20051204020406/http://facstaff.unca.edu/moseley/rhys.html}}</ref>
*1966: [[John Llewellyn Rhys Prize|John Llewellyn Rhys Memorial Prize]], for ''[[The Millstone (novel)|The Millstone]]''<ref>{{cite web|url=http://facstaff.unca.edu/moseley/rhys.html|title=The Mail on Sunday/John Llewllyn Rhys Prize|access-date=9 July 2009|archive-date=4 December 2005|archive-url=https://web.archive.org/web/20051204020406/http://facstaff.unca.edu/moseley/rhys.html}}</ref>
*1967: [[James Tait Black Memorial Prize]], for ''[[Jerusalem the Golden]]''<ref>{{cite web|url=http://www.ed.ac.uk/news/events/tait-black/winners|title=Previous winners|publisher=James Tait Black Memorial Prize|access-date=26 August 2013}}</ref>
*1967: [[James Tait Black Memorial Prize]], for ''[[Jerusalem the Golden]]''<ref>{{cite web|url=http://www.ed.ac.uk/news/events/tait-black/winners|title=Previous winners|publisher=James Tait Black Memorial Prize|access-date=26 August 2013}}</ref>
*1972: ''[[The Yorkshire Post]]'' Book Award (Finest Fiction), for ''[[The Needle's Eye (novel)|The Needle's Eye]]''<ref name="British Council: Literature"/>
*1972: ''[[The Yorkshire Post]]'' Book Award (Finest Fiction), for ''[[The Needle's Eye (novel)|The Needle's Eye]]''<ref name="British Council: Literature"/>
*1973: [[American Academy of Arts and Letters]] [[E. M. Forster Award]]<ref name="British Council: Literature"/>
*1973: [[American Academy of Arts and Letters]] [[E. M. Forster Award]]<ref name="British Council: Literature"/>
*1976: [[Honorary degree|Honorary]] doctorate from the [[University of Sheffield]]<ref name="British Council: Literature"/>
*1976: [[Honorary degree|Honorary]] doctorate from the [[University of Sheffield]]<ref name="British Council: Literature"/>
*1987: Honorary doctorate from the [[University of Manchester]]<ref name="British Council: Literature"/>
*1987: Honorary doctorate from the [[University of Manchester]]<ref name="British Council: Literature"/>
Line 115: Line 115:
*''Wordsworth'' (''Literature in Perspective'' series) (1966) {{ISBN|978-0668019439}}
*''Wordsworth'' (''Literature in Perspective'' series) (1966) {{ISBN|978-0668019439}}
*''Arnold Bennett: A Biography'' (1974) {{ISBN|978-0571255092}}
*''Arnold Bennett: A Biography'' (1974) {{ISBN|978-0571255092}}
*''For Queen and Country: Britain in the Victorian Age'' (1978) [[André Deutsch]] {{ISBN|978-0233969398}}
*''For Queen and Country: Britain in the Victorian Age'' (1978) from the 'Mirror of Britain' series [[André Deutsch]] {{ISBN|978-0233969398}}
*''A Writer's Britain: Landscape in Literature'' (1979) {{ISBN|978-0500514931}}
*''A Writer's Britain: Landscape in Literature'' (1979) {{ISBN|978-0500514931}}
*''Stratford Revisited: A Legacy of the Sixties'' (1989) from the Gareth Lloyd Evans Shakespeare Lecture
*''Angus Wilson: A Biography'' (1995) [[Secker & Warburg]] {{ISBN|978-0436200380}}
*''Angus Wilson: A Biography'' (1995) [[Secker & Warburg]] {{ISBN|978-0436200380}}
*''The Pattern in the Carpet: A Personal History with Jigsaws'' (2009) {{ISBN|978-0547241449}}
*''The Pattern in the Carpet: A Personal History with Jigsaws'' (2009) {{ISBN|978-0547241449}}
Line 126: Line 127:


===Critical studies and reviews of Drabble's work===
===Critical studies and reviews of Drabble's work===
*{{cite journal|title=Fragmented bodies/selves/narratives: Margaret Drabble's postmodern turn|journal=Contemporary Literature|publisher=University of Wisconsin Press|first=Roberta|last=Rubenstein|date=Spring 1994|volume=35|issue=1|page=136–155}} (20 pages)<ref>{{cite web|url=https://www.jstor.org/stable/1208739|title=Fragmented Bodies/Selves/Narratives: Margaret Drabble's Postmodern Turn|publisher=University of Wisconsin Press|first=Roberta|last=Rubenstein|date=Spring 1994|volume=35|issue=1}}</ref>
*{{cite journal|title=Fragmented bodies/selves/narratives: Margaret Drabble's postmodern turn|journal=Contemporary Literature|publisher=University of Wisconsin Press|first=Roberta|last=Rubenstein|date=Spring 1994|volume=35|issue=1|pages=136–155|doi=10.2307/1208739 |jstor=1208739 }} (20 pages)<ref>{{cite journal|url=https://www.jstor.org/stable/1208739|title=Fragmented Bodies/Selves/Narratives: Margaret Drabble's Postmodern Turn|publisher=University of Wisconsin Press|first=Roberta|last=Rubenstein|journal=Contemporary Literature |date=Spring 1994|volume=35|issue=1|pages=136–155 |doi=10.2307/1208739 |jstor=1208739 }}</ref>
*Glenda Leeming. ''Margaret Drabble'' (Liverpool University Press; 2004, 2020) {{isbn|9781786946546}}
*Glenda Leeming. ''Margaret Drabble'' (Liverpool University Press; 2004, 2020) {{isbn|9781786946546}}


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{{Authority control}}
{{Authority control}}

{{DEFAULTSORT:Drabble, Margaret}}
{{DEFAULTSORT:Drabble, Margaret}}
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[[Category:1939 births]]
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[[Category:People educated at The Mount School, York]]
[[Category:People educated at The Mount School, York]]
[[Category:Swift family]]
[[Category:Swift family]]
[[Category:Wives of knights]]
[[Category:Writers from Sheffield]]
[[Category:Writers from Sheffield]]
[[Category:20th-century biographers]]
[[Category:20th-century British biographers]]
[[Category:20th-century British short story writers]]
[[Category:20th-century English short story writers]]
[[Category:20th-century English novelists]]
[[Category:20th-century English novelists]]
[[Category:20th-century English women writers]]
[[Category:20th-century English women writers]]
[[Category:21st-century biographers]]
[[Category:21st-century British biographers]]
[[Category:21st-century English novelists]]
[[Category:21st-century English novelists]]
[[Category:21st-century English women writers]]
[[Category:21st-century English women writers]]

Latest revision as of 23:40, 19 April 2024


Margaret Drabble

Drabble in 2011
Drabble in 2011
Born (1939-06-05) 5 June 1939 (age 84)
Sheffield, South Yorkshire, England
Occupation
  • Biographer
  • novelist
  • short story writer
EducationNewnham College, University of Cambridge
Years active1963–
Notable works
Notable awardsJohn Llewellyn Rhys Memorial Prize
1966
James Tait Black Memorial Prize
1967
The Yorkshire Post Book Award (Finest Fiction)
1972
American Academy of Arts and Letters E. M. Forster Award
1973
Golden PEN Award
2011
Spouses
  • (m. 1960; div. 1975)
  • (m. 1982)
Children
RelativesA. S. Byatt (sister)

Dame Margaret Drabble, Lady Holroyd, DBE, FRSL (born 5 June 1939)[1] is an English biographer, novelist and short story writer.

Drabble's books include The Millstone (1965), which won the following year's John Llewellyn Rhys Memorial Prize, and Jerusalem the Golden, which won the 1967 James Tait Black Memorial Prize. She was honoured by the University of Cambridge in 2006, having earlier received awards from numerous redbrick (e.g. Sheffield, Hull, Manchester,) and plateglass universities (such as Bradford, Keele, East Anglia and York). She received the American Academy of Arts and Letters E. M. Forster Award in 1973.

Drabble also wrote biographies of Arnold Bennett and Angus Wilson and edited two editions of The Oxford Companion to English Literature and a book on Thomas Hardy.

Early life[edit]

Drabble was born in Sheffield, the second daughter of the County Court judge and novelist John Frederick Drabble and the teacher Kathleen Marie (née Bloor). Her elder sister was the novelist and critic A. S. Byatt;[1] the youngest sister is art historian Helen Langdon, and their brother is the barrister Richard Drabble, KC. Drabble's father participated in the placement of Jewish refugees in Sheffield during the 1930s.[2] Her mother was a Shavian and her father a Quaker.[2]

After attending The Mount School, a Quaker boarding school at York where her mother was employed, Drabble received a scholarship to Newnham College, Cambridge.[1] She studied English Literature whilst attending Cambridge.[3] She joined the Royal Shakespeare Company at Stratford-upon-Avon in 1960, and, before leaving to pursue a career in literary studies and writing, served as an understudy for Vanessa Redgrave and Diana Rigg.[1][4]

Personal life[edit]

Drabble was married to the actor Clive Swift between 1960 and 1975. They had three children, the gardener and TV personality Joe Swift; the academic Adam Swift; and Rebecca Swift (d. 2017), who ran The Literary Consultancy.[5][6][7] In 1982, Drabble married the writer and biographer Sir Michael Holroyd;[8] they live in London and Somerset.[1]

Drabble's relationship with her sister A. S. Byatt was sometimes strained because of autobiographical elements in both their writing. While their relationship was not especially close and they did not read each other's books, Drabble described the situation as "normal sibling rivalry"[9] and Byatt said it had been "terribly overstated by gossip columnists" and that the sisters "always have liked each other on the bottom line."[10]

When sought out for interview by The Paris Review's Barbara Milton in 1978, Drabble was described as "smaller than one might expect from looking at her photographs. Her face is finer, prettier and younger, surprisingly young for someone who has produced so many books in the past sixteen years. Her eyes are very clear and attentive and they soften when she is amused, as she often is, by the questions themselves and her own train of thought".[3] In the same interview she admitted there were three writers for whom she felt an "immense admiration": Angus Wilson, Saul Bellow and Doris Lessing.[3]

Views on the 2003 invasion of Iraq[edit]

In the aftermath of the 2003 invasion of Iraq, Drabble wrote of the anticipated wave of anti-Americanism, saying: "My anti-Americanism has become almost uncontrollable. It has possessed me, like a disease. It rises up in my throat like acid reflux, that fashionable American sickness. I now loathe the United States and what it has done to Iraq and the rest of the helpless world", despite "remembering the many Americans that I know and respect". She wrote of her distress at images of the war, her objections to Jack Straw about the Guantanamo Bay detention camp and "American imperialism, American infantilism, and American triumphalism about victories it didn't even win". She recalled George Orwell's words in Nineteen Eighty-Four about "the intoxication of power" and "the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face — for ever". She closed by saying, "I hate feeling this hatred. I have to keep reminding myself that if Bush hadn't been (so narrowly) elected, we wouldn't be here, and none of this would have happened. There is another America. Long live the other America, and may this one pass away soon".[11]

Writing[edit]

Drabble's early novels were published by Weidenfeld & Nicolson (1963–87), while the publishers of her later works were Penguin, Viking and Canongate, and a recurring theme is the correlation between contemporary England's society and its people. Most of her protagonists are women[12][13][14] and the realistic descriptions of her figures often derive from Drabble's personal experiences; thus, her first novels describe the life of young women during the 1960s and 1970s, for whom the conflict between motherhood and intellectual challenges is being brought into focus, while The Witch of Exmoor, published in 1996, shows the withdrawn existence of an elderly writer. As Hilary Mantel wrote in 1989: "Drabble's heroines have aged with her, becoming solid and sour, more prone to drink and swear; yet with each successive book their earnest, moral nature blossoms".[15] Her characters' tragic faults reflect their political and economic situation. Drabble wrote novels, she claimed in 2011, "to keep myself company".[16]

Her first novel, A Summer Bird-Cage, was published in 1963. She wrote it, she said, because she had just got married and "the children—I had one and was expecting another—and writing was such a convenient career to combine with having a family".[3] With it she found her "informal first-person narrative voice", which she said was an unexpected discovery.[16] She maintained this approach for her first three books, having "liberated myself from the neutral critical prose of the university essay", which she nevertheless admitted she had enjoyed writing.[16]

Her second novel The Garrick Year, published in 1964, drew upon her theatrical experience.[1] Her third novel, The Millstone, was published in 1965. About a woman with a baby, Drabble made her character unmarried so as to avoid having to write about marriage or the baby's father.[16] She used the personal experience of one of her own children's diagnosis with a lesion (a hole in the heart) to inform her writing on the illness she gave the child.[16] Indeed, Drabble herself wrote The Millstone whilst pregnant with her own child, that is, her third.[16] On the book's fiftieth anniversary in 2015, Tessa Hadley described it as "the seminal 60s feminist novel that Doris Lessing's The Golden Notebook is always supposed to be".[17] Drabble admitted, years after writing The Millstone: "I didn't realise until many years later that some of the medical details I invented were way off the mark".[16]

Drabble's fourth novel, Jerusalem the Golden, was published in 1967. It is also about a woman, an English woman who, not unlike Drabble, is from the north of the country and is attending university in London.[1] Her fifth novel, The Waterfall, was published in 1969. It is experimental.[1] Drabble's sixth novel, The Needle's Eye, was published in 1972.[8] It is about an heiress who gives away her inheritance.[1] Her seventh novel The Realms of Gold, published in 1975, has a lady archaeologist as its central character.[1] Her eighth novel The Ice Age, published in 1977, is set in 1970s England and the social and economic conditions of that time.[1] Drabble's ninth novel The Middle Ground, published in 1980, has a lady journalist as its central character.[1] Margaret Forster, normally one of her kinder reviewers, called The Middle Ground "not a novel but a sociological treatise".[15]

Her eleventh novel, titled A Natural Curiosity, published in 1989, continues the story of characters from her tenth novel, titled The Radiant Way, which was published in 1987. Drabble apologised to her readers in a preface to A Natural Curiosity and said a sequel had been unintended.[18] Her thirteenth novel The Witch of Exmoor, published in 1996, treats of contemporary Britain.[1] Drabble's fourteenth novel The Peppered Moth, published in 2001, treats of a young girl growing up in a mining town in South Yorkshire and spans four generations of her family.[1] Her fifteenth novel The Seven Sisters, published in 2002, is about a woman whose marriage has collapsed and off she goes to Italy.[1] The Observer referred to part of her sixteenth novel, The Red Queen (published in 2004), as "psychodrabble", noting her claim in the book's preface that she is seeking "universal transcultural human characteristics".[19] Ursula K. Le Guin compared Drabble's seventeenth novel, The Sea Lady (published in 2006), favourably with her earlier book The Needle's Eye.[20] In 2009, Drabble announced she would cease to write fiction, for fear of "repeating herself".[21] The same year, she published her memoir The Pattern in the Carpet: A Personal History with Jigsaws.[1]

A Day in the Life of a Smiling Woman, a collection of the 14 short stories that Drabble published between 1966 and 2000, appeared in 2011.[22][23] Drabble's other writing includes several screenplays, plays and short stories, as well as non-fiction such as A Writer's Britain: Landscape and Literature and biographies of Arnold Bennett and Angus Wilson.[8] Her critical works include studies of William Wordsworth and Thomas Hardy. She edited two editions of The Oxford Companion to English Literature in 1985 and 2000.[8]

Drabble served as chairman of the National Book League (now Booktrust) from 1980 until 1982.[1]

Awards and honours[edit]

Drabble was appointed Commander of the Order of the British Empire (CBE) in Elizabeth II's 1980 Birthday Honours,[24] and was promoted to Dame Commander of the Order of the British Empire (DBE) in the 2008 Birthday Honours.[1][25]

Bibliography[edit]

Novels[edit]

  • A Summer Bird-Cage, Weidenfeld & Nicolson (1963) ISBN 978-0140026344
  • The Garrick Year, Weidenfeld & Nicolson (1964) ISBN 978-0140025491
  • The Millstone, Weidenfeld & Nicolson (1965) ISBN 978-0297178811
  • Jerusalem the Golden, Weidenfeld & Nicolson (1967) ISBN 978-0297748106
  • The Waterfall, Weidenfeld & Nicolson (1969) ISBN 978-0452260177
  • The Needle's Eye, Weidenfeld & Nicolson (1972) ISBN 978-0156029353
  • The Realms of Gold, Weidenfeld & Nicolson (1975) ISBN 978-0140043600
  • The Ice Age, Weidenfeld & Nicolson (1977) ISBN 978-0140048049
  • The Middle Ground, Weidenfeld & Nicolson (1980) ISBN 978-0140057454
  • The Radiant Way, Weidenfeld & Nicolson (1987) ISBN 978-0140101683
  • A Natural Curiosity, Viking (1989) ISBN 978-0140122282
  • The Gates of Ivory, Viking (1991) ISBN 978-0140166033
  • The Witch of Exmoor, Viking (1996) ISBN 978-0140261943
  • The Peppered Moth, Viking (2001) ISBN 978-0140297164
  • The Seven Sisters, Viking (2002) ISBN 978-0670913350
  • The Red Queen, Viking (2004) ISBN 978-0141018164
  • The Sea Lady, Penguin (2006) ISBN 978-0141027456
  • The Pure Gold Baby, Canongate (2013) ISBN 978-1782111122
  • The Dark Flood Rises, Canongate (2016) ISBN 978-1782118336

Short fiction[edit]

Non-fiction[edit]

As editor[edit]

Critical studies and reviews of Drabble's work[edit]

  • Rubenstein, Roberta (Spring 1994). "Fragmented bodies/selves/narratives: Margaret Drabble's postmodern turn". Contemporary Literature. 35 (1). University of Wisconsin Press: 136–155. doi:10.2307/1208739. JSTOR 1208739. (20 pages)[34]
  • Glenda Leeming. Margaret Drabble (Liverpool University Press; 2004, 2020) ISBN 9781786946546

See also[edit]

References[edit]

  1. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab "Margaret Drabble". British Council: Literature. Retrieved 25 October 2022.
  2. ^ a b Drabble, Margaret (20 April 2010). "Art Thou Contented, Jew? The British novelist on England, the Jews, and anti-Semitism today". Tablet.
  3. ^ a b c d Milton, Barbara (Fall–Winter 1978). "Margaret Drabble, The Art of Fiction No. 70". The Paris Review. Fall-Winter 1978 (74).
  4. ^ Drabble, Margaret (11 September 2020). "As Diana Rigg's understudy, I never tired of watching her — she was splendid". The Guardian. Retrieved 5 November 2021.
  5. ^ Allardice, Lisa (17 June 2011). "A life in writing: Margaret Drabble". The Guardian.
  6. ^ Johnson, Andrew (19 May 2011). "Feature: Interview — Margaret Drabble talks to Andrew Johnson". Islington Tribune. Archived from the original on 12 November 2016.
  7. ^ Silgardo, Melanie (25 April 2017). "Rebecca Swift obituary". The Guardian. Retrieved 7 May 2017.
  8. ^ a b c d Stevenson, Randall (2004). The Oxford English Literary History: Volume 12: The Last of England. Oxford University Press. p. 541. ISBN 978-0-19-158884-6.
  9. ^ "Why Margaret Drabble is not A. S. Byatt's cup of tea". The Daily Telegraph. 27 March 2009.
  10. ^ Desert Island Discs, BBC Radio 4, 16 June 1991.
  11. ^ Drabble, Margaret (8 May 2003). "I loathe America, and what it has done to the rest of the world". The Daily Telegraph. Retrieved 28 April 2011.
  12. ^ "Margaret Drabble's reams of gall: the feminist writer who dislikes women" (PDF). 1991.
  13. ^ Jones, Kate (16 January 2017). "'Smiling Women: An Exploration Of Margaret Drabble's Short Stories'". TSS Publishing.
  14. ^ Cuevas, I. M. A. (January 2017). "'The sap began to flow': Nature and the quest for the female self in margaret drabble's [short story] 'the merry widow'". Through her invariably female protagonists, Margaret Drabble frequently imprints her narratives with the concerns of women from very different contexts and at various stages in their lives in their quest for identity.
  15. ^ a b Mantel, Hilary (23 November 1989). "England, Whose England?". The New York Review of Books.
  16. ^ a b c d e f g Drabble, Margaret (19 March 2011). "The Millstone by Margaret Drabble". The Guardian.
  17. ^ Hadley, Tessa (15 May 2015). "The Millstone – the crucial 1960s feminist novel". The Guardian.
  18. ^ Lee, Hermione (24 September 1989). "Psychoanalyzing Britain: A NATURAL CURIOSITY by Margaret Drabble (Viking: $19.95; 309 pp.)". Los Angeles Times. ISSN 0458-3035. Retrieved 23 March 2016.
  19. ^ Jays, David (21 August 2004). "Seoul destroying". The Observer. ISSN 0261-3077.
  20. ^ Le Guin, Ursula K. (22 July 2006). "Mermaid on Dry Land". The Guardian.
  21. ^ Wolitzer, Meg (2 October 2013). "Margaret Drabble Spins A Mother-Daughter Yarn Into 'Gold'". NPR.
  22. ^ Tripney, Natasha (14 April 2013). "A Day in the Life of a Smiling Woman: The Collected Stories by Margaret Drabble — review". The Guardian. This collection of 14 stories, assembled by the Spanish academic José Francisco Fernández, spans four decades of Margaret Drabble's writing career, from 1966 to 2000.
  23. ^ Showalter, Elaine (30 June 2011). "A Day in the Life of a Smiling Woman by Margaret Drabble — review". The Guardian.
  24. ^ "No. 48212". The London Gazette (Supplement). 13 June 1980. p. 8.
  25. ^ "No. 58729". The London Gazette (Supplement). 14 June 2008. p. 6.
  26. ^ "The Mail on Sunday/John Llewllyn Rhys Prize". Archived from the original on 4 December 2005. Retrieved 9 July 2009.
  27. ^ "Previous winners". James Tait Black Memorial Prize. Retrieved 26 August 2013.
  28. ^ "Website of St. Louis Literary Award". Archived from the original on 23 August 2016. Retrieved 25 July 2016.
  29. ^ "Saint Louis University Library Associates Announce Winner of 2003 Literary Award". Saint Louis University Library Associates. Retrieved 25 July 2016.
  30. ^ "Honorary Degrees 2006". University of Cambridge. 3 July 2006.
  31. ^ "Golden Pen Award, official website". English PEN. Retrieved 3 December 2012.
  32. ^ Page, Benedicte (1 December 2011). "Drabble wins Golden PEN". The Bookseller. Retrieved 3 December 2012.
  33. ^ "The Gifts of War".
  34. ^ Rubenstein, Roberta (Spring 1994). "Fragmented Bodies/Selves/Narratives: Margaret Drabble's Postmodern Turn". Contemporary Literature. 35 (1). University of Wisconsin Press: 136–155. doi:10.2307/1208739. JSTOR 1208739.

External links[edit]