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Bollen has a special predilection for the work of [[Frank Martin (composer)|Frank Martin]], who asked her to sing the alto solo in the world premiere of his [[Requiem (Martin)|Requiem]],<ref name="Premiere">Martin's Requiem was created on 4 May 1973 in Lausanne Cathedral. The composer himself conducted the [[Orchestre de la Suisse Romande]], the choirs Ars Laeta (Lausanne), Union chorale & Chœur de dames de Lausanne, the organist [[André Luy]], and the soloists Elisabeth Speiser (soprano), Ria Bollen (alto), Eric Tappy (tenor), and [[Peter Lagger]] (bass).</ref> She performed almost everything that Martin composed for her voice type.
Bollen has a special predilection for the work of [[Frank Martin (composer)|Frank Martin]], who asked her to sing the alto solo in the world premiere of his [[Requiem (Martin)|Requiem]],<ref name="Premiere">Martin's Requiem was created on 4 May 1973 in Lausanne Cathedral. The composer himself conducted the [[Orchestre de la Suisse Romande]], the choirs Ars Laeta (Lausanne), Union chorale & Chœur de dames de Lausanne, the organist [[André Luy]], and the soloists Elisabeth Speiser (soprano), Ria Bollen (alto), Eric Tappy (tenor), and [[Peter Lagger]] (bass).</ref> She performed almost everything that Martin composed for her voice type.


Her song repertoire, which she often performed with pianist [[Jozef De Beenhouwer]], was also very extensive, ranging from [[Henry Purcell|Purcell]] to contemporary composers. She performed ''[[Zigeunerlieder (Brahms)|Zigeunerlieder]]'' and ''[[Vier ernste Gesänge]]'' by Brahms, Dvořák's ''[[Gypsy Melodies]]'', Schumann's ''[[Frauenliebe und -leben]]'', Vogel's ''5 Lieder nach Texten von Nelly Sachs'' and Wagner's ''[[Wesendonck Lieder]]'', among others. She also sang many works by Belgian composers, such as [[Peter Benoit]], [[René Defossez]], [[Jef Van Hoof (composer)|Jef Van Hoof]], [[Marinus de Jong]], [[Willem Kersters]], [[Lodewijk Mortelmans]], [[Lodewijk Mortelmans]], [[Flor Peeters (organist)|Flor Peeters]] and [[David Van de Woestijne]].
Her song repertoire, which she often performed with pianist [[Jozef De Beenhouwer]], was also very extensive, ranging from [[Henry Purcell|Purcell]] to contemporary composers. She performed ''[[Zigeunerlieder (Brahms)|Zigeunerlieder]]'' and ''[[Vier ernste Gesänge]]'' by Brahms, Dvořák's ''[[Gypsy Melodies]]'', Schumann's ''[[Frauenliebe und -leben]]'', Vogel's ''5 Lieder nach Texten von Nelly Sachs'' and Wagner's ''[[Wesendonck Lieder]]'', among others. She also sang many works by Belgian composers, such as [[Peter Benoit]], [[René Defossez]], [[Jef Van Hoof (composer)|Jef Van Hoof]], [[Marinus de Jong]], [[Willem Kersters]], [[Lodewijk Mortelmans]], [[Lodewijk Mortelmans]], [[Flor Peeters]] and [[David Van de Woestijne]].


She performed in Israel, Japan, Canada and the Soviet Union, but of course mainly in Western Europe, and particularly in the German-speaking part, alongside Belgium and the Netherlands. She sang in many festivals, such as the [[Festival of Flanders]], the Berliner Festwochen, the Wiener Festwochen, the Carinthischer Sommer and the Internationale Bachakademie Stuttgart. She made studio recordings for radio and television in Belgium, the Netherlands, Germany, Austria, France, Luxembourg and Switzerland and could be heard in a large number of well-known and less well-known concert halls throughout Western Europe.
She performed in Israel, Japan, Canada and the Soviet Union, but of course mainly in Western Europe, and particularly in the German-speaking part, alongside Belgium and the Netherlands. She sang in many festivals, such as the [[Festival of Flanders]], the Berliner Festwochen, the Wiener Festwochen, the Carinthischer Sommer and the Internationale Bachakademie Stuttgart. She made studio recordings for radio and television in Belgium, the Netherlands, Germany, Austria, France, Luxembourg and Switzerland and could be heard in a large number of well-known and less well-known concert halls throughout Western Europe.

Revision as of 18:54, 14 December 2020

Ria Bollen in 2010

Ria Bollen (born 11 February 1942) is a Flemish contralto, who had an international career as a concert singer between 1965 and 1992.

Life

Born in Sint-Truiden,[1] Bollen a school of classical humanities, and then studied psychology. After two years, she studied voice at the Royal Conservatoire Antwerp with Lucie Frateur,[1][2] who accompanied her throughout her career. She graduated in 1968 with the major distinction. She also studied with Pierre Bernac, Felix de Nobel, Erik Werba and Christa Ludwig.

She made her debut as a soloist in 1965, in Godelieve by Edgar Tinel conducted by Léonce Gras.[1] Also before she graduated, she obtained the first prize of the Maria Canalswedstrijd in Barcelona, in 1967. She was laureate of four more prestigious competitions: the International Vocal Competition 's-Hertogenbosch (1968), the "ARD International Music Competition" (1969), the "Concours international d'exécution musicale de Genèva", in which she won first prize (1970), and the "Internationaler Wettbewerb für Gesang" of the "Gesellschaft der Musikfreunde in Wien", better known as the Wiener Musikverein (1972).

Her repertoire was extensive. She sang works with orchestra or chamber orchestra from

Bollen has a special predilection for the work of Frank Martin, who asked her to sing the alto solo in the world premiere of his Requiem,[3] She performed almost everything that Martin composed for her voice type.

Her song repertoire, which she often performed with pianist Jozef De Beenhouwer, was also very extensive, ranging from Purcell to contemporary composers. She performed Zigeunerlieder and Vier ernste Gesänge by Brahms, Dvořák's Gypsy Melodies, Schumann's Frauenliebe und -leben, Vogel's 5 Lieder nach Texten von Nelly Sachs and Wagner's Wesendonck Lieder, among others. She also sang many works by Belgian composers, such as Peter Benoit, René Defossez, Jef Van Hoof, Marinus de Jong, Willem Kersters, Lodewijk Mortelmans, Lodewijk Mortelmans, Flor Peeters and David Van de Woestijne.

She performed in Israel, Japan, Canada and the Soviet Union, but of course mainly in Western Europe, and particularly in the German-speaking part, alongside Belgium and the Netherlands. She sang in many festivals, such as the Festival of Flanders, the Berliner Festwochen, the Wiener Festwochen, the Carinthischer Sommer and the Internationale Bachakademie Stuttgart. She made studio recordings for radio and television in Belgium, the Netherlands, Germany, Austria, France, Luxembourg and Switzerland and could be heard in a large number of well-known and less well-known concert halls throughout Western Europe.

She worked with conductors Léonce Gras, Felix de Nobel, Karl Richter, Peter Schreier, also Herbert Blomstedt, Eduard Flipse, John Eliot Gardiner, Nikolaus Harnoncourt, Christopher Hogwood, Heinrich Hollreiser, Ferdinand Leitner, Igor Markevich, Georges Prêtre, Gennadi Rozhdestvensky, Paul Sacher, Leif Segerstam, Hans Swarowsky, Michael Tilson Thomas and André Vandernoot.[4]

In 1988, Bollen was a member of the jury of the first Queen Elisabeth Competition for singing.[5]

On the occasion of her 75th birthday, Ria Bollen was solemnly received on 10 April 2017 in the Antwerp City Hall and honoured by Mayor Bart De Wever. The laudation was pronounced by Luc Leytens.[6]

Recordings

References

  1. ^ a b c Kutsch, K. J.; Riemens, Leo (2012). Bollen, Ria (in German) (4th ed.). De Gruyter. p. 484. ISBN 978-3-59-844088-5. {{cite book}}: |work= ignored (help)
  2. ^ Robijns, J.; Mostaert, J. M. (1979). "Bollen, Ria". Algemene muziek encyclopedie.
  3. ^ Martin's Requiem was created on 4 May 1973 in Lausanne Cathedral. The composer himself conducted the Orchestre de la Suisse Romande, the choirs Ars Laeta (Lausanne), Union chorale & Chœur de dames de Lausanne, the organist André Luy, and the soloists Elisabeth Speiser (soprano), Ria Bollen (alto), Eric Tappy (tenor), and Peter Lagger (bass).
  4. ^ Biographical information largely based on Marc Peire, "Singing Flemish people on the world stage: Ria Bollen" in the magazine Vlaanderen 32 (1983): 139, supplemented by data from a brochure about her published by Konzertagentur Farenholtz.
  5. ^ 1988 Chant – Zang [programmaboek van de wedstrijd], p. 21.
  6. ^ Jan Dewilde 2017 Homage to Ria Bollen Newsletter 170 of the Study Centre for Flemish Music. In this Newsletter also the full text of the laudatio by Luc Leytens
  7. ^ Cite error: The named reference Première was invoked but never defined (see the help page).

External links

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