Hendrick Goltzius
Hendrick Goltzius (* January or February 1558 in Bracht , today part of Brüggen in the district of Viersen - near Venlo ; † December 29, 1616 or January 1, 1617 in Haarlem ) was a Dutch painter and engraver . His work can be assigned to mannerism .
Life
Goltzius learned from Dirck Volkertszoon Coornhert and Philipp Galle . He set up a copper printer and from 1590 toured Italy and Germany for several years , keeping a keen eye on everything and doing excellent studies. Goltzius has made a name for himself in the technique of copper engraving. He developed that plastic treatment of the engraving, which tries to conform to the laws of modeling in the most precise way through the swing and movement of the shadow lines, through their swelling and disappearing, through the different ways of their cutting. His pen tears, also called feather art pieces or Dutch pen works , in which he imitated the engraving technique with pen and ink on paper or parchment, were in great demand . During his lifetime he was already celebrated as one of the most brilliant engravers and artists.
He did his craft so admirably, although his right hand was misshapen after being burned as a child. He depicted this on an engraving in a special kind of self-portrait, as if it had been created for the burin (see adjacent illustration: Goltzius' right hand , 1588). Against this background, it is often assumed that Goltzius used his right hand to prick and his left hand to paint, as the friend and biographer Karel van Mander reports in his Schilder-Boeck .
At the age of 42, Goltzius began to make paintings as well. As a painter , draftsman and engraver he was under the influence of the Mannerist tendency that was brought about by the imitation of Italian masters and which dominated Dutch art at that time. His copperplate engravings (approx. 330) are masterly in their technique and prefer violent and erotic motifs as well as allegories, such as those provided by the Flame Bartholomäus Spranger , who worked at the Prague imperial court and to whom Goltzius remained stylistically attached in his painting. He also made excellent woodcuts in chiaroscuro . In his workshop, the elite of engravers of that time were trained, such as Jakob de Gheyn II , Jakob Matham , Pieter de Jode the Elder , Jan Muller and Jan Saenredam , who each continued the mannerism of their teacher in their own way. The number of engravings made after “Goltzius” is very large. Goltzius-style leaves were a popular export item and can now be found in almost all major museums and collections.
Famous works
- Falling (Icarus, Phaeton and others)
- Pygmalion
- Heracles and two viewers
- Jupiter and Antiope , painting from 1612, The National Gallery, London
- Apollo von Belvedere and sketch artist
- Virtue series
- Planetary series
- Mercenary series
- Illustrations for Ovid's Metamorphoses
Exhibitions
- 2014: style and perfection. Hendrick Goltzius and Mannerist printmaking in Holland. , Städel Museum , Frankfurt .
- 2014: The master engravings by Hendrick Goltzius , Kunsthalle Bremen
- 2016: Impressively engraved. The Hendrick Goltzius company . Kunstmuseum Basel , Kupferstichkabinett
literature
- Wilhelm Adolf Schmidt: Goltzius, Hendrik . In: Allgemeine Deutsche Biographie (ADB). Volume 9, Duncker & Humblot, Leipzig 1879, p. 361 f.
- Otto Hirschmann : Hendrick Goltzius 1558-1617. Life and graphic works . Klinkhardt & Biermann, Leipzig 1914 (digitized version)
- Otto Hirschmann: Hendrick Goltzius as a painter 1600–1617 . Nijhoff, The Hague 1916.
- Otto Hirschmann: Directory of the graphic work of Hendrick Goltzius 1558-1617 . Klinkhardt & Biermann, Leipzig 1921 (digitized version)
- Marjolein Leesberg, Huigen Leeflang: Hendrick Goltzius ( The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450-1700 ). 4 volumes, Sound & Vision Publ., Ouderkerk aan den Ijssel 2012.
- Lawrence W. Nichols: The paintings of Hendrick Goltzius 1558-1617. A monograph and catalog raisonné. Davaco, Doornspijk 2013, ISBN 978-90-70288-28-0 .
- Petra Wandrey: Honor over gold: the master engravings by Hendrick Goltzius. Image theory and iconography around 1600 . Gebr. Mann, Berlin 2018, ISBN 978-3-7861-2777-2 .
Web links
- Works by Hendrick Goltzius at Zeno.org .
- Literature by and about Hendrick Goltzius in the catalog of the German National Library
- Hendrick Goltzius' curriculum vitae on the history portal of the Rhineland Regional Council.
- Goltzius, Hendrick . CV on the Web Gallery of Art.
Remarks
- ↑ So Karel van Mander in Schilder-Boeck , here for example on folia 282v - 287r Henricus Goltzius , fol. 247, available through the Digitale Bibliotheek voor de Nederlandse Letteren .
- ↑ And how Walter Melion in Shaping the Netherlandish canon , Chicago, 1991, p 59. Karel van Mander reproduces after its signage Boeck .
- ↑ Notice on the exhibition , accessed on August 28, 2014.
- ↑ Kunstmuseum Basel | Exhibitions | Preview | Impressively engraved
personal data | |
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SURNAME | Goltzius, Hendrick |
ALTERNATIVE NAMES | Goltius, Hendrick; Goltz, Hendrick; Golzius, Hendrick; Goltzius, Hendricus; Goltzius, Henricus; Goltzius, H .; Bracht, Hendrick van; Gols, Hendick; Gols, Hendrik; Goltz, Hendrik; Goltius, Hendrik; Golzius, Henrik |
BRIEF DESCRIPTION | Dutch painter and engraver |
DATE OF BIRTH | January 1558 or February 1558 |
PLACE OF BIRTH | Bracht (Brüggen) near Venlo |
DATE OF DEATH | December 29, 1616 or January 1, 1617 |
Place of death | Haarlem |