Joseph Ferdinand Boissard de Boisdenier

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Joseph Ferdinand de Boissard Boisdenier or short Fernand Boissard (* 4. March 1813 in Châteauroux , Indre , † December 1866 in Paris ) was a French painter of romanticism . He was a student of Gros and Devéria .

The painting "Episode de la Retraite de Russie"

Boissard made his debut at the Paris Salon of 1835 with a large painting (1.60 m high, 2.25 m wide, oil on canvas ), which immediately caused a sensation. Due to the recent history of France , the atmospheric, dramatic scene touched the audience at the time: in the twilight, lying in the snow, two dying soldiers crouch on a dead horse. The remains of the Grande Armée are scattered around : a cannon, a wheel, a tattered knapsack ... The picture is a symbol of the horrors of the withdrawal from Russia . The painting is now in the Musée des Beaux-Arts in Rouen .

At the same time a poet and a musician , Boissard was only able to gain a certain fame as a painter through this remarkable picture . Like other Romantic painters, Boissard was inspired by a critical view of the Napoleonic epic (" légende noir ").

Boissard can be seen in direct descent from his teacher Antoine-Jean Gros . The snow-covered foreground is reminiscent of Gros' " Napoléon on the battlefield of Prussian-Eylau ". But the student outdid the master. For the exhibition in the Paris Salon of 1835, Gros presented a work based on a mythological theme . While he was generally rejected for this, Boissard was celebrated.

Boissard was also influenced by Géricault . This can be seen, for example, in the soldier's emaciated head, which bears similarities to Géricault's depiction of soldiers wounded in war . The dead horse is also very close to the style of one of Géricault's lithographs .

Connection with the "Club des hachichins"

Boissard is associated with the " Club des hachichins ", a group that existed from 1844 to 1849, and the numerous scientists , writers and artists (including Théophile Gautier , Charles Baudelaire , Alexandre Dumas , Eugène Delacroix , Honoré de Balzac , Gérard de Nerval , Honoré Daumier , James Pradier and Gustave Flaubert ). They met monthly with him, at the Hôtel de Lauzun (also known as the Hôtel Pimodan ) on the Île Saint-Louis , a small island on the Seine , where the psychiatrist Jacques-Joseph Moreau , who systematically examined the effects of intoxicating drugs on the central nervous system , Dawamesk (an unusually highly concentrated hashish jam) and opium . .

gallery

literature

  • Renate Treydel: Boissard, Joseph-Ferdinand . In: General Artist Lexicon . The visual artists of all times and peoples (AKL). Volume 12, Saur, Munich a. a. 1995, ISBN 3-598-22752-3 , p. 321.
  • Boissard de Boisdenier, Joseph Ferdinand . In: Christian Blangstrup (Ed.): Salmonsens Konversationsleksikon . 2nd Edition. tape 3 : Benzene Derivatives Brides . JH Schultz Forlag, Copenhagen 1915, p. 584 (Danish, runeberg.org ).

Web links

Commons : Joseph Ferdinand Boissard de Boisdenier  - Collection of images, videos and audio files

Individual evidence

  1. ^ Ciaran Regan: Intoxicating Minds: How Drugs Work . Columbia University Press, June 19, 2012, ISBN 978-0-231-53311-9 , pp. 134-.