Martin Karl Hasse

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Martin Karl Woldemar Hasse (born March 20, 1883 in Dohna near Pirna , † July 31, 1960 in Cologne ) was a German university professor, composer and music writer.

Life

Martin Karl Hasse was the son of pastor Martin Hasse (1852-1915) and his wife Cora († 1922), née Wittich. In 1910 in Heidelberg he married Aline (1881–1936), a daughter of Adolf Schmitthenner (1854–1907), pastor and writer. He and his wife had three daughters together. Of these, the following is known by name: Ruth Hasse (1913–2009), violinist, married to Wilhelm Stross (1907–1966), professor at the Munich University of Music.

Martin Karl Hasse received his first musical instruction as a Thomaner alumni in Leipzig . This was followed by practical musical training at the Leipzig Conservatory with Stephan Krehl , Adolf Ruthardt , Karl Straube and Arthur Nikisch . On the recommendation of Karl Straube, he continued his studies at the Munich Academy of Music with Max Reger and Felix Mottl ; at the university there he heard musicology from Hermann Kretzschmar and Hugo Riemann as well as lectures on history, philosophy and German studies.

After a temporary job as assistant to Philipp Wolfrum in Heidelberg and in Chemnitz as a cantor , he became city music director in Bielefeld in 1910 ; In 1919 the Osnabrück Municipal Conservatory was opened on his initiative .

In 1919 he was appointed university music director and associate professor at the University of Tübingen , where he founded the music institute and the musicological seminar. In 1923 he received his doctorate as Dr. phil. and in 1935 he took over the management of the Cologne University of Music , his deputy was Hermann Unger ; Martin Karl Hasse held the post until his retirement in 1945. After his retirement he devoted himself to composing.

Act

Martin Karl Hasse became known as a composer, conductor, educator, organizer and music writer. He went public with numerous symphonic compositions, suites , concerts , choral works, cantatas , songs, and piano and organ works. In this, after Max Reger's training, he almost always strived for a strictly polyphonic structure of the composition, which should result in a self-contained and uniform work of art. He was also instrumental in the German organ movement that began in the 1920s , which led to the reconstruction of numerous old instruments.

As a music writer, he wrote books about Johann Sebastian Bach and Max Reger and published numerous essays on questions of style and music-cultural problems of the day.

Memberships

Works (selection)

Fonts

Compositions

Editing / editing

  • Johann Hermann Schein ; Martin Karl Woldemar Hasse: Oh God, look into it from heaven. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: A domino factum est istud. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Alleluia: I thank the gentleman. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Alleluia: Good for him who fears the gentleman. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: On water rivers Babylon. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: I'm screaming to you out of deep need. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Benedicam Domino. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Christ, who you are day and light. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Christ was in death bonds. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Christ our Lord came to the Jordan. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: These are the sacred toe commandments. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Adam's fall is completely spoiled. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Honor to God alone in the heights. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: A strong castle is our God. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Have mercy on me, O Lord God. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: It is salvation and we come here. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: The unwise mouth probably speaks. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Exaudiat te Dominus. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Go there until the end comes. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Praise be to you, Jesus Christ. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: God the Father live with us. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: God have mercy on me. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Haec est this. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Mr. Christ, the unified Son of God. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Lord God we all praise you. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: I call to you, Lord Jesus Christ. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Ingredient Domino. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Isn't Ephraim my dear son. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Laeta redit Paschae lux. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Laetatus sum in his. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Let the little children come to me. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Praise the Lord. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: I'll go there with Fried and Freud. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: My friend is coming into his garden. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: We are in the middle of life. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Now come, the Gentile Savior. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Maria Magdalena. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: My friend is coming into his garden. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Now rejoice, dear Christians, gmein. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Now my soul praise the gentlemen. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: O Jesus Christ, God's Son. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: O Lamb of God innocent. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Quem quaeris, Magdalena? Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Quem vidistis pastores. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Sic Deus dilexit mundum. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: See, so the man is blessed. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Sing joyfully to God. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: So rejoice, young man, in your youth. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Surge, illuminare Jerusalem. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Our Father in the Kingdom of Heaven. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Venite, exultemus Domino. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Verbum caro factum est. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: I come from heaven high up there. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Who under the umbrella. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Where the Lord God doesn't stop with us. Breitkopf and Härtel, 1923.
  • Johann Hermann Schein; Martin Karl Woldemar Hasse: Where God does not give the house his favor. Breitkopf and Härtel, 1923.

Individual evidence

  1. ^ German biography: Hasse, Karl - German biography. Retrieved May 30, 2018 .
  2. ^ Gerhard Schoen: Hasse, Karl (1883-1960), music researcher - BMLO. Retrieved June 1, 2018 .
  3. ^ Rudolf Vierhaus: Görres - Hittorp . Walter de Gruyter, 2011, ISBN 978-3-11-094654-3 ( google.de [accessed June 1, 2018]).
  4. Christina Richter-Ibáñez: Karl Hasse's career as a musicologist in Tübingen and the (re-) habilitation of his assistant Otto zur Nedden. (PDF) (No longer available online.) Formerly in the original ; accessed on June 1, 2018 .  ( Page no longer available , search in web archivesInfo: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice.@1@ 2Template: Dead Link / webcache.googleusercontent.com  
  5. ^ Ernst Klee : The culture lexicon for the Third Reich. Who was what before and after 1945. S. Fischer, Frankfurt am Main 2007, ISBN 978-3-10-039326-5 , p. 200.