Nathan Juran

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Nathan Juran (born September 1, 1907 in Gurahumora , Bukowina , Austria-Hungary , today Romania as Nathan Hertz ; † October 23, 2002 in Palos Verdes , USA ) was an American production designer and film director of Austrian origin. In 1942 he received the Oscar for best production design in a black and white film .

Live and act

Nathan Hertz was born in 1907 to a Jewish family in the Austrian crown land of Bukovina . In 1912 his family emigrated with him to the United States , where he studied at the University of Minnesota and the Massachusetts Institute of Technology in Boston and graduated as an architect in Fontainebleau, France . He then worked as an architect in New York for five years and was given the opportunity to go to Hollywood in 1935 . There he began to work as a "draftsman" (draftsman, designer) initially for RKO Pictures and from 1939 for 20th Century Fox . In 1941 he moved to the Art Department, where he started his career as a production designer . He initially worked for two years alongside Richard Day , which was already honored in their third film, Schlagende Wetter , together with Thomas Little, with the Oscar for best production design in a black and white film. His Hollywood career was temporarily interrupted by World War II when Juran was a field photographer for the OSS . Juran returned to film in 1946, where he was again nominated together with Day, Little and Paul S. Fox for the Production Design Oscar for On a Knife's Edge - but this time without success.

In 1948 Juran moved to Universal Pictures , where he worked with Bernard Herzbrun . There he also got the opportunity to direct a film himself. With a medium budget, Juran made his debut as a director of Black Castle (1952), with Boris Karloff in the lead role. His directorial work was convincing and Juran continued his career mainly as a film director.

After a few comedies, dramas and western films, Juran took on the challenges of fantastic and science fiction films . He began a collaboration with Ray Harryhausen , known for outstanding special effects , which resulted in the popular hit The Seventh Voyage of Sinbad . Juran began directing television series in the 1960s.

Filmography

Production design (selection):

Director (selection):

  • 1952: The Black Castle
  • 1953: Muzzle flash ( Gunsmoke)
  • 1953: The Hand on the Colt (Law and Order)
  • 1954: The Las Vegas Car Trap ( Highway Dragnet)
  • 1955: The Crooked Web
  • 1957: Hellcats of the Navy
  • 1957: The Beast from Space (20 Million Miles to Earth)
  • 1957: The Eyes of Satan ( The Brain from Planet Arous ) under the pseudonym Nathan Hertz
  • 1958: Attack of the 20 Foot Woman (Attack of the 50 Foot Woman)
  • 1958: Sinbad seventh trip (The Seventh Voyage of Sinbad)
  • 1959: The hangman is waiting ( Good Day for Hanging)
  • 1961: Flight of the Lost Balloon (also screenplay)
  • 1962: The Ruler of Cornwall (Jack the Giant Killer)
  • 1963: The King's Sword ( Siege of the Saxons)
  • 1964: East of Sudan
  • 1964: First Men in the Moon (First Men on the Moon)
  • 1969: Go to Hell, Gringo (Land Raiders)
  • 1973: The Boy Who Cried Werewolf

TV series (direction, individual episodes)

  • 1955–1956: My Friend Flicka (Flicka)
  • 1956: I Tre Moschettieri (Italy)
  • 1956: Crossroads
  • 1959: Frances Langford Presents
  • 1959: World of Giants
  • 1959-1960: Men Into Space
  • 1965–1966: A Man Called Shenandoah (The Man Without a Name)
  • 1965–1966: Voyage to the Bottom of the Sea (The Seaview - On a secret mission)
  • 1965–1968: Lost in Space (lost between strange worlds)
  • 1965-1970: Daniel Boone
  • 1967: The Time Tunnel (Time Tunnel)
  • 1968–1970: Land of the Giants (Planet of the Giants)

Awards

literature

  • Rudolf Ulrich: Austrians in Hollywood. Filmarchiv Austria publishing house, Vienna 2004, ISBN 3-901932-29-1 , pp. 207-209

Web links