Reichenau painting school

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Part of the dedication cycle of the Gero Codex: The scribe Anno hands the work to Gero

The term Reichenau School of Painting or Reichenau School summarizes the works of "Reichenau book painting " of the 10th and 11th centuries by different artists .

It is a group of around 40, predominantly liturgical, magnificent manuscripts, which are counted among the high points of art in the 10th and 11th centuries. Due to style-critical arguments, one suspects a common origin on the monastery island Reichenau in Lake Constance. The paleographic features, however, refer to the scriptoria of Trier , Cologne and Seeon . As foundations by secular and spiritual princes, they came to churches throughout the Ottonian and Salian empires, where they were only used on special occasions due to their precious design.

Part of today preserved in libraries across Europe codices belongs since 2003 to UNESCO - World Soundtrack Awards .

Works (selection)

* World document heritage

literature

  • Patricia Engel , Bernhard Gallistl: The Reichenauer manuscripts of the cathedral library Hildesheim and the Herzog August library Wolfenbüttel in comparison . In: Wolfenbütteler Contributions 15, 2009, pp. 129–178.
  • Eckhart G. Franz (Ed.): The Egbert Codex. Manuscript 34 of the Trier City Library . Darmstadt 2005.
  • Walter Gernsheim : The illumination of the Reichenau . Dissertation. Munich 1934.
  • Rainer Kahsnitz : Koimesis - dormitio - assumptio. Byzantine and antiquity in the miniatures of the Liuthar group . In: Festschrift Carl Nordenfalk . Stockholm 1987, pp. 91-122.
  • Anne Korteweg: The Evangelistar Clm 23338 and its position within the Reichenau school manuscripts. In: Festschrift for Florentine Mütherich. Munich 1985. pp. 125-144.
  • Thomas Labusiak : The Ruodprecht group of the Ottonian Reichenauer book painting. Image sources - ornamentation - stylistic prerequisites. (Monuments of German Art). Deutscher Verlag für Kunstwissenschaft, Berlin 2009, ISBN 978-3-87157-222-7 .
  • Irmgard Siede: On illumination of the Ottonian and Salic times. Critical comments on the state of research with a compilation of important publications from 1963–1999. In: Journal of the German Association for Art History. 52/3 1998/9, pp. 151-196.
  • Gude Suckale-Redlefsen and Bernhard Schemmel (eds.): The book with seven seals. Exhibition catalog Bamberg. Lucerne 2000, p. 93ff.
  • Ursmar Engelmann : Reichenauer book painting, initials from a lectionary of the early 10th century , Herder, Freiburg a. a. 1971
  • Wilhelm Vöge : A German painting school at the turn of the first millennium. Critical studies on the history of painting in Germany in the 10th and 11th centuries. (West German magazine for history and art. Supplement 7). Trier 1891.
  • Christine Szkiet: Reichenauer Codices in Schaffhausen. The early manuscripts of the Schaffhausen Allerheiligenkloster and their position in the southwest German illumination of the 11th century. 2005. ISBN 3-937719-08-3

Web links

Commons : Reichenauer Malschule  - collection of pictures, videos and audio files

Individual evidence

  1. Website of the UNESCO Commission with a list of the individual manuscripts, pp. 2–4 (PDF; 103 kB)
  2. ^ Website of the German UNESCO Commission on the German World Document Heritage