Shy Abady
Shy Abady (born September 24, 1965 in Jerusalem ) is an Israeli artist who deals with topics related to German and Jewish history. His work has been presented in solo and group exhibitions in Israel and abroad.
biography
At the age of fifteen Abady took his first painting lessons in the studio of the painter Ascher Rodnizky . She later took part in workshops at the Bezalel Academy in Jerusalem and studied at the Hamidrasha Art Academy in Ramat Hasharon. Language studies in German and French completed his training. It was only in 2014 that Abady completed his master's degree in art history at the Tel Aviv University Art School .
In 1995 he presented his first solo exhibition, From Reality to Myth - Nijinsky , which portrayed the life and image of the Russian dancer and choreographer Vaslav Nijinsky . Nijinsky was also at the center of his second solo exhibition, Anatomy of a Myth , which focused on his movement. Abady later created two more series that explored the body and movement, Caresses , which dissect the male body in parts, and For Your Feet Only , which focused on feet and combined video with sculpture. Abady presented an exhibition on this subject in 2009 at the Tel Aviv Performing Arts Center with The Danced Revolution , a homage to Nijinsky's and Sergei Diaghilev's Ballets Russes , on the centenary of its premiere in Paris . The homage featured works from two previous Nijinsky series and a new work.
In 2000, Abady received a residency grant at the Cité in Paris. There he created the series Ikone - the golden age , which depicted Jewish figures using Christian iconographic technology. In the series, Abady turned himself and his friends into Christian icons. He referred to aspects of the Jewish-Israeli and Christian-aesthetic art traditions.
In 2005 Abady presented his Hannah Arendt Project series at the Jewish Museum Frankfurt am Main , which deals with the life story and image of Hannah Arendt and the Jewish-German controversies about her political views. After the series was shown in Frankfurt, it was also shown in Bremen and Oldenburg . The series was then presented in the Jerusalem Künstlerhaus. In 2010, seven works from the series were shown in the exhibition Jewish Icons - Andy Warhol and Israeli Artists , at the Beit Hatefutsot Museum in Tel Aviv . A text by Abady about his work on the project in the book Thinking in Dark Times- Hannah Arendt on Ethics and Politics has been published by Fordham University Press ( New York City ). In the same year, a picture from the Hannah Arendt series by Abady was also used as the cover for the Hebrew edition of Arendt's biography.
In 2006 Abady began work on Radu , a series that shows the Israeli-Romanian poet and writer Radu Klapper in portraits. The series was presented in January 2012 in Zadik Gallery in Jaffa.
From 2007 to 2008 Abady lived in Berlin and created the series My Other Germany . The artist presents his interpretation of German and German-Jewish history and the myth of Berlin sculptures and monuments. The series uses Prussian statues and monuments from the 18th and 19th centuries as an allegory of the 20th century and events from World War II . Five works from the series were shown in 2014 as part of the exhibition "Back to Berlin" at the Herzlija Museum for Contemporary Art (Israel).
In 2010 Abady started working on the series Auguste Victoria , which continues his idea of the Berlin series, but now also shows it from an Israeli perspective. The series explores the dialogues between Theodor Herzl , the intellectual founder of the Jewish state, and Kaiser Wilhelm II , the last German emperor. The fate of the two families becomes an allegory on the fate of the two peoples and that of the Palestinians. The series combines portraits of personalities from the two families as well as architectural constructions related to their history and fate. The series was first presented in 2012 at the “Dan” gallery in Tel Aviv, with the collaboration of the Goethe Institute . In 2014, a work from the series was shown in the exhibition "The Generous Tree" in the art gallery of Umm al-Fahm (Israel).
The portrait of "Kaiser Wilhelm II", a work from the series "Augusta Victoria", as well as two other portraits from the series "Hannah Arendt Project", were shown in the same year as part of the exhibition "Turning Points" in the Hungarian National Gallery in Budapest shown. The exhibition focuses on the reaction of various contemporary artists to important events of the twentieth century, such as the First and Second World Wars.
Between 2012–2016 Abady created the series "The Return of Passion". The series leads a dialogue with two artists and their creation, one is the Jewish-German artist Elie Marcuse from the 19th century and his epic biblical painting: "The death of King Saul on the Gilboa" and the second is the Italian mannerist painter Jacopo Pontormo. The series isolates pieces from the works of the two artists and provides a stage for a material and conceptual dialogue between them. Through the works of the two, the series explores the complex relationship between the Christian-Western art tradition and the Jewish-Israeli one. The series offers a meditation on the way that Jewish-Israeli art could have developed sensually and aesthetically if it had engaged with Christian-Western art.
In 2016, years after dealing with "Western European" issues, Abady began creating the series "Back to the Levant ", a series that deals with the Levantine region and its history. The series opens a conversation between the complex and sensitive regional history and the artist's personal family history. "Back to the Levant" links Abady's personal story with political history, it blurs the boundaries between Jewish and Arab identities. Abady's painting portrays Arab personalities from the Middle East who are perceived by the Israeli eye as hostile figures (such as Gamal Abdel Nasser and Haj Amin al-Husseini ) alongside his family, all of whom were born in the region and who lived among the Arabs for many years in Jerusalem, Aleppo and Cairo . In addition, in addition to the Arabic inscription, the series also shows sacred places (such as the Dome of the Rock and tombs of the Jewish and Muslim righteous). For the artist, the Levant is an open space of mixed identities that bridge and contrast with East and West. At the same time, the series touches on the encounter between the West and the East within the Israeli internal identity discourse alongside the artist's own ethnic identity.
In 2017 the exhibition "The Restless" by Abady was presented in the "Schechter Gallery" in Neve Schechter in Tel Aviv. The exhibition showed portraits from various series that he created over the years, including portraits from the series “The Return of Passion” and “Back to the Levant”.
In 2018 Shy Abady began his series “The Embers and the Donkey Scream”, which is dedicated to the historic visit of the Jewish poet Paul Celan to Israel in October 1969. The series is part of a joint initiative by Tel Aviv University and Stanford University to mark the 50th anniversary of Celan's visit. In his pictures Abady combines the poetry and the dramatic life of Celan and his experiences during a visit to East Jerusalem . Abady collects words and sentences from Celan's poem "The Embers", the cycle of Celan's Jerusalem poems ("The embers count us together in the donkey's cry in front of Absalom's grave ..."). Abady's works contain words and captions in Arabic and other languages, as well as images of historical sites in East Jerusalem. Donkey pictures and portraits of Celan and Ilana Shmueli , his childhood friend from Chernivtsi , who accompanied him on the trip to Israel, also play a role in the series . Abady emphasizes the Levantine-Arab side of Celan's visit, which so far has received little attention in most reports. The Celan series combines Abady's earlier series, including his German-Jewish series ("The Hannah Arendt Project", "My Other Germany", "Augusta Victoria") and the new series "Zurück zur Levante".
Exhibitions
year | Exhibition name | Place of issue |
---|---|---|
1995 | From reality to myth: Nijinsky | Bet Ariela - Tel Aviv |
1998 | Caresses | Bet HaAm Gallery - Tel Aviv |
1998 | Anatomy of a myth | Theater - Jerusalem |
1999 | Just for your feet | Artist residence - Herzliya |
2005 | Hannah Arendt project | Jewish Museum - Frankfurt am Main |
2006 | Hannah Arendt project | Heinrich Böll Foundation Gallery - Bremen |
2006 | Hannah Arendt project | Hannah Arendt Center - Oldenburg |
2006 | Icon - the golden age | Artist House - Tel Aviv |
2006 | Hannah Arendt project | Artist House - Jerusalem |
2009 | The danced revolution | Opera House - Tel Aviv |
2012 | Radu | Zadik Gallery Jaffa |
2012 | Augusta Victoria | Dan Gallery - Tel Aviv |
2017 | The restless | Schechter Gallery, Neve Schechter, Tel Aviv |
year | Exhibition name | Place of issue |
---|---|---|
2000 | Intimacy: multimedia and video art | HaBama Theater - Jerusalem |
2001 | Reconstruction: Biennale for Contemporary Drawing in Israel | Artist House - Jerusalem |
2004 | In real colors | Alternative gallery - Jaffa |
2004 | The profile of Tel Aviv | City Hall - Tel Aviv |
2005 | Together and separately | Enav Cultural Center - Tel Aviv |
2008 | Beware the aftereffect | Infernoesque - Berlin |
2009 | bride and groom | Museum - Jaffa |
2010 | Jewish Icons- Andy Warhol and Israeli Artists | Beth Hatefutsoth Museum - Tel Aviv |
2011 | Borrowed place | Zadik Gallery - Jaffa |
2012 | In small format | Zadik Gallery - Jaffa |
2013 | Fans | Zadik Gallery - Jaffa |
2014 | money | Zadik Gallery - Jaffa |
2014 | The generous tree | Umm al-Fahm art gallery |
2014 | Back to Berlin | Herzlija Museum of Contemporary Art |
2014 | Turning points | Hungarian National Gallery - Budapest |
2015 | Libra | Schechter Gallery, Neve Schechter, Tel-Aviv |
2015 | On the face | Zadik Gallery, Jaffa |
2015 | Libra | Schechter Gallery, Neve Schechter, Tel-Aviv |
2016 | Black box | Outdoor exhibition, Jerusalem |
2017 | Home countries | Jerusalem Biennial, Bezeq home |
2018 | I'll be right back | Zadik Gallery, Jaffa |
2019 | Jacqueline Kahanoff : The Levant as a parable | Eretz Israel Museum , Tel Aviv |
2019 | I am in the east | Cymbalista Synagogue and Jewish Heritage Center , Tel Aviv University |
2019 | I'm In the East: Spain and Jerusalem | Dwek Gallery, Mishkenot Sha'ananim Jerusalem |
literature
- Katja Fruchtchtenicht: Hannah Arendt in pictures . In: The daily newspaper . February 23, 2006, p. 23 ( taz.de ).
Web links
- Shy Abady's website
- Art in Times of Terror, Patrick Goldfein, Arte Magazin, June 2002 (PDF; 559 kB)
- Pictures from the Hannah Arendet project ( Memento from December 18, 2012 in the web archive archive.today )
- Exhibition in the Jewish Museum Frankfurt ( Memento from July 19, 2011 in the Internet Archive ).
- The Augusta Victoria exhibition in the Goethe-Institut homepage
- Branded story on German plywood, Tali Tamir (PDF; 30 kB).
- About the series "My Anderes Germany" in "History and Theory", Bezalel Academy of Arts and Design Online Journal (English) ( Memento from March 23, 2014 in the Internet Archive ).
- A front cover in the magazine, "yakinton"
- Zohar Kohavi, "Photomontage", article about Shy Abady's series Augusta Victoria ( Memento from February 7, 2015 in the Internet Archive ) (PDF; 491 kB) in "JLS", Journal for Levantine Studies of the Van Leer Institute, Jerusalem, summer 2013 ( English)
- "Back to Berlin" group exhibition in the "Herzliya Museum for Contemporary Art". (English).
- The exhibition "Turning Points" in the homepage of the "Hungarian National Gallery" in Budapest . To the exhibition catalog
- Portrait of Hannah Arendt by Shy Abady on the cover of the Canadian Journal of History , April 2017 issue.
- The restless , Shy Abady's exhibition at Neve Schechter . Curators text and online catalog. May 2017
- The Restless , a Roni Kaufman film about Shy Abady's exhibition (English subtitles), May 2017
- About the exhibition Jacqueline Kahanoff: The Levant as a Parable , with the participation of Shy Abady, on the homepage of the Eretz Israel Museum , February 2019 (English)
- Two portraits of Hannah Arendt by Shy Abady in an article about the film by Margarethe von Trotta in the American Journal for Culture, Media and Feminism, Camera Obscura, September 2019
Individual evidence
- ↑ a b c d e f g h i About Shy Abady and his exhibitions. Retrieved November 20, 2010 .
- ↑ a b c d e f g Projects by Shy Abady. Retrieved November 20, 2010 .
personal data | |
---|---|
SURNAME | Abady, Shy |
BRIEF DESCRIPTION | Israeli artist |
DATE OF BIRTH | September 24, 1965 |
PLACE OF BIRTH | Jerusalem |