Tilo Werner (actor, 1969)

from Wikipedia, the free encyclopedia

Tilo Werner (* 1969 in Braunschweig ) is a German actor and radio play speaker .

Life

Education and theater

Tilo Werner began his artistic work at the theater as an assistant director at the Nationaltheater Mannheim . He studied acting at the Ernst Busch Academy of Dramatic Arts in Berlin . During his studies there he met Thomas Ostermeier , Tom Kühnel and Christian von Treskow ; he worked with Ostermeier on his first theater work during his studies.

In 1995, in the third year of his studies, he was engaged at the Maxim Gorki Theater in Berlin. There he played u. a. Roles like the student Roelle in Purgatory in Ingolstadt (season 1994/95; director: Lore Stefanek ), Ferdinand in Kabale und Liebe (season 1995/96; director: Günther Gerstner), Valerio in Leonce and Lena (season 1996/97; Director: Günther Gerstner) and the “socially uprooted” Bruno Mechelke in Die Ratten (1996/97 season; director: Uwe Eric Laufenberg ).

After the 1996/97 season he then moved to the Deutsches Theater Berlin , where Ostermeier and Jens Hillje managed the "Baracke". In 1999 he went to the Schaubühne at Lehniner Platz | Berlin Schaubühne together with Ostermeier. There he played u. a. the Petrik in Parasiten by Marius von Mayenburg (season 2000/01; director: Thomas Ostermeier), the Thomas in the solo piece Misterman by Enda Walsh (premiere: April 2000; director: Thomas Ostermeier) and the Robespierre in Dantons Tod (season 2000/01; Director: Thomas Ostermeier). Werner stayed at the Berlin Schaubühne until 2002.

After meeting the Hungarian director Arpád Schilling , who was staging a theater project at the Berlin Schaubühne, Werner decided to change his career in 2002 and went to the Krétakör Theater in Budapest, which Schilling directed . He learned Hungarian and appeared in several productions in the Hungarian language at the Krétakör Theater. From Budapest, he made guest appearances in Austria and became a member of the ensemble at the Vienna Burgtheater . There he played u. a. 2005 in a Hamlet production by Arpád Schilling in a cast with three men. At the beginning of 2007 Werner returned to Germany; his first role after his time in Hungary was in Pizzicato (premiere: January 2007; director: Victor Bodó) at the Kammerspiele of the German Theater.

Werner has been a permanent member of the Thalia Theater in Hamburg since the 2009/10 season . Here he played u. a. the businessman Lopachin in Der Kirschgarten (premiere: 2011/12 season; director: Luk Perceval ), as Gregor in Immer noch Sturm by Peter Handke (premiere: September 2011; director: Dimiter Gotscheff ), the writer Licht in Der zerbrochne Krug (premiere : 2012/13 season; director: Bastian Kraft), Gustav Kanning in Gertrud von Hjalmar Söderberg (premiere: 2014/15 season; director: Eirik Stubø) and as Greff / Sigismund Markus / Bebra u. a. in a stage version of the novel Die Blechtrommel (premiere: 2014/15 season; director: Luk Perceval).

In the 2015/16 season Werner took on the role of the worker Coupeau in the production of Love based on texts by Émile Zola at the Thalia Theater .

Movie and TV

Werner also took on some roles in film and television productions since the late 1990s; However, the focus of his artistic activity as an actor was always his theater work. Werner has also appeared in a number of Hungarian shorts and movies.

In the feature film Tiger Stripes Baby Waiting for Tarzan (1998), with Cora Frost as Luise in the lead role, he played Luise's jealous husband.

In the television film Wie ein Licht im Nacht (2010), he played the role of Dr. at the side of Christiane Hörbiger as an alcoholic. Mertens, the senior physician in an emergency ward in a Hamburg clinic. In the crime scene: Borowski and the fourth man (2010), he had a supporting role as a detective in the fraud department. In the Bremen Tatort: ​​Puppeteer (2013) he also had a supporting role; he embodied Max Born, one of the representatives of the “Pro Weservertiefung” initiative. In the television film The Harbor Pastor and the Gray Child (first broadcast: January 2015) he played the role of the Hamburg youth welfare office employee Dressler.

He also had episode roles in the television series In the Name of the Law (2002, as colleague Fischer) and SOKO Wismar (2010).

Werner lives in Hamburg.

Filmography (selection)

Web links

Individual evidence

  1. a b Tilo Werner Profile and Vita at Schauspielervideos.de. Accessed December 31, 2015
  2. a b Tilo Werner ( Memento of the original from June 1, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. Short biography, page 21. Hanover Theater. Season issue No. 4/2010. Retrieved December 31, 2015 @1@ 2Template: Webachiv / IABot / www.schauspielhannover.de
  3. Thilo Werner (spokesman) on service.randomhouse.de
  4. a b c d Theater: Tilo Werner Kurz-Portrait in Kultur. Mirror from March 26, 2001. Issue 4/2001. Accessed December 31, 2015
  5. The pack law in friendly images show criticism: New Germany on May 23, 1995. Retrieved on 31 December 2015
  6. ^ Theater: Natural Born Schiller Performance Critique in Culture. Mirror of April 22, 1996. Edition 17/1996. Accessed December 31, 2015
  7. Troubled contemporaries, trendy wall folklore. Performance review in: Berliner Zeitung, October 4, 1996. Accessed December 31, 2015
  8. ^ Loud agit-pop spectacle, performance review in: Neues Deutschland from October 7, 1996. Accessed December 31, 2015
  9. Bricklayer foreman John takes up arms. Performance review in: Neues Deutschland from May 2, 1997. Accessed December 31, 2015
  10. Rat bite performance review in: Neues Deutschland from October 25, 2000. Retrieved on December 31, 2015
  11. Failure that goes to the heart. Performance review in: Berliner Zeitung, April 5, 2000. Accessed December 31, 2015
  12. ^ "Dantons Tod": Intellectual bankruptcy declaration of performance criticism in culture. Mirror of April 2, 2001. Accessed December 31, 2015
  13. a b c d It was only when I was abroad that I realized that I am a German in: Berliner Zeitung of January 27, 2007. Retrieved on December 31, 2015
  14. An evening without weak points on Thalia. Performance review in: Hamburger Abendblatt, September 27, 2015. Accessed December 31, 2015
  15. A fairy tale from the Garden of Eden Cinema review in: Berliner Zeitung of February 16, 1998. Accessed December 31, 2015