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The album received favorable reviews from [[Music journalism|music critics]]. ''[[The Washington Post]]'' explained that the album was "widely panned" upon its release, though notably it was defended by [[Glenn Gould]].<ref>{{Cite journal|date=2002-11-10|title=Crossing Over, Looking Back, Tripping Up (Corrected 11/19/02)|url=https://www.highbeam.com/doc/1P2-393140.html|archive-url=https://web.archive.org/web/20161008201656/https://www.highbeam.com/doc/1P2-393140.html|url-status=dead|archive-date=2016-10-08}}</ref> ''[[AllMusic]]'' gave the album a retrospective rating of 3 out of 5 stars, describing it as one of Streisand's "more esoteric projects" and a surprise to her fans.<ref>{{Cite web|url=http://www.allmusic.com/album/classical-barbra-mw0000195911|title=Classical Barbra - Barbra Streisand {{!}} Songs, Reviews, Credits {{!}} AllMusic|website=AllMusic|access-date=2016-09-07}}</ref> ''[[The Independent]]'' said that when the album was first released, it was a "rare and risky gambit".<ref>{{Cite web|url=https://www.independent.co.uk/arts-entertainment/music/reviews/album-review-barbra-streisand-classical-barbra-sony-masterworks-8476035.html|title=Album review: Barbra Streisand, Classical Barbra (Sony Masterworks)|date=2013-02-01|language=en-GB|access-date=2016-09-07}}</ref> The Second Disk explained that the singer's "clarion voice and dramatic interpretive skills" ensured the album's timelessness.<ref>{{Cite web|url=http://theseconddisc.com/2013/02/13/review-barbra-streisand-classical-barbra-expanded-edition/|title=Review: Barbra Streisand, "Classical Barbra: Expanded Edition"|date=2013-02-13|website=The Second Disc|access-date=2016-09-07}}</ref> ''[[The New York Times]]'' said that the album was a "rare instance of [Streisand] being too deferential to the originals".<ref>{{Cite news|url=https://www.nytimes.com/2009/09/27/arts/music/27tomm.html|title=Barbra Streisand: A Fine Instrument, a Classic Instinct|last=Tommasini|first=Anthony|date=2009-09-24|newspaper=The New York Times|issn=0362-4331|access-date=2016-09-07}}</ref> ''[[The Baltimore Sun]]'' deemed it her "most daring album".<ref>{{Cite web|url=http://www.baltimoresun.com/entertainment/arts/artsmash/bs-ae-streisand-legacy-20160813-story.html|title=A fan looks back on 50 years of loving Barbra Streisand|last=Sun|first=Baltimore|access-date=2016-09-07}}</ref> The ''[[Tuscaloosa News]]'' compared Streisand's underwhelming performance of classical music to that of [[Florence Foster Jenkins]].<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1817&dat=19760326&id=ty4dAAAAIBAJ&pg=4128,4428086|title=The Tuscaloosa News - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> The Daily Gazette described it as an "ill-fated...proto-crossover album".<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1957&dat=19920612&id=12ZGAAAAIBAJ&pg=3503,2872433|title=The Daily Gazette - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> ''[[Philippine Daily Inquirer]]'' said it was an "esoteric but laudable project",<ref>{{Cite web|url=https://news.google.com/newspapers?nid=2479&dat=20010804&id=-lQ1AAAAIBAJ&pg=1995,29929585|title=Philippine Daily Inquirer - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> and one of the moments Streisand challenged herself with musical risks in her youth.<ref>{{Cite web|url=https://news.google.com/newspapers?nid=2479&dat=20051015&id=MVQ1AAAAIBAJ&pg=345,19422920|title=Philippine Daily Inquirer - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> ''[[The Village Voice]]'' compared its "hideous...camp" to that of [[Jane Olivor]]'s performance of [[Donovan]]'s ''[[Lalena]]''.<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1299&dat=19771017&id=9wBOAAAAIBAJ&pg=5155,1285300|title=The Village Voice - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> ''[[Beaver County Times]]'' deemed it a "pleasant surprise".<ref>{{Cite web|url=https://news.google.com/newspapers?nid=2002&dat=19760526&id=dF0vAAAAIBAJ&pg=4318,5555681|title=Beaver County Times - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> Sarasota Herald Times said the album saw her "belting out arias".<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1755&dat=19760315&id=IgAkAAAAIBAJ&pg=6526,6120570|title=Sarasota Herald-Tribune - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> A Singer's Notebook thought Streisand's vocals sounded "repressed".<ref>{{Cite book|url=https://books.google.com/books?id=CmcMhW7kN5IC|title=A Singer's Notebook|last=Bostridge|first=Ian|date=2011-09-22|publisher=Faber & Faber|isbn=9780571254675|language=en}}</ref> ''[[Scotland on Sunday]]'', in an article about the inappropriateness and limitations of many crossover albums, described Streisand's effort as a " decidedly dangerous liaison".<ref>{{Cite journal|date=1999-12-05|title=A perfect executioner|url=https://www.highbeam.com/doc/1P2-18591963.html|archive-url=https://web.archive.org/web/20161008195941/https://www.highbeam.com/doc/1P2-18591963.html|url-status=dead|archive-date=2016-10-08}}</ref>
The album received favorable reviews from [[Music journalism|music critics]]. ''[[The Washington Post]]'' explained that the album was "widely panned" upon its release, though notably it was defended by [[Glenn Gould]].<ref>{{Cite journal|date=2002-11-10|title=Crossing Over, Looking Back, Tripping Up (Corrected 11/19/02)|url=https://www.highbeam.com/doc/1P2-393140.html|archive-url=https://web.archive.org/web/20161008201656/https://www.highbeam.com/doc/1P2-393140.html|url-status=dead|archive-date=2016-10-08}}</ref> ''[[AllMusic]]'' gave the album a retrospective rating of 3 out of 5 stars, describing it as one of Streisand's "more esoteric projects" and a surprise to her fans.<ref>{{Cite web|url=http://www.allmusic.com/album/classical-barbra-mw0000195911|title=Classical Barbra - Barbra Streisand {{!}} Songs, Reviews, Credits {{!}} AllMusic|website=AllMusic|access-date=2016-09-07}}</ref> ''[[The Independent]]'' said that when the album was first released, it was a "rare and risky gambit".<ref>{{Cite web|url=https://www.independent.co.uk/arts-entertainment/music/reviews/album-review-barbra-streisand-classical-barbra-sony-masterworks-8476035.html|title=Album review: Barbra Streisand, Classical Barbra (Sony Masterworks)|website=[[Independent.co.uk]] |date=2013-02-01|language=en-GB|access-date=2016-09-07}}</ref> The Second Disk explained that the singer's "clarion voice and dramatic interpretive skills" ensured the album's timelessness.<ref>{{Cite web|url=http://theseconddisc.com/2013/02/13/review-barbra-streisand-classical-barbra-expanded-edition/|title=Review: Barbra Streisand, "Classical Barbra: Expanded Edition"|date=2013-02-13|website=The Second Disc|access-date=2016-09-07}}</ref> ''[[The New York Times]]'' said that the album was a "rare instance of [Streisand] being too deferential to the originals".<ref>{{Cite news|url=https://www.nytimes.com/2009/09/27/arts/music/27tomm.html|title=Barbra Streisand: A Fine Instrument, a Classic Instinct|last=Tommasini|first=Anthony|date=2009-09-24|newspaper=The New York Times|issn=0362-4331|access-date=2016-09-07}}</ref> ''[[The Baltimore Sun]]'' deemed it her "most daring album".<ref>{{Cite web|url=http://www.baltimoresun.com/entertainment/arts/artsmash/bs-ae-streisand-legacy-20160813-story.html|title=A fan looks back on 50 years of loving Barbra Streisand|last=Sun|first=Baltimore|access-date=2016-09-07}}</ref> The ''[[Tuscaloosa News]]'' compared Streisand's underwhelming performance of classical music to that of [[Florence Foster Jenkins]].<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1817&dat=19760326&id=ty4dAAAAIBAJ&pg=4128,4428086|title=The Tuscaloosa News - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> The Daily Gazette described it as an "ill-fated...proto-crossover album".<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1957&dat=19920612&id=12ZGAAAAIBAJ&pg=3503,2872433|title=The Daily Gazette - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> ''[[Philippine Daily Inquirer]]'' said it was an "esoteric but laudable project",<ref>{{Cite web|url=https://news.google.com/newspapers?nid=2479&dat=20010804&id=-lQ1AAAAIBAJ&pg=1995,29929585|title=Philippine Daily Inquirer - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> and one of the moments Streisand challenged herself with musical risks in her youth.<ref>{{Cite web|url=https://news.google.com/newspapers?nid=2479&dat=20051015&id=MVQ1AAAAIBAJ&pg=345,19422920|title=Philippine Daily Inquirer - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> ''[[The Village Voice]]'' compared its "hideous...camp" to that of [[Jane Olivor]]'s performance of [[Donovan]]'s ''[[Lalena]]''.<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1299&dat=19771017&id=9wBOAAAAIBAJ&pg=5155,1285300|title=The Village Voice - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> ''[[Beaver County Times]]'' deemed it a "pleasant surprise".<ref>{{Cite web|url=https://news.google.com/newspapers?nid=2002&dat=19760526&id=dF0vAAAAIBAJ&pg=4318,5555681|title=Beaver County Times - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> Sarasota Herald Times said the album saw her "belting out arias".<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1755&dat=19760315&id=IgAkAAAAIBAJ&pg=6526,6120570|title=Sarasota Herald-Tribune - Google News Archive Search|website=news.google.com|access-date=2016-09-07}}</ref> A Singer's Notebook thought Streisand's vocals sounded "repressed".<ref>{{Cite book|url=https://books.google.com/books?id=CmcMhW7kN5IC|title=A Singer's Notebook|last=Bostridge|first=Ian|date=2011-09-22|publisher=Faber & Faber|isbn=9780571254675|language=en}}</ref> ''[[Scotland on Sunday]]'', in an article about the inappropriateness and limitations of many crossover albums, described Streisand's effort as a " decidedly dangerous liaison".<ref>{{Cite journal|date=1999-12-05|title=A perfect executioner|url=https://www.highbeam.com/doc/1P2-18591963.html|archive-url=https://web.archive.org/web/20161008195941/https://www.highbeam.com/doc/1P2-18591963.html|url-status=dead|archive-date=2016-10-08}}</ref>


Classical pianist Glenn Gould wrote: "For me, the Streisand voice is one of the natural wonders of the age, an instrument of infinite diversity and timbral resource...Nothing in this album is insensitive or unmusical".<ref>{{Cite journal|date=2008-12-05|title=Barbra Streisand|url=https://www.highbeam.com/doc/1G1-190106764.html|archive-url=https://web.archive.org/web/20161008194552/https://www.highbeam.com/doc/1G1-190106764.html|url-status=dead|archive-date=2016-10-08}}</ref>
Classical pianist Glenn Gould wrote: "For me, the Streisand voice is one of the natural wonders of the age, an instrument of infinite diversity and timbral resource...Nothing in this album is insensitive or unmusical".<ref>{{Cite journal|date=2008-12-05|title=Barbra Streisand|url=https://www.highbeam.com/doc/1G1-190106764.html|archive-url=https://web.archive.org/web/20161008194552/https://www.highbeam.com/doc/1G1-190106764.html|url-status=dead|archive-date=2016-10-08}}</ref>
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!Peak<br>position
!Peak<br>position
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|align="left"|Canadian Albums (''[[RPM (magazine)|RPM]]'')<ref name="RPMc">{{Cite web |url=http://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.4111b&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.4111b.gif&Ecopy=nlc008388.4111b |title=Top Albums/CDs - Volume 25, No. 3 April 17, 1976 |access-date=March 10, 2016 |archive-url=https://web.archive.org/web/20160310191927/http://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.4111b&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.4111b.gif&Ecopy=nlc008388.4111b |archive-date=March 10, 2016 |url-status=bot: unknown }}. [[RPM (magazine)|RPM]]</ref>
|align="left"|Canadian Albums (''[[RPM (magazine)|RPM]]'')<ref name="RPMc">{{Cite web |url=http://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.4111b&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.4111b.gif&Ecopy=nlc008388.4111b |title=Top Albums/CDs - Volume 25, No. 3 April 17, 1976 |website=[[Library and Archives Canada]] |access-date=March 10, 2016 |archive-url=https://web.archive.org/web/20160310191927/http://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.4111b&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.4111b.gif&Ecopy=nlc008388.4111b |archive-date=March 10, 2016 |url-status=bot: unknown }}. [[RPM (magazine)|RPM]]</ref>
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Revision as of 21:42, 5 August 2022

Classical Barbra
Studio album by
Barbra Streisand
ReleasedFebruary 1976
Length30:08
LabelCBS Masterworks original Columbia reissue
ProducerClaus Ogerman
Barbra Streisand chronology
Lazy Afternoon
(1975) 		Classical Barbra
(1976) 		A Star Is Born
(1976)

Classical Barbra [1] is the eighteenth studio album by Barbra Streisand, released in February 1976 but recorded in 1973. The album consists of songs by classical European composers and includes tracks sung in English, French, Occitan, German, Italian and Latin. The music is performed by the Columbia Symphony Orchestra, conducted by Claus Ogerman.

Leonard Bernstein wrote of the album, "Barbra Streisand's natural ability to make music takes her over to the classical field with extraordinary ease. It's clear that she loves these songs. In her sensitive, straightforward, and enormously appealing performance, she has given us a very special musical experience."

The album has been certified Gold in the United States for sales of 500,000 on May 5, 1999.[2] In 2013 the album was remastered and 2 bonus tracks were added.[3]

Production

Barbra Streisand: The Music, the Woman, The Myth author Shaun Considine claimed that it took six months of secret editing to cut the album together.[4]

Francesco Scavullo was paid $75,000 to take the photograph that adorns the cover of the Classical Barbra album.[5]

This album saw Streisand be awarded her 40th gold album.[6]

Upon its rerelease, Streisand said: "I have always had a special affection for Classical Barbra. I loved the process of developing and making the recording, and I was gratified by the success it had when it was originally released".[7]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[8]
The Independent[10]
Rolling StoneMixed[9]

The album received favorable reviews from music critics. The Washington Post explained that the album was "widely panned" upon its release, though notably it was defended by Glenn Gould.[11] AllMusic gave the album a retrospective rating of 3 out of 5 stars, describing it as one of Streisand's "more esoteric projects" and a surprise to her fans.[12] The Independent said that when the album was first released, it was a "rare and risky gambit".[13] The Second Disk explained that the singer's "clarion voice and dramatic interpretive skills" ensured the album's timelessness.[14] The New York Times said that the album was a "rare instance of [Streisand] being too deferential to the originals".[15] The Baltimore Sun deemed it her "most daring album".[16] The Tuscaloosa News compared Streisand's underwhelming performance of classical music to that of Florence Foster Jenkins.[17] The Daily Gazette described it as an "ill-fated...proto-crossover album".[18] Philippine Daily Inquirer said it was an "esoteric but laudable project",[19] and one of the moments Streisand challenged herself with musical risks in her youth.[20] The Village Voice compared its "hideous...camp" to that of Jane Olivor's performance of Donovan's Lalena.[21] Beaver County Times deemed it a "pleasant surprise".[22] Sarasota Herald Times said the album saw her "belting out arias".[23] A Singer's Notebook thought Streisand's vocals sounded "repressed".[24] Scotland on Sunday, in an article about the inappropriateness and limitations of many crossover albums, described Streisand's effort as a " decidedly dangerous liaison".[25]

Classical pianist Glenn Gould wrote: "For me, the Streisand voice is one of the natural wonders of the age, an instrument of infinite diversity and timbral resource...Nothing in this album is insensitive or unmusical".[26]

Track listing

  1. "Beau Soir" (Claude Debussy) – 2:42
  2. "Brezairola - Berceuse" from 'Songs of the Auvergne' (Joseph Canteloube) – 3:47
  3. "Verschwiegene Liebe" (Hugo Wolf) – 2:57
  4. "Pavane (Vocalise)" (Gabriel Fauré) – 5:29
  5. "Après un rêve" (Gabriel Fauré) – 3:24
  6. "In trutina" from 'Carmina Burana' (Carl Orff) – 2:11
  7. "Lascia ch'io pianga" from 'Rinaldo' (George Frideric Handel) – 3:37
  8. "Mondnacht" (Robert Schumann) – 3:56
  9. "Dank sei Dir, Herr" (Unconfirmed composer; Handel or Siegfried Ochs) – 3:42
  10. "I Loved You" (Claus Ogerman) – 2:18

2013 Remaster Bonus Tracks

  2. "An Sylvia, D.891" (Franz Schubert) – 2:50
  3. "Auf dem Wasser zu singen, D.774" (Franz Schubert) – 3:14

Charts

Weekly charts

Chart (1976) Peak
position
Canadian Albums (RPM)[27] 87
US Billboard 200[28] 46

Certifications

Region Certification Certified units/sales
United States (RIAA)[29] Gold 500,000^

^ Shipments figures based on certification alone.

References

  1. ^ "Classical Barbra". Amazon.co.uk. Retrieved 12 October 2012.
  2. ^ "RIAA: Classical Barbra -Gold Certification". www.riaa.com. Retrieved November 17, 2012.
  3. ^ "Classical Barbra Remaster 2013". Barbra-Archives. Archived from the original on February 7, 2016. Retrieved January 27, 2013.
  4. ^ "The Victoria Advocate - Google News Archive Search". news.google.com. Retrieved 2016-09-07.
  5. ^ "Spokane Chronicle - Google News Archive Search". news.google.com. Retrieved 2016-09-07.
  6. ^ Inc, Nielsen Business Media (1999-06-12). Billboard. Nielsen Business Media, Inc. {{cite book}}: |last= has generic name (help)
  7. ^ "Sony Masterworks to Reissue Barbara Streisand CD". 2013-01-31. Archived from the original on 2016-10-08. {{cite journal}}: Cite journal requires |journal= (help)
  8. ^ Classical Barbra at AllMusic
  9. ^ John Rockwell (June 3, 1973). "Rolling Stone Review-Classical Barbra". www.rollingstone.com. Archived from the original on September 7, 2008. Retrieved November 17, 2012.
  10. ^ Andy Gill (1 February 2013). "Album review: Barbra Streisand, Classical Barbra (Sony Masterworks)". The Independent (U.K.). Retrieved March 14, 2013.
  11. ^ "Crossing Over, Looking Back, Tripping Up (Corrected 11/19/02)". 2002-11-10. Archived from the original on 2016-10-08. {{cite journal}}: Cite journal requires |journal= (help)
  12. ^ "Classical Barbra - Barbra Streisand | Songs, Reviews, Credits | AllMusic". AllMusic. Retrieved 2016-09-07.
  13. ^ "Album review: Barbra Streisand, Classical Barbra (Sony Masterworks)". Independent.co.uk. 2013-02-01. Retrieved 2016-09-07.
  14. ^ "Review: Barbra Streisand, "Classical Barbra: Expanded Edition"". The Second Disc. 2013-02-13. Retrieved 2016-09-07.
  15. ^ Tommasini, Anthony (2009-09-24). "Barbra Streisand: A Fine Instrument, a Classic Instinct". The New York Times. ISSN 0362-4331. Retrieved 2016-09-07.
  16. ^ Sun, Baltimore. "A fan looks back on 50 years of loving Barbra Streisand". Retrieved 2016-09-07.
  17. ^ "The Tuscaloosa News - Google News Archive Search". news.google.com. Retrieved 2016-09-07.
  18. ^ "The Daily Gazette - Google News Archive Search". news.google.com. Retrieved 2016-09-07.
  19. ^ "Philippine Daily Inquirer - Google News Archive Search". news.google.com. Retrieved 2016-09-07.
  20. ^ "Philippine Daily Inquirer - Google News Archive Search". news.google.com. Retrieved 2016-09-07.
  21. ^ "The Village Voice - Google News Archive Search". news.google.com. Retrieved 2016-09-07.
  22. ^ "Beaver County Times - Google News Archive Search". news.google.com. Retrieved 2016-09-07.
  23. ^ "Sarasota Herald-Tribune - Google News Archive Search". news.google.com. Retrieved 2016-09-07.
  24. ^ Bostridge, Ian (2011-09-22). A Singer's Notebook. Faber & Faber. ISBN 9780571254675.
  25. ^ "A perfect executioner". 1999-12-05. Archived from the original on 2016-10-08. {{cite journal}}: Cite journal requires |journal= (help)
  26. ^ "Barbra Streisand". 2008-12-05. Archived from the original on 2016-10-08. {{cite journal}}: Cite journal requires |journal= (help)
  27. ^ "Top Albums/CDs - Volume 25, No. 3 April 17, 1976". Library and Archives Canada. Archived from the original on March 10, 2016. Retrieved March 10, 2016.{{cite web}}: CS1 maint: bot: original URL status unknown (link). RPM
  28. ^ "Barbra Streisand Chart History (Billboard 200)". Billboard. Retrieved March 9, 2016.
  29. ^ "American album certifications – Barbra Streisand – Classical Barbra". Recording Industry Association of America.

Further reading

Retrieved from "https://en.wikipedia.org/w/index.php?title=Classical_Barbra&oldid=1102593706"