Oriental Art Center: Difference between revisions
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The '''Oriental Art Center''' ({{zh| |
The '''Shanghai Oriental Art Center''' ([[Chinese language|Chinese]]: {{lang|zh|{{linktext|上海|东方|艺术|中心}}}}, <small>[[pinyin|p]]</small> ''Shànghǎi Dōngfāng Yìshù Zhōngxīn''), abbreviated '''SHOAC''', is one of the leading performance and cultural facilities in [[Shanghai]], [[PRC|China]]. Located on [[Century Avenue]] in [[Pudong]], it was officially opened at the end of 2004. |
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==Performances== |
==Performances== |
Revision as of 07:05, 18 December 2014
Oriental Art Center | |
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General information | |
Type | Arts complex |
Location | Pudong, Shanghai, China |
Construction started | 26 March 2002 |
Completed | 31 December 2004 |
Inaugurated | 1 July 2005 |
Technical details | |
Structural system | Reinforced concrete frame, steel roof girder, glass facade |
Design and construction | |
Architect(s) | Paul Andreu |
The Shanghai Oriental Art Center (Chinese: 上海东方艺术中心, p Shànghǎi Dōngfāng Yìshù Zhōngxīn), abbreviated SHOAC, is one of the leading performance and cultural facilities in Shanghai, China. Located on Century Avenue in Pudong, it was officially opened at the end of 2004.
Performances
Various cultural and musical performances are held in the center, beginning from the 2005 Berlin Philharmonic Orchestra Shanghai Concert. The venue is a regular venue for concert performances, including concerts of western opera by the CNOH company.[1] Shanghai Jingju Company, Shanghai Yueju Theatre and Shanghai Kunqu Theatre.
Architecture
The building was designed by French architect Paul Andreu and the Huadong Architectural Design & Research Institute Co., Ltd.. It merges architectural artistry with functionality. The material of the façades is mainly laminated glass incorporating perforated metal sheets. The five interconnected hemispherical halls or 'petals', resembling a butterfly or butterfly orchid from above, each 'petal' belonging in turn to the entrance hall, the Performance Hall, the Concert Hall, the Exhibition Hall, and the Opera Hall, respectively. To avoid confusion when inside, the interior of each of the five segments are decorated with large distinctly coloured pebbles hung on the walls as a means of differentiating between them. Inside, the dark granite floors and richly hued furnishings offer the feeling of being inside a forest, while the metal-layered glass screen walls filter the sunshine for a softly diffused forest floor effect.
The project includes also all the suitable backstage facilities for the needs of the performance control areas, performances premises such as dressing rooms, rehearsal rooms and lounges. The high-tech ceiling changes colour during the night to reflect the nature of the performances inside. It also features ancillary public facilities, such an exhibition hall, music shops, restaurant and arts exchange premises.