Annette Vogel

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Annette Vogel (* 1963 in Heilbronn ) is a German art historian and curator .

Career

Annette Vogel studied art history , German literature and economics in Munich , Berlin and Freiburg i. Br. She wrote her master's thesis on Joseph Beuys . She was at the Museum of New Art in Freiburg i. Br. Before she moved to the Serge Sabarsky Gallery in New York. As a result she worked in New York and Germany in the art trade, collection management and international exhibition management. a. In 1993 she helped set up the Egon Schiele Center in Krumau (Czech Republic).

From 1996 to 2013 she headed the Serge Sabarsky Inc. representative in Berlin and Munich. Here she was responsible for the collection in New York as well as for exhibitions in Europe. Parts of the Expressionism collection she oversees are now in the Neue Galerie in New York.

Vogel has been a freelance curator for art collections and foundations since 1997 and realizes exhibitions for museums, institutions and exhibition houses in Germany and abroad. She is the editor and author of numerous publications on the art of German and Austrian expressionism , classical modernism and contemporary art. Between 2001 and 2004 she was a partner in a gallery in Berlin-Mitte with positions on contemporary conceptual art.

They also curated the since 2009 ADAC -Kunstsammlung that in the center is the company in Munich and includes works by international contemporary artists who deal with the subject of "Mobility". She imparts curatorial knowledge as a lecturer at the Academy of Fine Arts in Munich .

Vogel is a member of the International Council of Museums (ICOM), the Corporate Collections working group , the cultural group of German business and the Association of German Art Historians . In addition, she is involved in Munich with the Friends of the Pinakotheken , the Friends of the House of Art , the State Graphic Collection , the Munich Art Association and the Munich Academy Association and is a member of various juries for contemporary art.

Vogel is the author and editor of numerous publications on the art of German and Austrian Expressionism , classical modernism and contemporary art.

She lives and works in Munich and Berlin.

Exhibitions (selection)

Publications (selection)

Exhibition catalogs

  • as editor: Oskar Kokoschka. The early years. Exhibition for Serge Sabarsky , Städtische Galerie Klagenfurt 1997, ISBN 978-3921561324 .
  • with Bertrand Lorquin, Hans Wilderotter: Allemagne. Les Annees Noires. Catalog for the exhibition Musée Maillol Paris 2007, Verlag Gallimard, ISBN 978-2-0701-1911-0 .
  • as ed. with Magdalena Moeller: Emil Nolde, Weltsicht, Farbe, Phantasie. Exhibition catalog. Balingen 2008, Hirmer Verlag Munich, ISBN 978-3-7774-4535-9 .
  • as editor: Gustav Klimt. Beethoven frieze. Drawings. Catalog for the exhibition Stadthalle Balingen 2010, Hirmer Verlag Munich 2010, ISBN 978-3-7774-2881-9 .
  • Annette Vogel et al .: George Grosz, de Berlín a Nova York. Obres 1912-1949. Exhibition catalog. Publishing house Obra Social "la Caixa", Barcelona 2012.
  • as ed. with Daniel J. Schreiber: Grosz. War grotesque. Catalog for the exhibition Buchheim Museum Bernried, Buchheim Verlag Feldafing 2014.
  • as ed. with Katharina Henkel: Das Auto in der Kunst. Furious passion. Catalog for the exhibition Kunsthalle in Emden - Henri and Eske Nannen Foundation 2017, Wienand Verlag Cologne 2017, ISBN 978-3-86832-401-3 .
  • as editor: Hans Purrmann - colorist of modernism. Catalog for the exhibition Kunstforeningen GL Strand, Copenhagen / Kunsthalle Vogelmann, Heilbronn 2019/2020, Hirmer Verlag Munich 2019, ISBN 978-3-7774-3364-6 .

Essays

  • Dancer in the forest. In: Ernst Ludwig Kirchner. Models, nudes, cocottes. Stadthalle Balingen 2013, Hirmer, Verlag München 2013, pp. 203-20.
  • Erich Heckel in southern Germany - It's always the case that I have an ideal home and find pieces of it here and there. In: Erich Heckel. The great expressionist , Stadthalle Balingen 2013, Hirmer Verlag, Munich 2013, pp. 250–256, ISBN 978-3-7774-9071-7 .
  • About sensuality and aura. The tense relationship between drawings and paintings in Gustav Klimt's work. In: Gustav Klimt. Disegni intorno al Fregio di Beethoven , Spazio Oberdan, Milan 2012, Skira Verlag Milan 2012, ISBN 978-88-572-1405-4 , pp. 13-19.
  • Art as a rifle and saber. In: George Grosz. Against the grain , Städtische Museen Heilbronn 2008, Edition Braus-Wachter Verlag, pp. 22-29, ISBN 978-3-89904-324-2 .
  • Klimt - Schiele - Kokoschka. The departure into the modern age. In: Klimt, Schiele, Kokoschka. Act, gesture, psyche. Edition Braus in Wachter-Verlag 2006, pp. 19-27, ISBN 978-3-89904-265-8 .
  • Oskar Kokoschka. Departure into the modern age. In: Oskar Kokoschka , The Nordic Watercolor Skärhamn 2006, pp. 40–45.
  • To the erotic drawings by Gustav Klimt. In: Gustav Klimt, Disegni Proibiti , Castello Visconteo Pavia 2005, pp. 13-19.

Web links

Individual evidence

  1. ↑ This includes above all. Exhibitions on Oskar Kokoschka in 1997 and 1998; to Emil Nolde 1997 and 1998; to Max Beckmann 1998; on Gustav Klimt 1997 or Egon Schiele 1997.
  2. ↑ a b Art Academy meets ADAC - an exhibition project with students from the Academy of Fine Arts in Munich as part of the “Mobility of the Future” seminar. In: Academy of Fine Arts Munich. Retrieved August 22, 2020 .
  3. ↑ Art Prize 2017 | Art Club13. Retrieved August 22, 2020 .
  4. ↑ cf. this u. a. Alan Riding: Germany's Black Years seen from the Inside , New York Times, November 3, 2007 , accessed August 22, 2020
  5. ↑ cf. this u. a .: Klimt's Beethoven Frieze: Replica in Balingen , Main Post, July 11, 2010 , accessed on August 22, 2020
  6. ↑ GROSZ Exhibition - Guided tour with Annette Vogel buchheimmuseum.de of 22 July 2014 accessed on 21 August 2020th
  7. ^ Schwarzwälder Bote: Balingen: Kirchner exhibition officially opened - Black Forest Bote. July 2, 2016, accessed August 21, 2020 .
  8. ↑ cf. this u. a .: Till Briegleb: Art - Die Antike der Fortbewegung , Süddeutsche Zeitung, September 3, 2017 or article by Peter Kunz, in: heute journal, July 14, 2017 , accessed on August 22, 2020
  9. ↑ cf. this u. a .: Mai Misfeldt: The var kraft i Purrmanns palet , Kristeligt Dagblad, May 9, 2019 , accessed on August 22, 2020
personal data
SURNAME Vogel, Annette
BRIEF DESCRIPTION German art historian and curator
DATE OF BIRTH 1963
PLACE OF BIRTH Heilbronn