Detlev von Hadeln

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Detlev von Hadeln (completely Detlev Moritz Georg Heinrich Wilhelm Freiherr von Hadeln , born May 26, 1878 in Arolsen , † April 19, 1935 in Florence ) was a German art historian . His specialty was Venetian painting .

Life

Detlev von Hadeln was the son of the finance chamber president and real secret councilor Heinrich von Hadeln (1837-1901) and his wife Ida nee Freiin von Hollen (1848-1916) and grandson of the officer Heinrich Hellmuth von Hadeln . He entered the grammar school preschool in Weimar at Easter 1885 , attended the Weimar grammar school from Easter 1888 and graduated from the grammar school in Gütersloh in August 1899 . He initially studied law in Geneva , Munich , Berlin , Leipzig and Bonn . Eventually Detlev von Hadeln switched to studying art history ; studied relevant monuments in Italy for a year and stayed at the philosophical faculty of the Berlin University in 1904 and at the University of Jena in 1905 . At the end of 1905 he received his doctorate from Botho Graef in Jena with the dissertation The most important forms of representation of H. Sebastian in Italian painting up to the end of the Quattrocento for Dr. phil. PhD . In addition to Graef, Hadeln owed his academic training to Alexander Cartellieri , Rudolf Eucken , Adolf Lasson , Reinhard Kekulé von Stradonitz and Heinrich Wölfflin .

In 1909 Hadeln spent a year at the Kunsthistorisches Institut in Florence thanks to a grant , was assistant in the Dresden Kupferstichkabinett in 1912 and librarian at the Berlin museums from 1912 to 1914 .

The war interrupted Detlev von Hadeln's research. He served as captain of the artillery and was temporarily assigned to the art protection department initiated by the Supreme Army Command under Theodor Demmler in Saint-Quentin .

After the war, Hadeln first took up residence in Venice and then settled in Florence in 1925, where he lived as a private scholar . From there he traveled to Vienna , Paris , Munich, London and other cities and visited collections of Italian art. In the artist lexicon Thieme-Becker , he wrote numerous articles on Italian painters - for example Bonifazio Veronese , Benedetto Caliari , Paolo Veronese , Domenico Campagnola and Camillo di Capelli - from volumes 1 to 12 under the signature Hadeln . He was acquainted with Joseph Conrad and Marcus Behmer .

He died of a heart attack right on the doorstep of his villa in Careggi .

family

Detlev von Hadeln had two older siblings - sister Marie Adelheid Freiin von Hadeln (a painter, called Mimi; * August 28, 1873 in Arolsen) and brother Wilhelm (1876–1930). On November 14, 1929, Detlev von Hadeln in Berlin adopted Harry Hudson as a child, who was born in 1907 in West Hartlepool, northeast England, in poor conditions. Detlev von Hadeln is Moritz de Hadeln's grandfather.

Fonts (selection)

A complete list of publications can be found in Rivista d'Arte 18, 1936, pp. 418-423.

  • The most important forms of representation of H. Sebastian in Italian painting up to the end of the Quattrocento . JH Ed. Heitz, Strasbourg 1906 (= dissertation University of Jena 1905, digitized , with curriculum vitae).
  • Drawings by Giacomo Tintoretto . Paul Cassirer, Berlin 1922 ( archive.org ).
  • Notes on Carlo Ridolfi's Le maraviglie dell'arte ovvero Le vite degli illustri pittori veneti e dello stato from 1648 . 2 volumes, Gustav Grote, Berlin 1914 and 1924.
  • Drawings by Titian . Paul Cassirer, Berlin 1924.
  • Venetian drawings of the Quattrocento. Paul Cassirer, Berlin 1925.
  • Late Renaissance Venetian drawings. Paul Cassirer, Berlin 1926.
  • Hand drawings by Giovanni Battista Tiepolo. Kurt Wolff, Munich 1927.
  • The drawings by Antonio Canal, called Canaletto . Anton Schroll, Vienna 1930.
  • Master drawings from the Franz Koenigs-Haarlem collection. Venetian masters. Prestel, Frankfurt am Main 1933.

literature

Web links

Remarks

  1. ^ Inge Jacob: Marie Adelheid von Hadeln .