Diego Francesco Carlone

from Wikipedia, the free encyclopedia

Diego Francesco Carlone (* 1674 in Scaria ; † June 25, 1750 ibid) was a plasterer from the Carlone family of artists .

Life

Diego Francesco Carlone was born in 1674 as the third of eight children of plasterer Giovanni Battista Carlone and his wife Taddea Maddalena Allio. He apprenticed to his father, whose workshop was run by grandfather Pietro Francesco at the cathedral building site in Passau.

Around 1694 he went on a hike and stayed for a study visit to Rome. In 1695 the Carlone and Allio's workshop moved to the Upper Palatinate. Diego Francesco Carlone and his cousin Paolo d'Allio worked in Amberg. The fruitful collaboration between the two continued over the next few decades. In 1704 Diego married Francesco Carlone in his hometown Maria Francesca Allio. The couple had five children.

In 1701 Carlone took over the management of the workshop. Until 1714 Carlone was mainly active in Austria, then in southern Germany. Carlone concentrated mainly on the drafts and left the execution of decorative forms to specialized employees. The figures were shaped mainly with models . The master himself did the last revision of the rough stucco figures and developed his own style here. The majority of the oeuvre is made up of larger-than-life robed figures, which were almost exclusively white. Carlone also made numerous framed figure reliefs. Occasionally Carlone's workshop also carried out other people's designs, such as those by Johann Bernhard Fischer von Erlach at the Salzburg Collegiate Church or in Kleßheim Palace .

Carlone died in 1750 in his hometown Scaria, where he created over 40 figures for his home church shortly before his death.

Works

Figure on the high altar of St. Martin's Basilica , Weingarten
Statue St. Paul, crucifixion altar, Basilica St. Martin, Weingarten

Austria

  • St. Florian near Linz, Upper Austria, Augustinian Canons , Imperial Chamber and Prelate Chapel: the life-size stucco statues are from Diego Carlone.
  • Kremsmünster , Upper Austria, southeast of Wels, on the Krems, Benedictine monastery, Kaisersaal: the stuccoing of the Kaisersaal did not take place until 1719.
  • Lambach , Upper Austria, southwest of Wels, on the Traun, Benedictine monastery ,
    • Collegiate Church of the Assumption, high altar: the trinity group with angels and stucco clouds were created by Paolo d'Allio and Diego Francesco Carlone.
    • Monastery building, New Convent, stuccoing of the ambulatory (1707–1709) and the summer refectory
  • Linz , Landstrasse, Carmelite Church of St. Josef: Diego Francesco Carlone and Paolo d'Allio have been handed down as plasterers.
  • Salzburg
    • Universitätsplatz, Kollegienkirche: The stucco was made according to Johann Bernhard Fischer von Erlach's designs by Diego Francesco Carlone and Paolo d'Allio.
    • Kleßheim Palace , party rooms: The stucco was created by Paolo d'Allio and Diego Francesco Carlone.

Germany

  • Weingarten , Baden-Württemberg, Benedictine monastery , basilica, figurines on the large altars (high altar and transept altars):
    • The stucco figures of Peter and Paul on the high altar.
    • The stucco figures of St. Joachim and St. Anna at the south transept altar, whose altar panel shows Carlo Carlone's Descent from the Cross. These altar figures represent his main work. They date from the period from 1723 to 1725.
  • Ansbach , Bavaria, Middle Franconia, residence:
    • The elegant stucco decoration of the Great Hall was created between 1736 and 1740.
    • The stucco work of the margrave's apartment dates from 1736 to 1740.
  • Ellwangen , eastern Baden-Wuerttemberg, near Aalen, former collegiate church: The Romanesque collegiate church was given a baroque style by the architect Donato Retti, who came from Ludwigsburg Castle, from 1737 to 1740; he was assisted by Diego Carlone and Emanuele Pighini . The stucco ornamentation only uses bands, grids and cartouches with restraint. Emanuele Pighini from Laino created the console figures on the pillars of the nave: Apostles, evangelists and Salvator mundi, probably based on designs by Diego Carlone.
  • Ludwigsburg , Baden-Württemberg, north of Stuttgart, Ludwigsburg residential palace :
  • Passau , study church St. Michael , former Jesuit church (not far from Niedernburg monastery ): the figures of the altar. (The altarpiece with the angel's fall also comes from a Carlone. It was created much later than the church.)
  • Amberg , Bavaria, Upper Palatinate, Mariahilf pilgrimage church: the figures were created in 1701 and 1717.

Switzerland

  • Einsiedeln , Switzerland, pilgrimage church : From 1730 to 1743, Diego Francesco Carlone created 16 statues, the allegorical decorations of the eight old altars in the nave, as well as the two grave monuments above the crypt of the prince abbots .

literature

Web links

Commons : Diego Francesco Carlone  - Collection of images, videos and audio files

Individual evidence

  1. a b c d Diego Francesco Carlone , Baroque Buildings in Southern Germany and Switzerland, sueddeutscher-barock.ch, accessed on March 1, 2019
  2. ^ Diego Francesco Carlone . In: General Artist Lexicon . The visual artists of all times and peoples (AKL). Volume 16, Saur, Munich a. a. 1997, ISBN 3-598-22756-6 , p. 436, accessed March 1, 2019