Erhard Fischer (director)

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Martin Erhard Fischer (born November 10, 1922 in Radeberg ; † December 20, 1996 in Berlin ) was a German music theater director .

biography

Erhard Fischer studied with Heinz Arnold in Dresden. He made his directorial debut in Radebeul with Mozart's Die Entführung aus dem Serail . 1950 to 1960 he worked as an assistant or director at the Dresden State Opera . From 1960 to 1965 he worked under the opera director Joachim Herz as senior director and artistic director of the small house at the Leipzig Opera ; this is where productions by Fidelio , Aida , Tannhäuser and Nabucco were created .

In 1965 he moved to the Staatsoper Unter den Linden Berlin as senior director, and from 1969 as "chief director" . Here he was also the director of rarities such as Der goldene Hahn , Die Nase , der Katerina Ismaelova ( Stalinist second version of Lady Macbeth of Mzensk ), The Devils of Loudun , The Sicilian Vespers and Hans Pfitzner's Palestrina (with Peter Schreier in the title role). Among the world premieres he staged for the first time were Joe Hill by Alan Bush , Karin Lenz by Günter Kochan and Meister Röckle by Joachim Werzlau .

The engagement of Fischer as chief director of the State Opera by its boss, the harpsichordist Hans Pischner , turned out to be farsighted, as Fischer represented a moderate antithesis to the music theater style of the Komische Oper Berlin , which was influenced by Felsenstein , and yet as a former colleague of directors like Joachim Herz with a skillful directing craft brought both classics and world premieres to success.

Fischer has also made guest appearances as a director in Warsaw , Moscow , Geneva and in various theaters in West Germany, Switzerland and Sweden .

In addition, he was also (successively) a lecturer and later department head at the music academies in Leipzig , Dresden and Berlin .

theatre

Awards

literature

  • Dieter Kranz: Berlin theater. 100 performances from three decades , Berlin 1990 - Conversations with Fischer and Werz about Ariadne auf Naxos (pp. 97-100), The Nose (143-47), The Devils of Loudun (241-44), and The Wonderful Shoemaker's Wife by Zimmermann (369-73) and short biography (503).