Hertha Martin

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Hertha Martin (actually Herta Dolezal ; born March 17, 1930 in Baden , Lower Austria ; † April 2004 ) was an Austrian film and theater actress .

Act

Hertha Martin, born as the daughter of the couple Franz and Emma Dolezal, received private acting lessons from Maria Eis . She began her stage career at the Vienna theaters, a. a. at the Burgtheater and at the Theater in der Josefstadt . From the 1954/55 season she appeared at the Hamburger Kammerspiele . In 1955 (according to another source: 1956) she made guest appearances at the Komödie Basel (in Molière's school for women ) and in 1961 at the Theater am Kurfürstendamm . Martin also played in Stuttgart and was a permanent member of the United City Theaters of Krefeld-Mönchengladbach from 1969 to 1985 .

Martin starred in a number of television films in the post-war period; she worked with directors such as Franz Antel , Gerhard Klingenberg , Hans H. König , Georg Marischka , Wilhelm Semmelroth , Rudolf Steinboeck ( Adventure in the Castle , 1952) and Eugen York ( A Heart Returns , 1956). She had her first film appearance (still as Herta Dolezal) in the musical comedy Kleine Melodie aus Wien (1948) directed by EW Emo , at the side of Paul Hörbiger , Maria Andergast and Annie Rosar .

At the Vienna Theater she was seen in Christian Dorn's production of George Bernard Shaw's Die heilige Johanna , in which Klaus Kinski played his last theater role. Furthermore, she often played in TV productions by Michael Kehlmann (with whom she was married), a. a. mostly literary adaptations such as Horvath's adaptations of plays such as Kasimir and Karoline (1958), stories from the Vienna Woods (1964) or Italian Night (1967). In Kehlmann's Radetzkymarsch (based on the novel of the same name by Joseph Roth ) she played alongside Leopold Rudolf and Helmut Lohner . In 1963 she had the leading role in the Pirandello film The Naked Dress (directed by Hans-Reinhard Müller ), alongside Paul Bösiger and Herbert Fleischmann . She was also a speaker for radio play productions and had roles in films by Wolfgang Glück , Walter Rilla , Fritz Umgelter and Kurt Wilhelm . Most recently she played in Kehlmann's Joseph Roth adaptation Tarabas (1981) and alongside Martin Reinke in Joachim Fontheim's film adaptation of Horvath's drama The Youngest Day .

The author Maria Happel reports in her radio play Das Schnitzel has been changed - What happened so far (2012) about her friend Hertha Martin, the first wife of Michael Kehlmann, and her death in Switzerland, which Kehlmann's son Daniel also wrote in his book " Ruhm " (2009) discussed.

Filmography

  • 1948: Little melody from Vienna
  • 1950: There is no sin on the Alm
  • 1952: Adventure in the Castle (Director: Rudolf Steinboeck)
  • 1953: Have no worries for once (Director: Georg Marischka)
  • 1955: Wrongly connected (Director: Michael Kehlmann)
  • 1956: A Heart Returns (Direction: Eugen York)
  • 1957: A day out (Director: Wilhelm Semmelroth)
  • 1957: And something like that wants to grow up (Director: Hans H. König)
  • 1957: The Petrified Forest (Director: Michael Kehlmann)
  • 1958: Kasimir and Karoline (based on Ödön von Horvath , director: Michael Kehlmann)
  • 1961: The Last Day (based on Ödön von Horvath, director: Michael Kehlmann)
  • 1961: Jack Mortimer
  • 1962: He wants to make a joke (based on Johann Nestroy , director: Michael Kehlmann)
  • 1963: South (Director: Gerhard Klingenberg)
  • 1963: The possessed (based on Albert Camus , director: Michael Kehlmann)
  • 1963: Der Bockerer (based on Ulrich Becher , director: Michael Kehlmann)
  • 1963: Reporter (Director: Michael Kehlmann)
  • 1963: Dressing the Naked (based on Luigi Pirandello , director: Hans-Reinhard Müller)
  • 1964: The Talisman (based on Nestroy, director: Michael Kehlmann)
  • 1964: The criminals
  • 1964: Day and Night (Director: Fritz Umgelter)
  • 1964: Stories from the Vienna Woods (based on Horvath, director: Michael Kehlmann)
  • 1965: Radetzkymarsch (based on Joseph Roth , director: Michael Kehlmann)
  • 1965: Don Juan or the love of geometry (based on Max Frisch , director: Michael Kehlmann)
  • 1966: The Companion (based on Arthur Schnitzler , Director: Peter Steinbach , ARD / WDR production)
  • 1967: Italian Night (based on Horvath, director: Michael Kehlmann)
  • 1967: Report by a coward, director: Michael Kehlmann)
  • 1967: In vain (based on Nestroy, director: Michael Kehlmann)
  • 1967: The Hero's Coat (Direction: Walter Rilla)
  • 1967: Short trial
  • 1968: Bomb Waltz (Director: Kurt Wilhelm)
  • 1968: The game of love and chance (Director: Hans-Reinhard Müller)
  • 1989: Room 13 ((TV series)
  • 1968: The Violet (Director: Wolfgang Glück)
  • 1968: The Unknown from the Seine (based on Horvath, Director: Michael Kehlmann)
  • 1968: Castle in the Clouds (Director: Michael Kehlmann)
  • 1969: Father Brown (TV series)
  • 1969: A village without men (based on Horvath, director: Michael Kehlmann)
  • 1969: The Legacy (Director: Walter Rilla)
  • 1970: Alone (Director: Michael Kehlmann)
  • 1975: The White City (based on Milo Dor , Director: Michael Kehlmann)
  • 1981: Tarabas (based on Joseph Roth, director: Michael Kehlmann)
  • 1985: The Judgment Day (based on Horvath, Director: Joachim Fontheim)

Radio plays (selection)

literature

Web links

Individual evidence

  1. ↑ Christian David Kinski: The biography . Structure, Berlin 2008, ISBN 978-3-7466-2434-1 .
  2. ↑ a b Maria Happel: THE SCHNITZEL IS REPLACED. What happened until now…
  3. ↑ Mycenae Theater Correspondence, Volume 17, spending 22-35 Mycenae-Verlag J. Bauer KG, 1967
personal data
SURNAME Martin, Hertha
ALTERNATIVE NAMES Dolezal, Herta (real name)
BRIEF DESCRIPTION Austrian actress
DATE OF BIRTH March 17, 1930
PLACE OF BIRTH Baden , Lower Austria
DATE OF DEATH April 2004