Johann Jacob Pock

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Family coat of arms

Johann Jacob Pock (also Jakob, * 1604 in Konstanz on Lake Constance , then incorporated into the Habsburg Front Austria ; †  February 12, 1651 in Vienna ) was a German master stonemason and sculptor as well as head of the Viennese building works . His brother was the painter Tobias Pock . The brothers Jacob and Tobias created a monumental total work of art with the high altar in St. Stephen's Cathedral in Vienna.

Life

Berchtesgaden, collegiate church

Constance was re - Catholicized in the course of the Counter Reformation . The city served the Habsburgs as a bulwark against further expansion of the Confederation to the north. To consolidate the Catholic consciousness, a Jesuit college was founded with a papal bull in 1604 against resistance in the city .

Berchtesgaden Collegiate Church

The first known works from his hand are two epitaphs in the collegiate church Berchtesgaden , for JB von Berfall in 1627 and Regina Haas in 1629.

The Roman-German king and later Emperor Ferdinand I had already ordered the Jesuits to fight against the Protestants in Vienna in 1551 . When Johann Jacob Pock in Vienna in the 1630s Dombauhütte was recorded, which was Lutheran doctrine marketed and Vienna again a largely Catholic city. A dense network of religious controls left no hiding places and evasive options for the evangelicals, but this network also subjected the Catholics to unprecedented surveillance.

High altar from St. Stephen's Cathedral in Vienna

Creative time in Vienna

Imperial Oratorio

From 1636 Pock was a tenant in the Wibmerviertel (in the Wipplingerstraße area), then the house owner in the Schottenviertel. The tax payment suggests a small house.

High altar of St. Stephen's Cathedral

He created this work of art on behalf of Prince Archbishop Philipp Friedrich von Breuner .

On June 6, 1643 he married Barbara Trostnerin, widow of Heinrich Trostner, citizen and stone cutter .

Imperial oratorio

His second major completed work in St. Stephen's Cathedral was the imperial oratorio begun in 1644 and completed in March 1646.

Marian column

Marian column, originally Am Hof, from 1667 in Wernstein am Inn

When, towards the end of the Thirty Years' War in 1645, the Swedish troops stood at the gates of Vienna and threatened to besiege the city, Emperor Ferdinand III vowed . the erection of a large pillar in honor of Maria Immaculata in case the Swedes leave . This happened and the sculptor Johann Jacob Pock was commissioned to create the monument for the Am Hof square .

In 1667, Emperor Leopold I arranged for the memorial made of sandstone and granite to be transferred to Wernstein Castle in Upper Austria and replaced with a bronze copy (see Marian column in Vienna ).

Oberzechmeister of the Wiener Bauhütte

Every year the stonemasons and bricklayers were elected a carpentry master in December. The Unterzechmeister moved up to the office of Oberzechmeister. Pock was Unterzechmeister in 1647/1647, the masters elected him on November 24th, 1647 for 1648 as Oberzechmeister.

Construction expert at Klosterneuburg Abbey

On January 11, 1648, Abbot Rudolph of Klosterneuburg Monastery and the imperial court sculptor Pietro Maino Maderno signed a contract for the final completion of the work commissioned in 1642. That was the commenced second tower and vault in the cloister , interrupted "because of unexpected difficult wars and troubled times". Present were master stonemason Johann Jacob Pock, Oberzechmeister der Wiener Bauhütte , and architect Filiberto Lucchese , who countersigned the contract.

Design of the new tube well (trench well)

The moat well today

On June 18, 1648, the master stonemason from Kaisersteinbruch, Hieronymus Bregno , who was also a member of the Vienna stonemasonry brotherhood , received 100  fl down payment for a new fountain at Graben in Vienna. His journeyman was Francesco della Torre , who later became the Prague court stone mason. On June 14, 1651, after Bregno's death, the settlement took place. The remaining money was paid to Mr. Richter in the imperial quarry Pietro Maino Maderno as heir.

Master Johann Jacob had designed a Jupiter statue for this fountain , since he had died in the meantime, his widow Barbara received the remaining 509 fl.

His death and an epitaph in the Schottenstift

The master died on February 12, 1651. In the death record one entered: "Hannß Jacob Pockh sculptor and Steinmez in common townhouse in deep graben is different at the Windtwasserßucht , old 47 years."

In the midst of famous noble families , Hans Jacob Pock found his final resting place in the Schottenstift . The monument (173 × 83 cm) consists of a recessed oval, from this frame the bust of the master emerges prominently and purposefully. The bust itself is made of Untersberg marble and certainly comes from the workshop of the deceased master. Above his head is a leaping goat, feasting on the leaves of a plant. Below is the head of a horned buck with the stretched fur of a buck, another allusion to its name.

The text of the inscription epitaph
My dear reader, stand still here, hear what I want to tell you.
A brave man buried here, Hanns Jakob Bock that was his name
A stonemason, sculptor according to art, His work brought him honor and favor
Bey Sanct Stephan the high altar, Saul in the court his work was also the
death of the artist Preyss Yes Nobody waiss to spare
Tear him away from this world when one tents six hundred and fifty-one,
He died on February 12th, his age Sibn and forty years. -
His descendants Faithful in Eh und Rhum, Makes him diss Epitaphium
Diss Bild gives you his Conterfey. The goat skin is the name of the fact that
the gracious God be gracious to him, also give a merry birth.
Pock JJ Epitaph.JPG

The left widow continued the stonemason business until 1653. She was then followed into the hut, which was located in the Roßau , by the cathedral master builder at St. Stephan Adam Haresleben .

literature

Individual evidence

  1. ^ Walter Kalina: The Marian Columns in Wernstein am Inn (1645/47), Vienna (1664/66), Munich (1637/38) and Prague (1650). In: Bundesdenkmalamt (Ed.): Austrian Journal for Art and Monument Preservation 58, 2004, no. 1, pp. 43–55.
  2. Monuments and epitaphs outside the mausoleum . In: Association for the history of the city of Vienna (ed.): Reports and communications of the antiquity association in Vienna . tape 17 , 1st half. Gerold and Son, Vienna 1877, p. 40-43 , XXXVIII. and Figure 16 on p. 39 ( Textarchiv - Internet Archive - Here “light Salzburg marble” is given as the material of the bust).